Songs like Wrong for You (Stripped) by Livy Jeanne
Based on a tempo of (+/- 10%) and a similar genre
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Seth Ennis
Call Your Mama
172 bpm • F# Maj • 03:15 • -7.55db
24% Popularity • 57% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 57% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Sophia Scott
Hard to Love
172 bpm • A Maj • 03:13 • -16.49db
19% Popularity • 59% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 59% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Johnny Gates
Baseball
172 bpm • B Maj • 03:34 • -11.52db
12% Popularity • 41% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 41% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Dylan Brady
Boyfriend
172 bpm • E Maj • 02:41 • -5.25db
14% Popularity • 57% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 57% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
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Brett Young
Ticket To L.A. - The Acoustic Sessions
172 bpm • E Maj • 03:09 • -6.55db
35% Popularity • 42% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 42% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Livy Jeanne
Wrong for You (Stripped)
172 bpm • G# Maj • 03:02 • -9.73db
13% Popularity • 45% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 45% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Eric Ethridge
Tequila
172 bpm • B Maj • 03:14 • -4db
14% Popularity • 34% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 34% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Jessica Mitchell
Bulletproof
171 bpm • F Maj • 03:36 • -9.43db
15% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Pierre Alexander
Timeless
173 bpm • C min • 02:55 • -10.55db
8% Popularity • 56% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 56% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Sam Hunt
Nothing Lasts Forever
174 bpm • A# Maj • 03:04 • -7.18db
40% Popularity • 47% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 47% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Paige Nichols
Still There
174 bpm • G Maj • 03:16 • -6.53db
8% Popularity • 36% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 36% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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LVRBOY
cool like u
170 bpm • C Maj • 03:03 • -7db
4% Popularity • 61% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
4% Popularity • 61% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Bailey Bryan
Used To
174 bpm • C# min • 03:17 • -5.1db
9% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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RaeLynn
Me About Me - Acoustic
170 bpm • C# Maj • 02:45 • -8db
13% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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American Young
Gonna Be You
174 bpm • C Maj • 03:15 • -6db
5% Popularity • 44% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
5% Popularity • 44% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Jordan Davis
Almost Maybes - Acoustic
170 bpm • B Maj • 02:59 • -4.94db
32% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Lindsay James
Scarecrow
170 bpm • G# Maj • 02:41 • -5.25db
22% Popularity • 54% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 54% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jaden Michaels
Way of Life
170 bpm • C Maj • 03:05 • -6.83db
13% Popularity • 51% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 51% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Bailey Bryan
Songbird
170 bpm • C# Maj • 03:50 • -9db
22% Popularity • 37% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 37% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Runaway June
I Am Too
168 bpm • F# Maj • 03:02 • -4.77db
23% Popularity • 52% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 52% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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J. Hartley
Boy Meets Girl
170 bpm • A# Maj • 03:06 • -6.97db
29% Popularity • 49% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 49% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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RaeLynn
Still Smokin' - Acoustic
176 bpm • A Maj • 02:57 • -7db
13% Popularity • 61% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 61% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Kalie Shorr
Two Hands
176 bpm • F Maj • 03:04 • -3.13db
10% Popularity • 40% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 40% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Nikita Karmen
Own Roses
168 bpm • C Maj • 03:38 • -7db
31% Popularity • 61% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 61% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Bailey Bryan
Scars
168 bpm • G min • 04:11 • -4.65db
11% Popularity • 56% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 56% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Kelsea Ballerini
love and hate
168 bpm • G Maj • 02:57 • -3db
34% Popularity • 36% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 36% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Jillian Jacqueline
Hate Me - Acoustic
178 bpm • C Maj • 03:14 • -4.57db
9% Popularity • 53% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 53% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Halle Kearns
I Drink Whiskey
178 bpm • G# Maj • 02:53 • -6.37db
16% Popularity • 55% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 55% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Taylor Acorn
Same
178 bpm • F Maj • 03:47 • -3.86db
27% Popularity • 46% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 46% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Ryan Follese
Love Will Do That To You
166 bpm • G# Maj • 03:43 • -5.32db
12% Popularity • 39% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 39% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Ashley Cooke
Chasin’ You (Acoustic)
179 bpm • A# Maj • 03:44 • -8.78db
37% Popularity • 39% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 39% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Robyn Ottolini
In Case You Were Wonderin'
165 bpm • C Maj • 03:29 • -5db
28% Popularity • 45% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 45% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Temecula Road
Fades - Acoustic
180 bpm • C# Maj • 03:09 • -8db
8% Popularity • 55% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 55% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Chase Fouraker
Where We Left Off
180 bpm • B min • 03:00 • -9.56db
7% Popularity • 60% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 60% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Nick Wayne
If You Ever Wanna
164 bpm • C# min • 03:23 • -7.61db
16% Popularity • 46% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 46% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Thomas Finchum
Red, Wild & Blue
180 bpm • C Maj • 03:08 • -6.06db
13% Popularity • 55% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 55% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Abby Christo
Body Language
181 bpm • F# Maj • 03:13 • -5.73db
11% Popularity • 32% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 32% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Olivia Lane
Friends Don't
182 bpm • G# Maj • 03:09 • -6.81db
16% Popularity • 35% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 35% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Temecula Road
Maybe Not
180 bpm • B min • 02:57 • -3.97db
13% Popularity • 59% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 59% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Stephen Carey
Wrecks Me (Stripped)
162 bpm • G# min • 03:26 • -6.37db
7% Popularity • 46% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 46% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Brett Young
Chapters - The Acoustic Sessions
162 bpm • B Maj • 03:58 • -5.82db
38% Popularity • 50% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 50% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Kira Isabella
Handcuffs
162 bpm • F# Maj • 02:47 • -5db
9% Popularity • 52% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 52% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Jesslee
Over Him
162 bpm • E Maj • 02:48 • -3db
8% Popularity • 43% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 43% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Clare Dunn
More
184 bpm • E min • 03:32 • -2.95db
32% Popularity • 43% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 43% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Bailey Hefley
So That Girl
184 bpm • F# Maj • 02:59 • -4.05db
8% Popularity • 57% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 57% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Livy Jeanne
I Got Your Number
184 bpm • F# Maj • 02:51 • -4.04db
2% Popularity • 56% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
2% Popularity • 56% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Lucy Scholl
Boys These Days
160 bpm • G# Maj • 03:42 • -6.31db
14% Popularity • 58% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 58% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Trent Harmon
Money's On You
160 bpm • C# Maj • 03:37 • -5.4db
9% Popularity • 47% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 47% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Lacy Cavalier
Cheating on U
160 bpm • B min • 03:22 • -7.22db
36% Popularity • 46% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 46% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Kalsey Kulyk
Bad Liar
160 bpm • F min • 03:13 • -4.83db
12% Popularity • 61% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 61% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Logan Mize
Ain't Always Pretty (Acoustic Sessions)
160 bpm • C# Maj • 03:21 • -6.4db
31% Popularity • 59% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 59% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Tenille Arts
Rebel Child
160 bpm • G# Maj • 03:37 • -4.52db
17% Popularity • 48% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 48% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Sierra Annie Band
Roses
160 bpm • A# Maj • 04:12 • -11.99db
10% Popularity • 49% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 49% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • G# Maj • 03:22 • -8.9db
29% Popularity • 58% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 58% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Lady A
What If I Never Get Over You - Piano Ver...
185 bpm • C Maj • 03:24 • -6.54db
33% Popularity • 43% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 43% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Temecula Road
Never Knew I Needed You
186 bpm • D Maj • 03:00 • -3.42db
16% Popularity • 48% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 48% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Maddie & Tae
Water In His Wine Glass
160 bpm • C# Maj • 03:21 • -8.82db
27% Popularity • 47% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 47% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Clare Dunn
Put You Into Words
158 bpm • D Maj • 03:22 • -3db
28% Popularity • 46% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 46% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Gone West
Home Is Where The Heartbreak Is
158 bpm • D Maj • 03:25 • -5db
22% Popularity • 52% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 52% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Kaitlyn Bristowe
If I'm Being Honest
158 bpm • D Maj • 02:56 • -4.02db
28% Popularity • 55% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 55% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Seaforth
Taken Your Picture
158 bpm • E Maj • 03:32 • -7.5db
30% Popularity • 51% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 51% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Tucker Beathard
You Would Think
158 bpm • B Maj • 03:20 • -5.5db
24% Popularity • 52% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 52% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Walker County
Drag It Out
156 bpm • E Maj • 03:19 • -5.28db
20% Popularity • 40% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 40% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Livy Jeanne
80 Proof
156 bpm • A Maj • 03:25 • -4.86db
0% Popularity • 47% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 47% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Brett Young
Catch - The Acoustic Sessions
156 bpm • C# Maj • 03:07 • -5.7db
40% Popularity • 55% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 55% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Christie Huff
Palm Reader
189 bpm • B Maj • 04:16 • -6.21db
13% Popularity • 40% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 40% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Tyra Madison
Ain't No Dime
156 bpm • G Maj • 03:11 • -4.57db
12% Popularity • 54% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 54% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Ingrid Andress
Feeling Things
156 bpm • C# Maj • 03:10 • -10db
34% Popularity • 38% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 38% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Walker County
The Hamptons
157 bpm • C min • 03:07 • -5db
13% Popularity • 57% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 57% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Kaylin Koeltzow
Faith & Good Men
190 bpm • C min • 03:58 • -6.33db
9% Popularity • 45% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 45% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Lauren Engle
Compass
155 bpm • D Maj • 04:00 • -8.84db
17% Popularity • 30% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 30% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Dylan Brady
I Hate California
154 bpm • C# Maj • 02:50 • -6.39db
16% Popularity • 25% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 25% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Renee Blair
Me Tonight
154 bpm • D Maj • 03:23 • -5db
15% Popularity • 52% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 52% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Ingrid Andress
More Hearts Than Mine - The Rosebank Aco...
155 bpm • C Maj • 03:34 • -8.47db
30% Popularity • 45% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 45% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Madison Kozak
First Last Name
154 bpm • D Maj • 03:23 • -6.72db
25% Popularity • 53% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 53% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Chris Bandi
Rain Man
154 bpm • B Maj • 03:17 • -6.08db
24% Popularity • 58% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 58% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Hannah Ellis
Your Woman
154 bpm • G# Maj • 03:09 • -5.98db
20% Popularity • 55% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 55% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Tenille Arts
There's This Boy
192 bpm • G Maj • 02:56 • -4.7db
24% Popularity • 59% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 59% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Emma White
If You're In It
154 bpm • A# Maj • 03:03 • -9.5db
12% Popularity • 79% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 79% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Waterloo Revival
Something You Ain't Ever Had - Acoustic
154 bpm • A Maj • 03:18 • -7.71db
12% Popularity • 60% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 60% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Rachael Fahim
Homewrecker
154 bpm • F# Maj • 02:55 • -6.44db
12% Popularity • 60% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 60% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Maren Morris
Space
194 bpm • F# Maj • 03:06 • -7.08db
37% Popularity • 37% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 37% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Eric Dodd
The Reason
153 bpm • A Maj • 02:48 • -6.4db
9% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Amanda Jordan
Driving in the Dark
152 bpm • C Maj • 02:48 • -4db
20% Popularity • 49% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 49% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Tenille Arts
Steal a Heart
152 bpm • C min • 03:08 • -5.49db
19% Popularity • 58% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 58% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Jeffrey East
Brightest Stars
152 bpm • D Maj • 03:19 • -7.12db
13% Popularity • 69% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 69% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Carter Faith
Easy Pill
152 bpm • F# Maj • 03:19 • -7db
29% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jillian Jacqueline
Sugar and Salt
152 bpm • C Maj • 03:01 • -6db
16% Popularity • 48% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 48% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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RaeLynn
Gullible Heart
152 bpm • G# Maj • 03:06 • -4.94db
22% Popularity • 66% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 66% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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ALISSA GRIFFITH
What I've Been Missin'
152 bpm • C# Maj • 03:49 • -4.51db
22% Popularity • 52% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 52% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Cassadee Pope
Built This House
152 bpm • F# Maj • 03:14 • -8.97db
13% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Christina Taylor
American Dreamin'
152 bpm • D# Maj • 03:44 • -4.49db
7% Popularity • 40% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 40% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Lexie Hayden
You Heard Right
152 bpm • G# Maj • 03:34 • -4.54db
14% Popularity • 46% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 46% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Morgan Evans
Diamonds - Acoustic
152 bpm • C Maj • 02:48 • -9db
22% Popularity • 63% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 63% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Roxan
Waiting on a Ring
152 bpm • G# Maj • 02:33 • -9.13db
25% Popularity • 53% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 53% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Renee Blair
Girlfriend
196 bpm • E min • 03:02 • -5.94db
15% Popularity • 46% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 46% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Justin Tyler
Not Kiss You
150 bpm • C Maj • 03:12 • -6.88db
16% Popularity • 43% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 43% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Thomas Finchum
If You See Me Drinking
150 bpm • C Maj • 03:39 • -6.8db
15% Popularity • 55% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 55% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
