Songs like World's Best Friend by Original Cast of Amélie
Based on a tempo of (+/- 10%) and a similar genre
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Beth Leavel
The Lady's Improving
172 bpm • A# Maj • 02:31 • -5.1db
17% Popularity • 42% Danceability • 49% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 42% Danceability • 49% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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Spencer Kayden
Tell Her I Love Her
172 bpm • D Maj • 02:56 • -15.04db
26% Popularity • 41% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 41% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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'In The Heights' Original Broadway Company
Breathe
172 bpm • A# Maj • 04:04 • -10.75db
49% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
49% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Original Cast of Amélie
World's Best Friend
172 bpm • B Maj • 03:20 • -9.96db
18% Popularity • 43% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 43% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Kara Lindsay
Watch What Happens
172 bpm • A Maj • 03:06 • -11.3db
51% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Heidi Blickenstaff
A Way Back to Then
172 bpm • A# Maj • 02:33 • -9.49db
25% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Alice Ripley
I Miss the Mountains
172 bpm • C Maj • 03:46 • -16.9db
35% Popularity • 31% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 31% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Zachary Levi
Tonight at Eight
171 bpm • F# min • 01:45 • -8.94db
32% Popularity • 52% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 52% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 3: Mother
171 bpm • B Maj • 01:17 • -12.48db
26% Popularity • 17% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 17% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Brian D'Arcy James
God, I Hate Shakespeare - Reprise
171 bpm • F Maj • 01:30 • -13.61db
36% Popularity • 34% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 34% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Original Cast of Amélie
Where Do We Go From Here
170 bpm • C# Maj • 03:44 • -12db
23% Popularity • 22% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 22% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Woe Is Me
174 bpm • C Maj • 02:31 • -7.88db
33% Popularity • 54% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 54% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Alice Ripley
Didn't I See This Movie?
170 bpm • E Maj • 01:30 • -5.82db
32% Popularity • 56% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 56% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Kate Wetherhead
Calm
169 bpm • A Maj • 04:21 • -11.81db
26% Popularity • 60% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 60% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Sutton Foster
Gimme Gimme
176 bpm • B Maj • 03:34 • -10.7db
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Joel Hatch
Finale
168 bpm • E min • 03:29 • -5db
42% Popularity • 49% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 49% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Linda Hart
(Our) Family Tree
168 bpm • C# Maj • 04:09 • -6.82db
24% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
The 25th Annual Putnam County Spelling B...
170 bpm • C Maj • 04:44 • -9db
33% Popularity • 52% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 52% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Andrea
When We Are Wed
176 bpm • G# Maj • 02:12 • -15.8db
22% Popularity • 43% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 43% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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J. Robert Spencer
I Am the One - Reprise
174 bpm • A Maj • 02:16 • -10.65db
33% Popularity • 32% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 32% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Christian Borle
The Harvard Variations
177 bpm • E min • 02:37 • -11db
43% Popularity • 62% Danceability • 26% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 62% Danceability • 26% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Original Cast of Amélie
Writing on the Wall
167 bpm • D Maj • 00:44 • -14.73db
14% Popularity • 12% Danceability • 15% Energy • 9% Liveness
65% Instrumentalness • 9% Positiveness
14% Popularity • 12% Danceability • 15% Energy • 9% Liveness
65% Instrumentalness • 9% Positiveness
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James Davis
All Er Nuthin'
177 bpm • D Maj • 03:49 • -11db
21% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
The Spelling Rules / My Favorite Moment ...
169 bpm • D Maj • 01:41 • -9.16db
31% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Audrey Brisson
The Late Nino Quincampoix - Original Lon...
167 bpm • D Maj • 01:25 • -10.69db
17% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Jeff McCarthy
Urinetown
167 bpm • A# min • 01:40 • -9.21db
32% Popularity • 50% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 50% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Jared Gertner
Life Story
178 bpm • B Maj • 02:14 • -17db
20% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Original Cast of Amélie
Goodbye, Amelie
166 bpm • E Maj • 03:09 • -6.55db
17% Popularity • 35% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 35% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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David Jennings
The Sad Tale of the Beauxhommes
178 bpm • D Maj • 03:48 • -11.88db
23% Popularity • 45% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 45% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Favorite Moment of the Bee 3 / Second
169 bpm • E min • 06:35 • -9.87db
29% Popularity • 35% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 35% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Manoel Felciano
Where Will You Stand When the Flood Come...
166 bpm • A Maj • 03:28 • -6.76db
22% Popularity • 43% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 43% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Mindi Dickstein
The Most Amazing Thing
165 bpm • G min • 02:00 • -9.69db
26% Popularity • 46% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 46% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Lawrence Clayton
The Minstrel, the Jester, and I
179 bpm • F Maj • 02:07 • -13.39db
20% Popularity • 52% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 52% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Tammy Blanchard
Somewhere That's Green - Reprise
179 bpm • G Maj • 03:19 • -11.47db
26% Popularity • 34% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 34% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 13% Positiveness
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Lee MacDougall
Stop The World
179 bpm • E Maj • 02:20 • -8.12db
41% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
I Speak Six Languages
176 bpm • G Maj • 02:29 • -7.1db
38% Popularity • 54% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 54% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Victoria Clark
"There's Music in You"
180 bpm • F Maj • 03:14 • -7.32db
26% Popularity • 23% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 23% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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Lilli Cooper
I'm Alive
164 bpm • C Maj • 02:39 • -8.65db
19% Popularity • 73% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 73% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Kate Wetherhead
Saturday at the Met
181 bpm • C# Maj • 05:19 • -13db
21% Popularity • 61% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 61% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Audrey Brisson
How To Tell Time - Original London Cast ...
163 bpm • F Maj • 01:18 • -10.02db
20% Popularity • 29% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 29% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Jeff McCarthy
Too Much Exposition
163 bpm • F Maj • 03:15 • -15.57db
28% Popularity • 55% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 55% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Jefferson Mays
Better with a Man
162 bpm • G Maj • 03:02 • -9.84db
23% Popularity • 52% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 52% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Cole Thompson
I Guess This Is Goodbye
182 bpm • E Maj • 01:02 • -15.96db
33% Popularity • 33% Danceability • 18% Energy • 20% Liveness
1% Instrumentalness • 56% Positiveness
33% Popularity • 33% Danceability • 18% Energy • 20% Liveness
1% Instrumentalness • 56% Positiveness
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Original Cast of Amélie
Thin Air
182 bpm • B Maj • 03:22 • -7.06db
22% Popularity • 25% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 25% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Caroline O'Connor
The Countess and the Common Man
162 bpm • G Maj • 03:01 • -11.65db
36% Popularity • 43% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 43% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Merle Dandridge
Forever Yours (Reprise)
162 bpm • A min • 02:42 • -12db
23% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Magic Foot
162 bpm • D min • 02:35 • -8.34db
31% Popularity • 53% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 53% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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David Shiner
Havin' A Hunch - Original Broadway Cast ...
162 bpm • C# Maj • 03:21 • -9.85db
30% Popularity • 57% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 57% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Better
184 bpm • D Maj • 01:15 • -6.63db
36% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Original Cast of Amélie
Stay
162 bpm • D# Maj • 02:43 • -9.3db
32% Popularity • 32% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 32% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Sutton Foster
Not for the Life of Me
184 bpm • D# Maj • 02:10 • -12db
33% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Aaron Tveit
I'm Alive - Reprise
160 bpm • G Maj • 01:11 • -8.98db
32% Popularity • 34% Danceability • 55% Energy • 64% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 34% Danceability • 55% Energy • 64% Liveness
0% Instrumentalness • 28% Positiveness
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'Come From Away' Company
On The Edge
186 bpm • D Maj • 03:21 • -8.66db
39% Popularity • 57% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 57% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Mindi Dickstein
Better
159 bpm • E Maj • 01:45 • -8.3db
30% Popularity • 45% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 70% Positiveness
30% Popularity • 45% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 70% Positiveness
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Emma Hunton
Busted
186 bpm • E Maj • 04:32 • -6.53db
28% Popularity • 49% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 49% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Beth Leavel
It's Not About Me
158 bpm • A min • 03:52 • -5.63db
32% Popularity • 52% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 52% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Byron Jennings
Days Gone By
189 bpm • D Maj • 02:03 • -8.54db
21% Popularity • 37% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 37% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Alice Ripley
I Dreamed a Dance
185 bpm • G# Maj • 02:20 • -16.11db
31% Popularity • 30% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 30% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Jez Unwin
World's Best Papa - Original London Cast...
153 bpm • D Maj • 02:56 • -10.43db
20% Popularity • 55% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 55% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Lisa Brescia
Gotta Get Out
153 bpm • C Maj • 03:27 • -10.71db
27% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Brian D'Arcy James
Bottom's Gonna Be on Top
194 bpm • C Maj • 05:30 • -8.63db
39% Popularity • 57% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 57% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Christopher Sieber
The Acceptance Song
152 bpm • A# Maj • 03:14 • -5.35db
29% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Sherie Rene Scott
Climbing Uphill
195 bpm • E min • 03:36 • -9.56db
27% Popularity • 48% Danceability • 31% Energy • 59% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 48% Danceability • 31% Energy • 59% Liveness
0% Instrumentalness • 46% Positiveness
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Alice Ripley
Make up Your Mind / Catch Me I'm Falling...
188 bpm • G Maj • 01:40 • -12.02db
29% Popularity • 41% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 41% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Katie Rowley Jones
The Life I Never Led
198 bpm • G Maj • 03:33 • -10db
34% Popularity • 33% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 33% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Hunter Foster
I'm Trying
152 bpm • F# Maj • 04:47 • -13.77db
20% Popularity • 62% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 62% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Original Cast of Amélie
World's Best Dad
150 bpm • D Maj • 02:19 • -7.05db
19% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Brian D'Arcy James
Something Rotten! / Make an Omelette
194 bpm • D Maj • 05:54 • -7.18db
36% Popularity • 51% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 51% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Santino Fontana
Unstoppable
149 bpm • G Maj • 04:00 • -9.15db
19% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Alice Ripley
How Could I Ever Forget?
156 bpm • F# Maj • 02:50 • -15db
29% Popularity • 30% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 30% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Mindi Dickstein
Our Finest Dreams
149 bpm • C# Maj • 03:38 • -8.01db
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
32% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
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Alan Zachary
The One
148 bpm • D Maj • 02:39 • -3.01db
26% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Michael McGrath
Perspective
148 bpm • D Maj • 02:44 • -9.42db
22% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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John Bolton
Meant to Be
148 bpm • F Maj • 01:40 • -10.5db
37% Popularity • 29% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 29% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Ari Groover
Prologue/Little Shop of Horrors
148 bpm • G Maj • 02:10 • -7.5db
33% Popularity • 72% Danceability • 74% Energy • 20% Liveness
6% Instrumentalness • 68% Positiveness
33% Popularity • 72% Danceability • 74% Energy • 20% Liveness
6% Instrumentalness • 68% Positiveness
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Isaac Powell
Some Girls
147 bpm • D# Maj • 03:11 • -16db
26% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Heidi Blickenstaff
Right Hand Man
147 bpm • C# Maj • 02:43 • -8db
48% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Original Cast of Amélie
The Girl with the Glass
147 bpm • E Maj • 04:14 • -13.02db
19% Popularity • 36% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 36% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Diana Original Broadway Cast
The Main Event
146 bpm • A# Maj • 04:26 • -6.53db
23% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Matthew Morrison
It Takes Two
204 bpm • A Maj • 03:06 • -6.87db
29% Popularity • 31% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 31% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness