Songs like Ye Ye Ye by Geoffrey Oryema
Based on a tempo of (+/- 10%) and a similar genre
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Geoffrey Oryema
Feeling Lonely
81 bpm • G Maj • 03:43 • -8.23db
15% Popularity • 56% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 56% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Lala Njava
Sweet Lullaby
81 bpm • E Maj • 04:04 • -16.73db
29% Popularity • 68% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 68% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Fatoumata Diawara
Nayan
81 bpm • C Maj • 03:51 • -12.28db
38% Popularity • 70% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 73% Positiveness
38% Popularity • 70% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 73% Positiveness
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Rokia Traoré
Sarama
81 bpm • C Maj • 05:01 • -14.15db
30% Popularity • 33% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 33% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Amadou Balaké
Yéllé
81 bpm • A min • 04:03 • -11.04db
9% Popularity • 65% Danceability • 42% Energy • 9% Liveness
21% Instrumentalness • 55% Positiveness
9% Popularity • 65% Danceability • 42% Energy • 9% Liveness
21% Instrumentalness • 55% Positiveness
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Alain Péters
Mangé pou le cœur
80 bpm • D Maj • 04:01 • -15db
21% Popularity • 61% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 61% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Geoffrey Oryema
Ye Ye Ye
81 bpm • D Maj • 04:27 • -14.62db
36% Popularity • 33% Danceability • 34% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
36% Popularity • 33% Danceability • 34% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
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Melissa Laveaux
Nan fon bwa
82 bpm • C Maj • 03:21 • -6db
34% Popularity • 57% Danceability • 82% Energy • 11% Liveness
5% Instrumentalness • 76% Positiveness
34% Popularity • 57% Danceability • 82% Energy • 11% Liveness
5% Instrumentalness • 76% Positiveness
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Salif Keita
Yamore
80 bpm • C# min • 07:22 • -9db
48% Popularity • 64% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 64% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Rokia Traoré
Tchiwara
81 bpm • F min • 03:45 • -9.96db
30% Popularity • 69% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 69% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
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Orchestra Baobab
Bikowa
82 bpm • F Maj • 04:24 • -9.77db
23% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Yoro Ndiaye
Namm naa leen
80 bpm • C# min • 03:30 • -12.03db
38% Popularity • 79% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 79% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Abou Diarra
Koya Blues
80 bpm • A Maj • 03:03 • -8.95db
44% Popularity • 56% Danceability • 53% Energy • 9% Liveness
3% Instrumentalness • 75% Positiveness
44% Popularity • 56% Danceability • 53% Energy • 9% Liveness
3% Instrumentalness • 75% Positiveness
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Blick Bassy
Aké
82 bpm • E Maj • 03:33 • -15.37db
47% Popularity • 48% Danceability • 16% Energy • 11% Liveness
16% Instrumentalness • 21% Positiveness
47% Popularity • 48% Danceability • 16% Energy • 11% Liveness
16% Instrumentalness • 21% Positiveness
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Geoffrey Oryema
Passage at Dusk
82 bpm • F min • 05:24 • -17.36db
34% Popularity • 56% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 73% Positiveness
34% Popularity • 56% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 73% Positiveness
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Ismaël Lô
Jammu Africa
80 bpm • B min • 05:01 • -9.41db
42% Popularity • 54% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 54% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Orchestra Baobab
Coumba
82 bpm • A# min • 07:45 • -15.01db
37% Popularity • 66% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 66% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Cesária Evora
Sodade
83 bpm • G# Maj • 04:53 • -13.17db
58% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
58% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Sages comme des sauvages
La montagne
79 bpm • E Maj • 03:34 • -11.08db
17% Popularity • 40% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 40% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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BCUC
Yinde - Short Version
83 bpm • G Maj • 05:16 • -8.72db
35% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Ali Farka Touré
Gomni
79 bpm • G# Maj • 07:00 • -18.08db
36% Popularity • 40% Danceability • 39% Energy • 4% Liveness
21% Instrumentalness • 70% Positiveness
36% Popularity • 40% Danceability • 39% Energy • 4% Liveness
21% Instrumentalness • 70% Positiveness
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Steve Shehan
Eïlan Akabar Warigazaz
79 bpm • D min • 07:59 • -16.68db
15% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Geoffrey Oryema
Bye Bye Lady Dame
83 bpm • F# Maj • 03:37 • -20.01db
5% Popularity • 53% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
5% Popularity • 53% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Cesária Evora
Sodade
82 bpm • G# Maj • 03:44 • -12.18db
42% Popularity • 61% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 61% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Fatoumata Diawara
Alama
83 bpm • D Maj • 03:33 • -14.21db
40% Popularity • 45% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 45% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Cheikh Lô
Il n'est jamais trop tard
84 bpm • G Maj • 04:31 • -13.57db
40% Popularity • 68% Danceability • 48% Energy • 10% Liveness
6% Instrumentalness • 89% Positiveness
40% Popularity • 68% Danceability • 48% Energy • 10% Liveness
6% Instrumentalness • 89% Positiveness
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Titi Robin
Katchur khan
84 bpm • G min • 05:07 • -10.38db
18% Popularity • 69% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 90% Positiveness
18% Popularity • 69% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 90% Positiveness
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Ismaël Lô
Le Jola
84 bpm • D min • 04:31 • -5.31db
24% Popularity • 66% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 66% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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L'Attirail
Vaquero wage
84 bpm • F# min • 04:07 • -10.67db
29% Popularity • 65% Danceability • 75% Energy • 39% Liveness
78% Instrumentalness • 62% Positiveness
29% Popularity • 65% Danceability • 75% Energy • 39% Liveness
78% Instrumentalness • 62% Positiveness
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Gerald Toto
Ma Mama
84 bpm • G# min • 03:42 • -15db
40% Popularity • 75% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 75% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Geoffrey Oryema
See Me Lakayana
78 bpm • G min • 04:04 • -11.04db
31% Popularity • 56% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 56% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Cheikh Lô
Warico
84 bpm • A Maj • 03:27 • -13db
33% Popularity • 59% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 79% Positiveness
33% Popularity • 59% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 79% Positiveness
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Titi Robin
Pundela
84 bpm • G Maj • 04:12 • -7.75db
36% Popularity • 59% Danceability • 68% Energy • 26% Liveness
4% Instrumentalness • 74% Positiveness
36% Popularity • 59% Danceability • 68% Energy • 26% Liveness
4% Instrumentalness • 74% Positiveness
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Pupkulies & Rebecca
Spera Txuba
78 bpm • F# Maj • 05:35 • -11.34db
28% Popularity • 59% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
28% Popularity • 59% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Ayub Ogada
Dala
77 bpm • A min • 03:17 • -20.94db
28% Popularity • 52% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 52% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Calypso Rose
Calypso Queen
85 bpm • B Maj • 03:17 • -7db
58% Popularity • 66% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
58% Popularity • 66% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Lobi Traoré
A Lamèn
77 bpm • D Maj • 02:21 • -10.77db
40% Popularity • 66% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
40% Popularity • 66% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
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Salif Keita
Souvent
85 bpm • G# Maj • 03:16 • -16.35db
24% Popularity • 50% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 50% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Djelimady Tounkara
Mandé djeliou
77 bpm • F Maj • 05:10 • -9.31db
16% Popularity • 52% Danceability • 71% Energy • 10% Liveness
5% Instrumentalness • 35% Positiveness
16% Popularity • 52% Danceability • 71% Energy • 10% Liveness
5% Instrumentalness • 35% Positiveness
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Geoffrey Oryema
Lapin
77 bpm • B min • 03:45 • -7.23db
8% Popularity • 77% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 77% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Cheikh Lô
Sankara
77 bpm • E Maj • 03:44 • -16.38db
24% Popularity • 56% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 56% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ismaël Lô
Sofia
77 bpm • A min • 05:20 • -7.07db
24% Popularity • 71% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 71% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Lhasa De Sela
La marée haute
86 bpm • E min • 03:26 • -10db
33% Popularity • 29% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 29% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Yom
Everywhere Home
77 bpm • C Maj • 04:22 • -9.42db
44% Popularity • 56% Danceability • 35% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
44% Popularity • 56% Danceability • 35% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Ayub Ogada
Otenga
86 bpm • A Maj • 03:34 • -22.76db
35% Popularity • 51% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 74% Positiveness
35% Popularity • 51% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 74% Positiveness
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Orchestra Baobab
Utrus Horas
87 bpm • D Maj • 08:43 • -15.38db
51% Popularity • 72% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 72% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Zanmari Baré
Blandine
87 bpm • G Maj • 08:15 • -11.78db
15% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Bombino
Imuhar
87 bpm • B min • 03:48 • -7db
36% Popularity • 52% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 52% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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Zoufris Maracas
Nanotechnologie
87 bpm • G Maj • 04:07 • -8.15db
37% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Fatoumata Diawara
Kanou
87 bpm • C# min • 03:52 • -14.67db
45% Popularity • 72% Danceability • 47% Energy • 11% Liveness
12% Instrumentalness • 90% Positiveness
45% Popularity • 72% Danceability • 47% Energy • 11% Liveness
12% Instrumentalness • 90% Positiveness
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Tinariwen
Toumast Tincha
87 bpm • A# min • 04:20 • -8db
46% Popularity • 30% Danceability • 66% Energy • 12% Liveness
82% Instrumentalness • 19% Positiveness
46% Popularity • 30% Danceability • 66% Energy • 12% Liveness
82% Instrumentalness • 19% Positiveness
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Momo Wandel Soumah
Toko
87 bpm • F Maj • 07:43 • -23db
13% Popularity • 50% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 50% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Orchestra Baobab
Soldadi
88 bpm • C# Maj • 08:03 • -15.08db
28% Popularity • 58% Danceability • 41% Energy • 8% Liveness
2% Instrumentalness • 62% Positiveness
28% Popularity • 58% Danceability • 41% Energy • 8% Liveness
2% Instrumentalness • 62% Positiveness
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Geoffrey Oryema
Sardinia Memories - After Hours
74 bpm • D Maj • 02:31 • -20.89db
13% Popularity • 44% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 44% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Bachar Mar-Khalifé
Balcoon
74 bpm • F min • 04:39 • -10.27db
24% Popularity • 71% Danceability • 53% Energy • 22% Liveness
68% Instrumentalness • 84% Positiveness
24% Popularity • 71% Danceability • 53% Energy • 22% Liveness
68% Instrumentalness • 84% Positiveness
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Rokia Traoré
Dounia
89 bpm • E min • 06:20 • -12.36db
26% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Susheela Raman
Mamavatu
88 bpm • A min • 03:54 • -10db
24% Popularity • 64% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 64% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Bonga
Kúdia Kuetu
89 bpm • E min • 04:21 • -9.33db
27% Popularity • 73% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 73% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Cheikh Lô
Ne parti pas
89 bpm • E min • 04:08 • -12.23db
19% Popularity • 80% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 80% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Geoffrey Oryema
Magical Stone
89 bpm • E min • 04:09 • -9.88db
18% Popularity • 69% Danceability • 70% Energy • 17% Liveness
9% Instrumentalness • 88% Positiveness
18% Popularity • 69% Danceability • 70% Energy • 17% Liveness
9% Instrumentalness • 88% Positiveness
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Banda Municipale de Musica de Santiago de Cuba
Les passantes - Chanson française
89 bpm • A min • 03:16 • -13.39db
29% Popularity • 36% Danceability • 56% Energy • 11% Liveness
58% Instrumentalness • 70% Positiveness
29% Popularity • 36% Danceability • 56% Energy • 11% Liveness
58% Instrumentalness • 70% Positiveness
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Blick Bassy
Ndjè Yèm
73 bpm • A min • 03:16 • -10.12db
31% Popularity • 53% Danceability • 21% Energy • 19% Liveness
1% Instrumentalness • 30% Positiveness
31% Popularity • 53% Danceability • 21% Energy • 19% Liveness
1% Instrumentalness • 30% Positiveness
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Issa Bagayogo
Ciew Mawele
73 bpm • F Maj • 05:13 • -14.93db
13% Popularity • 47% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 83% Positiveness
13% Popularity • 47% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 83% Positiveness
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Mayra Andrade
Comme s'il en pleuvait
90 bpm • A min • 03:42 • -11.26db
49% Popularity • 63% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
49% Popularity • 63% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Abou Diarra
Né Nana
90 bpm • F min • 05:09 • -8.35db
20% Popularity • 41% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 41% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Zoufris Maracas
Sa majesté la mer
90 bpm • D Maj • 03:42 • -8.25db
37% Popularity • 66% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 66% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Ziskakan
32 Desanm
90 bpm • G# Maj • 04:07 • -13.23db
13% Popularity • 77% Danceability • 42% Energy • 8% Liveness
2% Instrumentalness • 49% Positiveness
13% Popularity • 77% Danceability • 42% Energy • 8% Liveness
2% Instrumentalness • 49% Positiveness
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Aziz Sahmaoui
Maktoube - Short Version
90 bpm • A# min • 03:03 • -11db
14% Popularity • 78% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 78% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Sona Jobarteh
Dunoo
90 bpm • C# min • 04:23 • -7.24db
38% Popularity • 79% Danceability • 72% Energy • 10% Liveness
4% Instrumentalness • 58% Positiveness
38% Popularity • 79% Danceability • 72% Energy • 10% Liveness
4% Instrumentalness • 58% Positiveness
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Les Yeux Noirs
Balamouk
90 bpm • D Maj • 03:53 • -7.53db
22% Popularity • 61% Danceability • 70% Energy • 6% Liveness
52% Instrumentalness • 78% Positiveness
22% Popularity • 61% Danceability • 70% Energy • 6% Liveness
52% Instrumentalness • 78% Positiveness
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Geoffrey Oryema
No Ballads Ballad
90 bpm • B min • 07:02 • -12.66db
23% Popularity • 66% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 66% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Manu Dibango
Biko
90 bpm • G Maj • 05:08 • -9.41db
28% Popularity • 78% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 78% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Mariem Hassan
Arrabi al Arabe
90 bpm • A min • 04:26 • -5db
43% Popularity • 56% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 56% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Aziz Sahmaoui
Maktoube - Long Version
90 bpm • G# Maj • 03:51 • -11db
17% Popularity • 79% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 79% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Souad Massi
Noir Et Blanc
90 bpm • C min • 04:25 • -8db
27% Popularity • 68% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 68% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Ali Farka Touré
Soukora
90 bpm • D# Maj • 06:05 • -17.31db
42% Popularity • 43% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 43% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Geoffrey Oryema
With You
90 bpm • E min • 03:24 • -12.34db
17% Popularity • 71% Danceability • 47% Energy • 37% Liveness
8% Instrumentalness • 43% Positiveness
17% Popularity • 71% Danceability • 47% Energy • 37% Liveness
8% Instrumentalness • 43% Positiveness
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Ando Drom
Keren Chave
91 bpm • A min • 03:20 • -12.16db
33% Popularity • 64% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 64% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Cheikh Lô
M'beddemi
91 bpm • A Maj • 04:26 • -9.82db
19% Popularity • 70% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 70% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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El Hadj N'Diaye
Sama Guitare
91 bpm • E min • 04:11 • -10.92db
13% Popularity • 52% Danceability • 31% Energy • 9% Liveness
14% Instrumentalness • 54% Positiveness
13% Popularity • 52% Danceability • 31% Energy • 9% Liveness
14% Instrumentalness • 54% Positiveness
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Idrissa Soumaoro
M'ba den ou
91 bpm • D min • 03:55 • -9db
23% Popularity • 36% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 36% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Samite
Webake
91 bpm • F Maj • 03:44 • -24.89db
24% Popularity • 68% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 70% Positiveness
24% Popularity • 68% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 70% Positiveness
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Djelimady Tounkara
M'Bématoma
91 bpm • C min • 05:49 • -7.32db
13% Popularity • 43% Danceability • 80% Energy • 10% Liveness
4% Instrumentalness • 56% Positiveness
13% Popularity • 43% Danceability • 80% Energy • 10% Liveness
4% Instrumentalness • 56% Positiveness
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Sages comme des sauvages
Mon commandant
91 bpm • G min • 03:33 • -11db
28% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Dobet Gnahoré
Jho avido
91 bpm • A Maj • 03:58 • -11.39db
13% Popularity • 65% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 65% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Kel Assouf
Akaline
92 bpm • B min • 05:04 • -11db
39% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Orchestra Baobab
Nijaay
92 bpm • C# min • 07:14 • -9.09db
37% Popularity • 62% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
37% Popularity • 62% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
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Tiken Jah Fakoly
Tata - Mix 2014
92 bpm • F# min • 04:12 • -9.23db
26% Popularity • 75% Danceability • 49% Energy • 20% Liveness
2% Instrumentalness • 53% Positiveness
26% Popularity • 75% Danceability • 49% Energy • 20% Liveness
2% Instrumentalness • 53% Positiveness
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Cheikh Lô
Set
71 bpm • B min • 05:27 • -12.63db
25% Popularity • 68% Danceability • 55% Energy • 17% Liveness
7% Instrumentalness • 48% Positiveness
25% Popularity • 68% Danceability • 55% Energy • 17% Liveness
7% Instrumentalness • 48% Positiveness
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Eneida Marta
Mindjer dôce mel
92 bpm • E min • 03:44 • -8db
42% Popularity • 73% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 73% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Rajery
Misahotaka ny akama
92 bpm • G Maj • 03:42 • -9.43db
28% Popularity • 80% Danceability • 78% Energy • 8% Liveness
2% Instrumentalness • 67% Positiveness
28% Popularity • 80% Danceability • 78% Energy • 8% Liveness
2% Instrumentalness • 67% Positiveness
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Waldemar Bastos
Sofrimento
92 bpm • A min • 04:04 • -15db
41% Popularity • 65% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
41% Popularity • 65% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Lhasa De Sela
Anywhere on This Road
93 bpm • D Maj • 04:35 • -9db
33% Popularity • 69% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 69% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Gulabi Sapera
Neem
93 bpm • E Maj • 04:03 • -8db
27% Popularity • 60% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
27% Popularity • 60% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Ali Farka Touré
Ai Bine
93 bpm • F# min • 06:20 • -13.37db
27% Popularity • 32% Danceability • 42% Energy • 8% Liveness
12% Instrumentalness • 29% Positiveness
27% Popularity • 32% Danceability • 42% Energy • 8% Liveness
12% Instrumentalness • 29% Positiveness
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Orchestra Baobab
Ami Kita Bay
93 bpm • G min • 05:25 • -8.57db
25% Popularity • 72% Danceability • 88% Energy • 11% Liveness
38% Instrumentalness • 91% Positiveness
25% Popularity • 72% Danceability • 88% Energy • 11% Liveness
38% Instrumentalness • 91% Positiveness
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Tinariwen
Le Chant Des Fauves
93 bpm • G Maj • 07:33 • -13.1db
35% Popularity • 53% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
35% Popularity • 53% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
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Terakaft
Ténéré Wer Tat Zinchegh
93 bpm • D Maj • 04:48 • -6.09db
30% Popularity • 57% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 39% Positiveness
30% Popularity • 57% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 39% Positiveness
