Songs like World of Strangers by James Graydon
Based on a tempo of (+/- 10%) and a similar genre
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James Graydon
World of Strangers
169 bpm • A min • 04:10 • -12.61db
0% Popularity • 51% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 52% Positiveness
0% Popularity • 51% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 52% Positiveness
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Prashant Aswani
Crispy
168 bpm • A min • 04:18 • -4.17db
21% Popularity • 37% Danceability • 83% Energy • 32% Liveness
82% Instrumentalness • 50% Positiveness
21% Popularity • 37% Danceability • 83% Energy • 32% Liveness
82% Instrumentalness • 50% Positiveness
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Jan Cyrka
This Fine Feeling
170 bpm • G Maj • 02:09 • -7db
32% Popularity • 54% Danceability • 65% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
32% Popularity • 54% Danceability • 65% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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The Aristocrats
Sweaty Knockers
168 bpm • A Maj • 08:09 • -5.72db
28% Popularity • 34% Danceability • 81% Energy • 39% Liveness
74% Instrumentalness • 34% Positiveness
28% Popularity • 34% Danceability • 81% Energy • 39% Liveness
74% Instrumentalness • 34% Positiveness
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Marco Sfogli
Spread the Disease
170 bpm • G Maj • 04:07 • -4.52db
29% Popularity • 33% Danceability • 84% Energy • 11% Liveness
26% Instrumentalness • 66% Positiveness
29% Popularity • 33% Danceability • 84% Energy • 11% Liveness
26% Instrumentalness • 66% Positiveness
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Cristiano Parato
The Sniper
170 bpm • E min • 04:32 • -6.01db
30% Popularity • 58% Danceability • 97% Energy • 16% Liveness
82% Instrumentalness • 79% Positiveness
30% Popularity • 58% Danceability • 97% Energy • 16% Liveness
82% Instrumentalness • 79% Positiveness
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Jack Thammarat
Shadows and Light
170 bpm • D Maj • 03:46 • -6.3db
17% Popularity • 36% Danceability • 94% Energy • 34% Liveness
84% Instrumentalness • 62% Positiveness
17% Popularity • 36% Danceability • 94% Energy • 34% Liveness
84% Instrumentalness • 62% Positiveness
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James Graydon
Mellow Gold
170 bpm • D Maj • 03:11 • -10.05db
0% Popularity • 40% Danceability • 70% Energy • 4% Liveness
86% Instrumentalness • 62% Positiveness
0% Popularity • 40% Danceability • 70% Energy • 4% Liveness
86% Instrumentalness • 62% Positiveness
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Frank Gambale
Mirage Mystery
168 bpm • C# min • 04:21 • -10.75db
11% Popularity • 44% Danceability • 54% Energy • 7% Liveness
87% Instrumentalness • 64% Positiveness
11% Popularity • 44% Danceability • 54% Energy • 7% Liveness
87% Instrumentalness • 64% Positiveness
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Nili Brosh
Double Entendre
170 bpm • A min • 05:04 • -7.1db
22% Popularity • 45% Danceability • 89% Energy • 33% Liveness
88% Instrumentalness • 54% Positiveness
22% Popularity • 45% Danceability • 89% Energy • 33% Liveness
88% Instrumentalness • 54% Positiveness
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Marco Sfogli
Heartburn
170 bpm • E min • 04:47 • -6db
34% Popularity • 36% Danceability • 65% Energy • 16% Liveness
88% Instrumentalness • 14% Positiveness
34% Popularity • 36% Danceability • 65% Energy • 16% Liveness
88% Instrumentalness • 14% Positiveness
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Nick Johnston
A Cure Promised
170 bpm • G# min • 06:37 • -11db
26% Popularity • 35% Danceability • 50% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
26% Popularity • 35% Danceability • 50% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Pete Thorn
Into Focus
166 bpm • F# Maj • 04:22 • -8.53db
16% Popularity • 13% Danceability • 82% Energy • 10% Liveness
86% Instrumentalness • 37% Positiveness
16% Popularity • 13% Danceability • 82% Energy • 10% Liveness
86% Instrumentalness • 37% Positiveness
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James Graydon
It's All Good
172 bpm • G Maj • 03:39 • -10.6db
0% Popularity • 43% Danceability • 77% Energy • 21% Liveness
93% Instrumentalness • 34% Positiveness
0% Popularity • 43% Danceability • 77% Energy • 21% Liveness
93% Instrumentalness • 34% Positiveness
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Steve Vai
The Boy From Seattle
171 bpm • G Maj • 05:04 • -6.85db
27% Popularity • 57% Danceability • 72% Energy • 12% Liveness
82% Instrumentalness • 53% Positiveness
27% Popularity • 57% Danceability • 72% Energy • 12% Liveness
82% Instrumentalness • 53% Positiveness
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Loida Liuzzi
What Really Matters
172 bpm • B min • 04:22 • -8.1db
20% Popularity • 36% Danceability • 62% Energy • 20% Liveness
88% Instrumentalness • 72% Positiveness
20% Popularity • 36% Danceability • 62% Energy • 20% Liveness
88% Instrumentalness • 72% Positiveness
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James Nisbet
Grand Slam
166 bpm • E min • 02:06 • -6.19db
0% Popularity • 39% Danceability • 83% Energy • 10% Liveness
72% Instrumentalness • 74% Positiveness
0% Popularity • 39% Danceability • 83% Energy • 10% Liveness
72% Instrumentalness • 74% Positiveness
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Scott Henderson
Tore Down House
166 bpm • F# min • 07:37 • -6.57db
27% Popularity • 32% Danceability • 55% Energy • 10% Liveness
7% Instrumentalness • 36% Positiveness
27% Popularity • 32% Danceability • 55% Energy • 10% Liveness
7% Instrumentalness • 36% Positiveness
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Guthrie Govan
Beautiful Imperfection
174 bpm • C Maj • 02:20 • -8.64db
46% Popularity • 37% Danceability • 49% Energy • 17% Liveness
73% Instrumentalness • 22% Positiveness
46% Popularity • 37% Danceability • 49% Energy • 17% Liveness
73% Instrumentalness • 22% Positiveness
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James Graydon
The Beautiful Wild
174 bpm • D Maj • 03:17 • -14.05db
2% Popularity • 58% Danceability • 67% Energy • 36% Liveness
84% Instrumentalness • 58% Positiveness
2% Popularity • 58% Danceability • 67% Energy • 36% Liveness
84% Instrumentalness • 58% Positiveness
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Jeremy Godfrey
Brass Tacks
165 bpm • G Maj • 02:54 • -5.96db
0% Popularity • 52% Danceability • 84% Energy • 28% Liveness
78% Instrumentalness • 67% Positiveness
0% Popularity • 52% Danceability • 84% Energy • 28% Liveness
78% Instrumentalness • 67% Positiveness
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Muris Varajic
Blue Note in A
174 bpm • A min • 05:17 • -9db
18% Popularity • 48% Danceability • 37% Energy • 11% Liveness
79% Instrumentalness • 32% Positiveness
18% Popularity • 48% Danceability • 37% Energy • 11% Liveness
79% Instrumentalness • 32% Positiveness
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Fernando Nanao
(Is) the Traveler
164 bpm • D Maj • 03:57 • -7.64db
11% Popularity • 52% Danceability • 58% Energy • 15% Liveness
94% Instrumentalness • 42% Positiveness
11% Popularity • 52% Danceability • 58% Energy • 15% Liveness
94% Instrumentalness • 42% Positiveness
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David Elliott
Going Places
174 bpm • A min • 01:12 • -10.23db
1% Popularity • 50% Danceability • 41% Energy • 11% Liveness
72% Instrumentalness • 46% Positiveness
1% Popularity • 50% Danceability • 41% Energy • 11% Liveness
72% Instrumentalness • 46% Positiveness
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Guthrie Govan
The Blue Room
174 bpm • F Maj • 02:14 • -7.17db
41% Popularity • 58% Danceability • 48% Energy • 4% Liveness
1% Instrumentalness • 72% Positiveness
41% Popularity • 58% Danceability • 48% Energy • 4% Liveness
1% Instrumentalness • 72% Positiveness
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James Graydon
From the Rooftops
164 bpm • G Maj • 03:27 • -9.9db
0% Popularity • 44% Danceability • 65% Energy • 34% Liveness
70% Instrumentalness • 66% Positiveness
0% Popularity • 44% Danceability • 65% Energy • 34% Liveness
70% Instrumentalness • 66% Positiveness
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Jan Cyrka
You Got Me
176 bpm • C# min • 02:33 • -7.85db
1% Popularity • 44% Danceability • 93% Energy • 8% Liveness
86% Instrumentalness • 96% Positiveness
1% Popularity • 44% Danceability • 93% Energy • 8% Liveness
86% Instrumentalness • 96% Positiveness
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Triumph
Little Boy Blues (Instrumental)
175 bpm • A Maj • 03:38 • -6.32db
32% Popularity • 39% Danceability • 52% Energy • 9% Liveness
30% Instrumentalness • 31% Positiveness
32% Popularity • 39% Danceability • 52% Energy • 9% Liveness
30% Instrumentalness • 31% Positiveness
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Richie Kotzen
Groove Epidemic
176 bpm • C Maj • 04:30 • -6.93db
11% Popularity • 46% Danceability • 78% Energy • 3% Liveness
82% Instrumentalness • 70% Positiveness
11% Popularity • 46% Danceability • 78% Energy • 3% Liveness
82% Instrumentalness • 70% Positiveness
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Anika Nilles
Alter Ego - Bonus Track
162 bpm • C Maj • 03:36 • -7.01db
30% Popularity • 53% Danceability • 80% Energy • 27% Liveness
83% Instrumentalness • 79% Positiveness
30% Popularity • 53% Danceability • 80% Energy • 27% Liveness
83% Instrumentalness • 79% Positiveness
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Daniele Gottardo
Guitar Sbrego
177 bpm • A min • 04:19 • -6.91db
34% Popularity • 24% Danceability • 70% Energy • 26% Liveness
16% Instrumentalness • 37% Positiveness
34% Popularity • 24% Danceability • 70% Energy • 26% Liveness
16% Instrumentalness • 37% Positiveness
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Jeff Kollman
Homage to King Edward
178 bpm • E min • 01:13 • -11.71db
37% Popularity • 35% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 29% Positiveness
37% Popularity • 35% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 29% Positiveness
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Extreme
Midnight Express
176 bpm • C Maj • 03:59 • -12db
32% Popularity • 48% Danceability • 59% Energy • 6% Liveness
93% Instrumentalness • 92% Positiveness
32% Popularity • 48% Danceability • 59% Energy • 6% Liveness
93% Instrumentalness • 92% Positiveness
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Alain Caron
Cross Checking
160 bpm • G Maj • 04:08 • -10db
11% Popularity • 44% Danceability • 80% Energy • 40% Liveness
94% Instrumentalness • 85% Positiveness
11% Popularity • 44% Danceability • 80% Energy • 40% Liveness
94% Instrumentalness • 85% Positiveness
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Jam Track Central
Uptown Smooth
178 bpm • F min • 01:53 • -9.33db
30% Popularity • 41% Danceability • 53% Energy • 14% Liveness
90% Instrumentalness • 70% Positiveness
30% Popularity • 41% Danceability • 53% Energy • 14% Liveness
90% Instrumentalness • 70% Positiveness
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Nili Brosh
A Matter of Perception
160 bpm • A# Maj • 05:31 • -5.71db
23% Popularity • 40% Danceability • 86% Energy • 35% Liveness
88% Instrumentalness • 52% Positiveness
23% Popularity • 40% Danceability • 86% Energy • 35% Liveness
88% Instrumentalness • 52% Positiveness
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Patrik Carlsson
Oriental Touch
160 bpm • E min • 04:07 • -5.39db
11% Popularity • 57% Danceability • 76% Energy • 12% Liveness
78% Instrumentalness • 85% Positiveness
11% Popularity • 57% Danceability • 76% Energy • 12% Liveness
78% Instrumentalness • 85% Positiveness
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Jeff Kollman
Silence in the Corridor
178 bpm • G min • 06:29 • -10.84db
9% Popularity • 35% Danceability • 54% Energy • 17% Liveness
82% Instrumentalness • 35% Positiveness
9% Popularity • 35% Danceability • 54% Energy • 17% Liveness
82% Instrumentalness • 35% Positiveness
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Jack Thammarat
Back to the Start
160 bpm • E min • 03:50 • -9.89db
28% Popularity • 42% Danceability • 63% Energy • 18% Liveness
92% Instrumentalness • 62% Positiveness
28% Popularity • 42% Danceability • 63% Energy • 18% Liveness
92% Instrumentalness • 62% Positiveness
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Virgil Donati
Red Air
160 bpm • F# Maj • 05:51 • -4.55db
20% Popularity • 52% Danceability • 84% Energy • 13% Liveness
83% Instrumentalness • 42% Positiveness
20% Popularity • 52% Danceability • 84% Energy • 13% Liveness
83% Instrumentalness • 42% Positiveness
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James Graydon
The Upside
160 bpm • E Maj • 03:02 • -15.11db
0% Popularity • 67% Danceability • 62% Energy • 11% Liveness
86% Instrumentalness • 98% Positiveness
0% Popularity • 67% Danceability • 62% Energy • 11% Liveness
86% Instrumentalness • 98% Positiveness
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Kiko Loureiro
No Gravity
160 bpm • E Maj • 04:23 • -6.23db
34% Popularity • 49% Danceability • 82% Energy • 10% Liveness
90% Instrumentalness • 65% Positiveness
34% Popularity • 49% Danceability • 82% Energy • 10% Liveness
90% Instrumentalness • 65% Positiveness
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Shawn Lane
Peace in Mississippi
160 bpm • G Maj • 03:54 • -8db
19% Popularity • 34% Danceability • 77% Energy • 14% Liveness
91% Instrumentalness • 49% Positiveness
19% Popularity • 34% Danceability • 77% Energy • 14% Liveness
91% Instrumentalness • 49% Positiveness
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Phil Buckle
Keep It Up
160 bpm • B min • 02:54 • -4.36db
14% Popularity • 62% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 62% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Max Jeschek
The Inner Track
160 bpm • F# min • 04:46 • -6.51db
11% Popularity • 34% Danceability • 62% Energy • 7% Liveness
73% Instrumentalness • 40% Positiveness
11% Popularity • 34% Danceability • 62% Energy • 7% Liveness
73% Instrumentalness • 40% Positiveness
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Jack Thammarat
Awakening
160 bpm • F# min • 04:10 • -6.59db
23% Popularity • 30% Danceability • 82% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
23% Popularity • 30% Danceability • 82% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
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Guthrie Trapp
Commodity
160 bpm • B min • 04:24 • -5.94db
27% Popularity • 53% Danceability • 64% Energy • 17% Liveness
78% Instrumentalness • 46% Positiveness
27% Popularity • 53% Danceability • 64% Energy • 17% Liveness
78% Instrumentalness • 46% Positiveness
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Nick Johnston
Every Drop of Blood, Pt. I
160 bpm • F Maj • 05:27 • -8.61db
20% Popularity • 25% Danceability • 53% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
20% Popularity • 25% Danceability • 53% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Luca Mantovanelli
Dream Part 2
160 bpm • E min • 01:20 • -7.8db
38% Popularity • 57% Danceability • 65% Energy • 13% Liveness
87% Instrumentalness • 59% Positiveness
38% Popularity • 57% Danceability • 65% Energy • 13% Liveness
87% Instrumentalness • 59% Positiveness
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Anika Nilles
Circles
180 bpm • A min • 04:19 • -9.29db
25% Popularity • 44% Danceability • 71% Energy • 9% Liveness
79% Instrumentalness • 36% Positiveness
25% Popularity • 44% Danceability • 71% Energy • 9% Liveness
79% Instrumentalness • 36% Positiveness
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Al Joseph
Elysium
180 bpm • F min • 04:38 • -8.12db
28% Popularity • 32% Danceability • 82% Energy • 10% Liveness
69% Instrumentalness • 63% Positiveness
28% Popularity • 32% Danceability • 82% Energy • 10% Liveness
69% Instrumentalness • 63% Positiveness
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Jack Thammarat
Midnight Rain
160 bpm • D Maj • 01:33 • -8.96db
32% Popularity • 46% Danceability • 60% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
32% Popularity • 46% Danceability • 60% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Tony MacAlpine
Sunday
180 bpm • C Maj • 05:13 • -13.6db
10% Popularity • 57% Danceability • 30% Energy • 7% Liveness
86% Instrumentalness • 79% Positiveness
10% Popularity • 57% Danceability • 30% Energy • 7% Liveness
86% Instrumentalness • 79% Positiveness
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Daniele Gottardo
Scarecrow's Dance
180 bpm • F Maj • 00:57 • -5.29db
34% Popularity • 35% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
34% Popularity • 35% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
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Luca Mantovanelli
Insomnia
180 bpm • G Maj • 05:02 • -8.67db
20% Popularity • 36% Danceability • 85% Energy • 52% Liveness
27% Instrumentalness • 30% Positiveness
20% Popularity • 36% Danceability • 85% Energy • 52% Liveness
27% Instrumentalness • 30% Positiveness
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Jeremy Godfrey
Hawaii
158 bpm • E min • 03:16 • -5.96db
0% Popularity • 54% Danceability • 91% Energy • 28% Liveness
91% Instrumentalness • 78% Positiveness
0% Popularity • 54% Danceability • 91% Energy • 28% Liveness
91% Instrumentalness • 78% Positiveness
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Guthrie Govan
Waves
156 bpm • A Maj • 05:08 • -5db
43% Popularity • 32% Danceability • 94% Energy • 96% Liveness
30% Instrumentalness • 46% Positiveness
43% Popularity • 32% Danceability • 94% Energy • 96% Liveness
30% Instrumentalness • 46% Positiveness
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Jan Cyrka
Graduation
156 bpm • D Maj • 04:33 • -6.8db
25% Popularity • 16% Danceability • 67% Energy • 16% Liveness
90% Instrumentalness • 44% Positiveness
25% Popularity • 16% Danceability • 67% Energy • 16% Liveness
90% Instrumentalness • 44% Positiveness
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Stel Andre
Heartfelt Ballad Solo
156 bpm • D Maj • 02:33 • -2.4db
21% Popularity • 44% Danceability • 77% Energy • 53% Liveness
59% Instrumentalness • 61% Positiveness
21% Popularity • 44% Danceability • 77% Energy • 53% Liveness
59% Instrumentalness • 61% Positiveness
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Lucinda Barry
Master of the Game - Instrumental Versio...
156 bpm • F# min • 03:58 • -12.38db
3% Popularity • 61% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
3% Popularity • 61% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Jack Thammarat
The Sky Was the Limit
156 bpm • A Maj • 04:17 • -4.76db
24% Popularity • 39% Danceability • 95% Energy • 13% Liveness
82% Instrumentalness • 54% Positiveness
24% Popularity • 39% Danceability • 95% Energy • 13% Liveness
82% Instrumentalness • 54% Positiveness
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Pete Thorn
Rosemary
156 bpm • D Maj • 02:05 • -11.54db
22% Popularity • 47% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 78% Positiveness
22% Popularity • 47% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 78% Positiveness
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Greg Howe
Emergency Exit
155 bpm • D Maj • 07:31 • -7db
12% Popularity • 35% Danceability • 86% Energy • 8% Liveness
72% Instrumentalness • 57% Positiveness
12% Popularity • 35% Danceability • 86% Energy • 8% Liveness
72% Instrumentalness • 57% Positiveness
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Clive Carroll
Bossa Tropicale
154 bpm • E min • 02:19 • -11db
28% Popularity • 80% Danceability • 38% Energy • 10% Liveness
76% Instrumentalness • 65% Positiveness
28% Popularity • 80% Danceability • 38% Energy • 10% Liveness
76% Instrumentalness • 65% Positiveness
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James Nisbet
Grid Iron
154 bpm • C Maj • 03:08 • -8.39db
0% Popularity • 44% Danceability • 80% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
0% Popularity • 44% Danceability • 80% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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Michael Lee Firkins
Deja Blues
153 bpm • A Maj • 06:27 • -15.21db
15% Popularity • 36% Danceability • 45% Energy • 12% Liveness
12% Instrumentalness • 25% Positiveness
15% Popularity • 36% Danceability • 45% Energy • 12% Liveness
12% Instrumentalness • 25% Positiveness
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Lee Ritenour's 6 String Theory
Fives
153 bpm • G Maj • 04:33 • -5db
22% Popularity • 43% Danceability • 76% Energy • 7% Liveness
74% Instrumentalness • 52% Positiveness
22% Popularity • 43% Danceability • 76% Energy • 7% Liveness
74% Instrumentalness • 52% Positiveness
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Pete Thorn
Promise
154 bpm • D# min • 01:43 • -12.83db
34% Popularity • 44% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness
34% Popularity • 44% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness
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Wayne Krantz
Lynxpaw
153 bpm • A# Maj • 01:40 • -9.83db
31% Popularity • 53% Danceability • 61% Energy • 22% Liveness
47% Instrumentalness • 79% Positiveness
31% Popularity • 53% Danceability • 61% Energy • 22% Liveness
47% Instrumentalness • 79% Positiveness
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Allen Hinds
Now Really
188 bpm • F Maj • 04:38 • -7.21db
17% Popularity • 59% Danceability • 81% Energy • 21% Liveness
74% Instrumentalness • 83% Positiveness
17% Popularity • 59% Danceability • 81% Energy • 21% Liveness
74% Instrumentalness • 83% Positiveness
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James Graydon
More Than Words
188 bpm • G Maj • 02:30 • -12.14db
0% Popularity • 54% Danceability • 40% Energy • 9% Liveness
82% Instrumentalness • 24% Positiveness
0% Popularity • 54% Danceability • 40% Energy • 9% Liveness
82% Instrumentalness • 24% Positiveness
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Greg Howe
The Portrait
152 bpm • F# Maj • 03:19 • -17.74db
10% Popularity • 48% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
10% Popularity • 48% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
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Guthrie Govan
The Outsider
152 bpm • B min • 05:14 • -7.66db
31% Popularity • 52% Danceability • 54% Energy • 12% Liveness
72% Instrumentalness • 25% Positiveness
31% Popularity • 52% Danceability • 54% Energy • 12% Liveness
72% Instrumentalness • 25% Positiveness
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Steve Vai
Hand On Heart
152 bpm • B Maj • 05:25 • -5.97db
28% Popularity • 30% Danceability • 56% Energy • 7% Liveness
74% Instrumentalness • 31% Positiveness
28% Popularity • 30% Danceability • 56% Energy • 7% Liveness
74% Instrumentalness • 31% Positiveness
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Cristiano Parato
Pinball Mania
150 bpm • G Maj • 02:45 • -10.52db
16% Popularity • 62% Danceability • 51% Energy • 10% Liveness
81% Instrumentalness • 71% Positiveness
16% Popularity • 62% Danceability • 51% Energy • 10% Liveness
81% Instrumentalness • 71% Positiveness
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Mr. Fastfinger
Flight Mode
150 bpm • C Maj • 04:14 • -13.06db
11% Popularity • 47% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 15% Positiveness
11% Popularity • 47% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 15% Positiveness
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Tim Pierce
I Made It So
149 bpm • F Maj • 06:19 • -11.9db
12% Popularity • 60% Danceability • 67% Energy • 9% Liveness
79% Instrumentalness • 92% Positiveness
12% Popularity • 60% Danceability • 67% Energy • 9% Liveness
79% Instrumentalness • 92% Positiveness
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Daniele Gottardo
Marrakech Market
148 bpm • G min • 04:30 • -4.56db
26% Popularity • 27% Danceability • 69% Energy • 40% Liveness
61% Instrumentalness • 42% Positiveness
26% Popularity • 27% Danceability • 69% Energy • 40% Liveness
61% Instrumentalness • 42% Positiveness
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Guthrie Govan
Lost in Rio
194 bpm • A min • 02:04 • -10.78db
46% Popularity • 48% Danceability • 66% Energy • 9% Liveness
90% Instrumentalness • 74% Positiveness
46% Popularity • 48% Danceability • 66% Energy • 9% Liveness
90% Instrumentalness • 74% Positiveness
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The Aristocrats
Get It Like That
145 bpm • D min • 07:46 • -9db
30% Popularity • 47% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 30% Positiveness
30% Popularity • 47% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 30% Positiveness
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Pete Thorn
Homage
146 bpm • E Maj • 03:12 • -4.46db
22% Popularity • 45% Danceability • 89% Energy • 10% Liveness
74% Instrumentalness • 46% Positiveness
22% Popularity • 45% Danceability • 89% Energy • 10% Liveness
74% Instrumentalness • 46% Positiveness
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Mr. Fastfinger
Beach at Night (1985)
148 bpm • G# Maj • 03:48 • -7.86db
25% Popularity • 66% Danceability • 63% Energy • 23% Liveness
81% Instrumentalness • 66% Positiveness
25% Popularity • 66% Danceability • 63% Energy • 23% Liveness
81% Instrumentalness • 66% Positiveness
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Jim Plamondon
Mist the Mark
145 bpm • C Maj • 04:05 • -10.94db
10% Popularity • 58% Danceability • 37% Energy • 11% Liveness
53% Instrumentalness • 19% Positiveness
10% Popularity • 58% Danceability • 37% Energy • 11% Liveness
53% Instrumentalness • 19% Positiveness
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Steve Smith
Crash Course
145 bpm • F# Maj • 07:00 • -8db
20% Popularity • 52% Danceability • 65% Energy • 7% Liveness
86% Instrumentalness • 34% Positiveness
20% Popularity • 52% Danceability • 65% Energy • 7% Liveness
86% Instrumentalness • 34% Positiveness
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Brett Garsed
Colliding Chimps
145 bpm • D Maj • 06:16 • -6db
14% Popularity • 54% Danceability • 84% Energy • 25% Liveness
38% Instrumentalness • 73% Positiveness
14% Popularity • 54% Danceability • 84% Energy • 25% Liveness
38% Instrumentalness • 73% Positiveness
