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Won’t Let You Down
Songs like
Won’t Let You Down
by
Calum Scott
Based on a tempo of (+/- 10%) and a similar genre
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Calum Scott
Won’t Let You Down
150 bpm • E min • 03:14 • -4.78db
41% Popularity • 50% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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The Script
The Hurt Game
150 bpm • G# Maj • 03:48 • -5.98db
34% Popularity • 50% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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BANNERS
Half Light
152 bpm • A# Maj • 03:05 • -7.5db
59% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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The Vamps
All Night - Acoustic
152 bpm • F Maj • 03:03 • -5db
41% Popularity • 55% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Jonathan Tilkin
Something To Hold On To
148 bpm • C# Maj • 03:21 • -7.34db
27% Popularity • 59% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Brent Morgan
I Got You
148 bpm • F Maj • 03:06 • -8.01db
44% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Calum Scott
Flaws
151 bpm • C Maj • 03:28 • -5.06db
58% Popularity • 44% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Angelika Vee
In Case You Didn't Know
148 bpm • C Maj • 03:39 • -8.92db
31% Popularity • 64% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Javier Colon
Clear The Air
148 bpm • G Maj • 04:24 • -6.56db
10% Popularity • 44% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Lauv
There's No Way
147 bpm • D Maj • 02:54 • -7.11db
63% Popularity • 76% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Curtis Walsh
Full Recovery
153 bpm • A Maj • 02:56 • -10db
35% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Calum Scott
If Our Love Is Wrong
152 bpm • G min • 03:23 • -5.57db
55% Popularity • 41% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Billy Lockett
Fading Into Grey
154 bpm • B Maj • 03:38 • -6db
36% Popularity • 53% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Jamie Scott
Feels so Good
154 bpm • D Maj • 03:35 • -12.92db
21% Popularity • 57% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Brendan Murray
If I'm Honest
146 bpm • F# Maj • 03:07 • -7.29db
17% Popularity • 64% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Grace Davies
used to you
154 bpm • C# Maj • 03:28 • -7.94db
46% Popularity • 39% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Chord Overstreet
Homeland
155 bpm • G# Maj • 03:42 • -10db
32% Popularity • 49% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Tyler Shaw
Anybody Out There
145 bpm • G Maj • 03:19 • -7.98db
12% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Connor Duermit
Never Letting Go
146 bpm • G Maj • 03:39 • -8.05db
17% Popularity • 48% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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The Script
No Man is an Island - Acoustic
145 bpm • E min • 03:59 • -5.64db
23% Popularity • 68% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Tom Walker
How Can You Sleep at Night?
155 bpm • C# min • 03:36 • -8.38db
41% Popularity • 45% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Jamie Grey
What Matters Most
145 bpm • F# Maj • 03:35 • -11db
31% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Daughtry
As You Are
145 bpm • B Maj • 03:40 • -6db
44% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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James Smith
Tell Me That You Love Me
144 bpm • F# Maj • 03:14 • -8.75db
64% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Calum Scott
Lighthouse
144 bpm • F Maj • 03:11 • -5.29db
64% Popularity • 54% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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BANNERS
Got It In You
144 bpm • G Maj • 03:41 • -9.16db
52% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Andy Brown
Lay With Me
144 bpm • F# Maj • 03:31 • -6.03db
6% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Tom Walker
All That Matters - Acoustic
144 bpm • A Maj • 03:14 • -7.4db
28% Popularity • 47% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Kris Allen
It’s Always You
144 bpm • E Maj • 04:01 • -8.92db
30% Popularity • 60% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Blended Colours
Take a Bow
144 bpm • G Maj • 03:43 • -12.34db
45% Popularity • 46% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Dermot Kennedy
Outnumbered
157 bpm • C Maj • 04:05 • -5.79db
62% Popularity • 61% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Rasmus Hagen
Fraction
143 bpm • E Maj • 03:15 • -9db
36% Popularity • 69% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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VACAY
Human Nature
143 bpm • D# Maj • 03:26 • -6.12db
20% Popularity • 51% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Picture This
This Morning
158 bpm • D Maj • 03:16 • -3db
47% Popularity • 52% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Loi
Melody
142 bpm • F# Maj • 02:46 • -7.08db
44% Popularity • 58% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Script
Run Through Walls
159 bpm • D Maj • 03:26 • -3.64db
52% Popularity • 34% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
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Alisan Porter
This Is Us
142 bpm • G# Maj • 04:12 • -4.57db
17% Popularity • 46% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Rhys Lewis
No Right To Love You
159 bpm • C# Maj • 03:58 • -8.15db
46% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Calum Scott
Bridges
141 bpm • A Maj • 03:20 • -6.2db
41% Popularity • 55% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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James Smith
Rely On Me
141 bpm • A min • 03:39 • -10.16db
43% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Eric Gordon
Nobody Said That It Was Easy
160 bpm • C Maj • 03:56 • -5.98db
12% Popularity • 52% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Connor Duermit
Your Lips Are Mine
160 bpm • C Maj • 03:52 • -8db
31% Popularity • 54% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Colton Haynes
Man It Sucks - Acoustic
160 bpm • C# Maj • 03:19 • -7.86db
14% Popularity • 57% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Tom Walker
Wait for You
160 bpm • C# Maj • 02:33 • -4.27db
61% Popularity • 50% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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LOKRE
Stop Runnin'
141 bpm • B Maj • 03:27 • -7db
32% Popularity • 34% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Johnny Manuel
Blind Faith
160 bpm • F# min • 03:28 • -7.48db
28% Popularity • 35% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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James Morrison
Too Late For Lullabies
160 bpm • C min • 04:16 • -7db
50% Popularity • 38% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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5 Seconds of Summer
Lie To Me
160 bpm • C Maj • 02:29 • -5.45db
62% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Mitch James
No Getting Older
140 bpm • A Maj • 03:51 • -8.52db
24% Popularity • 46% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Felix Jaehn
Cut The Cord - Acoustic
140 bpm • C# min • 03:51 • -5.86db
26% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Bryan Behr
da primeira vez
140 bpm • F# Maj • 03:21 • -5.47db
35% Popularity • 58% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Brent Morgan
Some Days
140 bpm • F# Maj • 02:10 • -13db
67% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Freya Ridings
You Mean The World To Me
161 bpm • D# Maj • 03:12 • -7.36db
43% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Kodaline
Shed a Tear
140 bpm • B Maj • 03:55 • -2.7db
42% Popularity • 46% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Gustavo Trebien
Here Without You
140 bpm • A min • 03:59 • -5.71db
13% Popularity • 58% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Union J
Paralysed
140 bpm • C# min • 03:42 • -9.88db
25% Popularity • 56% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Sam Fischer
This City - Acoustic
140 bpm • A# Maj • 03:26 • -10.58db
54% Popularity • 62% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Jason Mraz
More Than Friends
139 bpm • D Maj • 03:01 • -6.98db
53% Popularity • 45% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Freya Ridings
Blackout
140 bpm • F# Maj • 02:54 • -8.75db
48% Popularity • 32% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Calum Scott
Golden Slumbers - Recorded At Spotify St...
139 bpm • D Maj • 02:47 • -8.93db
48% Popularity • 49% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Luch Stefano
I've Seen You Naked
162 bpm • A Maj • 04:05 • -9db
5% Popularity • 59% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Jeffrey James
Waiting for the Breakdown - Piano Versio...
138 bpm • C Maj • 03:37 • -8.76db
8% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Jake Etheridge
Getting Over You
138 bpm • D# Maj • 02:57 • -13.95db
31% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Sandro Cavazza
Don't Hold Me
138 bpm • C min • 02:50 • -10.83db
40% Popularity • 54% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 11% Positiveness
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James Smith
Hailey
138 bpm • D Maj • 02:58 • -7.99db
30% Popularity • 69% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Jamie Harrison
Spent So Long
138 bpm • A Maj • 03:50 • -9.35db
25% Popularity • 58% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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The Madison Letter
I Can’t Make You Love Me
138 bpm • A# Maj • 04:14 • -10db
30% Popularity • 43% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Armaan Malik
Always
138 bpm • G Maj • 03:01 • -7.63db
56% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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James Morrison
Until The Stars Go Out
138 bpm • C# Maj • 03:26 • -9db
30% Popularity • 47% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Clara Mae
Better Me Better You - Acoustic
164 bpm • D# min • 03:43 • -8db
13% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Jacob Whitesides
Rules of Beautiful
137 bpm • E Maj • 03:58 • -9.07db
13% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Tom Walker
Leave a Light On - Acoustic
137 bpm • F Maj • 03:37 • -6.76db
59% Popularity • 38% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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James Arthur
Empty Space
165 bpm • C# Maj • 03:33 • -5.38db
67% Popularity • 55% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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James Smith
I Don't Wanna Know
165 bpm • G Maj • 03:28 • -8.6db
39% Popularity • 25% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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JP Saxe
The Few Things (With Charlotte Lawrence)
136 bpm • G Maj • 03:31 • -10.45db
59% Popularity • 54% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Dan Owen
Made to Love You - Edit
136 bpm • C Maj • 03:18 • -7.71db
19% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Calum Scott
Biblical
136 bpm • E Maj • 03:49 • -5db
58% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Tom Martin
Keep Me Young - Acoustic
136 bpm • E Maj • 03:08 • -12.51db
13% Popularity • 44% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Paul McDonald
First Loves (Demo)
136 bpm • C Maj • 03:33 • -10db
23% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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James Smith
Hailey - Acoustic
136 bpm • C# Maj • 03:28 • -9.63db
36% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Tom Walker
The Best Is Yet to Come
166 bpm • A Maj • 02:46 • -8db
60% Popularity • 40% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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JP Saxe
The Few Things
136 bpm • G Maj • 04:04 • -12.83db
46% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Calum Scott
Biblical - Acoustic
136 bpm • D# Maj • 03:47 • -7db
44% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Ed Sheeran
Dive
135 bpm • E Maj • 03:58 • -6.16db
73% Popularity • 76% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Rhys Lewis
No Right To Love You - Acoustic
166 bpm • C# Maj • 03:49 • -10.59db
58% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Cian Ducrot
Not Usually Like This
135 bpm • B Maj • 03:19 • -9.05db
43% Popularity • 70% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Leona Lewis
Thick Skin
135 bpm • D min • 02:58 • -5.01db
34% Popularity • 41% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Connell Cruise
Damaged people
135 bpm • C Maj • 03:58 • -10db
23% Popularity • 38% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Michael Schulte
The Deep
135 bpm • G# min • 03:12 • -7.76db
11% Popularity • 50% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Tom Walker
Lifeline
135 bpm • G min • 02:55 • -7.99db
63% Popularity • 41% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Nashville Cast
Dear Fear
135 bpm • F Maj • 04:10 • -9.56db
18% Popularity • 43% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Calum Scott
Hotel Room
134 bpm • C Maj • 03:40 • -6db
42% Popularity • 61% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Kyle Reynolds
Hold You Tighter
134 bpm • E Maj • 03:41 • -8db
20% Popularity • 60% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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JP Saxe
Same Room
134 bpm • G Maj • 03:53 • -10.88db
45% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Cian Ducrot
hurt so bad
168 bpm • D Maj • 04:02 • -6.53db
47% Popularity • 46% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Micky Skeel
I Can't Wait
168 bpm • A Maj • 02:59 • -5.82db
28% Popularity • 51% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Nathan Angelo
She’s The Song
134 bpm • D Maj • 03:37 • -6.21db
33% Popularity • 61% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Nicholas McDonald
Limelight
134 bpm • D Maj • 04:29 • -5.87db
9% Popularity • 47% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Sad Boy
hear you me
134 bpm • D# Maj • 03:34 • -12.12db
30% Popularity • 64% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 37% Positiveness
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Won’t Let You Down