Songs like Words (Re-Recorded) [Bonus Track] by Missing Persons
Based on a tempo of (+/- 10%) and a similar genre
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Missing Persons
Words
135 bpm • B min • 04:24 • -9.64db
11% Popularity • 74% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 74% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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The B-52's
Roam
135 bpm • A Maj • 04:55 • -5.55db
58% Popularity • 64% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
58% Popularity • 64% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Pat Benatar
We Live For Love
135 bpm • F# Maj • 03:57 • -12.45db
39% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Soft Cell
Tears Run Rings
135 bpm • A# Maj • 05:43 • -15.02db
41% Popularity • 67% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 93% Positiveness
41% Popularity • 67% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 93% Positiveness
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Blondie
Atomic
135 bpm • E min • 04:40 • -4.89db
61% Popularity • 60% Danceability • 82% Energy • 6% Liveness
13% Instrumentalness • 79% Positiveness
61% Popularity • 60% Danceability • 82% Energy • 6% Liveness
13% Instrumentalness • 79% Positiveness
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Talk Talk
Talk Talk - 1997 Remaster
135 bpm • G min • 03:23 • -7.78db
49% Popularity • 61% Danceability • 84% Energy • 4% Liveness
6% Instrumentalness • 83% Positiveness
49% Popularity • 61% Danceability • 84% Energy • 4% Liveness
6% Instrumentalness • 83% Positiveness
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Modern English
Hands Across the Sea
135 bpm • D Maj • 04:53 • -13db
28% Popularity • 67% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 68% Positiveness
28% Popularity • 67% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 68% Positiveness
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The B-52's
Roam - Edit
135 bpm • A Maj • 04:06 • -9.38db
44% Popularity • 61% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 61% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Peter Murphy
Cuts You Up
134 bpm • E min • 05:27 • -10.73db
54% Popularity • 63% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
54% Popularity • 63% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
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Pat Benatar
We Belong
135 bpm • F Maj • 03:41 • -14.11db
69% Popularity • 71% Danceability • 32% Energy • 58% Liveness
0% Instrumentalness • 30% Positiveness
69% Popularity • 71% Danceability • 32% Energy • 58% Liveness
0% Instrumentalness • 30% Positiveness
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Marc Almond
Tears Run Rings
134 bpm • A# Maj • 04:21 • -11.95db
44% Popularity • 69% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 69% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Missing Persons
Words
136 bpm • A Maj • 04:27 • -13.45db
45% Popularity • 75% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 75% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Psychedelic Furs
Pretty in Pink
136 bpm • D Maj • 03:58 • -5.96db
58% Popularity • 39% Danceability • 92% Energy • 32% Liveness
1% Instrumentalness • 78% Positiveness
58% Popularity • 39% Danceability • 92% Energy • 32% Liveness
1% Instrumentalness • 78% Positiveness
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Oingo Boingo
Just Another Day
134 bpm • A Maj • 05:12 • -11db
51% Popularity • 57% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
51% Popularity • 57% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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The B-52's
Love Shack
134 bpm • F min • 05:20 • -6.79db
71% Popularity • 70% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 90% Positiveness
71% Popularity • 70% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 90% Positiveness
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The Human League
Mirror Man
134 bpm • C Maj • 03:50 • -11.15db
50% Popularity • 63% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 63% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Fine Young Cannibals
Johnny Come Home
134 bpm • A# Maj • 03:35 • -7.56db
56% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Missing Persons
If Only For The Moment
136 bpm • C Maj • 03:47 • -5.18db
8% Popularity • 64% Danceability • 92% Energy • 7% Liveness
2% Instrumentalness • 31% Positiveness
8% Popularity • 64% Danceability • 92% Energy • 7% Liveness
2% Instrumentalness • 31% Positiveness
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Blondie
Atomic
137 bpm • E min • 03:50 • -5db
47% Popularity • 53% Danceability • 82% Energy • 33% Liveness
27% Instrumentalness • 74% Positiveness
47% Popularity • 53% Danceability • 82% Energy • 33% Liveness
27% Instrumentalness • 74% Positiveness
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The Fixx
One Thing Leads To Another - Extended Ve...
137 bpm • F min • 08:00 • -5.83db
21% Popularity • 78% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 78% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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The B-52's
Love Shack - Edit; 2019 Remaster
133 bpm • F min • 04:22 • -7.3db
54% Popularity • 70% Danceability • 83% Energy • 75% Liveness
0% Instrumentalness • 87% Positiveness
54% Popularity • 70% Danceability • 83% Energy • 75% Liveness
0% Instrumentalness • 87% Positiveness
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Adam Ant
Desperate but Not Serious
137 bpm • A Maj • 04:14 • -4.21db
36% Popularity • 59% Danceability • 91% Energy • 16% Liveness
16% Instrumentalness • 80% Positiveness
36% Popularity • 59% Danceability • 91% Energy • 16% Liveness
16% Instrumentalness • 80% Positiveness
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Ultravox
Reap the Wild Wind - 2009 Remaster
133 bpm • C# Maj • 03:49 • -9db
51% Popularity • 56% Danceability • 73% Energy • 8% Liveness
74% Instrumentalness • 84% Positiveness
51% Popularity • 56% Danceability • 73% Energy • 8% Liveness
74% Instrumentalness • 84% Positiveness
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Missing Persons
Incense and Peppermints
134 bpm • B min • 02:53 • -6.2db
14% Popularity • 64% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 64% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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'Til Tuesday
No More Crying
133 bpm • C# min • 04:21 • -7.75db
21% Popularity • 59% Danceability • 62% Energy • 47% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 59% Danceability • 62% Energy • 47% Liveness
0% Instrumentalness • 52% Positiveness
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The Fixx
One Thing Leads To Another
137 bpm • F min • 03:19 • -5.22db
51% Popularity • 79% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 79% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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The Romantics
One in a Million (2023 Remaster)
133 bpm • A Maj • 03:42 • -5db
39% Popularity • 66% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 66% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Haircut 100
Love Plus One
137 bpm • C Maj • 03:32 • -14.51db
52% Popularity • 79% Danceability • 52% Energy • 10% Liveness
55% Instrumentalness • 96% Positiveness
52% Popularity • 79% Danceability • 52% Energy • 10% Liveness
55% Instrumentalness • 96% Positiveness
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Depeche Mode
Route 66
133 bpm • C Maj • 04:10 • -5.21db
40% Popularity • 54% Danceability • 92% Energy • 30% Liveness
37% Instrumentalness • 55% Positiveness
40% Popularity • 54% Danceability • 92% Energy • 30% Liveness
37% Instrumentalness • 55% Positiveness
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Missing Persons
If Only For The Moment - Long Version
136 bpm • C Maj • 04:56 • -6.51db
5% Popularity • 61% Danceability • 88% Energy • 27% Liveness
20% Instrumentalness • 44% Positiveness
5% Popularity • 61% Danceability • 88% Energy • 27% Liveness
20% Instrumentalness • 44% Positiveness
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Animotion
Let Him Go
137 bpm • A min • 04:27 • -11db
16% Popularity • 50% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 50% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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The Psychedelic Furs
Heaven
137 bpm • C Maj • 03:27 • -12.58db
46% Popularity • 55% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 55% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Culture Club
Move Away
132 bpm • F Maj • 04:21 • -12db
35% Popularity • 67% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 67% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Bronski Beat
Why ?
138 bpm • F min • 04:03 • -9db
56% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Adam Ant
Vive Le Rock
132 bpm • G Maj • 03:40 • -5.47db
26% Popularity • 53% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 53% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Missing Persons
Give
133 bpm • C Maj • 04:53 • -4.31db
16% Popularity • 78% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 78% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Animotion
I Want You
132 bpm • D Maj • 04:37 • -13db
16% Popularity • 63% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 63% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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The Psychedelic Furs
Pretty In Pink
132 bpm • D Maj • 04:39 • -13.3db
21% Popularity • 62% Danceability • 54% Energy • 15% Liveness
1% Instrumentalness • 80% Positiveness
21% Popularity • 62% Danceability • 54% Energy • 15% Liveness
1% Instrumentalness • 80% Positiveness
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Duran Duran
Girls on Film - 2010 Remaster
132 bpm • G Maj • 03:32 • -6.21db
63% Popularity • 72% Danceability • 86% Energy • 5% Liveness
1% Instrumentalness • 53% Positiveness
63% Popularity • 72% Danceability • 86% Energy • 5% Liveness
1% Instrumentalness • 53% Positiveness
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The Human League
Empire State Human - Remastered 2003
131 bpm • A# min • 03:17 • -8.98db
31% Popularity • 70% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 70% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 49% Positiveness
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The B-52's
Channel Z
131 bpm • C# Maj • 04:50 • -7.45db
42% Popularity • 65% Danceability • 75% Energy • 1% Liveness
0% Instrumentalness • 74% Positiveness
42% Popularity • 65% Danceability • 75% Energy • 1% Liveness
0% Instrumentalness • 74% Positiveness
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Missing Persons
Color In Your Life
133 bpm • D Maj • 04:59 • -3.77db
14% Popularity • 58% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 58% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Laura Branigan
Gloria
131 bpm • A Maj • 04:49 • -6.81db
71% Popularity • 78% Danceability • 74% Energy • 15% Liveness
29% Instrumentalness • 84% Positiveness
71% Popularity • 78% Danceability • 74% Energy • 15% Liveness
29% Instrumentalness • 84% Positiveness
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Trio
Da Da Da I Don't Love You You Don't Love...
131 bpm • F min • 03:26 • -7.01db
38% Popularity • 82% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 82% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Duran Duran
Planet Earth - 2010 Remaster
131 bpm • C Maj • 04:03 • -5.21db
53% Popularity • 59% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
53% Popularity • 59% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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a-ha
Cry Wolf
131 bpm • A min • 04:06 • -7.45db
51% Popularity • 65% Danceability • 77% Energy • 7% Liveness
67% Instrumentalness • 78% Positiveness
51% Popularity • 65% Danceability • 77% Energy • 7% Liveness
67% Instrumentalness • 78% Positiveness
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Gene Loves Jezebel
Desire (Come and Get It)
131 bpm • B min • 03:20 • -9.69db
32% Popularity • 58% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 58% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Missing Persons
Give - Remastered
133 bpm • C Maj • 06:45 • -6.18db
8% Popularity • 81% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 81% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Men At Work
Overkill
139 bpm • C# min • 03:49 • -3.99db
66% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
66% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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The Fixx
Are We Ourselves?
139 bpm • C Maj • 02:27 • -14db
26% Popularity • 64% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 64% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Fine Young Cannibals
Don't Look Back
139 bpm • G Maj • 03:37 • -11db
38% Popularity • 68% Danceability • 70% Energy • 47% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 68% Danceability • 70% Energy • 47% Liveness
0% Instrumentalness • 97% Positiveness
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The Motels
Remember The Nights
131 bpm • A Maj • 03:12 • -6db
29% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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The Buggles
Video Killed The Radio Star - Single Ver...
131 bpm • C# Maj • 03:17 • -10.8db
55% Popularity • 74% Danceability • 79% Energy • 29% Liveness
1% Instrumentalness • 51% Positiveness
55% Popularity • 74% Danceability • 79% Energy • 29% Liveness
1% Instrumentalness • 51% Positiveness
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Missing Persons
Windows
132 bpm • F# Maj • 05:02 • -10db
26% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Paul Young
Come Back and Stay - 2008 Remastered
131 bpm • F# min • 04:24 • -7.99db
56% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Pretenders
Show Me - 2007 Remaster
139 bpm • C Maj • 04:13 • -7db
36% Popularity • 55% Danceability • 90% Energy • 6% Liveness
7% Instrumentalness • 56% Positiveness
36% Popularity • 55% Danceability • 90% Energy • 6% Liveness
7% Instrumentalness • 56% Positiveness
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Culture Club
Church Of The Poison Mind - Remastered 2...
131 bpm • G min • 03:32 • -4.25db
46% Popularity • 60% Danceability • 90% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 60% Danceability • 90% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
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'Til Tuesday
Maybe Monday
131 bpm • E min • 03:42 • -8.88db
18% Popularity • 57% Danceability • 78% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 57% Danceability • 78% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
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Gene Loves Jezebel
Desire
131 bpm • B min • 04:22 • -7db
38% Popularity • 56% Danceability • 87% Energy • 32% Liveness
11% Instrumentalness • 69% Positiveness
38% Popularity • 56% Danceability • 87% Energy • 32% Liveness
11% Instrumentalness • 69% Positiveness
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Missing Persons
Flash Of Love
138 bpm • F# min • 04:13 • -4.5db
7% Popularity • 75% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 75% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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a-ha
Train of Thought
140 bpm • A Maj • 04:14 • -16db
45% Popularity • 67% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 82% Positiveness
45% Popularity • 67% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 82% Positiveness
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Bronski Beat
I Feel Love
140 bpm • A min • 06:01 • -11.6db
47% Popularity • 62% Danceability • 72% Energy • 57% Liveness
1% Instrumentalness • 86% Positiveness
47% Popularity • 62% Danceability • 72% Energy • 57% Liveness
1% Instrumentalness • 86% Positiveness
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Romeo Void
A Girl in Trouble (Is a Temporary Thing)
131 bpm • C min • 04:17 • -12db
38% Popularity • 68% Danceability • 72% Energy • 16% Liveness
39% Instrumentalness • 88% Positiveness
38% Popularity • 68% Danceability • 72% Energy • 16% Liveness
39% Instrumentalness • 88% Positiveness
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Kim Carnes
Voyeur
140 bpm • D Maj • 03:58 • -6.74db
27% Popularity • 58% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 58% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Frankie Goes To Hollywood
Two Tribes
130 bpm • G Maj • 03:28 • -13.17db
54% Popularity • 54% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 54% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Missing Persons
I Can't Take It Anymore
138 bpm • F Maj • 03:48 • -7.14db
5% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
5% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Love and Rockets
All in My Mind
140 bpm • C Maj • 04:43 • -7db
34% Popularity • 44% Danceability • 80% Energy • 52% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 44% Danceability • 80% Energy • 52% Liveness
0% Instrumentalness • 45% Positiveness
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Bronski Beat
Hit That Perfect Beat
140 bpm • C Maj • 03:39 • -12.97db
48% Popularity • 70% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 70% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Martika
Toy Soldiers
130 bpm • C# min • 04:47 • -6.41db
62% Popularity • 51% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
62% Popularity • 51% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Thomas Dolby
One of Our Submarines
130 bpm • C# min • 05:07 • -13.58db
30% Popularity • 67% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 67% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
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Book Of Love
Book of Love
140 bpm • D# Maj • 04:35 • -13db
26% Popularity • 71% Danceability • 71% Energy • 3% Liveness
42% Instrumentalness • 89% Positiveness
26% Popularity • 71% Danceability • 71% Energy • 3% Liveness
42% Instrumentalness • 89% Positiveness
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Missing Persons
Boy I Say To You
138 bpm • A min • 04:36 • -4db
5% Popularity • 70% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
5% Popularity • 70% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Big Audio Dynamite
E=MC2
130 bpm • D min • 05:54 • -9.72db
46% Popularity • 72% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 72% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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The Police
Don't Stand So Close To Me
140 bpm • D Maj • 04:02 • -9.41db
73% Popularity • 80% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
73% Popularity • 80% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Gary Numan
Cars (Live)
130 bpm • D Maj • 03:38 • -8.87db
15% Popularity • 37% Danceability • 86% Energy • 89% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 37% Danceability • 86% Energy • 89% Liveness
0% Instrumentalness • 42% Positiveness
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ABC
That Was Then But This Is Now
130 bpm • F Maj • 03:34 • -6.1db
32% Popularity • 61% Danceability • 93% Energy • 60% Liveness
3% Instrumentalness • 82% Positiveness
32% Popularity • 61% Danceability • 93% Energy • 60% Liveness
3% Instrumentalness • 82% Positiveness
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Wang Chung
Don't Let Go
141 bpm • D# min • 04:21 • -13db
33% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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![Walking in L.A. (Re-Recorded) [Bonus Track] cover art](https://i.scdn.co/image/ab67616d00001e027ad0974898f328697044b8db)
Missing Persons
Walking in L.A. (Re-Recorded) [Bonus Tra...
138 bpm • A# Maj • 03:58 • -6.65db
14% Popularity • 80% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 80% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Fine Young Cannibals
Suspicious Minds
129 bpm • G Maj • 03:57 • -4.74db
53% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Duran Duran
Rio - 2009 Remaster
141 bpm • A Maj • 05:37 • -7.43db
61% Popularity • 54% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 54% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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The Fixx
One Thing Leads to Another - Rerecorded
141 bpm • F min • 03:08 • -5.66db
15% Popularity • 77% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 77% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Lene Lovich
New Toy
142 bpm • D Maj • 03:18 • -12.31db
27% Popularity • 63% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 63% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Wang Chung
Everybody Have Fun Tonight (Re-Recorded)
129 bpm • A Maj • 04:39 • -5db
37% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Thomas Dolby
She Blinded Me With Science
129 bpm • A Maj • 03:41 • -11.54db
54% Popularity • 80% Danceability • 76% Energy • 7% Liveness
17% Instrumentalness • 98% Positiveness
54% Popularity • 80% Danceability • 76% Energy • 7% Liveness
17% Instrumentalness • 98% Positiveness
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Missing Persons
Walking In L.A.
139 bpm • C Maj • 04:00 • -11db
44% Popularity • 71% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 71% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Roxy Music
More Than This
129 bpm • F# Maj • 04:30 • -7.81db
70% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
70% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
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Pet Shop Boys
Where the Streets Have No Name / I Can't...
129 bpm • D# Maj • 04:32 • -11.94db
43% Popularity • 49% Danceability • 94% Energy • 8% Liveness
24% Instrumentalness • 17% Positiveness
43% Popularity • 49% Danceability • 94% Energy • 8% Liveness
24% Instrumentalness • 17% Positiveness
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Fine Young Cannibals
Ever Fallen in Love
128 bpm • A Maj • 03:53 • -11db
43% Popularity • 73% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 73% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Wang Chung
Everybody Have Fun Tonight
129 bpm • A Maj • 04:47 • -12.27db
56% Popularity • 73% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
56% Popularity • 73% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Depeche Mode
Just Can't Get Enough
128 bpm • C Maj • 03:40 • -9.36db
73% Popularity • 77% Danceability • 77% Energy • 18% Liveness
6% Instrumentalness • 92% Positiveness
73% Popularity • 77% Danceability • 77% Energy • 18% Liveness
6% Instrumentalness • 92% Positiveness
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Missing Persons
Right Now
130 bpm • C Maj • 03:29 • -3.71db
13% Popularity • 78% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 78% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Simple Minds
Sanctify Yourself
128 bpm • C Maj • 04:57 • -6.26db
46% Popularity • 56% Danceability • 92% Energy • 72% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 56% Danceability • 92% Energy • 72% Liveness
0% Instrumentalness • 70% Positiveness
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Pet Shop Boys
Where the Streets Have No Name (I Can't ...
128 bpm • C min • 04:32 • -6.37db
38% Popularity • 49% Danceability • 98% Energy • 11% Liveness
15% Instrumentalness • 18% Positiveness
38% Popularity • 49% Danceability • 98% Energy • 11% Liveness
15% Instrumentalness • 18% Positiveness
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Information Society
Lay All Your Love On Me
128 bpm • G min • 03:41 • -12.29db
38% Popularity • 72% Danceability • 63% Energy • 7% Liveness
29% Instrumentalness • 78% Positiveness
38% Popularity • 72% Danceability • 63% Energy • 7% Liveness
29% Instrumentalness • 78% Positiveness
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Gary Numan
Cars
128 bpm • D Maj • 03:58 • -8.75db
62% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
62% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Spandau Ballet
To Cut a Long Story Short - 2010 Remaste...
142 bpm • D Maj • 03:19 • -5.11db
49% Popularity • 58% Danceability • 89% Energy • 9% Liveness
80% Instrumentalness • 86% Positiveness
49% Popularity • 58% Danceability • 89% Energy • 9% Liveness
80% Instrumentalness • 86% Positiveness
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Missing Persons
Waiting For A Million Years
130 bpm • G Maj • 05:23 • -7.29db
7% Popularity • 79% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 79% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Robert Palmer
Simply Irresistible
143 bpm • A Maj • 04:14 • -6.96db
52% Popularity • 64% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 64% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
