Songs like WTF I’m Gon Go (feat. Ricky Hil) by Curtis Williams
Based on a tempo of (+/- 10%) and a similar genre
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Choo Jackson
Yesterday
130 bpm • A Maj • 03:15 • -6.66db
12% Popularity • 85% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 85% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Dreamville
Outta Pocket
130 bpm • D Maj • 02:37 • -7.42db
45% Popularity • 91% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 55% Positiveness
45% Popularity • 91% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 55% Positiveness
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Johnny Quest The Rebel
Everyday $truggle
130 bpm • B min • 03:56 • -7db
0% Popularity • 71% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 71% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Marco XO
Mars
130 bpm • F# min • 02:26 • -13db
29% Popularity • 86% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 86% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Sam King
Nfrntchu
130 bpm • A Maj • 04:47 • -7db
4% Popularity • 90% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
4% Popularity • 90% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Bmacthequeen
Always Knew
130 bpm • C# min • 03:48 • -9db
30% Popularity • 74% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 74% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Shawn Smith
FOMO
130 bpm • G# Maj • 03:27 • -9db
10% Popularity • 88% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 88% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Young Pink
ROCKY
130 bpm • E Maj • 02:57 • -9db
35% Popularity • 88% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 88% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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Sylvan LaCue
Best Me - Remix
130 bpm • A# min • 03:33 • -9.48db
40% Popularity • 71% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 71% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Zac Man$On
Stunt
130 bpm • C Maj • 04:32 • -6db
0% Popularity • 91% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 91% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Jalen Santoy
Killa Season
130 bpm • C# Maj • 02:13 • -5.41db
38% Popularity • 93% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 93% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Billy Winfield
Where My Lighter At?
130 bpm • D Maj • 04:52 • -9.61db
0% Popularity • 86% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 86% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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JERREAU
PARIS DREAMS
130 bpm • A min • 02:07 • -5.18db
11% Popularity • 81% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 81% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Caleb Stone
Gettin' Rich
130 bpm • A min • 04:40 • -7db
18% Popularity • 62% Danceability • 82% Energy • 68% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 62% Danceability • 82% Energy • 68% Liveness
0% Instrumentalness • 7% Positiveness
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Illu$trious
Mind Level
130 bpm • E min • 03:30 • -8.65db
30% Popularity • 82% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 82% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Malik Elijah
Serve
130 bpm • D Maj • 02:27 • -7.03db
31% Popularity • 83% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 83% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Alex Wiley
Feel Like Smoke
130 bpm • A# Maj • 03:31 • -12db
20% Popularity • 45% Danceability • 42% Energy • 74% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 45% Danceability • 42% Energy • 74% Liveness
0% Instrumentalness • 54% Positiveness
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DiAmond Miller
Fuck Relationships
130 bpm • C# min • 04:16 • -8.33db
40% Popularity • 74% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 74% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Lango
New World / Eenie Meanie
130 bpm • G Maj • 04:02 • -7.54db
12% Popularity • 52% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 52% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Uno Hype
Color Me
130 bpm • C# Maj • 03:05 • -10.08db
26% Popularity • 67% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 67% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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WDNG Crshrs
Huf
129 bpm • C Maj • 03:46 • -11.16db
18% Popularity • 67% Danceability • 49% Energy • 64% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 67% Danceability • 49% Energy • 64% Liveness
0% Instrumentalness • 29% Positiveness
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Swoosh God
Swoosh Me Up!
131 bpm • C Maj • 02:54 • -7.94db
30% Popularity • 94% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 94% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Alex Wiley
Games
129 bpm • C# Maj • 02:36 • -6.87db
37% Popularity • 76% Danceability • 73% Energy • 53% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 76% Danceability • 73% Energy • 53% Liveness
0% Instrumentalness • 45% Positiveness
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Domo Genesis
Consecutive Normal Punches
129 bpm • C Maj • 02:05 • -4.95db
48% Popularity • 83% Danceability • 63% Energy • 12% Liveness
22% Instrumentalness • 36% Positiveness
48% Popularity • 83% Danceability • 63% Energy • 12% Liveness
22% Instrumentalness • 36% Positiveness
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Curtis Williams
Automatic
131 bpm • E min • 03:24 • -4.65db
2% Popularity • 80% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
2% Popularity • 80% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Lexx Nova
No Love, Just Money
129 bpm • B min • 04:24 • -9.32db
0% Popularity • 75% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 75% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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HDBeenDope
I Love Me Too Much
128 bpm • C# Maj • 04:28 • -7.68db
8% Popularity • 64% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 64% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Kirk Knight
Downtime
132 bpm • A# min • 04:07 • -4.33db
29% Popularity • 50% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 50% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Felly
Cheap Cheap
128 bpm • B min • 02:34 • -7.29db
31% Popularity • 94% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 94% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Tyler Thomas
Dripped In Gold
132 bpm • A# Maj • 03:46 • -8.43db
12% Popularity • 81% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 81% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Resse420
Gassin
132 bpm • B Maj • 02:29 • -12db
34% Popularity • 62% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 62% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Nana
Heaven & Hennessy
128 bpm • C# Maj • 03:38 • -9db
34% Popularity • 80% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 80% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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![Living Room [Bonus] cover art](https://i.scdn.co/image/ab67616d00001e02e465ecf6a473af9f2084054e)
City Tucker
Living Room [Bonus]
132 bpm • G Maj • 03:40 • -8.81db
0% Popularity • 82% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 82% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Vexed The Barber
Jokes On You
132 bpm • G# min • 03:07 • -8.85db
5% Popularity • 87% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
5% Popularity • 87% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Jack Harlow
WALK IN THE PARK
132 bpm • B Maj • 02:32 • -7.83db
51% Popularity • 96% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 96% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Tommy Swisher
The Demand
128 bpm • C# min • 03:50 • -10.38db
4% Popularity • 67% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
4% Popularity • 67% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Lucius P. Thundercat
Power Man & Iron Fist
132 bpm • D Maj • 05:10 • -5.24db
0% Popularity • 53% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 53% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Curtis Williams
Danco James
128 bpm • G min • 03:04 • -6.11db
5% Popularity • 76% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
5% Popularity • 76% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Ripparachie
What's Tea?
133 bpm • D Maj • 02:46 • -8.2db
0% Popularity • 88% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 88% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Wesson Desir
.22
128 bpm • G min • 02:14 • -8db
30% Popularity • 77% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 77% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Kyle Bent
Deserve
133 bpm • C# min • 03:40 • -5.95db
28% Popularity • 71% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 71% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Lord Lu C N
Super Drunk Freestyle
133 bpm • A Maj • 02:42 • -7.65db
23% Popularity • 88% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 88% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Maxo Kream
8 Figures
133 bpm • F min • 04:05 • -8.8db
32% Popularity • 86% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 86% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Derek Pope
Too Plugged
133 bpm • G min • 04:11 • -6.41db
17% Popularity • 40% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 3% Positiveness
17% Popularity • 40% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 3% Positiveness
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Father
ICEMAN
133 bpm • C# min • 02:53 • -12.27db
31% Popularity • 81% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 81% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Nyck Caution
Coat Check / Session 47
133 bpm • C# min • 02:43 • -6db
40% Popularity • 86% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 86% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Matt Gantos
Pressure
127 bpm • C# Maj • 02:23 • -10db
30% Popularity • 86% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 86% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Ajani Jones
Lucid
134 bpm • A# min • 03:39 • -8db
22% Popularity • 82% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 82% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Gaël
By The Dozen
134 bpm • C# min • 03:25 • -8.51db
38% Popularity • 86% Danceability • 44% Energy • 14% Liveness
2% Instrumentalness • 40% Positiveness
38% Popularity • 86% Danceability • 44% Energy • 14% Liveness
2% Instrumentalness • 40% Positiveness
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Michael Christmas
Get Up
134 bpm • B min • 03:49 • -9.25db
30% Popularity • 67% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 67% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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GOON DES GARCONS*
"Quarter Century Freestyle"
134 bpm • C Maj • 03:24 • -4.76db
25% Popularity • 83% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 83% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Donte Thomas
MARMALADE
126 bpm • B min • 03:38 • -6db
30% Popularity • 80% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 80% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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TGUT
Lookin Out
134 bpm • A min • 03:08 • -9.39db
11% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Two-9
She Could Be Shorty
134 bpm • C min • 03:18 • -8.41db
8% Popularity • 59% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 59% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Trayce Chapman
The Flux
126 bpm • C# min • 03:18 • -12db
36% Popularity • 79% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 79% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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IIIDAZE
Night Shift
126 bpm • F min • 04:19 • -11db
36% Popularity • 81% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 81% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Duffle Bag Buru
Bust Back
126 bpm • G Maj • 02:36 • -10db
30% Popularity • 40% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 40% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Curtis Williams
Shiny Lights
135 bpm • F min • 04:05 • -8.66db
1% Popularity • 48% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 48% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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John Defeo
Martian Views
135 bpm • G# Maj • 03:40 • -6.96db
0% Popularity • 80% Danceability • 71% Energy • 24% Liveness
21% Instrumentalness • 58% Positiveness
0% Popularity • 80% Danceability • 71% Energy • 24% Liveness
21% Instrumentalness • 58% Positiveness
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Two-9
Never See Me Again?
126 bpm • A Maj • 05:02 • -8.49db
16% Popularity • 72% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 72% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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$kinny
Cool Kids
125 bpm • F min • 04:52 • -11db
36% Popularity • 82% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 82% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Quentin Miller
Stuck Up.
135 bpm • A# min • 02:52 • -7.39db
30% Popularity • 94% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 94% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Dreamville
LamboTruck
135 bpm • A# min • 03:49 • -5.32db
48% Popularity • 68% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 68% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Bass Santana
late but i'm here
135 bpm • F# Maj • 02:43 • -13.94db
35% Popularity • 87% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 87% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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D Rich
Frenemies
135 bpm • A Maj • 03:08 • -8.06db
0% Popularity • 87% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 87% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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JERREAU
All Night
135 bpm • D# Maj • 03:02 • -5.81db
31% Popularity • 58% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 58% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Sheldon Sabastian
Blue Acura
125 bpm • D Maj • 03:06 • -14db
31% Popularity • 73% Danceability • 42% Energy • 85% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 73% Danceability • 42% Energy • 85% Liveness
0% Instrumentalness • 58% Positiveness
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Two-9
World Go Crazy
125 bpm • C# Maj • 03:44 • -8db
28% Popularity • 83% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 83% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Hodgy
No Brainer
125 bpm • F# min • 03:40 • -7.01db
17% Popularity • 85% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 85% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Jay Rock
OSOM
125 bpm • G# min • 05:23 • -6.76db
53% Popularity • 75% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 75% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Quentin Miller
Senseless.
125 bpm • D# min • 03:08 • -6.53db
11% Popularity • 80% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 80% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
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SLIGHT
Kickin Shit
135 bpm • E min • 02:26 • -6.52db
34% Popularity • 87% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
34% Popularity • 87% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Black Hippy
UOENO
125 bpm • G# min • 05:42 • -7.73db
48% Popularity • 80% Danceability • 55% Energy • 66% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 80% Danceability • 55% Energy • 66% Liveness
0% Instrumentalness • 60% Positiveness
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Cantrell
WaY BaCK
136 bpm • F# min • 03:40 • -7db
14% Popularity • 72% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 72% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Isai Morales
Rescue
136 bpm • C# Maj • 03:17 • -13.02db
21% Popularity • 77% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 77% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Money Montage
Backstreets
136 bpm • G# min • 03:33 • -10.13db
0% Popularity • 72% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 72% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Jace
Ityb
136 bpm • A# min • 02:42 • -10db
15% Popularity • 94% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 94% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Trent the HOOLiGAN
Bullet
124 bpm • C# Maj • 03:09 • -9db
37% Popularity • 58% Danceability • 71% Energy • 50% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 58% Danceability • 71% Energy • 50% Liveness
0% Instrumentalness • 55% Positiveness
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GH Pancho
Wrist Watch
136 bpm • C# Maj • 03:17 • -5.77db
0% Popularity • 85% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
0% Popularity • 85% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Kyle Bent
Higher Power
136 bpm • B min • 03:51 • -5.77db
24% Popularity • 65% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 65% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Jarv Dee
Smoke 2 Much
124 bpm • F# min • 03:38 • -7db
31% Popularity • 84% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 84% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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O.E.
Contraband
124 bpm • F min • 03:22 • -10db
20% Popularity • 86% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 86% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Curtis Williams
What You Got
124 bpm • A# min • 02:03 • -5.67db
0% Popularity • 76% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 76% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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MFnMelo
Yallwhadinthere
137 bpm • C# Maj • 03:30 • -9.67db
31% Popularity • 76% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 76% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Mike G
Doja
123 bpm • B Maj • 03:01 • -5.96db
22% Popularity • 58% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 58% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Joey Purp
2012
123 bpm • F# min • 03:03 • -7db
40% Popularity • 96% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 96% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Natia
The Wrong Way
123 bpm • A# min • 03:54 • -7.51db
10% Popularity • 90% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 90% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Third World Don
Ray Charles
123 bpm • B min • 03:38 • -9.61db
36% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Curtis Williams
By Any Means
123 bpm • A min • 03:58 • -8.44db
8% Popularity • 80% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 80% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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femdot.
0'something
138 bpm • A# min • 02:19 • -8.08db
21% Popularity • 58% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 58% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
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Haleek Maul
Halo
138 bpm • A min • 03:52 • -8.37db
18% Popularity • 82% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 82% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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CJ Fly
Bird
138 bpm • G# Maj • 01:51 • -3.86db
32% Popularity • 79% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 79% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Lute
GED (Gettin Every Dolla)
122 bpm • F Maj • 02:34 • -6db
51% Popularity • 79% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
51% Popularity • 79% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Jace
Metro Intro
122 bpm • G# Maj • 02:09 • -7.35db
11% Popularity • 81% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 81% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Curtis Williams
Outro
138 bpm • F min • 02:17 • -15.21db
1% Popularity • 22% Danceability • 11% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
1% Popularity • 22% Danceability • 11% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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King Fresco
Got Lazy
122 bpm • F# min • 03:24 • -8.82db
30% Popularity • 90% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 90% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Jazz Cartier
Feel Something
122 bpm • F# min • 03:51 • -11.27db
12% Popularity • 74% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 74% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Kirk Knight
Audiopium
122 bpm • D# Maj • 04:47 • -6db
39% Popularity • 71% Danceability • 68% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 71% Danceability • 68% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
