Songs like Wonder by Megan Moroney
Based on a tempo of (+/- 10%) and a similar genre
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Tenille Arts
I Hate This
81 bpm • F# Maj • 03:08 • -6.84db
53% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Abby Anderson
Where Did All The Cowboys Go
81 bpm • E Maj • 03:15 • -11.2db
41% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Megan Moroney
Wonder
81 bpm • G min • 03:42 • -8.18db
56% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
56% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Alex Hall
Heart Shut
80 bpm • D# Maj • 03:21 • -5.19db
37% Popularity • 41% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 41% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Young
Looking for You
81 bpm • G Maj • 03:01 • -3.65db
50% Popularity • 45% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 45% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Sam Hunt
Last Hurrah
80 bpm • G Maj • 03:42 • -6.59db
40% Popularity • 52% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 52% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Miranda Lambert
If I Was a Cowboy
80 bpm • F# min • 03:14 • -6db
57% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
57% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Jordan Davis
Good News Sold
80 bpm • F Maj • 03:23 • -9.76db
64% Popularity • 38% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
64% Popularity • 38% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Megan Moroney
'Til It All Goes South
81 bpm • A Maj • 03:53 • -6.28db
44% Popularity • 42% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 42% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Matt Schuster
If I Was A Cowboy
80 bpm • D# Maj • 03:04 • -3.4db
41% Popularity • 48% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 48% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Priscilla Block
Off The Deep End
82 bpm • A# min • 03:16 • -5db
48% Popularity • 66% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 66% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Morgan Wallen
Had It
80 bpm • G Maj • 03:19 • -6db
61% Popularity • 40% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
61% Popularity • 40% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Dylan Marlowe
All About It
80 bpm • D Maj • 03:05 • -6db
49% Popularity • 42% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 42% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Chase Matthew
Love Like That
80 bpm • F# Maj • 03:06 • -9db
55% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Nate Smith
I Don't Wanna Go To Heaven
80 bpm • C Maj • 03:21 • -7db
45% Popularity • 39% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 39% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Matt Schuster
Know Ya
80 bpm • F# Maj • 02:43 • -7.18db
51% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Carter Faith
Already Crazy
82 bpm • E Maj • 03:19 • -7.8db
38% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Gabby Barrett
Pick Me Up
80 bpm • D Maj • 02:49 • -5db
57% Popularity • 47% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 47% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Danielle Bradbery
A Special Place
83 bpm • C Maj • 02:54 • -4db
49% Popularity • 48% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 48% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Megan Moroney
God Plays a Gibson
79 bpm • B Maj • 03:31 • -7.67db
44% Popularity • 35% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 35% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Tenille Arts
Right Guy Wrong Time
83 bpm • F# Maj • 03:39 • -7.21db
35% Popularity • 51% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 51% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Seaforth
Get The Girl
79 bpm • C Maj • 02:52 • -6.94db
44% Popularity • 41% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 41% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Maddie & Tae
Everywhere I'm Goin'
79 bpm • G Maj • 03:28 • -4.66db
40% Popularity • 52% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 52% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Priscilla Block
Thick Thighs
83 bpm • G Maj • 02:54 • -3.83db
45% Popularity • 55% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 55% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Tyler Hubbard
Small Town Me
83 bpm • C# Maj • 03:16 • -4db
45% Popularity • 48% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 48% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jaden Hamilton
Long Night Letting Go
79 bpm • C Maj • 03:04 • -10db
39% Popularity • 33% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 33% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Dylan Schneider
Wannabe
79 bpm • B Maj • 03:15 • -5.12db
53% Popularity • 67% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 67% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Tenille Arts
Give It To Me Straight
83 bpm • C Maj • 03:14 • -4.1db
42% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Bailey Zimmerman
You Don’t Want That Smoke
78 bpm • E Maj • 03:20 • -9.6db
62% Popularity • 44% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
62% Popularity • 44% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Restless Road
Roll Tide Roll
79 bpm • E Maj • 02:51 • -5.6db
38% Popularity • 34% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 34% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Erin Kinsey
different us 2.15.23
84 bpm • D Maj • 02:45 • -5.04db
43% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Faren Rachels
Hard Headed Heart
84 bpm • C Maj • 02:54 • -7.2db
40% Popularity • 48% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 48% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Morgan Wallen
Quittin’ Time
84 bpm • F Maj • 03:44 • -8.49db
61% Popularity • 42% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 42% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Tenille Arts
Mama's Eyes
84 bpm • D Maj • 03:10 • -3.58db
34% Popularity • 38% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 38% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Robyn Ottolini
Trust Issues
78 bpm • C Maj • 03:23 • -5.98db
41% Popularity • 45% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 45% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Megan Moroney
Girl in the Mirror
78 bpm • A# Maj • 02:45 • -7.91db
61% Popularity • 33% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
61% Popularity • 33% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Abby Anderson
First To Hit The Road
78 bpm • A min • 03:18 • -6.13db
44% Popularity • 64% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 64% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Sam Grow
Without You
84 bpm • A# Maj • 02:57 • -4.37db
46% Popularity • 51% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 51% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Ashley McBryde
One Night Standards
78 bpm • F Maj • 03:10 • -5.02db
58% Popularity • 54% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
58% Popularity • 54% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Troy Cartwright
Wild One
78 bpm • C# Maj • 03:10 • -6.11db
49% Popularity • 50% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 50% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Alana Springsteen
While You’re At It
78 bpm • C# Maj • 03:05 • -4.79db
42% Popularity • 46% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 46% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Corey Kent
Same Thing
78 bpm • G# Maj • 03:52 • -6db
44% Popularity • 54% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 54% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Kameron Marlowe
Girl On Fire - Acoustic
78 bpm • A min • 03:08 • -10.06db
46% Popularity • 64% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 64% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Logan Michael
Angel Wings
78 bpm • C# Maj • 03:21 • -11.4db
52% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Morgan Wallen
More Surprised Than Me
85 bpm • F# Maj • 02:37 • -6.05db
64% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
64% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Dallas Smith
One Too
85 bpm • C Maj • 03:21 • -7.18db
27% Popularity • 46% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 46% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Maddie & Tae
Heart They Didn't Break
77 bpm • C Maj • 03:10 • -5.54db
58% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
58% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Megan Moroney
What Are You Listening To?
77 bpm • C Maj • 04:11 • -6.74db
54% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Nate Smith
Hollywood
77 bpm • B Maj • 03:23 • -4.56db
40% Popularity • 41% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 41% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Travis Denning
Buy A Girl A Drink
77 bpm • D# Maj • 03:16 • -6.01db
45% Popularity • 54% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 54% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Ella Langley
Damn You
77 bpm • E Maj • 03:03 • -3db
57% Popularity • 58% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
57% Popularity • 58% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Corey Kent
Never Thought I'd Be
77 bpm • A Maj • 03:21 • -4.63db
37% Popularity • 54% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 54% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Tenille Arts
Back Then, Right Now
77 bpm • F Maj • 03:02 • -3.23db
51% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Megan Moroney
Sleep on My Side
77 bpm • A Maj • 03:08 • -5.33db
62% Popularity • 46% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
62% Popularity • 46% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Dylan Marlowe
You Were Right - Nat's Song
77 bpm • E Maj • 03:49 • -6.74db
44% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
44% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Kameron Marlowe
We Were Cowboys
76 bpm • C# Maj • 03:39 • -5.96db
45% Popularity • 45% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
45% Popularity • 45% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Morgan Wallen
Good Girl Gone Missin’
86 bpm • G Maj • 02:55 • -7.6db
67% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
67% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Chris Young
Town Ain't Big Enough
76 bpm • F# Maj • 02:51 • -4db
37% Popularity • 43% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 43% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Morgan Wade
Run
76 bpm • C Maj • 03:32 • -7db
44% Popularity • 63% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 63% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Megan Moroney
I Love Me
77 bpm • C# Maj • 03:10 • -6db
51% Popularity • 56% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 56% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Dylan Marlowe
Bat Outta Hell - With a Boat on the Back
76 bpm • C# Maj • 03:37 • -5.06db
57% Popularity • 56% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 56% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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ERNEST
Miss That Girl
87 bpm • F# Maj • 02:17 • -6db
50% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Sam Hunt
Outskirts
75 bpm • A# Maj • 03:02 • -4db
70% Popularity • 55% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
70% Popularity • 55% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Chayce Beckham
Whiskey Country
75 bpm • G Maj • 03:26 • -5.75db
22% Popularity • 49% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 49% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Adam Doleac
Another
75 bpm • G Maj • 03:08 • -6.28db
48% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Megan Moroney
Mustang or Me
76 bpm • A Maj • 03:23 • -6.68db
46% Popularity • 43% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 43% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Kameron Marlowe
Keepin' The Lights On
75 bpm • E Maj • 03:55 • -11.27db
57% Popularity • 58% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
57% Popularity • 58% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Seaforth
Breakups
75 bpm • C# Maj • 03:43 • -6db
41% Popularity • 53% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 53% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Maddie & Tae
Watching Love Leave
75 bpm • G Maj • 02:53 • -4.64db
36% Popularity • 42% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 42% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Chayce Beckham
Bad For Me
75 bpm • D Maj • 03:24 • -8.9db
25% Popularity • 48% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 48% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jordan Davis
Part Of It
88 bpm • G# Maj • 03:08 • -5db
59% Popularity • 52% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
59% Popularity • 52% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Morgan Wallen
865
88 bpm • G# Maj • 03:10 • -5.25db
70% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
70% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Ella Langley
Hey Ma I Made It
74 bpm • B Maj • 03:30 • -6.19db
33% Popularity • 44% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 44% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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ERNEST
Takes After You
74 bpm • D# Maj • 03:04 • -5db
43% Popularity • 46% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 46% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Easton Corbin
Marry That Girl
88 bpm • E Maj • 03:10 • -7.41db
57% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
57% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Logan Mize
Grew Apart
89 bpm • G Maj • 02:49 • -7.74db
60% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Megan Moroney
He Made Me Do It
89 bpm • A min • 03:32 • -6.43db
47% Popularity • 58% Danceability • 72% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
47% Popularity • 58% Danceability • 72% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
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Kameron Marlowe
Quit You
89 bpm • F# Maj • 03:08 • -7.29db
60% Popularity • 58% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
60% Popularity • 58% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Josh Abbott Band
Settle Me Down
73 bpm • E Maj • 02:57 • -6.74db
63% Popularity • 30% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
63% Popularity • 30% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Chayce Beckham
Devil I’ve Been
90 bpm • D Maj • 03:28 • -4.43db
44% Popularity • 54% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 54% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Jordan Davis
Selfish
90 bpm • G# Maj • 03:12 • -6.07db
58% Popularity • 75% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
58% Popularity • 75% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Logan Mize
Grew Apart
89 bpm • G Maj • 02:52 • -7.84db
46% Popularity • 59% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 59% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Megan Moroney
Another on the Way
89 bpm • C# min • 02:34 • -7db
45% Popularity • 46% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 46% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Matt Stell
One Of Us
90 bpm • C Maj • 03:02 • -3.34db
48% Popularity • 59% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 59% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Alana Springsteen
Zero Trucks
90 bpm • C Maj • 02:42 • -4.93db
46% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Tyler Braden
Ways to Miss You
90 bpm • A# min • 03:09 • -5.12db
42% Popularity • 54% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 54% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Kylie Morgan
If He Wanted To He Would
90 bpm • C Maj • 02:54 • -4.72db
69% Popularity • 66% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
69% Popularity • 66% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Adam Doleac
Til Dawn Do Us Part
90 bpm • G# Maj • 02:58 • -4.83db
36% Popularity • 54% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 54% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Megan Moroney
Sad Songs For Sad People
74 bpm • C Maj • 03:36 • -8.07db
45% Popularity • 53% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 53% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Ella Langley
Make Me Wanna Smoke
90 bpm • F min • 03:02 • -3.89db
41% Popularity • 52% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 52% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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George Birge
Damn Right I Do
73 bpm • A# min • 03:28 • -5.22db
36% Popularity • 43% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 43% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Morgan Wallen
Wonderin’ Bout The Wind
91 bpm • F# Maj • 03:02 • -5.63db
64% Popularity • 48% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 48% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Conner Smith
Meanwhile In Carolina
72 bpm • C# Maj • 03:47 • -5.64db
45% Popularity • 41% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 41% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Maddie & Tae
Trying On Rings
91 bpm • G Maj • 03:05 • -7.45db
42% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Morgan Evans
On My Own Again
91 bpm • D# Maj • 02:58 • -8.86db
41% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Randall King
Around Forever
72 bpm • A# Maj • 03:44 • -8.31db
43% Popularity • 62% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
43% Popularity • 62% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
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Dylan Marlowe
You Did It Too
91 bpm • D# Maj • 03:04 • -7.46db
53% Popularity • 69% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
53% Popularity • 69% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Kylie Morgan
Making It Up As I Go
72 bpm • B Maj • 03:23 • -3.49db
35% Popularity • 52% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 52% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
