Songs like Would You Rather Be Lonely by Red Rum Club
Based on a tempo of (+/- 10%) and a similar genre
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Keyside
Lights Out
123 bpm • A# min • 02:54 • -7.4db
17% Popularity • 58% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 58% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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The Clause
Forever Young - Radio Edit
123 bpm • E Maj • 03:06 • -7.23db
28% Popularity • 57% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 57% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Red Rum Club
Would You Rather Be Lonely
123 bpm • F# Maj • 02:34 • -5.42db
44% Popularity • 57% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 57% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Shambolics
Chasing a Disaster
123 bpm • G Maj • 03:38 • -7.99db
23% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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JAMIE WEBSTER
Looking Good
123 bpm • G# Maj • 03:24 • -3.13db
42% Popularity • 61% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 61% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Tom A. Smith
Like You Do
123 bpm • G min • 03:05 • -6.16db
27% Popularity • 50% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 50% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Jam in the Van
Would You Rather Be Lonely - Live Sessio...
123 bpm • F# Maj • 03:08 • -5.31db
23% Popularity • 58% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 58% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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The Clause
Forever Young
123 bpm • B Maj • 05:05 • -6.89db
25% Popularity • 51% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 51% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Red Rum Club
Lonely - Acoustic
123 bpm • F# Maj • 02:25 • -4.97db
25% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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The Cheap Thrills
Heart Attack
124 bpm • C# min • 02:59 • -4.18db
19% Popularity • 57% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 57% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Andrew Cushin
It's Gonna Get Better
124 bpm • F# min • 03:41 • -6.83db
27% Popularity • 54% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 54% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
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Corella
Dice
124 bpm • A Maj • 02:57 • -6db
40% Popularity • 65% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 65% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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FEVER
Time Will Define
122 bpm • F Maj • 03:22 • -6.54db
16% Popularity • 46% Danceability • 70% Energy • 10% Liveness
38% Instrumentalness • 14% Positiveness
16% Popularity • 46% Danceability • 70% Energy • 10% Liveness
38% Instrumentalness • 14% Positiveness
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Stanleys
I'll Try
122 bpm • E Maj • 03:20 • -3.5db
21% Popularity • 67% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 67% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Red Rum Club
Daisy
122 bpm • C Maj • 03:13 • -3.75db
39% Popularity • 66% Danceability • 81% Energy • 36% Liveness
9% Instrumentalness • 73% Positiveness
39% Popularity • 66% Danceability • 81% Energy • 36% Liveness
9% Instrumentalness • 73% Positiveness
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Dylan John Thomas
When I Get Home
124 bpm • C Maj • 03:16 • -7.21db
34% Popularity • 72% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 72% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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The Cheap Thrills
Keep Me in Check
122 bpm • C Maj • 03:36 • -8.09db
15% Popularity • 61% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 61% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Ten Tonnes
Heart To Break
122 bpm • E Maj • 03:27 • -2.68db
18% Popularity • 55% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 55% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
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The Magic Gang
Just a Minute
124 bpm • C Maj • 03:51 • -5.77db
32% Popularity • 65% Danceability • 57% Energy • 9% Liveness
4% Instrumentalness • 28% Positiveness
32% Popularity • 65% Danceability • 57% Energy • 9% Liveness
4% Instrumentalness • 28% Positiveness
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The Sheratons
Her Mind
125 bpm • B min • 02:33 • -5db
14% Popularity • 55% Danceability • 78% Energy • 12% Liveness
20% Instrumentalness • 50% Positiveness
14% Popularity • 55% Danceability • 78% Energy • 12% Liveness
20% Instrumentalness • 50% Positiveness
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Red Rum Club
Holy Horses
124 bpm • A# min • 02:55 • -5.21db
22% Popularity • 72% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 72% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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The Big Day
Born Killer
125 bpm • F# min • 03:55 • -7.68db
14% Popularity • 62% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 62% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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THE FEENS
Sunset
125 bpm • G Maj • 02:40 • -3.87db
10% Popularity • 59% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 59% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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The Clause
Tokyo
125 bpm • F min • 04:44 • -9db
28% Popularity • 57% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
28% Popularity • 57% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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Jam in the Van
Vibrate - Live Session, Austin, TX 2022
121 bpm • E min • 04:09 • -6.38db
24% Popularity • 77% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 77% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Post-Party
Kimbo
125 bpm • C Maj • 03:54 • -4.51db
24% Popularity • 43% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
24% Popularity • 43% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Red Rum Club
Love Me Like You Wanna Be Loved
124 bpm • G Maj • 02:44 • -5.35db
33% Popularity • 68% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 68% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Spector
Some People
125 bpm • C min • 04:08 • -5.65db
28% Popularity • 55% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 55% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Tom Meighan
Don't Give In
126 bpm • A# min • 03:23 • -4.97db
29% Popularity • 53% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 53% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 17% Positiveness
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The Clause
Where Are You Now?
126 bpm • C Maj • 03:54 • -9db
34% Popularity • 34% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 34% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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Saytr Play
Serotonin Serenade
120 bpm • F# Maj • 02:26 • -4.04db
29% Popularity • 55% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 55% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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The Kairos
Trip Through The Night
126 bpm • C# min • 04:26 • -6.4db
23% Popularity • 50% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 50% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Red Rum Club
Nobody Gets Out Alive
125 bpm • G min • 03:22 • -5.12db
20% Popularity • 54% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 54% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Joel Stoker
Like I Love You
120 bpm • A min • 03:50 • -4.51db
20% Popularity • 68% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 68% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Ten Tonnes
When It Goes
120 bpm • C Maj • 03:33 • -4.44db
19% Popularity • 72% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 72% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Lathums
Rise and Fall
120 bpm • C Maj • 04:05 • -4.5db
35% Popularity • 50% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 50% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Shambolics
Take It or Leave It
120 bpm • G# Maj • 02:49 • -6.36db
35% Popularity • 61% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 61% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Clause
In My Element
120 bpm • A min • 03:37 • -6db
40% Popularity • 60% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 60% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Red Rum Club
Vanilla
125 bpm • B min • 02:37 • -3.91db
43% Popularity • 74% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 74% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Sundara Karma
Better Luck Next Time
120 bpm • G# Maj • 03:53 • -4.16db
29% Popularity • 52% Danceability • 95% Energy • 34% Liveness
19% Instrumentalness • 12% Positiveness
29% Popularity • 52% Danceability • 95% Energy • 34% Liveness
19% Instrumentalness • 12% Positiveness
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Dylan John Thomas
Melancholy's Cure
120 bpm • C Maj • 03:19 • -7.81db
34% Popularity • 70% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 70% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Glass Caves
Float into Space
120 bpm • F min • 02:56 • -6.03db
25% Popularity • 62% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 62% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Brooke Combe
Miss Me Now
120 bpm • C min • 02:59 • -4db
32% Popularity • 69% Danceability • 79% Energy • 10% Liveness
4% Instrumentalness • 96% Positiveness
32% Popularity • 69% Danceability • 79% Energy • 10% Liveness
4% Instrumentalness • 96% Positiveness
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Tom Meighan
Movin’ On
120 bpm • B min • 03:29 • -5db
33% Popularity • 66% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 66% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Red Rum Club
Casanova
125 bpm • C min • 03:12 • -4.23db
21% Popularity • 59% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 59% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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The Pigeon Detectives
TV Show
120 bpm • C Maj • 03:25 • -4.3db
20% Popularity • 48% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 48% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Blossoms
At Most A Kiss
127 bpm • A min • 02:58 • -5.49db
47% Popularity • 54% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 54% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Dylan John Thomas
Lovely Day
127 bpm • D Maj • 03:08 • -7.09db
35% Popularity • 67% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 67% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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The Cheap Thrills
Saint or Sinner
127 bpm • C Maj • 03:04 • -7.28db
18% Popularity • 50% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 50% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Shambolics
Losing Your Mind
127 bpm • F min • 03:23 • -7.69db
29% Popularity • 56% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 56% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Red Rum Club
Undertaker
121 bpm • G Maj • 03:00 • -4.68db
39% Popularity • 65% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 65% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Lock-In
Red Stripe Remedy
128 bpm • D Maj • 03:52 • -8.66db
22% Popularity • 52% Danceability • 71% Energy • 12% Liveness
63% Instrumentalness • 96% Positiveness
22% Popularity • 52% Danceability • 71% Energy • 12% Liveness
63% Instrumentalness • 96% Positiveness
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![To Do List (After The Breakup) [feat. Findlay] cover art](https://i.scdn.co/image/ab67616d00001e02f92c900de6f549872a23d1de)
Blossoms
To Do List (After The Breakup)
127 bpm • F Maj • 03:15 • -6.44db
45% Popularity • 53% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 53% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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M60
Darling
127 bpm • B Maj • 03:34 • -5.2db
29% Popularity • 52% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 52% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Dylan John Thomas
If I Didn't Laugh
127 bpm • D# Maj • 02:46 • -12.61db
30% Popularity • 76% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 76% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Rosadocs
These People
128 bpm • A# Maj • 03:41 • -6.69db
16% Popularity • 46% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 46% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Red Rum Club
Vibrate
121 bpm • E min • 04:08 • -4.89db
41% Popularity • 76% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 76% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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The Kairos
Thick Of It
128 bpm • A Maj • 03:37 • -5db
22% Popularity • 46% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 46% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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The Clause
Cruella
128 bpm • E Maj • 03:07 • -5.2db
31% Popularity • 58% Danceability • 84% Energy • 14% Liveness
52% Instrumentalness • 81% Positiveness
31% Popularity • 58% Danceability • 84% Energy • 14% Liveness
52% Instrumentalness • 81% Positiveness
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The Lathums
Say My Name
128 bpm • A min • 03:51 • -3db
45% Popularity • 41% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 41% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Lilacs
That's Not Me
128 bpm • A# Maj • 03:49 • -8db
24% Popularity • 66% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 66% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Dylan John Thomas
Yesterday Is Gone
118 bpm • B Maj • 03:16 • -7.15db
37% Popularity • 72% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 72% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Red Rum Club
Girl Is A Gun
126 bpm • A min • 02:38 • -4.93db
23% Popularity • 62% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 62% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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The Skinner Brothers
LONEDON
128 bpm • G Maj • 03:14 • -4db
21% Popularity • 45% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 45% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Viola Beach
Go Outside
129 bpm • B min • 03:48 • -7.6db
42% Popularity • 68% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 68% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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The Lathums
Up The Junction
118 bpm • A Maj • 03:03 • -6.27db
43% Popularity • 71% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
43% Popularity • 71% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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The View
Exorcism of Youth
129 bpm • A Maj • 03:38 • -6.31db
22% Popularity • 57% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 57% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Sam Fender
Pretending That You're Dead
129 bpm • D Maj • 02:58 • -4db
44% Popularity • 54% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 54% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Red Rum Club
Girl Is A Gun - Acoustic
126 bpm • A min • 02:38 • -4.29db
9% Popularity • 64% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 64% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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JAMIE WEBSTER
The Girl (Chapter 2)
117 bpm • A min • 03:49 • -3.66db
34% Popularity • 60% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 60% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Rianne Downey
Hard
117 bpm • G Maj • 03:08 • -7.08db
19% Popularity • 58% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 58% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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The Lathums
I Know Pt 1
129 bpm • A Maj • 03:55 • -2db
36% Popularity • 48% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 48% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Ten Tonnes
Lucy
117 bpm • G Maj • 02:45 • -4db
38% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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M60
Kool-Aid
130 bpm • A# min • 03:25 • -5.44db
30% Popularity • 59% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 59% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Red Rum Club
Eighteen
120 bpm • F# Maj • 03:02 • -4.5db
35% Popularity • 76% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 76% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Stanleys
You (Just Looked Right Through Me)
130 bpm • F min • 03:47 • -6db
9% Popularity • 55% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 55% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Spector
All of the World is Changing
130 bpm • C Maj • 03:43 • -4.08db
26% Popularity • 52% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 52% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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The Lathums
Thoughts of a Child
117 bpm • D Maj • 03:16 • -4.34db
41% Popularity • 36% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 36% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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The Kairos
Time Keeper
130 bpm • F min • 03:46 • -3db
17% Popularity • 42% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 42% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Louis Dunford
Lucy
130 bpm • D# Maj • 04:20 • -5db
45% Popularity • 71% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 71% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Red Rum Club
Disappear
127 bpm • G Maj • 03:36 • -3.69db
21% Popularity • 66% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 66% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Tom Meighan
Everyday People
130 bpm • A min • 04:11 • -7.77db
19% Popularity • 53% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 53% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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The Clause
I Don’t Care
130 bpm • A# min • 03:24 • -5.46db
37% Popularity • 65% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 65% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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The Slates
Come Out & Play
130 bpm • D Maj • 03:26 • -4.64db
24% Popularity • 45% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 45% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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FEVER
A Place You Call Home
130 bpm • A# min • 03:35 • -6.36db
19% Popularity • 48% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 48% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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Tom A. Smith
Never Good Enough
130 bpm • C Maj • 03:47 • -6.48db
31% Popularity • 54% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 54% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Red Rum Club
Jigsaw Shores
128 bpm • C# Maj • 04:18 • -8.64db
34% Popularity • 67% Danceability • 61% Energy • 8% Liveness
57% Instrumentalness • 31% Positiveness
34% Popularity • 67% Danceability • 61% Energy • 8% Liveness
57% Instrumentalness • 31% Positiveness
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Tom Meighan
Thinking On Our Feet
130 bpm • B min • 03:44 • -7.96db
23% Popularity • 65% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 65% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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The Clause
Electric
130 bpm • E min • 03:51 • -7.39db
29% Popularity • 64% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 64% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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The Cheap Thrills
Codependence
116 bpm • C Maj • 03:19 • -7.6db
27% Popularity • 44% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 44% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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FEVER
Too Close
130 bpm • A Maj • 03:39 • -6db
19% Popularity • 52% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 52% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Parliamo
You're An Animal
116 bpm • A Maj • 03:06 • -7.77db
15% Popularity • 63% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 63% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Red Rum Club
Favourite Record
128 bpm • D min • 02:43 • -11.21db
35% Popularity • 63% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 63% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Declan Welsh and The Decadent West
Different Strokes
131 bpm • C Maj • 03:15 • -6.63db
21% Popularity • 59% Danceability • 68% Energy • 16% Liveness
4% Instrumentalness • 22% Positiveness
21% Popularity • 59% Danceability • 68% Energy • 16% Liveness
4% Instrumentalness • 22% Positiveness
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Viola Beach
Really Wanna Call
116 bpm • B Maj • 03:43 • -5.99db
38% Popularity • 62% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 62% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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The Clause
Hate the Player
131 bpm • C Maj • 03:08 • -5db
32% Popularity • 61% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 61% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Shambolics
Daily Dosage
115 bpm • B Maj • 03:49 • -7.94db
24% Popularity • 58% Danceability • 70% Energy • 8% Liveness
2% Instrumentalness • 24% Positiveness
24% Popularity • 58% Danceability • 70% Energy • 8% Liveness
2% Instrumentalness • 24% Positiveness
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Brooke Combe
Are You With Me?
115 bpm • C# min • 03:13 • -5.22db
34% Popularity • 65% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 65% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
