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World of Contradictions
Songs like
World of Contradictions
by
Jasper Høiby
Based on a tempo of (+/- 10%) and a similar genre
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Jasper Høiby
World of Contradictions
125 bpm • A# min • 03:56 • -14.24db
0% Popularity • 39% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Lukmil Perez
Componedores
125 bpm • A Maj • 04:13 • -13.4db
16% Popularity • 73% Danceability • 42% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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Charlie Ballantine
Blues For Baltimorrow
125 bpm • C min • 04:25 • -12.41db
17% Popularity • 46% Danceability • 57% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
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Marius Neset
Sane
125 bpm • C Maj • 03:47 • -17.47db
0% Popularity • 28% Danceability • 8% Energy • 32% Liveness
66% Instrumentalness • 4% Positiveness
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EYM Trio
No Madness
125 bpm • C# Maj • 06:00 • -14.21db
8% Popularity • 51% Danceability • 40% Energy • 11% Liveness
83% Instrumentalness • 59% Positiveness
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Nicola Caminiti
Cloudy In(to) the Sky
125 bpm • A min • 04:13 • -10db
8% Popularity • 46% Danceability • 48% Energy • 12% Liveness
81% Instrumentalness • 39% Positiveness
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Andreas Hourdakis
Pink Mountains
126 bpm • G Maj • 06:58 • -17.89db
10% Popularity • 44% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
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Mark Lockheart
Long Way Gone
124 bpm • G Maj • 05:53 • -10.85db
0% Popularity • 56% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Erlend Skomsvoll Trio
Ambivertilismer
124 bpm • F min • 06:19 • -19.1db
9% Popularity • 75% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 73% Positiveness
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Larry Goldings
In Walked Bud
124 bpm • G# Maj • 04:57 • -12.17db
9% Popularity • 70% Danceability • 26% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Ivo Neame
Passing Point
126 bpm • G# Maj • 08:57 • -12.91db
0% Popularity • 38% Danceability • 43% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Phronesis
Charm Defensive
124 bpm • F# min • 06:36 • -14.26db
5% Popularity • 50% Danceability • 58% Energy • 12% Liveness
94% Instrumentalness • 32% Positiveness
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Travis Reuter
#13 F34
124 bpm • C# Maj • 05:23 • -13.9db
17% Popularity • 43% Danceability • 48% Energy • 8% Liveness
9% Instrumentalness • 57% Positiveness
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Mark Lockheart
Nutter
124 bpm • D Maj • 02:10 • -8.62db
0% Popularity • 67% Danceability • 68% Energy • 24% Liveness
90% Instrumentalness • 68% Positiveness
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Anna Lundqvist
Ashes to Fire
124 bpm • G# min • 03:40 • -10.21db
12% Popularity • 48% Danceability • 46% Energy • 11% Liveness
54% Instrumentalness • 41% Positiveness
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Jasper Høiby
Suddenly, Everyone
124 bpm • G# Maj • 07:33 • -10.75db
1% Popularity • 51% Danceability • 44% Energy • 11% Liveness
85% Instrumentalness • 43% Positiveness
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Malija
Wayne's World
126 bpm • G min • 06:57 • -15.98db
0% Popularity • 51% Danceability • 19% Energy • 14% Liveness
91% Instrumentalness • 28% Positiveness
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Lunaria
Sheer Despair (Interlude)
126 bpm • A# Maj • 01:06 • -17.26db
27% Popularity • 47% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
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Patrick Bartley Trio
Featherdream
127 bpm • D Maj • 07:32 • -14.71db
9% Popularity • 52% Danceability • 11% Energy • 9% Liveness
6% Instrumentalness • 21% Positiveness
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Magic trio
Take the step
123 bpm • C min • 02:31 • -14.15db
26% Popularity • 38% Danceability • 47% Energy • 12% Liveness
91% Instrumentalness • 52% Positiveness
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Flash Pig
Age of Bloom
123 bpm • E min • 03:14 • -14.78db
11% Popularity • 42% Danceability • 42% Energy • 10% Liveness
75% Instrumentalness • 52% Positiveness
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Jasper Høiby
Never Forgotten
123 bpm • E min • 09:14 • -15.6db
6% Popularity • 44% Danceability • 38% Energy • 12% Liveness
80% Instrumentalness • 22% Positiveness
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Chivicke
Love Away
127 bpm • A# min • 05:12 • -13.46db
13% Popularity • 30% Danceability • 18% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Dayna Stephens
Bubbly
127 bpm • A Maj • 05:15 • -12.68db
12% Popularity • 48% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 42% Positiveness
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Lage Lund
Tipsy Turvy
127 bpm • C# Maj • 07:51 • -17.09db
13% Popularity • 48% Danceability • 18% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
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Alexis Valet
Following the Sun
127 bpm • F min • 06:35 • -8.15db
9% Popularity • 44% Danceability • 69% Energy • 13% Liveness
52% Instrumentalness • 55% Positiveness
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Flash Pig
Qing Tan
123 bpm • C Maj • 03:30 • -11.96db
8% Popularity • 45% Danceability • 46% Energy • 8% Liveness
14% Instrumentalness • 24% Positiveness
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Félix Zurstrassen
Syatco
127 bpm • A# min • 02:11 • -9.94db
9% Popularity • 43% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 51% Positiveness
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Francesca Tandoi
Pink Walker
122 bpm • C Maj • 05:31 • -13.69db
10% Popularity • 50% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 49% Positiveness
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David Aubaile
Camel caldo
128 bpm • C Maj • 06:36 • -11.35db
8% Popularity • 44% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 47% Positiveness
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Joe Melnicove
Monday Night I
122 bpm • B Maj • 00:59 • -13.64db
18% Popularity • 24% Danceability • 46% Energy • 39% Liveness
92% Instrumentalness • 12% Positiveness
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Dayna Stephens
Blue Poles
128 bpm • C# min • 03:59 • -11.21db
7% Popularity • 35% Danceability • 31% Energy • 10% Liveness
9% Instrumentalness • 11% Positiveness
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Travis Reuter
#8 D@z
122 bpm • D min • 03:18 • -12.3db
17% Popularity • 45% Danceability • 55% Energy • 9% Liveness
5% Instrumentalness • 81% Positiveness
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Marius Neset
Portuguese Windmill
128 bpm • G# min • 07:49 • -11.72db
1% Popularity • 41% Danceability • 43% Energy • 10% Liveness
17% Instrumentalness • 9% Positiveness
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Ivo Neame
Moody
122 bpm • C# Maj • 06:16 • -12.37db
1% Popularity • 51% Danceability • 38% Energy • 11% Liveness
30% Instrumentalness • 19% Positiveness
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Melissa Aldana
I Know You Know
122 bpm • F# min • 06:29 • -13.97db
19% Popularity • 55% Danceability • 25% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
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Jasper Høiby
Earthness
129 bpm • D min • 06:14 • -16.7db
9% Popularity • 37% Danceability • 40% Energy • 16% Liveness
90% Instrumentalness • 19% Positiveness
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Dayna Stephens
The Nomad
128 bpm • E Maj • 06:09 • -11.32db
11% Popularity • 49% Danceability • 38% Energy • 8% Liveness
12% Instrumentalness • 37% Positiveness
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Teus Nobel
No Goodbye
121 bpm • C Maj • 05:57 • -15.53db
11% Popularity • 49% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
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Anat Cohen
Birdie
129 bpm • A# min • 06:39 • -13.44db
9% Popularity • 48% Danceability • 27% Energy • 10% Liveness
81% Instrumentalness • 24% Positiveness
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Ivo Neame
Owl of Me
129 bpm • G# Maj • 05:11 • -10.05db
5% Popularity • 56% Danceability • 48% Energy • 30% Liveness
23% Instrumentalness • 46% Positiveness
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Jessica Williams
The Weapon of Truth
129 bpm • D Maj • 06:26 • -13.76db
9% Popularity • 54% Danceability • 45% Energy • 13% Liveness
85% Instrumentalness • 57% Positiveness
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David Friedman
3 + 1 = 5
121 bpm • F min • 05:51 • -13.68db
8% Popularity • 49% Danceability • 43% Energy • 14% Liveness
21% Instrumentalness • 39% Positiveness
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Dayna Stephens
ESP
129 bpm • G min • 05:51 • -9.74db
14% Popularity • 46% Danceability • 46% Energy • 10% Liveness
23% Instrumentalness • 44% Positiveness
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Phronesis
Intro to Urban Control
121 bpm • F Maj • 02:48 • -13.22db
6% Popularity • 38% Danceability • 38% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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SONIC SCRIBE05
All About Jazz
129 bpm • D min • 01:55 • -7.26db
26% Popularity • 56% Danceability • 68% Energy • 25% Liveness
77% Instrumentalness • 62% Positiveness
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Rachel Z
What I Fear
130 bpm • G Maj • 06:46 • -9.64db
13% Popularity • 42% Danceability • 55% Energy • 27% Liveness
61% Instrumentalness • 20% Positiveness
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Jasper Høiby
Folk Song
120 bpm • G min • 06:09 • -13.81db
1% Popularity • 41% Danceability • 28% Energy • 11% Liveness
82% Instrumentalness • 17% Positiveness
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Emiliano Lasansky
Dependence
130 bpm • B min • 05:44 • -9.38db
16% Popularity • 43% Danceability • 50% Energy • 11% Liveness
30% Instrumentalness • 27% Positiveness
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Kaira
In Memory of KG
120 bpm • A min • 05:01 • -13.72db
18% Popularity • 60% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 47% Positiveness
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Morten Haxholm
Whirl
120 bpm • C# Maj • 05:28 • -12.16db
17% Popularity • 40% Danceability • 34% Energy • 12% Liveness
16% Instrumentalness • 37% Positiveness
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Ivo Neame
Free at Last
130 bpm • G min • 06:24 • -11.52db
0% Popularity • 35% Danceability • 54% Energy • 23% Liveness
82% Instrumentalness • 37% Positiveness
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Fergus McCreadie
Sun Pillars
130 bpm • A Maj • 06:29 • -14.8db
24% Popularity • 41% Danceability • 47% Energy • 8% Liveness
95% Instrumentalness • 55% Positiveness
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Èlia Lucas
Dreamin'
120 bpm • C Maj • 05:44 • -15.33db
8% Popularity • 52% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 30% Positiveness
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Marius Neset
Fields of Clubs
120 bpm • C# Maj • 05:23 • -11.21db
1% Popularity • 55% Danceability • 56% Energy • 9% Liveness
46% Instrumentalness • 66% Positiveness
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Lis Wessberg
Tapestry of Life
120 bpm • C# min • 03:51 • -13.78db
7% Popularity • 57% Danceability • 72% Energy • 11% Liveness
76% Instrumentalness • 48% Positiveness
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Travis Reuter
#9 Low/High 1
120 bpm • C# Maj • 07:51 • -11.53db
18% Popularity • 44% Danceability • 74% Energy • 13% Liveness
60% Instrumentalness • 44% Positiveness
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Luca Fasolin
Second impression
120 bpm • C min • 02:00 • -18.5db
10% Popularity • 52% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Jasper Høiby
There Will be No Struggle
120 bpm • G Maj • 05:22 • -12.08db
1% Popularity • 50% Danceability • 33% Energy • 11% Liveness
11% Instrumentalness • 20% Positiveness
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Nicole Glover
The A-Side
120 bpm • E Maj • 05:01 • -15.53db
8% Popularity • 41% Danceability • 13% Energy • 12% Liveness
62% Instrumentalness • 11% Positiveness
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Tima Volozh
Adoration of the Earth
120 bpm • A min • 02:46 • -11.61db
21% Popularity • 47% Danceability • 37% Energy • 10% Liveness
81% Instrumentalness • 56% Positiveness
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Tom Ollendorff
Arrows and Loops
119 bpm • D# min • 10:23 • -13.5db
12% Popularity • 47% Danceability • 34% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
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Behn Gillece
Four Of A Kind
131 bpm • C# Maj • 05:27 • -9.6db
8% Popularity • 37% Danceability • 66% Energy • 15% Liveness
31% Instrumentalness • 51% Positiveness
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Jasper Van't Hof
Marsch for Oelze
131 bpm • B Maj • 05:24 • -18.94db
11% Popularity • 35% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
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Jakob Dinesen
Make Someone Happy
120 bpm • G# Maj • 03:22 • -13.42db
20% Popularity • 48% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 29% Positiveness
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Petter Wettre
L'appel du Vide
119 bpm • G min • 06:44 • -8.81db
8% Popularity • 49% Danceability • 43% Energy • 9% Liveness
9% Instrumentalness • 45% Positiveness
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Melissa Aldana
A Purpose
131 bpm • B min • 04:59 • -14.51db
22% Popularity • 56% Danceability • 29% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
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AGE
Tanuki the First
119 bpm • C# Maj • 03:49 • -15.04db
10% Popularity • 45% Danceability • 19% Energy • 21% Liveness
8% Instrumentalness • 13% Positiveness
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Phronesis
Abraham's New Gift
119 bpm • C Maj • 07:12 • -14.07db
3% Popularity • 43% Danceability • 50% Energy • 18% Liveness
90% Instrumentalness • 34% Positiveness
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Louis Matute
Tangos
119 bpm • F min • 06:16 • -10.44db
10% Popularity • 44% Danceability • 46% Energy • 8% Liveness
83% Instrumentalness • 32% Positiveness
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Patrick Booth
In the Still Silence
119 bpm • B Maj • 06:24 • -13.1db
11% Popularity • 37% Danceability • 36% Energy • 13% Liveness
93% Instrumentalness • 14% Positiveness
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Banksia Trio
MASKS
119 bpm • D Maj • 05:16 • -15.63db
8% Popularity • 50% Danceability • 46% Energy • 8% Liveness
88% Instrumentalness • 36% Positiveness
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Matthew Shipp
The Function
119 bpm • A min • 07:05 • -15.73db
11% Popularity • 56% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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AGE
Ballage
119 bpm • D Maj • 03:43 • -14.47db
9% Popularity • 60% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 21% Positiveness
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Travis Reuter
#15
119 bpm • A min • 05:06 • -11.8db
4% Popularity • 41% Danceability • 62% Energy • 6% Liveness
3% Instrumentalness • 56% Positiveness
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Hamrå Orkester
Titlych
132 bpm • C min • 06:23 • -10.74db
12% Popularity • 47% Danceability • 52% Energy • 23% Liveness
80% Instrumentalness • 42% Positiveness
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Ivo Neame
Charm Defensive
118 bpm • G# min • 05:00 • -13.49db
2% Popularity • 54% Danceability • 32% Energy • 10% Liveness
71% Instrumentalness • 9% Positiveness
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Matīss Čudars
Bēniņu Ēniņā
132 bpm • D Maj • 04:37 • -17.58db
8% Popularity • 44% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Marius Neset
Reprise
118 bpm • E min • 03:26 • -15.44db
1% Popularity • 21% Danceability • 13% Energy • 52% Liveness
74% Instrumentalness • 3% Positiveness
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Devin Gray
Protect Our Environment
133 bpm • C Maj • 03:25 • -17.55db
8% Popularity • 39% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 13% Positiveness
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Petter Bergander Trio
On The Train to Lviv
118 bpm • G min • 07:45 • -16.8db
12% Popularity • 38% Danceability • 53% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
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Wajdi Riahi
Choral Stambeli
117 bpm • G min • 03:21 • -17.53db
14% Popularity • 35% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
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Malija
Kindred Spirit
133 bpm • A# min • 01:38 • -10.5db
1% Popularity • 57% Danceability • 22% Energy • 34% Liveness
87% Instrumentalness • 62% Positiveness
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Rodrigo Recabarren
Lazo
133 bpm • F min • 03:31 • -17.48db
15% Popularity • 39% Danceability • 21% Energy • 37% Liveness
93% Instrumentalness • 20% Positiveness
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Jasper Høiby
Little Song for Mankind
133 bpm • D Maj • 06:51 • -13.07db
0% Popularity • 41% Danceability • 36% Energy • 38% Liveness
85% Instrumentalness • 13% Positiveness
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Wadada Leo Smith
Central Park at Sunset
134 bpm • F min • 05:17 • -15.91db
23% Popularity • 38% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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David Friedman
Amiga
134 bpm • G Maj • 02:52 • -19.51db
18% Popularity • 61% Danceability • 13% Energy • 9% Liveness
85% Instrumentalness • 30% Positiveness
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Agnes Darelid
Rise
117 bpm • D Maj • 05:07 • -12.53db
27% Popularity • 52% Danceability • 40% Energy • 10% Liveness
96% Instrumentalness • 50% Positiveness
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Lage Lund
En La Orilla Del Mundo
134 bpm • B Maj • 06:28 • -16.8db
15% Popularity • 46% Danceability • 11% Energy • 9% Liveness
60% Instrumentalness • 13% Positiveness
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Phronesis
Rue Cinq Diamants
117 bpm • C Maj • 05:08 • -15.65db
0% Popularity • 44% Danceability • 25% Energy • 6% Liveness
89% Instrumentalness • 8% Positiveness
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Malija
Unknown
134 bpm • F Maj • 04:22 • -14.19db
0% Popularity • 68% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 58% Positiveness
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Joe Melnicove
Monday Night II
134 bpm • B min • 01:09 • -11.71db
11% Popularity • 21% Danceability • 34% Energy • 14% Liveness
2% Instrumentalness • 13% Positiveness
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Aki Takase
Step Skip Stop
116 bpm • C# min • 05:42 • -10.99db
7% Popularity • 56% Danceability • 66% Energy • 7% Liveness
56% Instrumentalness • 34% Positiveness
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Daniel Karlsson Trio
Happy hour
116 bpm • G min • 04:36 • -17.3db
8% Popularity • 50% Danceability • 60% Energy • 15% Liveness
92% Instrumentalness • 43% Positiveness
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Arne Torvik Trio
For Roman
134 bpm • A min • 05:48 • -16.57db
10% Popularity • 44% Danceability • 28% Energy • 31% Liveness
77% Instrumentalness • 19% Positiveness
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Edson Ensemble
Heal Spell
116 bpm • A# Maj • 03:33 • -21.95db
19% Popularity • 63% Danceability • 5% Energy • 7% Liveness
74% Instrumentalness • 8% Positiveness
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Jasper Høiby
We Didn't Earn The Sun
135 bpm • G Maj • 03:59 • -17.46db
0% Popularity • 61% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Mark Lockheart
Sand into Gold
116 bpm • F Maj • 05:58 • -12.65db
0% Popularity • 47% Danceability • 42% Energy • 15% Liveness
84% Instrumentalness • 29% Positiveness
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Max Ionata
Soul Station
116 bpm • C# Maj • 05:51 • -12.77db
13% Popularity • 63% Danceability • 38% Energy • 10% Liveness
37% Instrumentalness • 50% Positiveness
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Ivo Neame
Pear-Shaped
116 bpm • D Maj • 06:46 • -13.98db
0% Popularity • 54% Danceability • 25% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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World of Contradictions