Songs like Woman - Single Version by Mumford & Sons
Based on a tempo of (+/- 10%) and a similar genre
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Ryan Keen
Tired Eyes
78 bpm • A Maj • 03:33 • -8db
24% Popularity • 58% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 58% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Mighty Oaks
I Need You Now
78 bpm • G# Maj • 03:43 • -5.37db
26% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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SOAK
Everybody Loves You
78 bpm • C# Maj • 03:19 • -3.6db
29% Popularity • 46% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 46% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Juke Ross
We Never Die
78 bpm • B min • 03:16 • -5db
20% Popularity • 42% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 42% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Harry Pane
Here We Stay
78 bpm • G Maj • 03:43 • -8db
23% Popularity • 34% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 34% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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The Lumineers
Gloria
78 bpm • B Maj • 03:36 • -6.02db
58% Popularity • 52% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
58% Popularity • 52% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Milo Greene
Be Good to Me
78 bpm • E Maj • 03:22 • -9.38db
25% Popularity • 40% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 40% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Mumford & Sons
Woman - Single Version
78 bpm • C# min • 03:22 • -9.43db
35% Popularity • 63% Danceability • 60% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
35% Popularity • 63% Danceability • 60% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
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Birdtalker
Heavy
78 bpm • F Maj • 04:24 • -7.11db
51% Popularity • 54% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 54% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Rainbow Kitten Surprise
Heart
79 bpm • C# Maj • 03:39 • -8.85db
60% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Sam Johnson
Way Back Home
79 bpm • F# Maj • 03:56 • -11.4db
12% Popularity • 55% Danceability • 45% Energy • 6% Liveness
5% Instrumentalness • 39% Positiveness
12% Popularity • 55% Danceability • 45% Energy • 6% Liveness
5% Instrumentalness • 39% Positiveness
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Bear's Den
Not Every River
77 bpm • F Maj • 01:55 • -12.68db
30% Popularity • 50% Danceability • 43% Energy • 13% Liveness
61% Instrumentalness • 25% Positiveness
30% Popularity • 50% Danceability • 43% Energy • 13% Liveness
61% Instrumentalness • 25% Positiveness
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Bronze Radio Return
With Me All Along
79 bpm • F Maj • 03:46 • -7db
45% Popularity • 60% Danceability • 72% Energy • 43% Liveness
10% Instrumentalness • 43% Positiveness
45% Popularity • 60% Danceability • 72% Energy • 43% Liveness
10% Instrumentalness • 43% Positiveness
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Mumford & Sons
Friend of the Devil
77 bpm • B Maj • 04:31 • -9db
49% Popularity • 37% Danceability • 64% Energy • 8% Liveness
71% Instrumentalness • 18% Positiveness
49% Popularity • 37% Danceability • 64% Energy • 8% Liveness
71% Instrumentalness • 18% Positiveness
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Sigrid
In Vain
77 bpm • G Maj • 04:07 • -7.78db
34% Popularity • 62% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 62% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Bastille
4AM
77 bpm • E Maj • 04:07 • -13.76db
38% Popularity • 44% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 44% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
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Tom Young
Me and My Girl
80 bpm • E min • 03:46 • -12.61db
21% Popularity • 44% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 44% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Ray LaMontagne
Such A Simple Thing
76 bpm • A# Maj • 04:56 • -11.22db
62% Popularity • 52% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
62% Popularity • 52% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Rhys Lewis
Could've Been
80 bpm • F# Maj • 03:38 • -8.7db
25% Popularity • 72% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 72% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Mumford & Sons
After The Storm
77 bpm • G Maj • 04:07 • -13.42db
40% Popularity • 49% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 49% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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isaac gracie
show me love - acoustic
80 bpm • F# Maj • 03:34 • -10db
38% Popularity • 31% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 31% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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George Taylor
The Youth
80 bpm • A Maj • 03:30 • -9.98db
30% Popularity • 55% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 55% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Florence + The Machine
Light Of Love
80 bpm • B Maj • 04:00 • -9.76db
46% Popularity • 31% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
46% Popularity • 31% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Bronze Radio Return
There Will Be Another
80 bpm • G Maj • 03:51 • -10.66db
48% Popularity • 66% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
48% Popularity • 66% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
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Mighty Oaks
Tell Me What You´re Thinking
76 bpm • B min • 03:05 • -6.32db
25% Popularity • 66% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 66% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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flora cash
Honey Go Home
80 bpm • A min • 03:26 • -10.35db
28% Popularity • 75% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 75% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ben Howard
Only Love
80 bpm • G# Maj • 04:09 • -10db
69% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
69% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Mumford & Sons
Sigh No More - BBC Live Session
80 bpm • C Maj • 03:33 • -7.33db
20% Popularity • 36% Danceability • 55% Energy • 73% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 36% Danceability • 55% Energy • 73% Liveness
0% Instrumentalness • 13% Positiveness
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Charlie Cunningham
Don't Go Far
81 bpm • E Maj • 03:39 • -16.11db
43% Popularity • 62% Danceability • 31% Energy • 11% Liveness
40% Instrumentalness • 23% Positiveness
43% Popularity • 62% Danceability • 31% Energy • 11% Liveness
40% Instrumentalness • 23% Positiveness
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Bahamas
Lost In The Light
76 bpm • D Maj • 03:56 • -8.8db
68% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
68% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Keane
Stupid Things - Single Version
81 bpm • E Maj • 03:35 • -8db
22% Popularity • 61% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 61% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Mighty Oaks
Driftwood Seat
81 bpm • G Maj • 03:38 • -5.5db
41% Popularity • 59% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 59% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Jake Houlsby
Howl
75 bpm • A# Maj • 03:38 • -14.95db
46% Popularity • 51% Danceability • 35% Energy • 12% Liveness
79% Instrumentalness • 27% Positiveness
46% Popularity • 51% Danceability • 35% Energy • 12% Liveness
79% Instrumentalness • 27% Positiveness
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Bastille
Those Nights
75 bpm • G min • 04:30 • -7db
50% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Cold War Kids
Can We Hang On ?
75 bpm • D Maj • 03:43 • -3.86db
47% Popularity • 53% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 53% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 41% Positiveness
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Mumford & Sons
Wild Heart
81 bpm • G min • 05:05 • -14.43db
39% Popularity • 52% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 52% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Ok Moon
Hollow Tree
75 bpm • G Maj • 03:43 • -9db
14% Popularity • 61% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 61% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Ben Howard
Depth Over Distance
75 bpm • D min • 04:48 • -11.1db
52% Popularity • 26% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
52% Popularity • 26% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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isaac gracie
show me love
82 bpm • F# Maj • 03:17 • -6db
32% Popularity • 51% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 51% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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KALEO
All the Pretty Girls
75 bpm • C# Maj • 04:29 • -6.61db
73% Popularity • 47% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
73% Popularity • 47% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Mighty Oaks
Like An Eagle
82 bpm • D# Maj • 04:09 • -10.48db
41% Popularity • 56% Danceability • 51% Energy • 11% Liveness
24% Instrumentalness • 33% Positiveness
41% Popularity • 56% Danceability • 51% Energy • 11% Liveness
24% Instrumentalness • 33% Positiveness
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Jordan Mackampa
What Could Have Been
82 bpm • D Maj • 03:50 • -5.73db
40% Popularity • 56% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 56% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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American Authors
Neighborhood
82 bpm • F# min • 03:42 • -7.47db
43% Popularity • 53% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 53% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Rayland Baxter
Olivia
82 bpm • G Maj • 03:53 • -9.44db
53% Popularity • 63% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 63% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Of Monsters and Men
Visitor
82 bpm • G min • 03:27 • -4.59db
49% Popularity • 57% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 57% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Head And The Heart
People Need A Melody
82 bpm • C Maj • 04:12 • -5.76db
51% Popularity • 59% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 59% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Mighty Oaks
Rainier
74 bpm • G Maj • 03:08 • -7.77db
25% Popularity • 54% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 54% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Charlie Cunningham
Sink In
82 bpm • G# min • 03:20 • -15.41db
46% Popularity • 51% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
46% Popularity • 51% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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Jeremy Loops
Vultures
74 bpm • A# Maj • 03:16 • -9db
45% Popularity • 57% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 57% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Newton Faulkner
Don't Leave Me Waiting
82 bpm • E min • 03:16 • -6.99db
10% Popularity • 53% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 53% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Mumford & Sons
Timshel
83 bpm • F Maj • 02:53 • -9.72db
42% Popularity • 47% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
42% Popularity • 47% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Gregory Alan Isakov
San Luis
82 bpm • G min • 04:32 • -12.76db
72% Popularity • 57% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
72% Popularity • 57% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
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Mighty Oaks
All Things Go
82 bpm • D Maj • 03:27 • -8.3db
35% Popularity • 63% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 63% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Tom Odell
Half As Good As You
83 bpm • C Maj • 03:31 • -8.62db
30% Popularity • 56% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 56% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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David Gray
Walking in Circles
83 bpm • G Maj • 03:49 • -10.11db
0% Popularity • 62% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 62% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
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Riley Pearce
Windmill
83 bpm • G# Maj • 03:27 • -9.89db
40% Popularity • 50% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 50% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Ok Moon
Harpoon
83 bpm • C Maj • 03:35 • -9.31db
22% Popularity • 61% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 61% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Matt Maeson
Go Easy - Acoustic
83 bpm • G min • 03:56 • -8db
29% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Mumford & Sons
Timshel - Recorded live for BNNVARA/3FM ...
83 bpm • F Maj • 03:00 • -15.83db
19% Popularity • 52% Danceability • 10% Energy • 70% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 52% Danceability • 10% Energy • 70% Liveness
0% Instrumentalness • 6% Positiveness
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Tom Odell
Half As Good As You
83 bpm • C Maj • 03:30 • -5.03db
50% Popularity • 60% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 60% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Penny and Sparrow
Kin
84 bpm • C# Maj • 03:24 • -11.41db
37% Popularity • 37% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 37% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Juke Ross
Morning Breeze
73 bpm • B Maj • 03:14 • -9.38db
49% Popularity • 64% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 64% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Noah Cyrus
July
72 bpm • A min • 02:32 • -9.6db
74% Popularity • 71% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 71% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Ray LaMontagne
Such A Simple Thing - Recorded at Sound ...
72 bpm • A# Maj • 05:07 • -10.73db
50% Popularity • 55% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 55% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Skinny Living
No Messiah
72 bpm • F# Maj • 03:05 • -6.14db
30% Popularity • 49% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 49% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Adam French
Slow Dancing
85 bpm • C min • 03:26 • -6.41db
27% Popularity • 61% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 61% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Hollow Coves
Home
85 bpm • C# Maj • 03:22 • -12db
46% Popularity • 51% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 51% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Head And The Heart
Don't Dream It's Over
84 bpm • G# Maj • 03:39 • -4.93db
48% Popularity • 43% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 43% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Young the Giant
Superposition (Reflection)
85 bpm • G Maj • 03:30 • -10.1db
30% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Amber Run
Affection - Unplugged
85 bpm • A min • 04:20 • -9.84db
19% Popularity • 36% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 36% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Charlie Cunningham
Headlights
86 bpm • A Maj • 03:32 • -15.47db
49% Popularity • 62% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 51% Positiveness
49% Popularity • 62% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 51% Positiveness
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Stu Larsen
The Loudest Voice - Director’s Cut
86 bpm • C# Maj • 04:20 • -10db
38% Popularity • 57% Danceability • 55% Energy • 7% Liveness
1% Instrumentalness • 58% Positiveness
38% Popularity • 57% Danceability • 55% Energy • 7% Liveness
1% Instrumentalness • 58% Positiveness
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A Blaze of Feather
Six Years
86 bpm • C Maj • 04:42 • -8.82db
40% Popularity • 40% Danceability • 48% Energy • 9% Liveness
7% Instrumentalness • 16% Positiveness
40% Popularity • 40% Danceability • 48% Energy • 9% Liveness
7% Instrumentalness • 16% Positiveness
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The Head And The Heart
Another Story
86 bpm • F Maj • 04:34 • -10db
63% Popularity • 26% Danceability • 44% Energy • 27% Liveness
15% Instrumentalness • 11% Positiveness
63% Popularity • 26% Danceability • 44% Energy • 27% Liveness
15% Instrumentalness • 11% Positiveness
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Cold War Kids
Beyond the Pale - Strings & Keys
86 bpm • C Maj • 03:27 • -8.19db
9% Popularity • 53% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 53% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Mumford & Sons
Awake My Soul
86 bpm • D Maj • 04:15 • -10.06db
53% Popularity • 26% Danceability • 47% Energy • 9% Liveness
3% Instrumentalness • 20% Positiveness
53% Popularity • 26% Danceability • 47% Energy • 9% Liveness
3% Instrumentalness • 20% Positiveness
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Maggie Rogers
Fallingwater
87 bpm • D Maj • 04:31 • -8.93db
61% Popularity • 39% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
61% Popularity • 39% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Nick Mulvey
Imogen
87 bpm • F Maj • 04:15 • -6.89db
50% Popularity • 49% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 49% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Hollow Coves
Ran Away
87 bpm • C Maj • 04:15 • -11db
29% Popularity • 47% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
29% Popularity • 47% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
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The Head And The Heart
See You Through My Eyes
86 bpm • C Maj • 03:54 • -7.04db
42% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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flora cash
I Wasted You
88 bpm • A min • 03:42 • -5db
35% Popularity • 56% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 56% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Mumford & Sons
Devil In Your Eye
86 bpm • F# min • 03:45 • -9.19db
30% Popularity • 45% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 45% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Dustin Tebbutt
Give Me Tonight
88 bpm • C# Maj • 04:22 • -10.64db
32% Popularity • 65% Danceability • 37% Energy • 18% Liveness
1% Instrumentalness • 26% Positiveness
32% Popularity • 65% Danceability • 37% Energy • 18% Liveness
1% Instrumentalness • 26% Positiveness
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Mat Kearney
City of Black & White
69 bpm • G Maj • 03:45 • -7.95db
33% Popularity • 56% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 56% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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The Lumineers
Left For Denver
89 bpm • F Maj • 03:16 • -11.78db
37% Popularity • 74% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 74% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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The Head And The Heart
Missed Connection
88 bpm • C Maj • 03:15 • -5.13db
52% Popularity • 67% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 67% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 54% Positiveness
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flora cash
Missing Home
90 bpm • B Maj • 03:39 • -7db
41% Popularity • 60% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 60% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Mumford & Sons
42
88 bpm • F Maj • 04:00 • -8.32db
42% Popularity • 33% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 33% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Young the Giant
Call Me Back
90 bpm • G Maj • 03:57 • -6.74db
49% Popularity • 75% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
49% Popularity • 75% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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The Oh Hellos
Hello My Old Heart
90 bpm • C Maj • 04:16 • -10.63db
61% Popularity • 56% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 30% Positiveness
61% Popularity • 56% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 30% Positiveness
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The Lumineers
It Wasn't Easy To Be Happy For You
89 bpm • D Maj • 03:34 • -5.32db
47% Popularity • 76% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 76% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Head And The Heart
Library Magic
90 bpm • E Maj • 03:13 • -7.59db
47% Popularity • 42% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 42% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Cold War Kids
1 X 1
91 bpm • F Maj • 03:27 • -5.19db
23% Popularity • 33% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 33% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Mumford & Sons
White Blank Page - WFUV live at MSR Stud...
89 bpm • F# min • 04:08 • -8.12db
17% Popularity • 31% Danceability • 46% Energy • 71% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 31% Danceability • 46% Energy • 71% Liveness
0% Instrumentalness • 27% Positiveness
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Bear's Den
Berlin
91 bpm • C# Maj • 04:29 • -14db
48% Popularity • 50% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
48% Popularity • 50% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Of Monsters and Men
Stuck In Gravity
90 bpm • B Maj • 04:24 • -8.88db
38% Popularity • 50% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 50% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Wild Rivers
Howling
92 bpm • B min • 02:55 • -6.91db
46% Popularity • 62% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 62% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Juke Ross
Fresh Roses
91 bpm • C# min • 03:21 • -10.61db
56% Popularity • 76% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
56% Popularity • 76% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
