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Woman In A Man's Life
Songs like
Woman In A Man's Life
by
Josiah Johnson
Based on a tempo of (+/- 10%) and a similar genre
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Beta Radio
I Need My Prayers
172 bpm • A# Maj • 03:18 • -11.09db
32% Popularity • 40% Danceability • 48% Energy • 14% Liveness
30% Instrumentalness • 15% Positiveness
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Josiah Johnson
Woman In A Man's Life
172 bpm • G Maj • 04:41 • -7.22db
10% Popularity • 40% Danceability • 80% Energy • 13% Liveness
67% Instrumentalness • 68% Positiveness
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BAILEN
Careless Wishing
172 bpm • E Maj • 03:49 • -13.95db
21% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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The Dead Tongues
Equinox Receiver
173 bpm • G Maj • 03:26 • -14.29db
11% Popularity • 31% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
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Mipso
Big Star
170 bpm • C Maj • 04:55 • -12.99db
11% Popularity • 38% Danceability • 25% Energy • 9% Liveness
6% Instrumentalness • 15% Positiveness
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Henry Jamison
Real Peach - Recorded at Spotify Studios...
170 bpm • A Maj • 03:15 • -12.64db
35% Popularity • 38% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Melanie MacLaren
Graveyard Shift
170 bpm • C Maj • 03:36 • -8.93db
19% Popularity • 40% Danceability • 56% Energy • 9% Liveness
8% Instrumentalness • 36% Positiveness
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Josiah Johnson
Same Old Brick
170 bpm • G Maj • 05:16 • -11.02db
5% Popularity • 48% Danceability • 74% Energy • 12% Liveness
70% Instrumentalness • 53% Positiveness
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Darlingside
Mountain + Sea
170 bpm • A# Maj • 03:54 • -8.07db
11% Popularity • 46% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Ken Yates
Best of the Broken Things
175 bpm • A# Maj • 04:18 • -12.13db
15% Popularity • 41% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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The Lowest Pair
Too Late Babe
169 bpm • D Maj • 04:49 • -8db
36% Popularity • 37% Danceability • 68% Energy • 14% Liveness
63% Instrumentalness • 25% Positiveness
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The Riverside
Sierra
176 bpm • D Maj • 04:11 • -10.7db
30% Popularity • 42% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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The Staves
Failure
169 bpm • D Maj • 04:07 • -7.7db
34% Popularity • 35% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Beta Radio
Kilimanjaro (Acoustic)
176 bpm • A# Maj • 03:29 • -10.73db
36% Popularity • 35% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Eddie Berman
The Match
176 bpm • C Maj • 05:38 • -12.44db
15% Popularity • 37% Danceability • 40% Energy • 8% Liveness
63% Instrumentalness • 6% Positiveness
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Darlingside
Time Will Be
167 bpm • A min • 04:18 • -9.66db
17% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Ken Yates
Grey County Blues
166 bpm • A Maj • 03:50 • -17.91db
34% Popularity • 44% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Fruit Bats
Ocean
166 bpm • C Maj • 03:18 • -13.19db
51% Popularity • 56% Danceability • 27% Energy • 11% Liveness
14% Instrumentalness • 31% Positiveness
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Humming House
Change Comes Slow
179 bpm • G# Maj • 03:18 • -7.67db
26% Popularity • 32% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Beta Radio
Afraid of Love
180 bpm • D Maj • 04:28 • -10.13db
29% Popularity • 39% Danceability • 55% Energy • 24% Liveness
3% Instrumentalness • 14% Positiveness
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Last Year's Man
Wild, Wild Heart
180 bpm • E Maj • 03:55 • -14.14db
11% Popularity • 36% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Horse Feathers
Curs in the Weeds - Reprise
164 bpm • F# min • 04:00 • -10.12db
11% Popularity • 29% Danceability • 33% Energy • 21% Liveness
1% Instrumentalness • 10% Positiveness
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BAILEN
Going On A Feeling
164 bpm • B Maj • 04:24 • -6.61db
46% Popularity • 34% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Elise Davis
Last Laugh
164 bpm • C Maj • 03:23 • -12.09db
18% Popularity • 39% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Jeffrey Martin
I Know What I Know
182 bpm • B Maj • 04:52 • -19.36db
14% Popularity • 38% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Parker Millsap
In Between
162 bpm • F Maj • 03:26 • -12db
19% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Western Den
Hold You Upright
162 bpm • B Maj • 04:54 • -10db
15% Popularity • 32% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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A Blaze of Feather
Labyrinth - Acoustic
162 bpm • D Maj • 03:15 • -9db
15% Popularity • 22% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Ethan Gruska
Maybe I'll Go Nowhere
161 bpm • C# Maj • 04:03 • -17.42db
31% Popularity • 56% Danceability • 29% Energy • 9% Liveness
12% Instrumentalness • 45% Positiveness
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Darlingside
Ocean Bed
161 bpm • F# min • 04:00 • -7.06db
34% Popularity • 59% Danceability • 80% Energy • 10% Liveness
8% Instrumentalness • 66% Positiveness
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Beta Radio
Year of Love
160 bpm • D# Maj • 02:26 • -11db
33% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Benjamin Francis Leftwich
Cherry In Tacoma
160 bpm • B Maj • 03:42 • -9.63db
31% Popularity • 43% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Benedict Benjamin
Culture War
186 bpm • E Maj • 03:44 • -6.43db
28% Popularity • 40% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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William Wild
Wound Up
158 bpm • E Maj • 03:15 • -11.01db
34% Popularity • 45% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Logan Bowden
Black Hills
158 bpm • C Maj • 02:20 • -19.38db
28% Popularity • 71% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 56% Positiveness
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St. Catherine's Child
Burden
188 bpm • A# Maj • 03:41 • -13.47db
35% Popularity • 42% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 53% Positiveness
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Ethan Gruska
Teenage Drug
156 bpm • G Maj • 03:40 • -10db
36% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Nathaniel Rateliff
Mavis
157 bpm • B Maj • 04:12 • -11.65db
43% Popularity • 49% Danceability • 52% Energy • 10% Liveness
64% Instrumentalness • 63% Positiveness
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Memorial
Latchkey
156 bpm • F# Maj • 02:51 • -12.92db
38% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Oshima Brothers
Lost at Sea
156 bpm • F Maj • 03:18 • -11.34db
31% Popularity • 45% Danceability • 20% Energy • 71% Liveness
0% Instrumentalness • 23% Positiveness
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The Ballroom Thieves
Borderline
155 bpm • F# Maj • 04:13 • -6.22db
20% Popularity • 58% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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DeYarmond Edison
Bones
154 bpm • F Maj • 05:24 • -12.68db
39% Popularity • 53% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 47% Positiveness
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Bermuda Triangle
Rosey
153 bpm • G Maj • 03:45 • -11db
31% Popularity • 54% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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The Dead Tongues
Peaceful Ambassador
153 bpm • C Maj • 04:15 • -9.76db
19% Popularity • 45% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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L.A. Salami
I Can't Slow Her Down - Edit
152 bpm • E Maj • 03:33 • -6.8db
33% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Hiss Golden Messenger
Quietly Blowing It
152 bpm • C# Maj • 04:16 • -16.4db
23% Popularity • 47% Danceability • 13% Energy • 20% Liveness
18% Instrumentalness • 18% Positiveness
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Courtney Marie Andrews
America
152 bpm • G# Maj • 04:11 • -14db
35% Popularity • 39% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Daniel Rodriguez
Sojourn of a Burning Sun
152 bpm • E Maj • 02:10 • -10.27db
23% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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The Staves
Nothing's Gonna Happen (Demo)
151 bpm • D Maj • 03:56 • -12db
54% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Dead Horses
Brady Street
150 bpm • F Maj • 03:08 • -9.55db
26% Popularity • 54% Danceability • 54% Energy • 10% Liveness
36% Instrumentalness • 33% Positiveness
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Darlingside
February/Stars
150 bpm • F Maj • 05:09 • -7.25db
12% Popularity • 31% Danceability • 54% Energy • 22% Liveness
1% Instrumentalness • 32% Positiveness
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The Ballroom Thieves
Shine
150 bpm • C Maj • 03:31 • -12db
33% Popularity • 49% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Bonny Light Horseman
Lowlands
149 bpm • F Maj • 03:29 • -7.95db
30% Popularity • 49% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
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Josiah Johnson
False Alarms
149 bpm • E Maj • 06:17 • -8db
14% Popularity • 52% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Molly Parden
Feel Alive Again
149 bpm • D Maj • 04:14 • -13.82db
41% Popularity • 47% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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Humbird
January
148 bpm • C Maj • 02:15 • -6.68db
30% Popularity • 55% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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John Craigie
50/50
148 bpm • B Maj • 04:15 • -8.04db
20% Popularity • 76% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
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Wilder Adkins
Dancing In The Dark
148 bpm • G Maj • 04:12 • -13db
29% Popularity • 40% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Marc Scibilia
Seed of Joy
148 bpm • A Maj • 03:30 • -10db
41% Popularity • 59% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Jordan Merrick
Millennial Blues
148 bpm • E Maj • 03:26 • -9.63db
20% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Lydia Luce
All the Time
147 bpm • D# Maj • 03:59 • -11db
23% Popularity • 38% Danceability • 49% Energy • 7% Liveness
13% Instrumentalness • 10% Positiveness
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Griffin Anthony
The Lucky Architect
147 bpm • F# Maj • 03:03 • -15.01db
13% Popularity • 54% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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The Avett Brothers
Untitled #4
147 bpm • A# Maj • 04:04 • -8.29db
46% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Flock of Dimes
Awake for the Sunrise
202 bpm • A# Maj • 03:58 • -11.15db
31% Popularity • 35% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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River Whyless
Call Me Your Baby
147 bpm • D Maj • 03:02 • -7.71db
22% Popularity • 63% Danceability • 63% Energy • 9% Liveness
2% Instrumentalness • 53% Positiveness
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Justin Wade Tam
Calm Yourself Down
146 bpm • E Maj • 03:15 • -11db
37% Popularity • 66% Danceability • 36% Energy • 12% Liveness
4% Instrumentalness • 32% Positiveness
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Benjamin Francis Leftwich
All Dressed In White
146 bpm • F Maj • 02:53 • -8db
16% Popularity • 44% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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The Ballroom Thieves
The Lightning
146 bpm • F Maj • 04:01 • -8.06db
19% Popularity • 49% Danceability • 67% Energy • 18% Liveness
14% Instrumentalness • 59% Positiveness
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Woman In A Man's Life