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Wonderful
Songs like
Wonderful
by
Joan As Police Woman
Based on a tempo of (+/- 10%) and a similar genre
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Joan As Police Woman
Wonderful
114 bpm • D min • 03:33 • -8.85db
14% Popularity • 68% Danceability • 42% Energy • 28% Liveness
1% Instrumentalness • 48% Positiveness
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Sophie Hunger
I Opened A Bar
114 bpm • G Maj • 03:52 • -8db
30% Popularity • 77% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
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Mirah
Country of the Future
114 bpm • C min • 03:34 • -9db
24% Popularity • 60% Danceability • 46% Energy • 10% Liveness
51% Instrumentalness • 46% Positiveness
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dEUS
What We Talk About (When We Talk About L...
114 bpm • B min • 04:48 • -8.14db
21% Popularity • 65% Danceability • 64% Energy • 10% Liveness
82% Instrumentalness • 64% Positiveness
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Nadine Shah
Trad
113 bpm • D Maj • 05:27 • -9.69db
16% Popularity • 58% Danceability • 69% Energy • 14% Liveness
63% Instrumentalness • 38% Positiveness
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Sleaford Mods
I Feel So Wrong
113 bpm • F min • 03:10 • -8db
34% Popularity • 97% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Olivier Libaux
In My Head
115 bpm • G Maj • 03:42 • -10.98db
17% Popularity • 55% Danceability • 36% Energy • 15% Liveness
70% Instrumentalness • 28% Positiveness
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Isobel Campbell
Revolver
113 bpm • G min • 02:40 • -15.2db
32% Popularity • 58% Danceability • 27% Energy • 13% Liveness
67% Instrumentalness • 47% Positiveness
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Bill Callahan
Too Many Birds
113 bpm • F min • 05:27 • -11.3db
43% Popularity • 53% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 48% Positiveness
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Beth Gibbons
Funny Time Of Year
113 bpm • D min • 06:48 • -13.33db
35% Popularity • 35% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 8% Positiveness
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Balthazar
Sinking Ship
116 bpm • F# Maj • 03:10 • -10db
38% Popularity • 89% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Serafina Steer
Night Before Mutiny
116 bpm • E min • 05:01 • -18.5db
15% Popularity • 34% Danceability • 27% Energy • 8% Liveness
2% Instrumentalness • 10% Positiveness
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Baxter Dury
Porcelain
116 bpm • G min • 04:02 • -5.27db
27% Popularity • 68% Danceability • 64% Energy • 16% Liveness
45% Instrumentalness • 36% Positiveness
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Maggie Bjorklund
Name In The Sand
116 bpm • C Maj • 02:51 • -11.1db
23% Popularity • 74% Danceability • 47% Energy • 12% Liveness
10% Instrumentalness • 75% Positiveness
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Joan As Police Woman
Spread
116 bpm • A Maj • 04:21 • -8.77db
9% Popularity • 72% Danceability • 55% Energy • 20% Liveness
17% Instrumentalness • 45% Positiveness
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Low
What Part of Me
112 bpm • A Maj • 03:08 • -8.17db
38% Popularity • 65% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Nouvelle Vague
Friday Night Saturday Morning
116 bpm • F# min • 04:23 • -9.56db
34% Popularity • 68% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
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Danger Mouse
The Rose with the Broken Neck
116 bpm • D min • 03:23 • -9.96db
35% Popularity • 58% Danceability • 47% Energy • 13% Liveness
33% Instrumentalness • 27% Positiveness
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Day One
I'm Doin' Fine
112 bpm • F# min • 04:22 • -9.31db
23% Popularity • 67% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Alela Diane
To Begin
117 bpm • D Maj • 03:33 • -8db
23% Popularity • 80% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Eels
Bus Stop Boxer
116 bpm • C Maj • 03:42 • -8db
41% Popularity • 78% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
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RóisÃn Murphy
Through Time
117 bpm • G Maj • 05:58 • -12.67db
25% Popularity • 82% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Isobel Campbell
Hey World
117 bpm • D Maj • 03:15 • -10.36db
14% Popularity • 65% Danceability • 55% Energy • 19% Liveness
67% Instrumentalness • 39% Positiveness
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Kae Tempest
The Beigeness
117 bpm • C Maj • 03:08 • -6.21db
39% Popularity • 89% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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CocoRosie
Good Friday
111 bpm • F min • 04:23 • -11db
33% Popularity • 44% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
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Joan As Police Woman
Flash
117 bpm • A# Maj • 07:51 • -12.54db
22% Popularity • 49% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Bill Callahan
Javelin Unlanding
118 bpm • C min • 03:48 • -11.4db
35% Popularity • 59% Danceability • 48% Energy • 12% Liveness
84% Instrumentalness • 51% Positiveness
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Nadine Shah
The Devil
110 bpm • D# min • 04:10 • -7.21db
23% Popularity • 64% Danceability • 52% Energy • 10% Liveness
50% Instrumentalness • 44% Positiveness
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dEUS
The Real Sugar
118 bpm • D min • 03:58 • -8.18db
32% Popularity • 76% Danceability • 50% Energy • 12% Liveness
29% Instrumentalness • 49% Positiveness
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PJ Harvey
In The Dark Places
110 bpm • C# min • 02:59 • -10.85db
38% Popularity • 73% Danceability • 29% Energy • 12% Liveness
18% Instrumentalness • 42% Positiveness
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Olivier Libaux
Tangled Up in Plaid
118 bpm • C min • 03:09 • -9.2db
19% Popularity • 66% Danceability • 58% Energy • 11% Liveness
3% Instrumentalness • 57% Positiveness
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Mercury Rev
Okolona River Bottom Band
110 bpm • B min • 04:36 • -7.48db
19% Popularity • 44% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Bill Callahan
Eid Ma Clack Shaw
118 bpm • C# min • 04:19 • -11.11db
35% Popularity • 79% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Howe Gelb
Vortexas
110 bpm • C Maj • 04:18 • -18.92db
16% Popularity • 74% Danceability • 35% Energy • 9% Liveness
20% Instrumentalness • 55% Positiveness
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Jehnny Beth
French Countryside
110 bpm • C Maj • 03:58 • -11.74db
20% Popularity • 34% Danceability • 30% Energy • 32% Liveness
15% Instrumentalness • 15% Positiveness
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PJ Harvey
The Wind
110 bpm • B min • 04:01 • -10.88db
49% Popularity • 66% Danceability • 66% Energy • 7% Liveness
74% Instrumentalness • 69% Positiveness
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Kae Tempest
Pictures On A Screen
118 bpm • G min • 05:05 • -11.51db
23% Popularity • 60% Danceability • 51% Energy • 11% Liveness
5% Instrumentalness • 11% Positiveness
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C Duncan
Say
110 bpm • C min • 04:01 • -7db
39% Popularity • 74% Danceability • 65% Energy • 14% Liveness
71% Instrumentalness • 58% Positiveness
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Rufus Wainwright
The One You Love
119 bpm • A min • 03:42 • -5.64db
32% Popularity • 52% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Holly Golightly
There's an End
118 bpm • G Maj • 03:33 • -7.67db
37% Popularity • 72% Danceability • 58% Energy • 8% Liveness
73% Instrumentalness • 76% Positiveness
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Stuart A. Staples
That Leaving Feeling
109 bpm • F# min • 04:02 • -9db
35% Popularity • 36% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Teleman
Cristina
119 bpm • G Maj • 03:58 • -8.77db
29% Popularity • 78% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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dEUS
Nothing Really Ends
119 bpm • D min • 05:36 • -10.47db
48% Popularity • 63% Danceability • 53% Energy • 13% Liveness
4% Instrumentalness • 50% Positiveness
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Puts Marie
Hecho en México
119 bpm • F min • 03:21 • -6.12db
19% Popularity • 50% Danceability • 62% Energy • 10% Liveness
4% Instrumentalness • 44% Positiveness
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Madrugada
Hands Up - I Love You
119 bpm • A min • 05:37 • -10.77db
40% Popularity • 74% Danceability • 49% Energy • 8% Liveness
6% Instrumentalness • 60% Positiveness
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Nadine Shah
Fool
119 bpm • A# min • 04:40 • -5.39db
35% Popularity • 49% Danceability • 78% Energy • 6% Liveness
69% Instrumentalness • 59% Positiveness
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Jolie Holland
Springtime Can Kill You
119 bpm • F# min • 02:48 • -15.89db
18% Popularity • 42% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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The Divine Comedy
Our Mutual Friend
120 bpm • A# Maj • 05:58 • -8.3db
42% Popularity • 54% Danceability • 48% Energy • 8% Liveness
16% Instrumentalness • 57% Positiveness
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Joan As Police Woman
I Keep Forgettin'
119 bpm • A min • 05:24 • -11.92db
10% Popularity • 76% Danceability • 33% Energy • 8% Liveness
4% Instrumentalness • 53% Positiveness
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Nouvelle Vague
Blank Generation - Live
120 bpm • B min • 02:36 • -8.54db
28% Popularity • 75% Danceability • 58% Energy • 32% Liveness
2% Instrumentalness • 58% Positiveness
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John Grant
Marz
120 bpm • A# Maj • 03:58 • -10.86db
46% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Marianne Faithfull
Desperanto
108 bpm • C Maj • 04:23 • -7.33db
18% Popularity • 52% Danceability • 70% Energy • 18% Liveness
30% Instrumentalness • 91% Positiveness
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Eno • Hyde
Who Rings The Bell
120 bpm • E Maj • 05:05 • -9.23db
11% Popularity • 65% Danceability • 70% Energy • 11% Liveness
18% Instrumentalness • 23% Positiveness
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Ghostpoet
X Marks the Spot
120 bpm • C min • 03:50 • -11db
42% Popularity • 61% Danceability • 65% Energy • 12% Liveness
7% Instrumentalness • 36% Positiveness
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Get Well Soon
Roland, I Feel You
120 bpm • G Maj • 04:34 • -7.82db
35% Popularity • 62% Danceability • 70% Energy • 18% Liveness
2% Instrumentalness • 37% Positiveness
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Nouvelle Vague
Guns of Brixton
120 bpm • C Maj • 04:06 • -9.55db
45% Popularity • 75% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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LUMP
Animal
120 bpm • C# Maj • 04:37 • -9.23db
29% Popularity • 74% Danceability • 62% Energy • 13% Liveness
33% Instrumentalness • 18% Positiveness
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PJ Harvey
The Orange Monkey
120 bpm • A min • 02:47 • -10.45db
24% Popularity • 72% Danceability • 70% Energy • 11% Liveness
1% Instrumentalness • 93% Positiveness
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Eno • Hyde
Daddy's Car
120 bpm • A Maj • 04:50 • -5.83db
28% Popularity • 62% Danceability • 91% Energy • 12% Liveness
3% Instrumentalness • 72% Positiveness
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Ghostpoet
I Grow Tired But Dare Not Fall Asleep
120 bpm • D# min • 04:35 • -8.47db
27% Popularity • 73% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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Troy Von Balthazar
Took Some $$
120 bpm • G min • 02:54 • -7.14db
7% Popularity • 70% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Nouvelle Vague
Making Plans for Nigel
120 bpm • A Maj • 03:32 • -12.39db
48% Popularity • 74% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
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Joan As Police Woman
Out of Time
120 bpm • G Maj • 02:23 • -13db
25% Popularity • 41% Danceability • 25% Energy • 22% Liveness
1% Instrumentalness • 16% Positiveness
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Husky Rescue
Summertime Cowboy
120 bpm • A# min • 04:06 • -7.15db
32% Popularity • 80% Danceability • 59% Energy • 13% Liveness
10% Instrumentalness • 90% Positiveness
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Papas Fritas
Way You Walk
120 bpm • F# min • 03:48 • -7db
37% Popularity • 88% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Damien Jurado
Radioactivity
120 bpm • A min • 03:50 • -7.79db
22% Popularity • 55% Danceability • 64% Energy • 39% Liveness
86% Instrumentalness • 45% Positiveness
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Michelle Gurevich
Keep In Mind
108 bpm • F min • 04:06 • -9.8db
22% Popularity • 80% Danceability • 68% Energy • 12% Liveness
3% Instrumentalness • 84% Positiveness
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Nouvelle Vague
Love Comes in Spurts
120 bpm • D Maj • 02:38 • -5.96db
27% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Eliades Ochoa
Creo en la Naturaleza
108 bpm • C Maj • 02:46 • -13.47db
23% Popularity • 67% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Ultra Orange
Sing Sing
120 bpm • F# Maj • 03:29 • -4.99db
31% Popularity • 55% Danceability • 83% Energy • 34% Liveness
83% Instrumentalness • 54% Positiveness
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Marika Hackman
Ophelia
108 bpm • E min • 03:33 • -12db
39% Popularity • 66% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Joan As Police Woman
Fire
121 bpm • A min • 05:13 • -10.91db
10% Popularity • 54% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Alwyn
Trippin'
108 bpm • D# Maj • 04:08 • -10.23db
1% Popularity • 61% Danceability • 42% Energy • 10% Liveness
39% Instrumentalness • 46% Positiveness
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Nouvelle Vague
Just Can't Get Enough
120 bpm • B Maj • 03:07 • -9.49db
39% Popularity • 64% Danceability • 57% Energy • 14% Liveness
25% Instrumentalness • 59% Positiveness
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Dawn Landes
Bodyguard
108 bpm • G min • 03:54 • -9.36db
14% Popularity • 70% Danceability • 43% Energy • 9% Liveness
2% Instrumentalness • 30% Positiveness
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Saint Saviour
The Place I Want to Be
121 bpm • C Maj • 03:04 • -12.89db
37% Popularity • 57% Danceability • 25% Energy • 8% Liveness
23% Instrumentalness • 19% Positiveness
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The Bony King of Nowhere
Taxidream
121 bpm • A# min • 02:31 • -8.1db
30% Popularity • 62% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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PJ Harvey
Angelene - Demo
121 bpm • A min • 03:38 • -11.81db
22% Popularity • 70% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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This Is The Kit
Bullet Proof
121 bpm • C# Maj • 04:10 • -11db
35% Popularity • 43% Danceability • 38% Energy • 12% Liveness
5% Instrumentalness • 51% Positiveness
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Laura Veirs
Ether Sings
121 bpm • F Maj • 03:44 • -11.88db
15% Popularity • 58% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 23% Positiveness
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Seamus Fogarty
Van Gogh's Ear
121 bpm • F Maj • 04:03 • -10.08db
24% Popularity • 54% Danceability • 48% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
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Amen Dunes
Blue Rose
107 bpm • G Maj • 04:06 • -6.77db
25% Popularity • 64% Danceability • 73% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
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Gorillaz
Simplicity
122 bpm • B min • 02:44 • -11.3db
40% Popularity • 74% Danceability • 66% Energy • 10% Liveness
49% Instrumentalness • 75% Positiveness
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Sophie Hunger
Security Check
122 bpm • G Maj • 03:41 • -9.75db
23% Popularity • 64% Danceability • 80% Energy • 10% Liveness
29% Instrumentalness • 35% Positiveness
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Midlake
Roscoe
122 bpm • G# min • 04:46 • -8.3db
50% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Timber Timbre
Hot Dreams
122 bpm • A Maj • 04:53 • -8.77db
39% Popularity • 55% Danceability • 37% Energy • 9% Liveness
6% Instrumentalness • 33% Positiveness
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Ethan Gold
Pretty Girls
122 bpm • G# min • 03:28 • -8.82db
35% Popularity • 72% Danceability • 48% Energy • 12% Liveness
2% Instrumentalness • 70% Positiveness
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Wild Beasts
Reach A Bit Further
122 bpm • A# Maj • 03:39 • -14db
29% Popularity • 72% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 62% Positiveness
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JúnÃus Meyvant
Beat Silent Need
106 bpm • E min • 03:41 • -8.68db
26% Popularity • 78% Danceability • 64% Energy • 7% Liveness
77% Instrumentalness • 78% Positiveness
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Gaz Coombes
The Oaks
122 bpm • B min • 04:39 • -8.13db
28% Popularity • 73% Danceability • 69% Energy • 12% Liveness
9% Instrumentalness • 49% Positiveness
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Midlake
Roscoe - Beyond the Wizard's Sleeve Remi...
122 bpm • G# min • 06:53 • -6.79db
41% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Massive Attack
Better Things
123 bpm • A min • 04:13 • -16db
45% Popularity • 59% Danceability • 18% Energy • 7% Liveness
29% Instrumentalness • 52% Positiveness
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Hospitality
Going Out
106 bpm • B min • 03:34 • -8.6db
37% Popularity • 78% Danceability • 49% Energy • 13% Liveness
16% Instrumentalness • 80% Positiveness
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Neko Case
Greens of June
123 bpm • C# min • 04:13 • -11.41db
29% Popularity • 63% Danceability • 55% Energy • 42% Liveness
4% Instrumentalness • 57% Positiveness
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Howe Gelb
A Thousand Kisses Deep
106 bpm • F min • 05:39 • -16db
30% Popularity • 76% Danceability • 27% Energy • 44% Liveness
1% Instrumentalness • 75% Positiveness
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I Am Kloot
Over My Shoulder
123 bpm • E Maj • 02:58 • -5.04db
36% Popularity • 94% Danceability • 67% Energy • 10% Liveness
4% Instrumentalness • 95% Positiveness
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Midlake
Roscoe - Beyond The Wizards Sleeve Re-An...
122 bpm • G# min • 06:53 • -6.83db
33% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Fat White Family
Feet
106 bpm • G Maj • 05:19 • -7db
37% Popularity • 54% Danceability • 86% Energy • 9% Liveness
71% Instrumentalness • 52% Positiveness
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Olivier Libaux
Burn The Witch
105 bpm • C# min • 02:34 • -7.83db
24% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Clara Luzia
The Drugs Do Work
105 bpm • A min • 04:20 • -9.62db
18% Popularity • 74% Danceability • 53% Energy • 5% Liveness
42% Instrumentalness • 52% Positiveness
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Wonderful