Songs like Work Harder (Original Theatre Soundtrack) [feat. Chloe Boyan] by David Taylor Gomes
Based on a tempo of (+/- 10%) and a similar genre
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Pulp Musicals
More Than This
140 bpm • C# Maj • 03:44 • -7.39db
17% Popularity • 46% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 46% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Analise Scarpaci
What The Hell
140 bpm • F# Maj • 03:16 • -6.86db
35% Popularity • 75% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 75% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Adele Simms
Where There's a Will
140 bpm • D Maj • 03:37 • -6.6db
7% Popularity • 62% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 62% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Kasie Gasparini
Two Little Lines
140 bpm • F Maj • 04:40 • -7.15db
22% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
Opening: The New World
140 bpm • D# Maj • 05:18 • -7db
30% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
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Hillary Fisher
Inner Thoughts (Reprise)
140 bpm • B min • 00:52 • -11.19db
13% Popularity • 77% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 77% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Ellie Fishman
We Aren't in the Army
140 bpm • F min • 03:54 • -7.13db
13% Popularity • 76% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 76% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Andy Mientus
Tarrytown
140 bpm • C Maj • 03:58 • -10db
8% Popularity • 38% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 38% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Taylor Louderman
Only Pretend
140 bpm • C# min • 02:33 • -12db
15% Popularity • 28% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 28% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Kath Gotts
Don't Lose It
140 bpm • B min • 03:59 • -7.26db
14% Popularity • 37% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 37% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Cathy Ang
Mattie's Lament
140 bpm • G# Maj • 03:26 • -8db
17% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Hillary Fisher
Inner Thoughts
140 bpm • A min • 02:11 • -7db
21% Popularity • 70% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 70% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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![Work Harder (Original Theatre Soundtrack) [feat. Chloe Boyan] cover art](https://i.scdn.co/image/ab67616d00001e0234ade1176994bb5d8ac525d9)
David Taylor Gomes
Work Harder
140 bpm • A Maj • 03:38 • -4.97db
15% Popularity • 58% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 58% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Ellie Fishman
Twenty
141 bpm • C Maj • 03:34 • -5.02db
12% Popularity • 55% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 55% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Caitlin Kinnunen
Unruly Heart
139 bpm • F Maj • 03:57 • -7.77db
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Andy Mientus
The Man In The Middle
139 bpm • A Maj • 02:27 • -8db
11% Popularity • 55% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 55% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Rob Rokicki
Say Goodbye
139 bpm • A Maj • 04:12 • -8.36db
11% Popularity • 31% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 31% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Ryan Scott Oliver
How We Grow
141 bpm • C Maj • 04:15 • -8.42db
12% Popularity • 52% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 52% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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David Taylor Gomes
Work Harder - Instrumental
140 bpm • A Maj • 03:38 • -12.04db
1% Popularity • 66% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
1% Popularity • 66% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
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Wonu Ogunfowora
Wallflower
141 bpm • F# Maj • 02:51 • -7db
23% Popularity • 66% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 66% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Molly Gordon
Winter Blooms
139 bpm • G Maj • 02:59 • -8.95db
30% Popularity • 56% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 56% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Drew Gasparini
Little Sister
141 bpm • A Maj • 04:16 • -12.91db
10% Popularity • 39% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 39% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Joriah Kwamé
Gia's Lament
142 bpm • E Maj • 03:34 • -9.69db
16% Popularity • 56% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 56% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Anna DeNoia
Stars
139 bpm • D Maj • 05:04 • -12db
11% Popularity • 37% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 37% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Andi Alhadeff
Lifesong
138 bpm • B min • 02:28 • -5.83db
7% Popularity • 44% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 44% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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36 Questions
Natalie Cook
138 bpm • A min • 03:48 • -10db
35% Popularity • 59% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 59% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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The Dear Edwina Singers
Hola, Lola
142 bpm • G# Maj • 03:54 • -6.83db
14% Popularity • 72% Danceability • 49% Energy • 73% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 72% Danceability • 49% Energy • 73% Liveness
0% Instrumentalness • 61% Positiveness
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Lauren Zakrin
Phoenix
142 bpm • C Maj • 03:12 • -6.54db
17% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Katie Thompson
Aurora - Reprise 1
138 bpm • F Maj • 00:56 • -7.21db
16% Popularity • 62% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 62% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Sydney Shepherd
Living Dead
142 bpm • E Maj • 04:38 • -5.24db
16% Popularity • 61% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 61% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
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Molly Gordon
Afternoon
138 bpm • A Maj • 03:49 • -13db
35% Popularity • 37% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
35% Popularity • 37% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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The Dear Edwina Singers
Edwina
138 bpm • C# Maj • 03:09 • -8db
11% Popularity • 64% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 64% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Lauren Kennedy
I Can't Imagine
138 bpm • A# Maj • 03:42 • -8db
7% Popularity • 71% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 71% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Krystina Alabado
Sam Failed Her Driver’s Test
138 bpm • A# min • 02:06 • -7.57db
17% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Jenny Lee Stern
Insane
138 bpm • C Maj • 04:34 • -4db
10% Popularity • 60% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 60% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
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Mimi Scardulla
Captain of the Team
138 bpm • F Maj • 04:17 • -8.1db
17% Popularity • 76% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 76% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Carl Danielsen
I Never Really Listened to Me
137 bpm • A min • 02:16 • -9.19db
11% Popularity • 50% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 50% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Carner & Gregor
T.M.I.
137 bpm • D Maj • 03:49 • -14.32db
12% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Central Park Cast
Plant That Seed
143 bpm • A Maj • 02:38 • -8.46db
12% Popularity • 52% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 52% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Krystina Alabado
Drive
143 bpm • F# Maj • 04:45 • -8.54db
18% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Liam Pearce
Building Momentum
144 bpm • G# Maj • 02:48 • -7.27db
26% Popularity • 35% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 35% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Michael Wartella
Oh, The Thinks You Can Think!
144 bpm • G Maj • 03:47 • -11.19db
20% Popularity • 68% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 68% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Write Out Loud
Android Ashley
136 bpm • E Maj • 04:19 • -12db
29% Popularity • 85% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 85% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Alex Brightman
Why Must We Tell Them Why?
144 bpm • A min • 03:55 • -7.16db
30% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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The Dear Edwina Singers
Say No Thank You
136 bpm • F min • 03:17 • -6db
11% Popularity • 78% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 78% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Krystina Alabado
Freedom
144 bpm • E Maj • 06:39 • -7.03db
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Liam Pearce
Waves and Wires
144 bpm • F Maj • 04:00 • -8.36db
21% Popularity • 33% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 33% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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"Dreamland" Studio Cast
New Dawn
136 bpm • C Maj • 02:24 • -6db
9% Popularity • 57% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 57% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 71% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
30% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Ryan Scott Oliver
Louisa, Please Come Home
136 bpm • B min • 06:13 • -4db
9% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Matt Dahan
A New Horizon
145 bpm • B Maj • 04:38 • -9db
24% Popularity • 44% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 44% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Central Park Cast
When the Bottom Falls Out
135 bpm • D min • 03:10 • -8.89db
22% Popularity • 76% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 76% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Sophie Brubaker
DTR
135 bpm • G Maj • 03:12 • -8.71db
0% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Rebecca Naomi Jones
When I'm Your Wife
145 bpm • A# min • 03:06 • -9.7db
12% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
21% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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36 Questions
Hear Me Out
135 bpm • A Maj • 03:35 • -9db
33% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Rob Rokicki
Good Kid (Acoustic)
135 bpm • G# Maj • 03:25 • -9.21db
10% Popularity • 59% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 59% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Anna DeNoia
Open, Stay
145 bpm • G# Maj • 04:56 • -11.06db
8% Popularity • 36% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 36% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Neil Bartram
Relativity
135 bpm • A min • 03:56 • -8db
23% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Haven Burton
Building Momentum (Reprise)
146 bpm • G Maj • 01:37 • -5.36db
19% Popularity • 38% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 38% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Will Reynolds
Walk Me Around
134 bpm • A Maj • 02:25 • -10.96db
17% Popularity • 57% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 57% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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David Taylor Gomes
Everything's Changing - Instrumental
134 bpm • F Maj • 04:12 • -12.78db
0% Popularity • 78% Danceability • 37% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
0% Popularity • 78% Danceability • 37% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
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Andrew Kober
Count Malvolio
134 bpm • C Maj • 04:58 • -9db
18% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Bryce Pinkham
It's Not Like In The Movies
147 bpm • A Maj • 04:44 • -6.67db
17% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Neil Bartram
Person A
134 bpm • F Maj • 01:39 • -13.87db
18% Popularity • 76% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 76% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Casey Likes
1973
147 bpm • C Maj • 06:00 • -5.69db
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Sydney Parra
Shut up and Cheer
133 bpm • C Maj • 02:59 • -7db
20% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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David Taylor Gomes
Everything's Changing
133 bpm • F Maj • 04:21 • -7.28db
12% Popularity • 70% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 70% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Two Strangers (Carry A Cake Across New York)
This Is The Place
147 bpm • D Maj • 02:35 • -9.28db
34% Popularity • 66% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 66% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Krystina Alabado
Top Ten
133 bpm • D Maj • 02:19 • -8.99db
22% Popularity • 61% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 61% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Sarah Charles Lewis
Dreamland
148 bpm • B min • 04:05 • -6.43db
12% Popularity • 53% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 53% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Kooman & Dimond
I Think That He Likes Me
148 bpm • C Maj • 02:35 • -7.34db
30% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Hannah Whitney
Burial
148 bpm • F min • 03:16 • -9.55db
14% Popularity • 75% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 75% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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David Taylor Gomes
Overture
133 bpm • F Maj • 00:31 • -6.99db
9% Popularity • 29% Danceability • 46% Energy • 32% Liveness
83% Instrumentalness • 42% Positiveness
9% Popularity • 29% Danceability • 46% Energy • 32% Liveness
83% Instrumentalness • 42% Positiveness
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Celeste Rose
Before the Breakdown
148 bpm • C# Maj • 03:59 • -6.75db
24% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Between the Lines Original Cast
Happily Ever After Hour
148 bpm • G Maj • 03:28 • -8.47db
16% Popularity • 46% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 46% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Rob Rokicki
Blood and Brains
132 bpm • F# min • 02:36 • -5.8db
11% Popularity • 60% Danceability • 69% Energy • 49% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 60% Danceability • 69% Energy • 49% Liveness
0% Instrumentalness • 66% Positiveness
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Alice By Heart Original Cast Recording Company
Do You Think We Think You're Alice?
132 bpm • G# Maj • 01:18 • -10.86db
31% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Kyle Mcarthur
I'll Save The Girl
132 bpm • G Maj • 04:22 • -6.55db
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Joshua Turchin
Stuck With You
132 bpm • A Maj • 03:04 • -12.6db
7% Popularity • 75% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 75% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Maria Thayer
Stop Your Heart
132 bpm • C Maj • 01:40 • -14.85db
8% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Heidi Blickenstaff
After All of This and Everything
149 bpm • G# Maj • 03:22 • -12db
30% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Write Out Loud
Brave
149 bpm • D# Maj • 03:11 • -9.83db
19% Popularity • 72% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 72% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Jeremy Jordan
The Legend Of Sleepy Hollow
131 bpm • F min • 03:38 • -7db
13% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Hillary Fisher
Crazy Chemistry
150 bpm • F# min • 02:47 • -4.92db
18% Popularity • 65% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 65% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Alex Brightman
Horrible Seders
132 bpm • D min • 05:30 • -10db
15% Popularity • 57% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 57% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Drew Gasparini
Danny & Andrew
150 bpm • F Maj • 03:29 • -12.72db
9% Popularity • 74% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 74% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Alan Zachary
First Impressions
150 bpm • C Maj • 03:35 • -5.62db
30% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Will Roland
More Than Survive
150 bpm • C Maj • 08:28 • -6.66db
25% Popularity • 51% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 51% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Central Park Cast
How It Happened Reprise
130 bpm • F# Maj • 00:59 • -7.9db
9% Popularity • 61% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 61% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Gaby Alter
Twirler Girl
130 bpm • D# Maj • 03:40 • -7.82db
12% Popularity • 56% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 56% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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David Taylor Gomes
June
130 bpm • D# Maj • 03:50 • -11.05db
0% Popularity • 61% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 61% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Caitlin Kinnunen
You Happened
130 bpm • C Maj • 03:14 • -5.7db
31% Popularity • 79% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 79% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Eric Michael Krop
Michigan
130 bpm • C Maj • 03:04 • -7.42db
12% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Noah Galvin
Manage Your Flamingo
130 bpm • G min • 02:24 • -8.3db
31% Popularity • 59% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 59% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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David Hunter
Half of My Heart
151 bpm • D Maj • 02:45 • -9.86db
10% Popularity • 39% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 39% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Rob Rokicki
Try - Bonus Track
130 bpm • D Maj • 03:36 • -6db
39% Popularity • 41% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 41% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness