Songs like Wonderment by Gavin Luke
Based on a tempo of (+/- 10%) and a similar genre
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Scintillante
Notte
78 bpm • D Maj • 03:19 • -31.72db
46% Popularity • 22% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Samira Tesfay
Harmonious
78 bpm • G Maj • 03:56 • -31.28db
45% Popularity • 20% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
45% Popularity • 20% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
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Gavin Luke
Wonderment
78 bpm • C# Maj • 02:33 • -20.26db
39% Popularity • 43% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 40% Positiveness
39% Popularity • 43% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 40% Positiveness
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Kylian Rebour
Different Beginning
78 bpm • F Maj • 01:15 • -25.32db
40% Popularity • 28% Danceability • 6% Energy • 11% Liveness
79% Instrumentalness • 26% Positiveness
40% Popularity • 28% Danceability • 6% Energy • 11% Liveness
79% Instrumentalness • 26% Positiveness
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Charles Bolt
New Night, New Dream
78 bpm • D# Maj • 03:01 • -20.96db
37% Popularity • 47% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 33% Positiveness
37% Popularity • 47% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 33% Positiveness
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Hermosa Dawn
The Shores
78 bpm • C# Maj • 02:01 • -19.69db
36% Popularity • 40% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
36% Popularity • 40% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Dawn Huntley
The Edge of Love
78 bpm • A# Maj • 02:02 • -27.57db
49% Popularity • 40% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
49% Popularity • 40% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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MettaForm
Go Gently
78 bpm • E Maj • 02:35 • -30.16db
34% Popularity • 31% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 29% Positiveness
34% Popularity • 31% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 29% Positiveness
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Lama House
Before the War
78 bpm • C Maj • 02:59 • -18.82db
28% Popularity • 68% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
28% Popularity • 68% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
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Lummus Park
Ocean And 17th
77 bpm • C Maj • 03:09 • -23db
38% Popularity • 50% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
38% Popularity • 50% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Johann Eder
In the Past
79 bpm • D min • 01:56 • -27.97db
38% Popularity • 15% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
38% Popularity • 15% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Rannar Sillard
On a Clear Day
77 bpm • G Maj • 01:59 • -22.13db
31% Popularity • 34% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
31% Popularity • 34% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Lorenz Gayo
When The Children Play
77 bpm • D min • 01:12 • -18.52db
32% Popularity • 29% Danceability • 19% Energy • 35% Liveness
94% Instrumentalness • 23% Positiveness
32% Popularity • 29% Danceability • 19% Energy • 35% Liveness
94% Instrumentalness • 23% Positiveness
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Mark Mintuny
Mending
77 bpm • G# Maj • 02:12 • -26.51db
23% Popularity • 46% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
23% Popularity • 46% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Rand Aldo
Nocturne in Green
77 bpm • D Maj • 04:03 • -18.02db
26% Popularity • 21% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Bert Evins
Prelude For Growth
77 bpm • D# Maj • 02:29 • -30.26db
37% Popularity • 34% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
37% Popularity • 34% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Johann Eder
Slowly Relaxing
79 bpm • B min • 03:21 • -26.06db
43% Popularity • 24% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
43% Popularity • 24% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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S.A. Karl
Pollux
77 bpm • C Maj • 02:22 • -25db
39% Popularity • 46% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 63% Positiveness
39% Popularity • 46% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 63% Positiveness
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Crystal Fragments
Aquamarine
80 bpm • A min • 02:52 • -24.31db
38% Popularity • 26% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
38% Popularity • 26% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
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Elena Falwell
Elegi For Cello
76 bpm • C Maj • 02:43 • -19.54db
29% Popularity • 17% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Charles Bolt
Distance
80 bpm • C Maj • 02:26 • -25.27db
35% Popularity • 70% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 33% Positiveness
35% Popularity • 70% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 33% Positiveness
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Jakob Ahlbom
Like Home
80 bpm • F Maj • 02:34 • -26.47db
32% Popularity • 19% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Kasper Schill
Ava
76 bpm • F Maj • 02:48 • -27.79db
42% Popularity • 39% Danceability • 4% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
42% Popularity • 39% Danceability • 4% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
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Gavin Luke
Sincerity
80 bpm • F# Maj • 02:24 • -21.97db
30% Popularity • 31% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 31% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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René Sturgess
The Inner Landscape
76 bpm • C# Maj • 02:55 • -28.08db
37% Popularity • 48% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
37% Popularity • 48% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
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Arden Forest
Coral Red
76 bpm • G# Maj • 02:17 • -25db
32% Popularity • 44% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
32% Popularity • 44% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Emiliano Blangero
Eterno viaggiare
80 bpm • A Maj • 03:57 • -24.74db
25% Popularity • 22% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
25% Popularity • 22% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
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Michele Nobler
Sweet Dreams
80 bpm • B min • 03:17 • -25.49db
33% Popularity • 41% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 26% Positiveness
33% Popularity • 41% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 26% Positiveness
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Jonas Holmes
Ouroboros
81 bpm • C min • 02:05 • -25.64db
39% Popularity • 34% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
39% Popularity • 34% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Gavin Luke
The Gift
76 bpm • C# Maj • 02:38 • -21db
42% Popularity • 16% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
42% Popularity • 16% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Matt Stewart-Evans
Wander
81 bpm • F# Maj • 03:28 • -14.77db
22% Popularity • 27% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
22% Popularity • 27% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
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Arden Forest
Sapphire
76 bpm • C# Maj • 03:22 • -20db
21% Popularity • 42% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
21% Popularity • 42% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
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Lunaire
Close - Cello Version
75 bpm • C Maj • 03:29 • -21.2db
30% Popularity • 25% Danceability • 9% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 25% Danceability • 9% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Steven Vrancken
Gracewood (Revisited)
75 bpm • E Maj • 02:20 • -21.48db
38% Popularity • 37% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
38% Popularity • 37% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Mae Ji-Yoon
Life Happens
75 bpm • D min • 03:07 • -22db
41% Popularity • 45% Danceability • 11% Energy • 9% Liveness
97% Instrumentalness • 18% Positiveness
41% Popularity • 45% Danceability • 11% Energy • 9% Liveness
97% Instrumentalness • 18% Positiveness
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Gavin Luke
Immersion
81 bpm • B min • 02:41 • -26.62db
20% Popularity • 19% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Franz Gordon
Following a Bark Boat
75 bpm • A min • 03:00 • -19.3db
28% Popularity • 32% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
28% Popularity • 32% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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MettaForm
Dark Rose
75 bpm • A min • 01:47 • -31db
44% Popularity • 70% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 25% Positiveness
44% Popularity • 70% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 25% Positiveness
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Peighton
Carry Me
75 bpm • F min • 02:09 • -25.73db
25% Popularity • 26% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 43% Positiveness
25% Popularity • 26% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 43% Positiveness
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Franco Robert
Hola
75 bpm • D Maj • 03:34 • -21.52db
37% Popularity • 42% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
37% Popularity • 42% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Isaac Shepard
Finally Time to Sleep
75 bpm • F min • 03:13 • -28.68db
36% Popularity • 29% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
36% Popularity • 29% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Gavin Luke
Fractured Memories
75 bpm • D Maj • 02:42 • -16.81db
18% Popularity • 32% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
18% Popularity • 32% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Arden Forest
Aoi
75 bpm • C# Maj • 02:07 • -21.87db
30% Popularity • 62% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 62% Positiveness
30% Popularity • 62% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 62% Positiveness
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Charlotte Funke
Episode
75 bpm • G Maj • 02:30 • -30.75db
43% Popularity • 37% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
43% Popularity • 37% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
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Thomas Farnon
Impromptu, No. 1
75 bpm • D Maj • 03:26 • -20.48db
33% Popularity • 28% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
33% Popularity • 28% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
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Joan Sterling
Pulses
75 bpm • C Maj • 02:10 • -32.91db
34% Popularity • 46% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 35% Positiveness
34% Popularity • 46% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 35% Positiveness
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Piano Novel
Forêt
74 bpm • G min • 04:07 • -26.37db
31% Popularity • 52% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
31% Popularity • 52% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
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Gavin Luke
What May Come
82 bpm • C# Maj • 02:48 • -20.85db
27% Popularity • 39% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 34% Positiveness
27% Popularity • 39% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 34% Positiveness
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Bruno Joel
Holding Hands
74 bpm • C Maj • 02:45 • -25.87db
38% Popularity • 63% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 39% Positiveness
38% Popularity • 63% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 39% Positiveness
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Ebb & Flod
October Skies
74 bpm • D Maj • 02:55 • -17.37db
44% Popularity • 18% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
44% Popularity • 18% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Vincent & A Secret
While You Were Sleeping
74 bpm • E Maj • 01:45 • -30.34db
37% Popularity • 21% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 21% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Brique a Braq
Dufy
82 bpm • G Maj • 03:59 • -15.51db
26% Popularity • 9% Danceability • 20% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
26% Popularity • 9% Danceability • 20% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Heddwch
Dolce Far Niente
74 bpm • B Maj • 02:12 • -23.04db
45% Popularity • 47% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
45% Popularity • 47% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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SIMO
Don't Stay Up
82 bpm • C# Maj • 01:55 • -21.1db
28% Popularity • 47% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
28% Popularity • 47% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Floriscope
Petals
74 bpm • B Maj • 02:37 • -23.47db
45% Popularity • 43% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
45% Popularity • 43% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
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Crystal Fragments
Amethyst
82 bpm • D min • 02:47 • -21.33db
26% Popularity • 9% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
26% Popularity • 9% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
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LOVIS
Zhenya
74 bpm • C Maj • 03:22 • -28.72db
41% Popularity • 23% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
41% Popularity • 23% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Elskavon
Soft Night
74 bpm • D Maj • 02:35 • -30.5db
54% Popularity • 25% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
54% Popularity • 25% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Novo Talos
Carry On
74 bpm • G# Maj • 01:55 • -24.93db
38% Popularity • 29% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
38% Popularity • 29% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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MettaForm
Lumenary
74 bpm • A min • 01:57 • -29.05db
51% Popularity • 42% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 34% Positiveness
51% Popularity • 42% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 34% Positiveness
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Sebastián Escofet
Ondulante
83 bpm • F Maj • 03:00 • -21.87db
35% Popularity • 8% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
35% Popularity • 8% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Bryan Colbert
With Certainty of Tides
73 bpm • G# Maj • 02:13 • -28.2db
30% Popularity • 28% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
30% Popularity • 28% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Gavin Luke
The Crossing
73 bpm • B min • 03:13 • -21.83db
39% Popularity • 37% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
39% Popularity • 37% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Keira Conlon
Lyrebird
73 bpm • C# min • 02:33 • -34.69db
48% Popularity • 23% Danceability • 0% Energy • 7% Liveness
85% Instrumentalness • 10% Positiveness
48% Popularity • 23% Danceability • 0% Energy • 7% Liveness
85% Instrumentalness • 10% Positiveness
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Aija Alsina
To the Moon and Back
73 bpm • G# Maj • 04:30 • -18.26db
38% Popularity • 9% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 10% Positiveness
38% Popularity • 9% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 10% Positiveness
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Josep Alba
Buenas Noches
83 bpm • G Maj • 04:38 • -22.41db
39% Popularity • 8% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
39% Popularity • 8% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Charlie Key
Into The Light
73 bpm • E min • 01:40 • -24.91db
42% Popularity • 47% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 17% Positiveness
42% Popularity • 47% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 17% Positiveness
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Ryan Stewart
A Distant Storm
73 bpm • G# min • 02:57 • -24.81db
31% Popularity • 29% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 8% Positiveness
31% Popularity • 29% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 8% Positiveness
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Gavin Luke
Solace
73 bpm • G min • 02:42 • -20db
36% Popularity • 28% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
36% Popularity • 28% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Zara Mazure
O darkest night
83 bpm • G Maj • 03:42 • -26.23db
31% Popularity • 10% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
31% Popularity • 10% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
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Yonder Dale
Benevolent
84 bpm • A min • 03:08 • -17.19db
35% Popularity • 12% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
35% Popularity • 12% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
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Elliot Ziegler
Amabel
84 bpm • G min • 01:48 • -23.01db
22% Popularity • 34% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
22% Popularity • 34% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Luna Meguise
Hush
72 bpm • C Maj • 02:28 • -26.65db
40% Popularity • 27% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
40% Popularity • 27% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
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Gian Marco La Serra
Chills
73 bpm • F min • 02:26 • -15.01db
23% Popularity • 46% Danceability • 12% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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James Spiteri
Staring into Space
72 bpm • D# min • 01:36 • -22.43db
46% Popularity • 38% Danceability • 2% Energy • 12% Liveness
70% Instrumentalness • 14% Positiveness
46% Popularity • 38% Danceability • 2% Energy • 12% Liveness
70% Instrumentalness • 14% Positiveness
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Thad Fiscella
Valley
72 bpm • A# min • 03:45 • -25.32db
26% Popularity • 31% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
26% Popularity • 31% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Opus Monik
Mellifluous
72 bpm • C Maj • 01:58 • -21.03db
38% Popularity • 19% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
38% Popularity • 19% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Eamonn Watt
Embrace You
72 bpm • G Maj • 02:47 • -33.53db
32% Popularity • 38% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
32% Popularity • 38% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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Arelius
Rise
84 bpm • C Maj • 03:02 • -27.67db
42% Popularity • 23% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
42% Popularity • 23% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Gavin Luke
Delicate Transitions
72 bpm • E Maj • 02:28 • -16db
47% Popularity • 39% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
47% Popularity • 39% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Chama Wijnen
Reaching
72 bpm • A Maj • 02:56 • -29.6db
39% Popularity • 31% Danceability • 1% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
39% Popularity • 31% Danceability • 1% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Vicente Avella
Yours
72 bpm • C Maj • 03:45 • -13.79db
31% Popularity • 11% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
31% Popularity • 11% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
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Jon E. Amber
Silver And Coal
72 bpm • C Maj • 02:16 • -29.12db
38% Popularity • 48% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
38% Popularity • 48% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Sarah Spring
Under Cold Water
85 bpm • A# min • 02:06 • -26.35db
42% Popularity • 26% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
42% Popularity • 26% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
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Edvard Kravchuk
Look Inside Yourself
72 bpm • C# Maj • 03:38 • -31.25db
56% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
56% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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Hans Johansen
Lifeline - Piano Version
72 bpm • A min • 03:24 • -18.78db
14% Popularity • 49% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
14% Popularity • 49% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Richard Ramsey
Slumber
72 bpm • C Maj • 01:58 • -25.04db
46% Popularity • 56% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
46% Popularity • 56% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
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Javi Lobe
Light
72 bpm • G Maj • 02:17 • -30.83db
37% Popularity • 27% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 27% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Trevor Kowalski
Folk Story
85 bpm • G# min • 02:44 • -19.66db
22% Popularity • 36% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
22% Popularity • 36% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
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IGRAINE
When I am with thee
72 bpm • D min • 02:55 • -30.57db
44% Popularity • 25% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
44% Popularity • 25% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Lundegard
Maroon Lake
71 bpm • G# min • 02:50 • -21.84db
39% Popularity • 45% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 45% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Kasper Schill
Walk Towards Silence
71 bpm • D Maj • 03:12 • -20db
28% Popularity • 21% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
28% Popularity • 21% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Roman Melass
Field trip
86 bpm • F Maj • 02:23 • -24.95db
34% Popularity • 30% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 5% Positiveness
34% Popularity • 30% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 5% Positiveness
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Josep Alba
Close Your Eyes
71 bpm • A Maj • 02:58 • -20.18db
35% Popularity • 9% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
35% Popularity • 9% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Francesca Caroléo
Celandine
71 bpm • G Maj • 02:53 • -31.31db
47% Popularity • 14% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
47% Popularity • 14% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Arden Forest
Pine
71 bpm • C# Maj • 02:23 • -26.8db
26% Popularity • 42% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
26% Popularity • 42% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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Matt Stewart-Evans
Fable
86 bpm • C Maj • 02:10 • -29.59db
29% Popularity • 23% Danceability • 8% Energy • 9% Liveness
97% Instrumentalness • 32% Positiveness
29% Popularity • 23% Danceability • 8% Energy • 9% Liveness
97% Instrumentalness • 32% Positiveness
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Alina Linnéa
The Seeds I’ve Sown
71 bpm • D Maj • 03:01 • -28.37db
36% Popularity • 39% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
36% Popularity • 39% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
