Songs like World On Fire - Junkie XL Club Mix by Sarah McLachlan
Based on a tempo of (+/- 10%) and a similar genre
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Leigh Nash
Ocean Size Love
134 bpm • G Maj • 04:59 • -6.04db
18% Popularity • 49% Danceability • 56% Energy • 62% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 49% Danceability • 56% Energy • 62% Liveness
0% Instrumentalness • 16% Positiveness
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Mary Chapin Carpenter
Dreamland
134 bpm • F Maj • 03:02 • -12.69db
31% Popularity • 53% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 53% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Ellie Goulding
Your Song - Bonus Track
134 bpm • A# Maj • 03:11 • -12db
65% Popularity • 55% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
65% Popularity • 55% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Shania Twain
You're Still The One
134 bpm • D# Maj • 03:32 • -6.78db
73% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
73% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Pretenders
I'll Stand by You
134 bpm • G Maj • 04:00 • -6.55db
72% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
72% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Kris Delmhorst
Words Fail You
134 bpm • A# Maj • 05:22 • -11.73db
15% Popularity • 49% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 49% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Edwin McCain
I Could Not Ask for More
135 bpm • F Maj • 04:33 • -5.02db
53% Popularity • 51% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 51% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Sophie B. Hawkins
Lose Your Way
134 bpm • G Maj • 04:04 • -9.89db
36% Popularity • 56% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 56% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Sarah McLachlan
Witness
135 bpm • F# min • 04:47 • -11.93db
34% Popularity • 54% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
34% Popularity • 54% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Aimee Mann
You Could Make A Killing
133 bpm • D# Maj • 03:42 • -13.79db
34% Popularity • 43% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
34% Popularity • 43% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Dan Fogelberg
Leader of the Band
135 bpm • G# Maj • 04:16 • -14.36db
61% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
61% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Damien Rice
The Blower's Daughter
133 bpm • E Maj • 04:46 • -13.57db
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Sheryl Crow
I Shall Believe
135 bpm • E Maj • 05:33 • -14db
44% Popularity • 55% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 55% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Marc Cohn
The Things We've Handed Down
133 bpm • F Maj • 04:40 • -18.46db
30% Popularity • 37% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 37% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Billy Joel
And So It Goes
135 bpm • C Maj • 03:37 • -14.53db
55% Popularity • 43% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 43% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Joan Osborne
Crazy Baby
136 bpm • A Maj • 06:32 • -10db
29% Popularity • 48% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 48% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Dar Williams
The Beauty Of The Rain
136 bpm • G Maj • 02:59 • -11.71db
42% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Shania Twain
From This Moment On - Pop On-Tour Versio...
136 bpm • D Maj • 03:57 • -4.45db
66% Popularity • 45% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
66% Popularity • 45% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Sophie B. Hawkins
I Walk Alone
136 bpm • A Maj • 04:12 • -7.79db
10% Popularity • 48% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 48% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sarah McLachlan
Time
132 bpm • A# Maj • 04:06 • -8.23db
30% Popularity • 51% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 51% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Edwin McCain
I'll Be
137 bpm • B Maj • 04:26 • -5.52db
67% Popularity • 37% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
67% Popularity • 37% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jewel
Foolish Games
131 bpm • F Maj • 05:40 • -16.46db
56% Popularity • 30% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 30% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Bryan Adams
(Everything I Do) I Do It For You
131 bpm • C# Maj • 06:33 • -12.63db
76% Popularity • 53% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
76% Popularity • 53% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Shania Twain
From This Moment On
136 bpm • G Maj • 04:41 • -8.25db
57% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
57% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Faith Hill
Breathe
137 bpm • G Maj • 04:10 • -9.01db
66% Popularity • 53% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
66% Popularity • 53% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Glen Hansard
Falling Slowly
137 bpm • C Maj • 04:04 • -11.87db
61% Popularity • 34% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
61% Popularity • 34% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Linda Ronstadt
Don't Know Much
130 bpm • B Maj • 03:31 • -11.01db
64% Popularity • 40% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Sarah McLachlan
Hold On
138 bpm • C# Maj • 04:08 • -6.71db
36% Popularity • 48% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 48% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Beth Hart
LA Song
130 bpm • G Maj • 03:55 • -7.36db
18% Popularity • 58% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 58% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Shania Twain
You've Got A Way
132 bpm • A Maj • 03:31 • -8.63db
57% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
57% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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KT Tunstall
Universe & U
130 bpm • D Maj • 04:01 • -6db
36% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Haley Reinhart
Can't Help Falling in Love
138 bpm • C Maj • 02:53 • -13.92db
73% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
73% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Michelle Featherstone
Sweet Sweet Baby
130 bpm • D Maj • 04:22 • -10db
10% Popularity • 51% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 51% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
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Sarah McLachlan
Ice Cream
130 bpm • A Maj • 02:44 • -13.25db
41% Popularity • 64% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 64% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Rhiannon Giddens
Forever Young
138 bpm • G Maj • 04:21 • -11db
53% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Dala
Horses
130 bpm • G Maj • 04:20 • -8.59db
12% Popularity • 49% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 49% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Beth Nielsen Chapman
Say Goodnight
130 bpm • E Maj • 03:58 • -10.11db
9% Popularity • 37% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 37% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Kelly Sweet
Dream On
130 bpm • A# min • 03:29 • -11.49db
29% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Enya
If I Could Be Where You Are
129 bpm • F Maj • 04:01 • -15.94db
56% Popularity • 28% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
56% Popularity • 28% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Sarah McLachlan
Perfect Girl
130 bpm • A Maj • 04:41 • -10.3db
27% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
27% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Barbra Streisand
I Finally Found Someone
139 bpm • F# Maj • 03:41 • -15.07db
64% Popularity • 57% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
64% Popularity • 57% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Ben Folds
The Luckiest
129 bpm • D Maj • 04:04 • -11.88db
37% Popularity • 46% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 46% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Ani DiFranco
Both Hands
139 bpm • G Maj • 03:38 • -20db
45% Popularity • 77% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 77% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Christina Perri
a thousand years
139 bpm • A# Maj • 04:45 • -7.45db
81% Popularity • 42% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
81% Popularity • 42% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Paula Cole
Where Have All the Cowboys Gone?
129 bpm • B min • 04:23 • -6.18db
50% Popularity • 59% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 59% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 62% Positiveness
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10,000 Maniacs
Eden
129 bpm • B Maj • 04:08 • -7.45db
31% Popularity • 56% Danceability • 70% Energy • 12% Liveness
9% Instrumentalness • 16% Positiveness
31% Popularity • 56% Danceability • 70% Energy • 12% Liveness
9% Instrumentalness • 16% Positiveness
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Faith Hill
There You'll Be
129 bpm • G# Maj • 03:42 • -7.77db
60% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
60% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Bruce Hornsby
Mandolin Rain
139 bpm • G Maj • 05:18 • -13db
53% Popularity • 56% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
53% Popularity • 56% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Heather Nova
I'm On Fire - Live
139 bpm • A Maj • 03:43 • -13db
41% Popularity • 27% Danceability • 57% Energy • 96% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 27% Danceability • 57% Energy • 96% Liveness
0% Instrumentalness • 27% Positiveness
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Amos Lee
Colors
129 bpm • G Maj • 02:40 • -13.4db
62% Popularity • 68% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 68% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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k.d. lang
Constant Craving
128 bpm • F min • 04:37 • -5.56db
55% Popularity • 60% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 60% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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LeAnn Rimes
How Do I Live
128 bpm • D Maj • 04:26 • -7.99db
68% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
68% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Lifehouse
You And Me
140 bpm • G Maj • 03:15 • -7.73db
75% Popularity • 46% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
75% Popularity • 46% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Pretenders
Forever Young
140 bpm • G Maj • 05:04 • -10.08db
38% Popularity • 45% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
38% Popularity • 45% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
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Heather Nova
It's Only Love
140 bpm • D min • 04:34 • -7.33db
25% Popularity • 48% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 48% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Heart
Walkin' Good
140 bpm • G Maj • 03:44 • -8.93db
30% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Sarah McLachlan
I Will Remember You
140 bpm • A Maj • 04:55 • -10.99db
47% Popularity • 60% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
47% Popularity • 60% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Kate Bush
This Woman's Work - 2018 Remaster
128 bpm • G# Maj • 03:36 • -16.23db
59% Popularity • 36% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
59% Popularity • 36% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Elton John
Your Song
128 bpm • D# Maj • 04:01 • -11.03db
81% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
81% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Eastmountainsouth
So Are You To Me
140 bpm • D Maj • 01:57 • -14.97db
41% Popularity • 30% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 30% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Beth Nielsen Chapman
Say Goodnight
128 bpm • E Maj • 05:40 • -11.74db
25% Popularity • 39% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 39% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Dido
My Life
141 bpm • G min • 03:09 • -11.22db
38% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Norah Jones
Seven Years
127 bpm • G Maj • 02:25 • -13.88db
65% Popularity • 59% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
65% Popularity • 59% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Sarah McLachlan
Elsewhere
141 bpm • E min • 04:44 • -8.34db
35% Popularity • 58% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 58% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Alanis Morissette
Uninvited
127 bpm • D Maj • 04:36 • -5.49db
58% Popularity • 38% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 38% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Jewel
Hands
127 bpm • F min • 03:55 • -10.18db
54% Popularity • 64% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 64% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Beth Orton
Ooh Child - Alternate Version
127 bpm • G min • 03:53 • -10db
34% Popularity • 39% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 39% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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A Great Big World
Say Something
141 bpm • D Maj • 03:49 • -8.82db
70% Popularity • 41% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
70% Popularity • 41% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Dido
Take My Hand
127 bpm • G min • 06:42 • -7db
45% Popularity • 68% Danceability • 75% Energy • 17% Liveness
1% Instrumentalness • 48% Positiveness
45% Popularity • 68% Danceability • 75% Energy • 17% Liveness
1% Instrumentalness • 48% Positiveness
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Lili Haydn
Goodbye Stranger
142 bpm • D Maj • 04:35 • -7.73db
15% Popularity • 37% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 37% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
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Laurie Sargent
Without Letting Go - 2006 Remaster
142 bpm • C Maj • 03:18 • -9db
6% Popularity • 58% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
6% Popularity • 58% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Blessid Union Of Souls
I Believe
142 bpm • B Maj • 04:27 • -8.16db
46% Popularity • 49% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 49% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Jewel
Who Will Save Your Soul
126 bpm • G Maj • 03:59 • -9.71db
60% Popularity • 69% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
60% Popularity • 69% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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KT Tunstall
Under The Weather
142 bpm • C Maj • 03:36 • -10db
38% Popularity • 42% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 42% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Nina Gordon
The End of the World
142 bpm • B Maj • 03:39 • -6.57db
11% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Hootie & The Blowfish
Let Her Cry
143 bpm • G Maj • 05:18 • -6.28db
64% Popularity • 35% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 35% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ingrid Michaelson
Keep Breathing
126 bpm • G Maj • 03:25 • -12db
51% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Dido
Sand in My Shoes
126 bpm • B Maj • 04:59 • -6.7db
49% Popularity • 63% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 63% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Diana Krall
If You Could Read My Mind
126 bpm • F Maj • 03:45 • -12.82db
44% Popularity • 58% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 58% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Sarah McLachlan
Ice Cream
143 bpm • G# min • 03:02 • -9.68db
25% Popularity • 38% Danceability • 68% Energy • 90% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 38% Danceability • 68% Energy • 90% Liveness
0% Instrumentalness • 40% Positiveness
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Iron & Wine
Time After Time
125 bpm • C# Maj • 02:50 • -13.3db
65% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
65% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
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Ellie Goulding
How Long Will I Love You
126 bpm • C Maj • 02:34 • -9.28db
72% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
72% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Suzanne Vega
Luka
125 bpm • F# Maj • 03:51 • -10.65db
64% Popularity • 63% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
64% Popularity • 63% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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John Mayer
Daughters
125 bpm • D Maj • 03:57 • -7.82db
66% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
66% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Aimee Mann
Save Me
143 bpm • A# Maj • 04:34 • -10.44db
55% Popularity • 62% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 62% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Carole King
So Far Away
144 bpm • D Maj • 03:55 • -14.25db
59% Popularity • 49% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 49% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Bonnie Raitt
I Can't Make You Love Me
125 bpm • G min • 05:32 • -16.73db
62% Popularity • 59% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
62% Popularity • 59% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Spice Girls
2 Become 1
144 bpm • F# Maj • 04:01 • -7.88db
65% Popularity • 65% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
65% Popularity • 65% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Suzanne Vega
Luka
125 bpm • F# Maj • 03:13 • -10db
48% Popularity • 76% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 76% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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10,000 Maniacs
More Than This
125 bpm • F# Maj • 04:05 • -9db
46% Popularity • 62% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
46% Popularity • 62% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
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Edwin McCain
I'll Be - Acoustic Version
144 bpm • B Maj • 04:37 • -7.88db
50% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Phil Collins
A Groovy Kind of Love
144 bpm • D Maj • 03:30 • -9.63db
66% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
66% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Gin Blossoms
Til I Hear It From You
124 bpm • A Maj • 03:52 • -8db
58% Popularity • 58% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 58% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Rickie Lee Jones
Stewart's Coat
124 bpm • G Maj • 04:31 • -16.52db
31% Popularity • 52% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 52% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Heather Nova
What A Feeling
124 bpm • E Maj • 04:46 • -9.84db
22% Popularity • 45% Danceability • 44% Energy • 13% Liveness
22% Instrumentalness • 10% Positiveness
22% Popularity • 45% Danceability • 44% Energy • 13% Liveness
22% Instrumentalness • 10% Positiveness
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LeAnn Rimes
I Need You
145 bpm • G Maj • 03:49 • -7.12db
60% Popularity • 48% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 48% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Jewel
Standing Still
124 bpm • D Maj • 04:30 • -6.62db
50% Popularity • 61% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 61% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Merril Bainbridge
Power Of One
124 bpm • C min • 04:08 • -16.77db
9% Popularity • 35% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 35% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
