Songs like Woodland Dance by Joshua Messick
Based on a tempo of (+/- 10%) and a similar genre
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Ensemble Galilei
Lindsay's Keys
80 bpm • A min • 04:07 • -20.63db
19% Popularity • 32% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 15% Positiveness
19% Popularity • 32% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 15% Positiveness
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Ian Fontova
As the Valley Slumbers
80 bpm • E min • 04:12 • -10db
33% Popularity • 45% Danceability • 63% Energy • 46% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 45% Danceability • 63% Energy • 46% Liveness
0% Instrumentalness • 18% Positiveness
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Alessandro Penna
Heawood’s Hills
80 bpm • A min • 02:09 • -25.45db
42% Popularity • 49% Danceability • 10% Energy • 22% Liveness
66% Instrumentalness • 18% Positiveness
42% Popularity • 49% Danceability • 10% Energy • 22% Liveness
66% Instrumentalness • 18% Positiveness
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Filip Lackovic
Wild Spirit
80 bpm • C Maj • 02:27 • -16.18db
19% Popularity • 65% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
19% Popularity • 65% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Paweł Górniak
My Realm
80 bpm • C min • 02:10 • -11.47db
34% Popularity • 31% Danceability • 38% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
34% Popularity • 31% Danceability • 38% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Christopher Tin
III: Tarab - Pt. 1
80 bpm • G min • 04:45 • -12.91db
9% Popularity • 59% Danceability • 44% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
9% Popularity • 59% Danceability • 44% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Joshua Messick
Woodland Dance
80 bpm • B min • 04:21 • -13.99db
11% Popularity • 43% Danceability • 45% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
11% Popularity • 43% Danceability • 45% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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John Playford
The English Dance Master, Vol. 1: Parson...
80 bpm • F Maj • 01:51 • -22.66db
42% Popularity • 47% Danceability • 4% Energy • 54% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 47% Danceability • 4% Energy • 54% Liveness
0% Instrumentalness • 50% Positiveness
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Margie Butler
Lure of the sea maiden - The mermaid
80 bpm • F Maj • 04:28 • -10.78db
16% Popularity • 30% Danceability • 16% Energy • 19% Liveness
40% Instrumentalness • 5% Positiveness
16% Popularity • 30% Danceability • 16% Energy • 19% Liveness
40% Instrumentalness • 5% Positiveness
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Lori Pappajohn
Scarborough Fair
80 bpm • G Maj • 05:41 • -16db
21% Popularity • 52% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
21% Popularity • 52% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
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Kim Robertson
Black Is the Color of My True Love's Hai...
80 bpm • E min • 03:42 • -10.9db
13% Popularity • 30% Danceability • 21% Energy • 31% Liveness
87% Instrumentalness • 14% Positiveness
13% Popularity • 30% Danceability • 21% Energy • 31% Liveness
87% Instrumentalness • 14% Positiveness
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Kieran Fahy
Lament for Eoin Rua - Caislean an or
82 bpm • D min • 06:57 • -15db
19% Popularity • 20% Danceability • 16% Energy • 7% Liveness
46% Instrumentalness • 27% Positiveness
19% Popularity • 20% Danceability • 16% Energy • 7% Liveness
46% Instrumentalness • 27% Positiveness
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Joshua Messick
Annie's Lullaby
81 bpm • C Maj • 04:19 • -17.5db
1% Popularity • 50% Danceability • 7% Energy • 29% Liveness
8% Instrumentalness • 4% Positiveness
1% Popularity • 50% Danceability • 7% Energy • 29% Liveness
8% Instrumentalness • 4% Positiveness
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Alasdair Fraser's Skyedance
The Other Side Of Sorrow
82 bpm • B min • 02:06 • -14.17db
23% Popularity • 18% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 18% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Mundi
Funeral Games - Reprise
82 bpm • F Maj • 03:19 • -16.1db
10% Popularity • 49% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
10% Popularity • 49% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
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Lothlorien
An Cat Dubh
78 bpm • E Maj • 01:30 • -18.49db
28% Popularity • 20% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 24% Positiveness
28% Popularity • 20% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 24% Positiveness
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John Doan
The Lamentation of Turlough Ocarolan
78 bpm • E min • 04:07 • -15.77db
27% Popularity • 37% Danceability • 17% Energy • 10% Liveness
58% Instrumentalness • 8% Positiveness
27% Popularity • 37% Danceability • 17% Energy • 10% Liveness
58% Instrumentalness • 8% Positiveness
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Cantiga
Hole In The Wall
82 bpm • G Maj • 02:31 • -16.69db
12% Popularity • 43% Danceability • 11% Energy • 10% Liveness
7% Instrumentalness • 52% Positiveness
12% Popularity • 43% Danceability • 11% Energy • 10% Liveness
7% Instrumentalness • 52% Positiveness
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Joshua Messick
Coming Home
79 bpm • D min • 04:35 • -11.92db
2% Popularity • 34% Danceability • 50% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
2% Popularity • 34% Danceability • 50% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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Tartalo Music
Fitak Abian
82 bpm • G Maj • 04:03 • -12.85db
33% Popularity • 38% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
33% Popularity • 38% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
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Flook
Souter Creek
78 bpm • D# Maj • 05:12 • -17db
32% Popularity • 24% Danceability • 28% Energy • 12% Liveness
40% Instrumentalness • 55% Positiveness
32% Popularity • 24% Danceability • 28% Energy • 12% Liveness
40% Instrumentalness • 55% Positiveness
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Nadia Birkenstock
The Musical Priest
83 bpm • G Maj • 02:27 • -14.69db
34% Popularity • 63% Danceability • 45% Energy • 9% Liveness
90% Instrumentalness • 25% Positiveness
34% Popularity • 63% Danceability • 45% Energy • 9% Liveness
90% Instrumentalness • 25% Positiveness
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Aine Minogue
Spirits of the World
83 bpm • B min • 03:45 • -19.91db
32% Popularity • 31% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
32% Popularity • 31% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
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Alasdair Fraser
La Sansonette
77 bpm • D min • 03:58 • -6.09db
15% Popularity • 44% Danceability • 29% Energy • 12% Liveness
57% Instrumentalness • 36% Positiveness
15% Popularity • 44% Danceability • 29% Energy • 12% Liveness
57% Instrumentalness • 36% Positiveness
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Joshua Messick
Streamside Lullaby
78 bpm • G Maj • 03:00 • -15.2db
3% Popularity • 34% Danceability • 17% Energy • 28% Liveness
96% Instrumentalness • 8% Positiveness
3% Popularity • 34% Danceability • 17% Energy • 28% Liveness
96% Instrumentalness • 8% Positiveness
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Ensemble Galilei
Grace Harwar
83 bpm • A min • 02:06 • -29.27db
26% Popularity • 46% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
26% Popularity • 46% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
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John Johnson
Greensleeves
83 bpm • F Maj • 03:58 • -23db
36% Popularity • 35% Danceability • 16% Energy • 13% Liveness
78% Instrumentalness • 60% Positiveness
36% Popularity • 35% Danceability • 16% Energy • 13% Liveness
78% Instrumentalness • 60% Positiveness
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Bonnie Grace
A Celtic Blessing
84 bpm • B min • 02:25 • -14.48db
37% Popularity • 37% Danceability • 38% Energy • 57% Liveness
25% Instrumentalness • 43% Positiveness
37% Popularity • 37% Danceability • 38% Energy • 57% Liveness
25% Instrumentalness • 43% Positiveness
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Flook
The Crystal Year / Foxes' Rock
84 bpm • F min • 05:20 • -12db
27% Popularity • 42% Danceability • 44% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
27% Popularity • 42% Danceability • 44% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
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Bruno Coulais
Dance with the Fish
84 bpm • C# min • 02:07 • -22.83db
30% Popularity • 40% Danceability • 7% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
30% Popularity • 40% Danceability • 7% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
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Lori Pappajohn
In Spring We Shall Dance
84 bpm • D min • 03:23 • -13.66db
24% Popularity • 54% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 22% Positiveness
24% Popularity • 54% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 22% Positiveness
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Enaid
The Spirit of Excalibur
84 bpm • F Maj • 04:40 • -11.85db
39% Popularity • 15% Danceability • 32% Energy • 18% Liveness
75% Instrumentalness • 6% Positiveness
39% Popularity • 15% Danceability • 32% Energy • 18% Liveness
75% Instrumentalness • 6% Positiveness
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Maidens of the Celtic Harp
King of the Fairies
76 bpm • E min • 02:38 • -16.78db
32% Popularity • 39% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
32% Popularity • 39% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
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Bonnie Grace
For the Weary
84 bpm • E Maj • 02:33 • -12.22db
34% Popularity • 58% Danceability • 32% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
34% Popularity • 58% Danceability • 32% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Margie Butler
Parting of Friends - The Piper's Hut
76 bpm • A min • 05:03 • -15db
38% Popularity • 46% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 36% Positiveness
38% Popularity • 46% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 36% Positiveness
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Charlie Grey and Joseph Peach
Misty Corrie
76 bpm • F Maj • 06:32 • -16.2db
33% Popularity • 19% Danceability • 8% Energy • 8% Liveness
33% Instrumentalness • 9% Positiveness
33% Popularity • 19% Danceability • 8% Energy • 8% Liveness
33% Instrumentalness • 9% Positiveness
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Kieran Fahy
O'Carolan's Farewell to Music
76 bpm • G min • 04:22 • -9.83db
21% Popularity • 22% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
21% Popularity • 22% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Ensemble Galilei
Following the Moon
85 bpm • G Maj • 05:15 • -14.74db
35% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 13% Positiveness
35% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 13% Positiveness
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Philleann
Darkling Wood
85 bpm • G Maj • 03:10 • -12.77db
30% Popularity • 35% Danceability • 45% Energy • 14% Liveness
23% Instrumentalness • 39% Positiveness
30% Popularity • 35% Danceability • 45% Energy • 14% Liveness
23% Instrumentalness • 39% Positiveness
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Andrei Krylov
My Magic Flute in Ruins of Medieval Cast...
85 bpm • F min • 01:43 • -19.44db
28% Popularity • 42% Danceability • 10% Energy • 17% Liveness
91% Instrumentalness • 91% Positiveness
28% Popularity • 42% Danceability • 10% Energy • 17% Liveness
91% Instrumentalness • 91% Positiveness
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Andrey Vinogradov
Aequilibrium
85 bpm • F Maj • 03:04 • -11db
33% Popularity • 18% Danceability • 28% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
33% Popularity • 18% Danceability • 28% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Charlie Grey and Joseph Peach
Gathan-grèin
85 bpm • G Maj • 02:47 • -13.28db
25% Popularity • 17% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Kieran Fahy
Planxty Kelly
85 bpm • A min • 02:26 • -11.91db
28% Popularity • 45% Danceability • 21% Energy • 12% Liveness
63% Instrumentalness • 60% Positiveness
28% Popularity • 45% Danceability • 21% Energy • 12% Liveness
63% Instrumentalness • 60% Positiveness
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Flook
Companion Star / The Coral Castle
85 bpm • D Maj • 07:07 • -15.5db
26% Popularity • 27% Danceability • 35% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
26% Popularity • 27% Danceability • 35% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
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Ensemble Galilei
Solstice Lament
75 bpm • A min • 03:40 • -23.17db
20% Popularity • 11% Danceability • 3% Energy • 19% Liveness
57% Instrumentalness • 19% Positiveness
20% Popularity • 11% Danceability • 3% Energy • 19% Liveness
57% Instrumentalness • 19% Positiveness
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The O'Neill Brothers Group
The Leprechaun's Jig (Instrumental Versi...
75 bpm • A min • 02:42 • -16.4db
24% Popularity • 58% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
24% Popularity • 58% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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Ben Sollee
Leaving The Mountain
85 bpm • G min • 01:59 • -17.13db
28% Popularity • 39% Danceability • 28% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
28% Popularity • 39% Danceability • 28% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Joseph C. Phaze
Nocturne No. 2 in E-Flat, Op.9 No.2
75 bpm • D# Maj • 04:09 • -16.79db
22% Popularity • 48% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
22% Popularity • 48% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Jeff Victor
The Ghost Piper of an Allt Mor
74 bpm • A Maj • 02:32 • -23.58db
23% Popularity • 15% Danceability • 40% Energy • 41% Liveness
82% Instrumentalness • 13% Positiveness
23% Popularity • 15% Danceability • 40% Energy • 41% Liveness
82% Instrumentalness • 13% Positiveness
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Flook
Ellie Goes West
75 bpm • E Maj • 03:47 • -18.76db
34% Popularity • 46% Danceability • 12% Energy • 12% Liveness
37% Instrumentalness • 18% Positiveness
34% Popularity • 46% Danceability • 12% Energy • 12% Liveness
37% Instrumentalness • 18% Positiveness
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Mike Vass
After Years
86 bpm • D min • 05:52 • -14.84db
18% Popularity • 19% Danceability • 13% Energy • 8% Liveness
78% Instrumentalness • 19% Positiveness
18% Popularity • 19% Danceability • 13% Energy • 8% Liveness
78% Instrumentalness • 19% Positiveness
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DÃ imh
Barra to Balloch
86 bpm • C min • 05:15 • -5.28db
22% Popularity • 24% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 24% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Lynne Reardon
Twyngryllyg
86 bpm • D Maj • 03:00 • -9.07db
35% Popularity • 36% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
35% Popularity • 36% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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Beyond The Guitar
Davy Jones
74 bpm • E min • 03:00 • -16.68db
24% Popularity • 45% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
24% Popularity • 45% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Joshua Messick
She Moved Though the Fair
74 bpm • D Maj • 03:13 • -15.27db
10% Popularity • 47% Danceability • 5% Energy • 31% Liveness
84% Instrumentalness • 5% Positiveness
10% Popularity • 47% Danceability • 5% Energy • 31% Liveness
84% Instrumentalness • 5% Positiveness
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Erutan
Corn Yairds
87 bpm • F Maj • 04:56 • -10.32db
29% Popularity • 48% Danceability • 40% Energy • 14% Liveness
44% Instrumentalness • 31% Positiveness
29% Popularity • 48% Danceability • 40% Energy • 14% Liveness
44% Instrumentalness • 31% Positiveness
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Mark O'Connor
Verbovaya Doschechka (A Ukrainian Folk S...
87 bpm • D Maj • 03:47 • -19.73db
13% Popularity • 11% Danceability • 9% Energy • 20% Liveness
77% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 20% Liveness
77% Instrumentalness • 4% Positiveness
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The Wandering Bard
CSM 18: Por Nos De Dulta Tirar (Nunium, ...
88 bpm • G# min • 04:05 • -14.58db
18% Popularity • 42% Danceability • 19% Energy • 13% Liveness
19% Instrumentalness • 51% Positiveness
18% Popularity • 42% Danceability • 19% Energy • 13% Liveness
19% Instrumentalness • 51% Positiveness
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OMNIA
Luna
88 bpm • E min • 04:46 • -18.41db
37% Popularity • 75% Danceability • 15% Energy • 10% Liveness
81% Instrumentalness • 14% Positiveness
37% Popularity • 75% Danceability • 15% Energy • 10% Liveness
81% Instrumentalness • 14% Positiveness
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Ian Fontova
Step on the Coin
73 bpm • E min • 04:13 • -10.6db
14% Popularity • 39% Danceability • 70% Energy • 15% Liveness
13% Instrumentalness • 65% Positiveness
14% Popularity • 39% Danceability • 70% Energy • 15% Liveness
13% Instrumentalness • 65% Positiveness
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Joshua Messick
Mist and Shadows
87 bpm • D Maj • 02:38 • -14.62db
3% Popularity • 26% Danceability • 10% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
3% Popularity • 26% Danceability • 10% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Erutan
Branle Des Chevaux
73 bpm • D Maj • 03:50 • -14.06db
32% Popularity • 29% Danceability • 28% Energy • 5% Liveness
1% Instrumentalness • 29% Positiveness
32% Popularity • 29% Danceability • 28% Energy • 5% Liveness
1% Instrumentalness • 29% Positiveness
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Philleann
The Saffron Sea
88 bpm • C# min • 03:14 • -14.11db
17% Popularity • 72% Danceability • 25% Energy • 8% Liveness
73% Instrumentalness • 40% Positiveness
17% Popularity • 72% Danceability • 25% Energy • 8% Liveness
73% Instrumentalness • 40% Positiveness
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Beyond The Guitar
The Last Goodbye
88 bpm • D Maj • 04:19 • -17.31db
23% Popularity • 58% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
23% Popularity • 58% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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The Gothard Sisters
When the Rain Falls
72 bpm • D min • 04:40 • -11.8db
29% Popularity • 25% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 33% Positiveness
29% Popularity • 25% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 33% Positiveness
► Preview
Andrei Krylov
Viking Ghosts On Scottish Isles
72 bpm • E min • 02:21 • -15db
34% Popularity • 60% Danceability • 20% Energy • 10% Liveness
80% Instrumentalness • 29% Positiveness
34% Popularity • 60% Danceability • 20% Energy • 10% Liveness
80% Instrumentalness • 29% Positiveness
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Soma Games
Joyful Hope
72 bpm • E min • 03:00 • -11.78db
14% Popularity • 58% Danceability • 34% Energy • 19% Liveness
76% Instrumentalness • 24% Positiveness
14% Popularity • 58% Danceability • 34% Energy • 19% Liveness
76% Instrumentalness • 24% Positiveness
► Preview
The Wandering Bard
CSM 380: Sen Calar Nen Tardar (Time Of S...
89 bpm • B Maj • 03:23 • -16.9db
36% Popularity • 44% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 38% Positiveness
36% Popularity • 44% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 38% Positiveness
► Preview
Ensemble Galilei
Liane's Ocean
72 bpm • C min • 03:21 • -20db
31% Popularity • 20% Danceability • 4% Energy • 11% Liveness
75% Instrumentalness • 16% Positiveness
31% Popularity • 20% Danceability • 4% Energy • 11% Liveness
75% Instrumentalness • 16% Positiveness
► Preview
Celtic World Orchestra
Downton Abbey Theme - 2022 Remastered
90 bpm • E min • 04:07 • -13.77db
30% Popularity • 12% Danceability • 38% Energy • 36% Liveness
75% Instrumentalness • 8% Positiveness
30% Popularity • 12% Danceability • 38% Energy • 36% Liveness
75% Instrumentalness • 8% Positiveness
► Preview
Celestial Aeon Project
Stranger Things Main Theme
90 bpm • G Maj • 01:13 • -22.09db
11% Popularity • 44% Danceability • 21% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
11% Popularity • 44% Danceability • 21% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
► Preview
Inspire
Bazaar
90 bpm • E min • 01:59 • -9.3db
20% Popularity • 49% Danceability • 50% Energy • 11% Liveness
85% Instrumentalness • 54% Positiveness
20% Popularity • 49% Danceability • 50% Energy • 11% Liveness
85% Instrumentalness • 54% Positiveness
► Preview
Soma Games
Oh Rats!
90 bpm • D min • 03:22 • -10.67db
12% Popularity • 75% Danceability • 50% Energy • 10% Liveness
68% Instrumentalness • 39% Positiveness
12% Popularity • 75% Danceability • 50% Energy • 10% Liveness
68% Instrumentalness • 39% Positiveness
► Preview
June Westfield
Autumn Woods
71 bpm • A min • 04:28 • -13db
9% Popularity • 18% Danceability • 39% Energy • 48% Liveness
44% Instrumentalness • 18% Positiveness
9% Popularity • 18% Danceability • 39% Energy • 48% Liveness
44% Instrumentalness • 18% Positiveness
► Preview
Maggie Sansone
Breton Air
71 bpm • G Maj • 02:08 • -26.51db
22% Popularity • 30% Danceability • 4% Energy • 17% Liveness
98% Instrumentalness • 6% Positiveness
22% Popularity • 30% Danceability • 4% Energy • 17% Liveness
98% Instrumentalness • 6% Positiveness
► Preview
Erutan
Star Above The Garter / Monaghan's Jig /...
91 bpm • D Maj • 06:10 • -14db
28% Popularity • 41% Danceability • 28% Energy • 19% Liveness
3% Instrumentalness • 58% Positiveness
28% Popularity • 41% Danceability • 28% Energy • 19% Liveness
3% Instrumentalness • 58% Positiveness
► Preview
Arlene Faith
Return to Me
70 bpm • C Maj • 04:15 • -14.36db
25% Popularity • 9% Danceability • 28% Energy • 12% Liveness
25% Instrumentalness • 9% Positiveness
25% Popularity • 9% Danceability • 28% Energy • 12% Liveness
25% Instrumentalness • 9% Positiveness
► Preview
Jessica Comeau
Tha Mi Sgith
70 bpm • D Maj • 03:13 • -16.91db
10% Popularity • 33% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
10% Popularity • 33% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
► Preview
Nicostrauss
Arwen's Love
92 bpm • A min • 03:00 • -7.17db
21% Popularity • 14% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
21% Popularity • 14% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
Nadia Birkenstock
Far from Home
92 bpm • G Maj • 01:50 • -16.36db
34% Popularity • 56% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 73% Positiveness
34% Popularity • 56% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 73% Positiveness
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Shelley Phillips And Friends
Cold Frosty Morning
92 bpm • A min • 03:45 • -12.86db
17% Popularity • 60% Danceability • 31% Energy • 9% Liveness
15% Instrumentalness • 59% Positiveness
17% Popularity • 60% Danceability • 31% Energy • 9% Liveness
15% Instrumentalness • 59% Positiveness
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Joshua Messick
Everlasting
92 bpm • E min • 02:46 • -16.7db
10% Popularity • 39% Danceability • 36% Energy • 14% Liveness
88% Instrumentalness • 70% Positiveness
10% Popularity • 39% Danceability • 36% Energy • 14% Liveness
88% Instrumentalness • 70% Positiveness
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Andrey Stanislavovich Vinogradov
Chasen Senem
69 bpm • C Maj • 06:04 • -8.75db
17% Popularity • 9% Danceability • 31% Energy • 13% Liveness
76% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 31% Energy • 13% Liveness
76% Instrumentalness • 4% Positiveness
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Beyond The Guitar
The Riders of Rohan
69 bpm • E min • 02:32 • -14.04db
25% Popularity • 59% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 20% Positiveness
25% Popularity • 59% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 20% Positiveness
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Kim Robertson
Glenlivet
93 bpm • A min • 02:26 • -18db
27% Popularity • 50% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 55% Positiveness
27% Popularity • 50% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 55% Positiveness
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Jon Adamich
Kiara's Tale
93 bpm • D Maj • 02:00 • -9.78db
26% Popularity • 18% Danceability • 49% Energy • 14% Liveness
89% Instrumentalness • 20% Positiveness
26% Popularity • 18% Danceability • 49% Energy • 14% Liveness
89% Instrumentalness • 20% Positiveness
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Philip Ayers
Clarity
68 bpm • A# Maj • 01:43 • -21.46db
31% Popularity • 23% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
31% Popularity • 23% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Joshua Messick
Orbit
92 bpm • G Maj • 03:18 • -14.33db
2% Popularity • 46% Danceability • 41% Energy • 7% Liveness
96% Instrumentalness • 70% Positiveness
2% Popularity • 46% Danceability • 41% Energy • 7% Liveness
96% Instrumentalness • 70% Positiveness
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Moorland Songs
Calling on the Hill
68 bpm • A Maj • 03:21 • -19.45db
12% Popularity • 14% Danceability • 0% Energy • 27% Liveness
91% Instrumentalness • 11% Positiveness
12% Popularity • 14% Danceability • 0% Energy • 27% Liveness
91% Instrumentalness • 11% Positiveness
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Daniel & Mikael Tjernberg
1040 Ad
94 bpm • D# Maj • 04:55 • -18db
25% Popularity • 64% Danceability • 13% Energy • 13% Liveness
29% Instrumentalness • 12% Positiveness
25% Popularity • 64% Danceability • 13% Energy • 13% Liveness
29% Instrumentalness • 12% Positiveness
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Straumr
The Gael
94 bpm • C Maj • 01:59 • -15.16db
34% Popularity • 34% Danceability • 26% Energy • 10% Liveness
98% Instrumentalness • 32% Positiveness
34% Popularity • 34% Danceability • 26% Energy • 10% Liveness
98% Instrumentalness • 32% Positiveness
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Lori Pappajohn
Mountain Lake
95 bpm • D# Maj • 04:23 • -17.83db
15% Popularity • 37% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
15% Popularity • 37% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
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Sue Richards
Out On The Ocean - Peter's Peerie Boat
95 bpm • G Maj • 02:08 • -14.58db
10% Popularity • 51% Danceability • 28% Energy • 11% Liveness
39% Instrumentalness • 32% Positiveness
10% Popularity • 51% Danceability • 28% Energy • 11% Liveness
39% Instrumentalness • 32% Positiveness
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Constantine Bard
Interstellar Main Theme - Medieval Versi...
95 bpm • C min • 05:06 • -11db
14% Popularity • 50% Danceability • 40% Energy • 10% Liveness
72% Instrumentalness • 43% Positiveness
14% Popularity • 50% Danceability • 40% Energy • 10% Liveness
72% Instrumentalness • 43% Positiveness
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Mark Grobner & Ken Kolodner
The Cradle Song/Johnny Cope
95 bpm • A Maj • 05:31 • -14db
11% Popularity • 34% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
11% Popularity • 34% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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YOLANDA MILLERA
DANZA DE LOS NOVIOS
95 bpm • B Maj • 01:15 • -13.52db
11% Popularity • 49% Danceability • 50% Energy • 13% Liveness
93% Instrumentalness • 76% Positiveness
11% Popularity • 49% Danceability • 50% Energy • 13% Liveness
93% Instrumentalness • 76% Positiveness
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Andrey Stanislavovich Vinogradov
Spring Dance
95 bpm • C min • 02:47 • -10.52db
13% Popularity • 34% Danceability • 31% Energy • 11% Liveness
22% Instrumentalness • 20% Positiveness
13% Popularity • 34% Danceability • 31% Energy • 11% Liveness
22% Instrumentalness • 20% Positiveness
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Lori Pappajohn
Seikilos' Song
95 bpm • C Maj • 04:31 • -19.44db
9% Popularity • 36% Danceability • 4% Energy • 12% Liveness
18% Instrumentalness • 8% Positiveness
9% Popularity • 36% Danceability • 4% Energy • 12% Liveness
18% Instrumentalness • 8% Positiveness
