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Dead To Me
Based on a tempo of (+/- 10%) and a similar genre
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Rancid
Life Won't Wait
150 bpm • F min • 03:48 • -6db
38% Popularity • 58% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 73% Positiveness
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Smoke Or Fire
This Sinking Ship
150 bpm • C Maj • 03:24 • -6.24db
11% Popularity • 35% Danceability • 91% Energy • 5% Liveness
2% Instrumentalness • 70% Positiveness
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The Lawrence Arms
Presenting: The Dancing Machine (The Rob...
150 bpm • E Maj • 01:27 • -5.7db
29% Popularity • 18% Danceability • 97% Energy • 33% Liveness
76% Instrumentalness • 37% Positiveness
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Dead To Me
X
150 bpm • E min • 02:45 • -6.44db
15% Popularity • 70% Danceability • 81% Energy • 43% Liveness
2% Instrumentalness • 90% Positiveness
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The Lillingtons
I Don't Think She Cares
151 bpm • D Maj • 02:09 • -4.48db
27% Popularity • 40% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Avail
Black and Red
151 bpm • C Maj • 02:15 • -4.09db
21% Popularity • 18% Danceability • 99% Energy • 13% Liveness
13% Instrumentalness • 30% Positiveness
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Rancid
Hoover Street
149 bpm • D Maj • 04:09 • -5.4db
29% Popularity • 52% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Banner Pilot
Effigy
151 bpm • E Maj • 02:57 • -2.95db
22% Popularity • 52% Danceability • 97% Energy • 7% Liveness
89% Instrumentalness • 63% Positiveness
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Pulley
Gone
149 bpm • A# Maj • 02:22 • -5db
38% Popularity • 28% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Dead To Me
Would It Kill You
149 bpm • D# Maj • 04:30 • -5db
20% Popularity • 22% Danceability • 99% Energy • 35% Liveness
59% Instrumentalness • 17% Positiveness
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The Holy Mess
Worthless Original
148 bpm • A Maj • 03:26 • -4db
25% Popularity • 23% Danceability • 96% Energy • 74% Liveness
0% Instrumentalness • 10% Positiveness
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Propagandhi
Ska Sucks
148 bpm • D Maj • 01:50 • -5.05db
43% Popularity • 42% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Catch 22
Arm To Arm
152 bpm • G# Maj • 02:07 • -5db
19% Popularity • 35% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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American Steel
Smile on Me
148 bpm • A# Maj • 02:21 • -9db
11% Popularity • 32% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Kid Dynamite
Heart A Tact
148 bpm • A Maj • 01:31 • -5db
28% Popularity • 42% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 83% Positiveness
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Dead To Me
A Day Without a War
148 bpm • D Maj • 02:29 • -5db
22% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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The Gadjits
Bad Gadjit
153 bpm • A Maj • 03:47 • -5.73db
19% Popularity • 49% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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88 Fingers Louie
Blink
153 bpm • E Maj • 02:49 • -3.97db
35% Popularity • 38% Danceability • 99% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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The Lawrence Arms
Like a Record Player
154 bpm • C Maj • 02:02 • -5db
35% Popularity • 35% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Iron Chic
Timecop
146 bpm • E Maj • 02:23 • -6db
29% Popularity • 38% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Avail
Taken
146 bpm • D Maj • 02:35 • -3.92db
23% Popularity • 31% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Dead To Me
I Dare You
148 bpm • A Maj • 02:01 • -6.39db
8% Popularity • 59% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Kid Dynamite
Bookworm
154 bpm • B Maj • 01:59 • -3.61db
22% Popularity • 40% Danceability • 99% Energy • 62% Liveness
0% Instrumentalness • 40% Positiveness
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Have Nots
Jackson Dawn
146 bpm • E Maj • 03:14 • -3.38db
8% Popularity • 24% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
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Screeching Weasel
Follow Your Leaders
145 bpm • C# min • 02:06 • -4db
31% Popularity • 59% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Against All Authority
Pestilent Existence
146 bpm • A Maj • 02:17 • -1.1db
20% Popularity • 41% Danceability • 100% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Ten Foot Pole
The Getaway
155 bpm • E Maj • 03:40 • -5.52db
33% Popularity • 30% Danceability • 98% Energy • 36% Liveness
18% Instrumentalness • 55% Positiveness
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Dead To Me
Tierra Del Fuego
146 bpm • C Maj • 02:45 • -4.97db
8% Popularity • 55% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Tim Armstrong
Take This City
155 bpm • A Maj • 03:16 • -6db
29% Popularity • 68% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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The Riot Before
5 to 9
145 bpm • A min • 02:59 • -7.81db
9% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Slapstick
Almost Punk Enough
145 bpm • D Maj • 01:52 • -13db
16% Popularity • 43% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Common Rider
Set The Method Down
155 bpm • G Maj • 02:06 • -5.41db
21% Popularity • 55% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Dillinger Four
Our Science Is Tight
145 bpm • E Maj • 01:54 • -2db
26% Popularity • 34% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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The Gadjits
Tell Yourself
144 bpm • A Maj • 02:51 • -4.78db
14% Popularity • 54% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Rancid
Backslide
144 bpm • G Maj • 02:53 • -3.39db
25% Popularity • 38% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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Smoke Or Fire
Califonia's Burning
144 bpm • B Maj • 02:27 • -5db
24% Popularity • 28% Danceability • 97% Energy • 84% Liveness
0% Instrumentalness • 65% Positiveness
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Dear Landlord
A World That We Never Made
157 bpm • B Maj • 04:10 • -4.87db
16% Popularity • 16% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Dead To Me
Bad Friends
157 bpm • C Maj • 03:21 • -5.39db
10% Popularity • 40% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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American Steel
Love and Logic
144 bpm • B min • 02:44 • -6db
11% Popularity • 41% Danceability • 90% Energy • 68% Liveness
0% Instrumentalness • 47% Positiveness
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Jughead‘s Revenge
Victims And Volunteers
144 bpm • E Maj • 03:10 • -4.81db
25% Popularity • 39% Danceability • 99% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Slapstick
Earth Angel
157 bpm • G Maj • 02:21 • -11.8db
11% Popularity • 24% Danceability • 80% Energy • 6% Liveness
82% Instrumentalness • 46% Positiveness
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Bracket
Sour
157 bpm • C Maj • 02:22 • -4.17db
22% Popularity • 38% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Dear Landlord
Three to the Beach
157 bpm • B Maj • 02:26 • -4.59db
24% Popularity • 21% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
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Cobra Skulls
Charming The Cobra
157 bpm • A# Maj • 03:16 • -5.01db
12% Popularity • 39% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Dead To Me
Three Chord Strut
157 bpm • B Maj • 02:51 • -4.91db
8% Popularity • 43% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Common Rider
Midnight Passenger
157 bpm • D min • 02:45 • -5.48db
26% Popularity • 55% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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The Broadways
15 Minutes
142 bpm • A Maj • 03:12 • -5.81db
16% Popularity • 28% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Rancid
Everybody's Sufferin'
158 bpm • G# Maj • 02:56 • -3.86db
21% Popularity • 74% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Screeching Weasel
The Science of Myth
158 bpm • F# min • 02:23 • -3.46db
29% Popularity • 32% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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88 Fingers Louie
I Hate Myself
142 bpm • C Maj • 02:08 • -4db
41% Popularity • 33% Danceability • 99% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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The Lawrence Arms
Quincentuple Your Money
158 bpm • G Maj • 03:01 • -6.97db
31% Popularity • 31% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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American Steel
Dead and Gone
142 bpm • F Maj • 03:01 • -7.46db
12% Popularity • 44% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Cobra Skulls
Never Be a Machine
141 bpm • C min • 01:45 • -4.19db
12% Popularity • 45% Danceability • 96% Energy • 37% Liveness
2% Instrumentalness • 81% Positiveness
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Rancid
Golden Gate Fields
158 bpm • G Maj • 03:39 • -3.74db
24% Popularity • 25% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Goldfinger
My Girlfriend's Shower Sucks
159 bpm • B min • 01:07 • -10.88db
24% Popularity • 40% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Dead To Me
The World Has Gone Mad
159 bpm • C Maj • 03:34 • -4.87db
6% Popularity • 26% Danceability • 97% Energy • 23% Liveness
1% Instrumentalness • 48% Positiveness
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Catch 22
Day In Day Out
141 bpm • D Maj • 03:22 • -5db
33% Popularity • 44% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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The Queers
Ursula Finally Has Tits
141 bpm • A Maj • 02:26 • -3db
28% Popularity • 40% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Cobra Skulls
One Day I'll Never
160 bpm • C Maj • 02:25 • -7.79db
28% Popularity • 59% Danceability • 61% Energy • 16% Liveness
6% Instrumentalness • 64% Positiveness
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Against Me!
Rice and Bread
141 bpm • A Maj • 01:38 • -4.58db
14% Popularity • 33% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Have Nots
Freedom of Recession
160 bpm • G Maj • 02:10 • -3.15db
13% Popularity • 49% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Dillinger Four
A Jingle for the Product
160 bpm • B Maj • 03:47 • -4.45db
23% Popularity • 52% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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The Silencers
Policeman
160 bpm • F Maj • 03:31 • -6db
22% Popularity • 59% Danceability • 79% Energy • 34% Liveness
1% Instrumentalness • 69% Positiveness
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The Falcon
The Routes We Wonder
140 bpm • B min • 02:42 • -5.37db
13% Popularity • 40% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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The Copyrights
Keep the Change
140 bpm • C Maj • 01:00 • -4db
23% Popularity • 42% Danceability • 92% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
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Banner Pilot
Bender
161 bpm • B Maj • 01:17 • -5.37db
21% Popularity • 22% Danceability • 98% Energy • 46% Liveness
0% Instrumentalness • 36% Positiveness
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The Queers
Fuck the World
140 bpm • C Maj • 02:31 • -4.38db
33% Popularity • 38% Danceability • 94% Energy • 33% Liveness
5% Instrumentalness • 47% Positiveness
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Dead To Me
Victims of No Ambition
161 bpm • B min • 02:54 • -6.46db
5% Popularity • 42% Danceability • 80% Energy • 32% Liveness
10% Instrumentalness • 63% Positiveness
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Riverboat Gamblers
Black Nothing Of A Cat
162 bpm • D Maj • 03:37 • -3.96db
14% Popularity • 19% Danceability • 96% Energy • 18% Liveness
2% Instrumentalness • 36% Positiveness
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Catch 22
Dear Sergio
139 bpm • C Maj • 02:31 • -5db
42% Popularity • 47% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Iron Chic
Planes, Chest Pains, and Automobiles
162 bpm • A Maj • 03:11 • -7.52db
35% Popularity • 36% Danceability • 98% Energy • 55% Liveness
0% Instrumentalness • 51% Positiveness
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Funeral Oration
Do You Feel It?
139 bpm • G Maj • 01:36 • -2.98db
16% Popularity • 30% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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American Steel
Old Croy Road
162 bpm • D Maj • 02:37 • -7.33db
12% Popularity • 39% Danceability • 78% Energy • 64% Liveness
0% Instrumentalness • 84% Positiveness
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The Draft
Wired
162 bpm • C# min • 02:39 • -4.95db
17% Popularity • 52% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Cobra Skulls
Muniphobia
138 bpm • B min • 01:06 • -6.13db
19% Popularity • 42% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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88 Fingers Louie
Holding Back
163 bpm • F# min • 01:40 • -4.24db
41% Popularity • 29% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Good Riddance
One for the Braves
138 bpm • A Maj • 02:29 • -5db
33% Popularity • 38% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Guns n' Wankers
Nervous
163 bpm • A min • 02:55 • -9.27db
17% Popularity • 15% Danceability • 98% Energy • 37% Liveness
46% Instrumentalness • 31% Positiveness
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American Steel
Your Ass Ain?T Laughing Now
138 bpm • A# Maj • 03:12 • -5db
11% Popularity • 51% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Pulley
No Defense
163 bpm • C Maj • 03:44 • -6.06db
18% Popularity • 19% Danceability • 98% Energy • 11% Liveness
50% Instrumentalness • 43% Positiveness
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Cobra Skulls
Time and Pressure
138 bpm • A Maj • 02:31 • -6db
9% Popularity • 30% Danceability • 81% Energy • 13% Liveness
36% Instrumentalness • 32% Positiveness
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The Copyrights
The World Is Such a Drag
164 bpm • G Maj • 02:24 • -5.91db
17% Popularity • 52% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Chixdiggit!
Since You Got a Dog
164 bpm • B Maj • 01:40 • -4.37db
14% Popularity • 44% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Have Nots
One in Four
164 bpm • A Maj • 02:19 • -5.6db
12% Popularity • 44% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Screeching Weasel
What We Hate
137 bpm • C Maj • 02:26 • -3db
27% Popularity • 35% Danceability • 99% Energy • 53% Liveness
0% Instrumentalness • 49% Positiveness
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The Falcon
The La-Z-Boy 500
164 bpm • C Maj • 02:53 • -7.33db
29% Popularity • 44% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Cobra Skulls
H.D.U.I. (Honorary Discharge Under The I...
137 bpm • E Maj • 02:33 • -5.47db
15% Popularity • 32% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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The Broadways
The Kitchen Floor
137 bpm • C Maj • 01:25 • -4db
15% Popularity • 23% Danceability • 97% Energy • 51% Liveness
0% Instrumentalness • 38% Positiveness
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None More Black
Under My Feet
165 bpm • F# Maj • 02:24 • -6.45db
26% Popularity • 24% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Brendan Kelly and the Wandering Birds
East St. Louis
165 bpm • C Maj • 03:14 • -3.68db
13% Popularity • 29% Danceability • 88% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
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Iron Chic
Time Keeps on Slipping Into the (Cosmic)...
137 bpm • A Maj • 03:21 • -7db
31% Popularity • 28% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 12% Positiveness
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Goober Patrol
The Biggest Joke
165 bpm • B min • 02:17 • -7.79db
18% Popularity • 34% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Dillinger Four
It's A Fine LIne Between The Monkey And ...
136 bpm • A Maj • 02:15 • -3.4db
27% Popularity • 34% Danceability • 99% Energy • 42% Liveness
84% Instrumentalness • 79% Positiveness
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Off With Their Heads
Trying To Breathe
165 bpm • C Maj • 02:49 • -4.35db
31% Popularity • 45% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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The Lillingtons
Black Hole In My Mind
165 bpm • A# Maj • 03:16 • -5.58db
39% Popularity • 32% Danceability • 93% Energy • 44% Liveness
3% Instrumentalness • 72% Positiveness
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American Steel
Razorblades
136 bpm • C Maj • 02:36 • -7db
10% Popularity • 48% Danceability • 85% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
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The Holy Mess
Within the Range of a Raven
166 bpm • C# min • 02:53 • -6.98db
26% Popularity • 30% Danceability • 94% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
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Rancid
Cocktails
166 bpm • C Maj • 03:20 • -2.81db
26% Popularity • 49% Danceability • 95% Energy • 43% Liveness
0% Instrumentalness • 90% Positiveness
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Strike Anywhere
Timebomb Generation
166 bpm • C Maj • 02:18 • -5db
23% Popularity • 28% Danceability • 99% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Propagandhi
Resisting Tyrannical Government
166 bpm • D Maj • 02:15 • -5.32db
25% Popularity • 30% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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