Songs like Woman by The Ballroom Thieves
Based on a tempo of (+/- 10%) and a similar genre
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The Ballroom Thieves
Woman
83 bpm • A Maj • 03:45 • -7.39db
29% Popularity • 40% Danceability • 44% Energy • 12% Liveness
5% Instrumentalness • 16% Positiveness
29% Popularity • 40% Danceability • 44% Energy • 12% Liveness
5% Instrumentalness • 16% Positiveness
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Jade Bird
Black Star
83 bpm • A Maj • 03:10 • -7.54db
23% Popularity • 53% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 53% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Companion
23rd Street
83 bpm • D Maj • 03:03 • -12.22db
15% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Soccer Mommy
Wide Open Spaces
83 bpm • E Maj • 05:01 • -8.5db
40% Popularity • 44% Danceability • 57% Energy • 81% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 44% Danceability • 57% Energy • 81% Liveness
0% Instrumentalness • 52% Positiveness
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Keaton Henson
Marionette
83 bpm • G min • 04:48 • -14.41db
29% Popularity • 33% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 14% Positiveness
29% Popularity • 33% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 14% Positiveness
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Bre Kennedy
Where Did Summer Go
83 bpm • F# Maj • 04:10 • -14db
29% Popularity • 28% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 28% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Scout LaRue Willis
Love Without Possession
83 bpm • A Maj • 04:01 • -11.16db
33% Popularity • 46% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 46% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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The Ballroom Thieves
Tender
82 bpm • C Maj • 05:06 • -15.42db
30% Popularity • 32% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
30% Popularity • 32% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Sumbuck
Are You Dreaming
84 bpm • B Maj • 02:51 • -11.79db
28% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Joshua Burnside
Rana the Fortunate
82 bpm • B Maj • 03:20 • -13.38db
21% Popularity • 43% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 43% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Atta Boy
Lucky
82 bpm • A Maj • 03:41 • -10.3db
34% Popularity • 52% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 52% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Humbird
May
82 bpm • D Maj • 03:58 • -10.86db
35% Popularity • 41% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
35% Popularity • 41% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Samia
Waverly - Anjimile Version
84 bpm • D min • 02:36 • -14.28db
11% Popularity • 57% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 57% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Libby Rodenbough
How Come You Call Me
84 bpm • D min • 03:49 • -12db
22% Popularity • 63% Danceability • 30% Energy • 10% Liveness
3% Instrumentalness • 40% Positiveness
22% Popularity • 63% Danceability • 30% Energy • 10% Liveness
3% Instrumentalness • 40% Positiveness
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Daughter of Swords
Fields of Gold
82 bpm • E Maj • 03:31 • -12.53db
26% Popularity • 48% Danceability • 38% Energy • 11% Liveness
5% Instrumentalness • 16% Positiveness
26% Popularity • 48% Danceability • 38% Energy • 11% Liveness
5% Instrumentalness • 16% Positiveness
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Allison Ponthier
Tornado Country
82 bpm • C Maj • 02:50 • -9.7db
21% Popularity • 51% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 51% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Corey Kilgannon
God Is Just the Universe
84 bpm • A# Maj • 04:42 • -15.46db
26% Popularity • 38% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 38% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Companion
How Could I Have Known
82 bpm • E Maj • 02:41 • -13.32db
10% Popularity • 51% Danceability • 32% Energy • 11% Liveness
7% Instrumentalness • 16% Positiveness
10% Popularity • 51% Danceability • 32% Energy • 11% Liveness
7% Instrumentalness • 16% Positiveness
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Anna Ash
Earthquake
84 bpm • D Maj • 03:10 • -7.45db
25% Popularity • 59% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
25% Popularity • 59% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Lady Lamb
Crater Lake
81 bpm • A# Maj • 01:54 • -11.45db
36% Popularity • 43% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 43% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Bedouine
The Wave
81 bpm • C Maj • 03:45 • -12.82db
35% Popularity • 55% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
35% Popularity • 55% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
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River Whyless
Young Bird
81 bpm • B min • 01:36 • -13.66db
37% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Allison Ponthier
Faking My Own Death
81 bpm • B min • 03:58 • -10db
44% Popularity • 38% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 38% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Cale Tyson
Not Healthy Anymore
85 bpm • F min • 04:01 • -13db
24% Popularity • 44% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 44% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Alexa Rose
Wild Peppermint
85 bpm • C# Maj • 04:31 • -10.36db
11% Popularity • 48% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
11% Popularity • 48% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Lady Lamb
See You
81 bpm • E Maj • 02:42 • -7.17db
22% Popularity • 43% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 43% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Lorkin O'Reilly
Twist
81 bpm • D Maj • 03:06 • -19.28db
50% Popularity • 54% Danceability • 8% Energy • 11% Liveness
35% Instrumentalness • 23% Positiveness
50% Popularity • 54% Danceability • 8% Energy • 11% Liveness
35% Instrumentalness • 23% Positiveness
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Allie Crow Buckley
Captive
81 bpm • F Maj • 04:21 • -10.1db
28% Popularity • 54% Danceability • 39% Energy • 12% Liveness
6% Instrumentalness • 8% Positiveness
28% Popularity • 54% Danceability • 39% Energy • 12% Liveness
6% Instrumentalness • 8% Positiveness
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The Brother Brothers
Sorrow
81 bpm • A# Maj • 03:55 • -11.23db
22% Popularity • 41% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 41% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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John Craigie
Distance
86 bpm • A Maj • 04:24 • -12.18db
31% Popularity • 66% Danceability • 33% Energy • 31% Liveness
25% Instrumentalness • 22% Positiveness
31% Popularity • 66% Danceability • 33% Energy • 31% Liveness
25% Instrumentalness • 22% Positiveness
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Ny Oh
Be Free
85 bpm • F# Maj • 04:38 • -8.69db
28% Popularity • 26% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 26% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Lady Lamb
Prayer of Love
80 bpm • C Maj • 03:49 • -6.66db
16% Popularity • 21% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 21% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Field Guide
Make Peace with That
80 bpm • D Maj • 02:02 • -16.4db
27% Popularity • 55% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 55% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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The Ballroom Thieves
In the Morning
80 bpm • A Maj • 02:26 • -7db
58% Popularity • 64% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
58% Popularity • 64% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Haley Heynderickx
The Park
80 bpm • A min • 03:11 • -12.49db
33% Popularity • 60% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 60% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Harmony Byrne
If I Needed You
86 bpm • C# Maj • 05:05 • -18.46db
12% Popularity • 44% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 44% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Scout LaRue Willis
Shouldn't I Be
87 bpm • G# Maj • 03:20 • -10.03db
14% Popularity • 37% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 37% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Peter Doran
Blue Mountains
80 bpm • A Maj • 03:16 • -11.82db
25% Popularity • 49% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 49% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Aoife O'Donovan
Phoenix
87 bpm • G Maj • 03:30 • -13.44db
44% Popularity • 54% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 54% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Saintseneca
Wait A Minute
79 bpm • B Maj • 03:23 • -8.72db
28% Popularity • 44% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 44% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Mipso
Big Star - Alt
87 bpm • C Maj • 04:04 • -13.78db
11% Popularity • 54% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
11% Popularity • 54% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
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Tomberlin
Natural Light
79 bpm • D# Maj • 02:42 • -11db
35% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Ailbhe Reddy
Walk Away
87 bpm • F# Maj • 03:12 • -16db
37% Popularity • 67% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 67% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Bonny Light Horseman
Bonny Light Horseman
79 bpm • B min • 04:30 • -6db
40% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Clean Cut Kid
Get Born, Grow up and Move Away
79 bpm • A# Maj • 02:22 • -12.56db
29% Popularity • 55% Danceability • 48% Energy • 19% Liveness
2% Instrumentalness • 23% Positiveness
29% Popularity • 55% Danceability • 48% Energy • 19% Liveness
2% Instrumentalness • 23% Positiveness
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Uwade
Lodarore
79 bpm • D Maj • 02:53 • -14.37db
23% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Mary Bragg
The Lonely Persistence of Time
79 bpm • C# min • 04:20 • -10.02db
12% Popularity • 48% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 48% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Companion
Arm's Length
79 bpm • F Maj • 02:37 • -14.86db
19% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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The Brother Brothers
The Calla Lily Song
79 bpm • E Maj • 03:59 • -11db
27% Popularity • 53% Danceability • 36% Energy • 10% Liveness
10% Instrumentalness • 33% Positiveness
27% Popularity • 53% Danceability • 36% Energy • 10% Liveness
10% Instrumentalness • 33% Positiveness
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Lia Ices
Earthy
88 bpm • B min • 03:14 • -5.61db
22% Popularity • 65% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 65% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Bonny Light Horseman
Mountain Rain
79 bpm • D Maj • 02:39 • -9db
35% Popularity • 57% Danceability • 34% Energy • 5% Liveness
3% Instrumentalness • 55% Positiveness
35% Popularity • 57% Danceability • 34% Energy • 5% Liveness
3% Instrumentalness • 55% Positiveness
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River Whyless
The Pool
88 bpm • G Maj • 04:02 • -9db
49% Popularity • 36% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
49% Popularity • 36% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Wild Child
Photographs
78 bpm • A# Maj • 03:18 • -8.42db
23% Popularity • 58% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 58% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Mipso
Born at the Right Time
78 bpm • E Maj • 03:44 • -11.97db
33% Popularity • 45% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 45% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Rosie Carney
tidal wave
78 bpm • F# Maj • 04:01 • -14.37db
18% Popularity • 48% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
18% Popularity • 48% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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Henry Jamison
Green Room
78 bpm • D Maj • 03:19 • -9.57db
24% Popularity • 57% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
24% Popularity • 57% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
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Fleet Foxes
I'm Not My Season - Solstice Version
88 bpm • E Maj • 03:10 • -11.8db
42% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Lydia Luce
Occasionally
78 bpm • F# Maj • 03:14 • -13.43db
35% Popularity • 46% Danceability • 29% Energy • 18% Liveness
21% Instrumentalness • 19% Positiveness
35% Popularity • 46% Danceability • 29% Energy • 18% Liveness
21% Instrumentalness • 19% Positiveness
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BAILEN
Rose Leaves
89 bpm • G# Maj • 03:58 • -9.8db
29% Popularity • 25% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 25% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
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Allie Crow Buckley
Cusco
77 bpm • C Maj • 04:17 • -9.53db
34% Popularity • 26% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
34% Popularity • 26% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
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TOLEDO
Dog Has Its Day
77 bpm • B Maj • 03:10 • -9.94db
40% Popularity • 50% Danceability • 49% Energy • 36% Liveness
79% Instrumentalness • 77% Positiveness
40% Popularity • 50% Danceability • 49% Energy • 36% Liveness
79% Instrumentalness • 77% Positiveness
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Madison Cunningham
The Age Of Worry
89 bpm • F Maj • 02:47 • -9.58db
35% Popularity • 52% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 52% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Taylor Vick
That's Life Honey
77 bpm • G# Maj • 03:02 • -10db
34% Popularity • 69% Danceability • 30% Energy • 14% Liveness
20% Instrumentalness • 60% Positiveness
34% Popularity • 69% Danceability • 30% Energy • 14% Liveness
20% Instrumentalness • 60% Positiveness
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Henry Hoagland
The Great Filter Sweep
77 bpm • A Maj • 04:21 • -10.56db
26% Popularity • 32% Danceability • 45% Energy • 11% Liveness
40% Instrumentalness • 25% Positiveness
26% Popularity • 32% Danceability • 45% Energy • 11% Liveness
40% Instrumentalness • 25% Positiveness
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Lorkin O'Reilly
Pelé Pelé
77 bpm • D Maj • 03:19 • -18.69db
27% Popularity • 48% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
27% Popularity • 48% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Joan Shelley
Bed In The River
77 bpm • F Maj • 03:19 • -19.18db
30% Popularity • 45% Danceability • 6% Energy • 32% Liveness
2% Instrumentalness • 38% Positiveness
30% Popularity • 45% Danceability • 6% Energy • 32% Liveness
2% Instrumentalness • 38% Positiveness
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The Ballroom Thieves
Canary
77 bpm • D Maj • 04:35 • -11.88db
20% Popularity • 55% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 55% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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River Whyless
Blood Moon
77 bpm • G Maj • 03:01 • -10.43db
40% Popularity • 69% Danceability • 32% Energy • 8% Liveness
76% Instrumentalness • 26% Positiveness
40% Popularity • 69% Danceability • 32% Energy • 8% Liveness
76% Instrumentalness • 26% Positiveness
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Hollan
I've Been Alone
77 bpm • D Maj • 03:35 • -14.47db
28% Popularity • 44% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 44% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Rachel Baiman
When You Bloom (Colorado)
90 bpm • G Maj • 04:01 • -10.47db
23% Popularity • 41% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 41% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Tall Heights
Hear It Again
90 bpm • F# min • 03:53 • -7.95db
34% Popularity • 52% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 52% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Max GarcÃa Conover
everything in winter
77 bpm • D Maj • 02:53 • -14.31db
26% Popularity • 60% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 60% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Atta Boy
Deep Sea Ladder
77 bpm • C Maj • 03:29 • -11.93db
18% Popularity • 57% Danceability • 28% Energy • 11% Liveness
6% Instrumentalness • 15% Positiveness
18% Popularity • 57% Danceability • 28% Energy • 11% Liveness
6% Instrumentalness • 15% Positiveness
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Julianna Zachariou
give me flowers
90 bpm • A Maj • 03:11 • -10.78db
28% Popularity • 73% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 73% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Slow Leaves
Sentimental Teardrops
90 bpm • E Maj • 04:51 • -11.59db
29% Popularity • 38% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
29% Popularity • 38% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
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Bedouine
The Solitude
90 bpm • D Maj • 03:46 • -10db
38% Popularity • 54% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 54% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Darlingside
Denver
91 bpm • A Maj • 03:58 • -10.17db
21% Popularity • 30% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
21% Popularity • 30% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Madison Cunningham
Lover, You Should’ve Come Over
76 bpm • D Maj • 05:36 • -7.36db
25% Popularity • 40% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 40% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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The Western Den
Spark, Set Fire
76 bpm • F# min • 03:51 • -11.02db
41% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Field Guide
Separate Bills
76 bpm • D Maj • 02:18 • -12.11db
27% Popularity • 51% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 51% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Joshua Burnside
Desert Wine (Acoustic)
76 bpm • B Maj • 03:08 • -16.52db
34% Popularity • 41% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 41% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Ballroom Thieves
Only Lonely
91 bpm • G Maj • 03:37 • -11.71db
42% Popularity • 42% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
42% Popularity • 42% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Mountain Man
Kid Like You
75 bpm • F# Maj • 01:35 • -13.3db
13% Popularity • 46% Danceability • 8% Energy • 37% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 46% Danceability • 8% Energy • 37% Liveness
0% Instrumentalness • 12% Positiveness
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S.G. Goodman
Heart Swell
75 bpm • C# Maj • 04:09 • -14.55db
31% Popularity • 56% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 56% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Viv & Riley
Love and Chains
75 bpm • D# Maj • 03:37 • -14.18db
42% Popularity • 55% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
42% Popularity • 55% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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Field Guide
Fair Bit of Time
91 bpm • C Maj • 03:38 • -14.57db
20% Popularity • 51% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 51% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
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Joshua Burnside
Never Was Never Were
91 bpm • B min • 04:43 • -11.46db
13% Popularity • 42% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 42% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
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The Ballroom Thieves
Casual
91 bpm • C Maj • 03:50 • -12.58db
31% Popularity • 26% Danceability • 26% Energy • 24% Liveness
1% Instrumentalness • 4% Positiveness
31% Popularity • 26% Danceability • 26% Energy • 24% Liveness
1% Instrumentalness • 4% Positiveness
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Jill Andrews
Sorry Now
75 bpm • G# Maj • 03:12 • -11db
56% Popularity • 67% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
56% Popularity • 67% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Sam Lynch
Not My Body
92 bpm • C Maj • 04:43 • -12db
9% Popularity • 48% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
9% Popularity • 48% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
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Tasha
Would You Mind Please Pulling Me Close?
75 bpm • F Maj • 04:03 • -12.02db
34% Popularity • 59% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 25% Positiveness
34% Popularity • 59% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 25% Positiveness
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Natalie Schepman
Fresh Water in an Empty Vase
75 bpm • G Maj • 02:59 • -9.57db
10% Popularity • 65% Danceability • 41% Energy • 39% Liveness
1% Instrumentalness • 26% Positiveness
10% Popularity • 65% Danceability • 41% Energy • 39% Liveness
1% Instrumentalness • 26% Positiveness
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Joshua Burnside
The Only Thing I Fear
76 bpm • D Maj • 03:30 • -16.84db
35% Popularity • 44% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 44% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Ballroom Thieves
Snake Bite
92 bpm • B Maj • 02:56 • -8.5db
30% Popularity • 62% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 62% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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River Whyless
Michigan Cherry
75 bpm • C# min • 03:43 • -11db
55% Popularity • 46% Danceability • 37% Energy • 10% Liveness
3% Instrumentalness • 28% Positiveness
55% Popularity • 46% Danceability • 37% Energy • 10% Liveness
3% Instrumentalness • 28% Positiveness
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Skylar Gudasz
Supposed to Make You Happy
92 bpm • A Maj • 02:52 • -11.29db
18% Popularity • 47% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 47% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Samia
Is There Something In The Movies?
75 bpm • G Maj • 03:30 • -13.97db
25% Popularity • 44% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 44% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Gregory Alan Isakov
Salt And The Sea
92 bpm • A min • 04:22 • -14db
45% Popularity • 60% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
45% Popularity • 60% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
