Songs like World Class Fad by Paul Westerberg
Based on a tempo of (+/- 10%) and a similar genre
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Guided By Voices
Brides Have Hit Glass
129 bpm • F Maj • 02:51 • -5.13db
19% Popularity • 63% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
19% Popularity • 63% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
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Tommy Keene
Out Of My Mind
129 bpm • D Maj • 03:07 • -4.06db
9% Popularity • 52% Danceability • 95% Energy • 50% Liveness
2% Instrumentalness • 42% Positiveness
9% Popularity • 52% Danceability • 95% Energy • 50% Liveness
2% Instrumentalness • 42% Positiveness
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fIREHOSE
Flyin' the Flannel
129 bpm • D Maj • 02:48 • -7.5db
20% Popularity • 64% Danceability • 88% Energy • 33% Liveness
5% Instrumentalness • 54% Positiveness
20% Popularity • 64% Danceability • 88% Energy • 33% Liveness
5% Instrumentalness • 54% Positiveness
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Robyn Hitchcock & The Egyptians
So You Think You're In Love
129 bpm • E Maj • 02:34 • -8.67db
28% Popularity • 59% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 59% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Sloan
Median Strip
129 bpm • A min • 03:35 • -7.11db
10% Popularity • 44% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 44% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Paul Westerberg
Silver Naked Ladies
129 bpm • A min • 04:37 • -5.46db
14% Popularity • 66% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 66% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Golden Smog
Won't Be Coming Home
129 bpm • C Maj • 03:36 • -7.08db
17% Popularity • 48% Danceability • 87% Energy • 22% Liveness
2% Instrumentalness • 86% Positiveness
17% Popularity • 48% Danceability • 87% Energy • 22% Liveness
2% Instrumentalness • 86% Positiveness
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Grandpaboy
Kickin' the Stall
129 bpm • E Maj • 02:55 • -4.56db
11% Popularity • 64% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 64% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Urge Overkill
Bottle Of Fur
129 bpm • C Maj • 04:13 • -6.89db
20% Popularity • 52% Danceability • 95% Energy • 32% Liveness
3% Instrumentalness • 57% Positiveness
20% Popularity • 52% Danceability • 95% Energy • 32% Liveness
3% Instrumentalness • 57% Positiveness
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Old 97's
Jagged
129 bpm • F Maj • 03:27 • -4db
30% Popularity • 44% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 44% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Tobin Sprout
It's Like Soul Man
129 bpm • D Maj • 02:34 • -7.56db
20% Popularity • 34% Danceability • 92% Energy • 15% Liveness
68% Instrumentalness • 65% Positiveness
20% Popularity • 34% Danceability • 92% Energy • 15% Liveness
68% Instrumentalness • 65% Positiveness
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Sugar
JC Auto
129 bpm • E Maj • 06:13 • -4.42db
14% Popularity • 40% Danceability • 95% Energy • 51% Liveness
83% Instrumentalness • 31% Positiveness
14% Popularity • 40% Danceability • 95% Energy • 51% Liveness
83% Instrumentalness • 31% Positiveness
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Material Issue
Kim The Waitress
129 bpm • D Maj • 04:57 • -7.75db
21% Popularity • 23% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 23% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Grandpaboy
Knock It Right Out
129 bpm • G Maj • 02:24 • -3.21db
9% Popularity • 49% Danceability • 92% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 49% Danceability • 92% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
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Paul Westerberg
World Class Fad
129 bpm • F Maj • 03:30 • -3db
24% Popularity • 48% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 48% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Old 97's
19
129 bpm • A Maj • 03:40 • -6.37db
22% Popularity • 43% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 43% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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The Replacements
I'll Be You - 2008 Remaster
129 bpm • G Maj • 03:29 • -5.99db
39% Popularity • 59% Danceability • 86% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 59% Danceability • 86% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
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Golden Smog
V
129 bpm • C Maj • 03:12 • -6db
23% Popularity • 62% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 62% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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The Feelies
She Said She Said
129 bpm • D Maj • 02:52 • -7.27db
2% Popularity • 35% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
2% Popularity • 35% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Sloan
On the Horizon
129 bpm • C Maj • 04:06 • -6.03db
16% Popularity • 46% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 46% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Paul Westerberg
Ain't Got Me
129 bpm • C Maj • 03:25 • -5db
16% Popularity • 66% Danceability • 88% Energy • 87% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 66% Danceability • 88% Energy • 87% Liveness
0% Instrumentalness • 81% Positiveness
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Velvet Crush
My Blank Pages
128 bpm • B Maj • 03:29 • -6.22db
11% Popularity • 37% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 37% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Darling Buds
It Makes No Difference
130 bpm • G Maj • 03:54 • -12db
18% Popularity • 48% Danceability • 59% Energy • 22% Liveness
65% Instrumentalness • 43% Positiveness
18% Popularity • 48% Danceability • 59% Energy • 22% Liveness
65% Instrumentalness • 43% Positiveness
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Golden Smog
Looking Forward to Seeing You
130 bpm • F Maj • 02:47 • -6db
23% Popularity • 59% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 59% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Black Francis
She Took All the Money
130 bpm • C Maj • 02:32 • -5.37db
19% Popularity • 62% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 62% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Juliana Hatfield
Universal Heart-Beat
128 bpm • D Maj • 03:25 • -8db
32% Popularity • 53% Danceability • 81% Energy • 72% Liveness
1% Instrumentalness • 69% Positiveness
32% Popularity • 53% Danceability • 81% Energy • 72% Liveness
1% Instrumentalness • 69% Positiveness
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Paul Westerberg
Trumpet Clip
130 bpm • C# Maj • 03:17 • -5.59db
8% Popularity • 49% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 49% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Gigolo Aunts
Cope
128 bpm • E min • 03:49 • -7.85db
9% Popularity • 43% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 43% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Superdrag
The Staggering Genius
130 bpm • D Maj • 04:02 • -5.91db
20% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Sloan
Snowsuit Sound
130 bpm • A Maj • 03:48 • -8.47db
15% Popularity • 45% Danceability • 67% Energy • 8% Liveness
6% Instrumentalness • 80% Positiveness
15% Popularity • 45% Danceability • 67% Energy • 8% Liveness
6% Instrumentalness • 80% Positiveness
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The Judybats
Saturday
130 bpm • D Maj • 03:29 • -10db
9% Popularity • 61% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 61% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Uncle Tupelo
The Long Cut
130 bpm • G Maj • 03:20 • -9db
30% Popularity • 44% Danceability • 80% Energy • 12% Liveness
6% Instrumentalness • 56% Positiveness
30% Popularity • 44% Danceability • 80% Energy • 12% Liveness
6% Instrumentalness • 56% Positiveness
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Paul Westerberg
Making Me Go
128 bpm • A Maj • 02:54 • -5.75db
11% Popularity • 47% Danceability • 90% Energy • 6% Liveness
14% Instrumentalness • 57% Positiveness
11% Popularity • 47% Danceability • 90% Energy • 6% Liveness
14% Instrumentalness • 57% Positiveness
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Sidewinders
We Don't Do That Anymore
130 bpm • D Maj • 04:01 • -9db
12% Popularity • 48% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 48% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Urge Overkill
Positive Bleeding
128 bpm • E Maj • 03:42 • -7.44db
29% Popularity • 50% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 50% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Robyn Hitchcock & The Egyptians
Flesh Number One (Beatle Dennis)
130 bpm • A Maj • 02:39 • -14db
25% Popularity • 66% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 66% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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The dB's
That Time Is Gone
130 bpm • A Maj • 03:32 • -4.46db
20% Popularity • 39% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 39% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Grandpaboy
Between Love & Like
130 bpm • A# Maj • 03:21 • -3.6db
10% Popularity • 58% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 58% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Paul Westerberg
C'mon, C'mon, C'mon
130 bpm • C# Maj • 02:43 • -4.07db
11% Popularity • 63% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 63% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Bash & Pop
Tiny Pieces
128 bpm • C Maj • 04:36 • -6.59db
13% Popularity • 70% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 70% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Frank Black
(I Want to Live on an) Abstract Plain
130 bpm • E Maj • 02:17 • -5.65db
28% Popularity • 52% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 52% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Velvet Crush
Hold Me Up
127 bpm • C# Maj • 02:58 • -7.41db
25% Popularity • 37% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 37% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Guadalcanal Diary
Always Saturday
131 bpm • A Maj • 04:14 • -15db
22% Popularity • 48% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 48% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Grandpaboy
AAA
130 bpm • G Maj • 03:09 • -3.86db
16% Popularity • 51% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 51% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Big Star
When My Baby's Beside Me
127 bpm • C Maj • 03:23 • -7.94db
34% Popularity • 44% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 44% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Sloan
Keep on Thinkin'
131 bpm • B Maj • 02:32 • -4.65db
16% Popularity • 52% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 52% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Material Issue
What Girls Want
131 bpm • A Maj • 03:54 • -9db
24% Popularity • 58% Danceability • 90% Energy • 51% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 58% Danceability • 90% Energy • 51% Liveness
0% Instrumentalness • 70% Positiveness
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Superdrag
Lighting the Way
131 bpm • B Maj • 03:27 • -5.18db
22% Popularity • 38% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 38% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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Frank Black
Can I Get a Witness
131 bpm • E Maj • 04:18 • -5.68db
8% Popularity • 53% Danceability • 89% Energy • 5% Liveness
19% Instrumentalness • 63% Positiveness
8% Popularity • 53% Danceability • 89% Energy • 5% Liveness
19% Instrumentalness • 63% Positiveness
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Freedy Johnston
Two Lovers Stop
127 bpm • E min • 02:46 • -8.17db
17% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Paul Westerberg
Call That Gone? / Postcards from Paradis...
127 bpm • C# Maj • 07:16 • -5.14db
12% Popularity • 27% Danceability • 85% Energy • 60% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 27% Danceability • 85% Energy • 60% Liveness
0% Instrumentalness • 23% Positiveness
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Sloan
Worried Now
131 bpm • E min • 02:40 • -8.33db
15% Popularity • 44% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 44% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Material Issue
Funny Feeling
127 bpm • C Maj • 03:25 • -6.4db
12% Popularity • 32% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 32% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Whiskeytown
Drank Like A River
131 bpm • G Maj • 02:57 • -5.06db
27% Popularity • 51% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 51% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Frank Black
Go Find Your Saint
127 bpm • E Maj • 02:05 • -9.17db
15% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Bash & Pop
Friday Night (Is Killing Me)
127 bpm • B Maj • 04:39 • -5.63db
17% Popularity • 53% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 53% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Guadalcanal Diary
Ghosts on the Road
131 bpm • E Maj • 02:56 • -10.26db
14% Popularity • 32% Danceability • 65% Energy • 37% Liveness
71% Instrumentalness • 59% Positiveness
14% Popularity • 32% Danceability • 65% Energy • 37% Liveness
71% Instrumentalness • 59% Positiveness
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Sloan
The Lines You Amend
127 bpm • F Maj • 02:32 • -5.53db
27% Popularity • 68% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 68% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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The Plimsouls
Oldest Story In The World
127 bpm • D Maj • 03:21 • -10.74db
17% Popularity • 53% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 53% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Paul Westerberg
As Far As I Know
132 bpm • D# Maj • 03:01 • -6.23db
22% Popularity • 42% Danceability • 88% Energy • 35% Liveness
58% Instrumentalness • 66% Positiveness
22% Popularity • 42% Danceability • 88% Energy • 35% Liveness
58% Instrumentalness • 66% Positiveness
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Superdrag
Baby's Waiting
126 bpm • D Maj • 03:08 • -5.02db
20% Popularity • 35% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 35% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Eleventh Dream Day
Testify
126 bpm • A Maj • 04:03 • -6.04db
8% Popularity • 36% Danceability • 88% Energy • 36% Liveness
93% Instrumentalness • 50% Positiveness
8% Popularity • 36% Danceability • 88% Energy • 36% Liveness
93% Instrumentalness • 50% Positiveness
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Guadalcanal Diary
Fear of God
127 bpm • E min • 03:21 • -12.89db
16% Popularity • 58% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 58% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
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Frank Black
Headache
132 bpm • B Maj • 02:52 • -4.87db
36% Popularity • 59% Danceability • 95% Energy • 37% Liveness
6% Instrumentalness • 87% Positiveness
36% Popularity • 59% Danceability • 95% Energy • 37% Liveness
6% Instrumentalness • 87% Positiveness
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Robyn Hitchcock & The Egyptians
Oceanside
132 bpm • A Maj • 03:47 • -8.72db
10% Popularity • 48% Danceability • 96% Energy • 31% Liveness
34% Instrumentalness • 55% Positiveness
10% Popularity • 48% Danceability • 96% Energy • 31% Liveness
34% Instrumentalness • 55% Positiveness
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Paul Westerberg
Don't Want Never
132 bpm • D# Maj • 03:26 • -6.42db
9% Popularity • 38% Danceability • 56% Energy • 25% Liveness
2% Instrumentalness • 24% Positiveness
9% Popularity • 38% Danceability • 56% Energy • 25% Liveness
2% Instrumentalness • 24% Positiveness
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Superdrag
Do the Vampire
132 bpm • C# Maj • 03:40 • -7.87db
19% Popularity • 60% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 60% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Grant Hart
Twenty-Five Forty-One
126 bpm • G Maj • 04:47 • -8.94db
13% Popularity • 56% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 56% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The Jayhawks
Real Light
132 bpm • G Maj • 03:25 • -7.25db
19% Popularity • 45% Danceability • 83% Energy • 31% Liveness
7% Instrumentalness • 67% Positiveness
19% Popularity • 45% Danceability • 83% Energy • 31% Liveness
7% Instrumentalness • 67% Positiveness
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Uncle Tupelo
Graveyard Shift
132 bpm • D Maj • 04:43 • -9.55db
27% Popularity • 37% Danceability • 83% Energy • 41% Liveness
31% Instrumentalness • 66% Positiveness
27% Popularity • 37% Danceability • 83% Energy • 41% Liveness
31% Instrumentalness • 66% Positiveness
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Guided By Voices
Chasing Heather Crazy
126 bpm • C Maj • 02:53 • -4.44db
27% Popularity • 48% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 48% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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The Posies
Dream All Day
126 bpm • B min • 03:04 • -5.81db
39% Popularity • 48% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 48% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Frank Black & The Catholics
Hermaphroditos
132 bpm • F Maj • 04:12 • -3.92db
12% Popularity • 48% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 48% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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The Judybats
Native Son
132 bpm • C# min • 03:18 • -10.84db
19% Popularity • 51% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 51% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Superdrag
Keep It Close to Me
132 bpm • F Maj • 03:50 • -5.72db
25% Popularity • 38% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 38% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
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Eleventh Dream Day
Makin' Like a Rug
132 bpm • E Maj • 03:43 • -9.85db
13% Popularity • 46% Danceability • 87% Energy • 17% Liveness
17% Instrumentalness • 58% Positiveness
13% Popularity • 46% Danceability • 87% Energy • 17% Liveness
17% Instrumentalness • 58% Positiveness
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Velvet Crush
Weird Summer
132 bpm • C Maj • 03:51 • -9.29db
10% Popularity • 48% Danceability • 68% Energy • 22% Liveness
3% Instrumentalness • 74% Positiveness
10% Popularity • 48% Danceability • 68% Energy • 22% Liveness
3% Instrumentalness • 74% Positiveness
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Frank Black
Speedy Marie
126 bpm • F Maj • 03:34 • -8.37db
25% Popularity • 58% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 58% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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The Silos
Let's Take Some Drugs and Drive Around
126 bpm • D Maj • 04:17 • -7.04db
10% Popularity • 49% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 49% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Sloan
I Hate My Generation
133 bpm • A Maj • 02:26 • -9.93db
20% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Superdrag
Sucked Out
125 bpm • E Maj • 02:46 • -7db
43% Popularity • 40% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 40% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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The dB's
Love Is for Lovers
133 bpm • C Maj • 03:16 • -10.64db
13% Popularity • 59% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 59% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Son Volt
Route - 2015 Remaster
125 bpm • A Maj • 03:56 • -6.08db
22% Popularity • 33% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 33% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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John Wesley Harding
The Devil in Me
125 bpm • B Maj • 04:42 • -9db
10% Popularity • 58% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 58% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Grandpaboy
I'll Do Anything
125 bpm • A Maj • 03:13 • -3.3db
10% Popularity • 57% Danceability • 97% Energy • 39% Liveness
1% Instrumentalness • 82% Positiveness
10% Popularity • 57% Danceability • 97% Energy • 39% Liveness
1% Instrumentalness • 82% Positiveness
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The Connells
Something To Say
125 bpm • D Maj • 03:40 • -9.4db
25% Popularity • 63% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 63% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Fountains Of Wayne
Red Dragon Tattoo
125 bpm • A Maj • 03:32 • -5.23db
31% Popularity • 66% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 66% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Superdrag
Baby Goes to 11
133 bpm • D Maj • 04:01 • -7.45db
18% Popularity • 44% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 44% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Son Volt
Route
125 bpm • A Maj • 03:56 • -5.19db
18% Popularity • 43% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 43% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Redd Kross
Saragon
133 bpm • D Maj • 02:46 • -11.14db
10% Popularity • 29% Danceability • 86% Energy • 11% Liveness
82% Instrumentalness • 78% Positiveness
10% Popularity • 29% Danceability • 86% Energy • 11% Liveness
82% Instrumentalness • 78% Positiveness
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X
The New World
125 bpm • A Maj • 03:25 • -6.5db
21% Popularity • 52% Danceability • 71% Energy • 10% Liveness
3% Instrumentalness • 69% Positiveness
21% Popularity • 52% Danceability • 71% Energy • 10% Liveness
3% Instrumentalness • 69% Positiveness
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Guadalcanal Diary
The Likes of You
133 bpm • E Maj • 03:06 • -13.63db
11% Popularity • 48% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 48% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Bash & Pop
Bad News
133 bpm • C Maj • 03:32 • -5.08db
7% Popularity • 54% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 54% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Paul Westerberg
Daydream
133 bpm • E Maj • 03:05 • -5.34db
10% Popularity • 38% Danceability • 92% Energy • 26% Liveness
1% Instrumentalness • 45% Positiveness
10% Popularity • 38% Danceability • 92% Energy • 26% Liveness
1% Instrumentalness • 45% Positiveness
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Frank Black
White Noise Maker
134 bpm • F# Maj • 02:42 • -6.72db
15% Popularity • 54% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 54% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Superdrag
Hellbent
133 bpm • E Maj • 03:03 • -6.17db
19% Popularity • 49% Danceability • 72% Energy • 28% Liveness
1% Instrumentalness • 85% Positiveness
19% Popularity • 49% Danceability • 72% Energy • 28% Liveness
1% Instrumentalness • 85% Positiveness
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Sloan
Underwhelmed
134 bpm • B Maj • 04:45 • -7db
32% Popularity • 42% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 42% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Redd Kross
Lady In The Front Row
134 bpm • C Maj • 03:19 • -8db
18% Popularity • 27% Danceability • 93% Energy • 18% Liveness
82% Instrumentalness • 46% Positiveness
18% Popularity • 27% Danceability • 93% Energy • 18% Liveness
82% Instrumentalness • 46% Positiveness
