Songs like Yellow Cake Revue, J. 166: III. Farewell to Stromness by Peter Maxwell Davies
Based on a tempo of (+/- 10%) and a similar genre
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Gustav Mahler
Symphony No. 5: IV. Adagietto. Sehr lang...
66 bpm • F Maj • 10:34 • -35db
27% Popularity • 6% Danceability • 1% Energy • 11% Liveness
10% Instrumentalness • 3% Positiveness
27% Popularity • 6% Danceability • 1% Energy • 11% Liveness
10% Instrumentalness • 3% Positiveness
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Nora Mercz
Sadko: Hindu Song (arr. N. Mercz): Hindu...
65 bpm • F Maj • 03:32 • -31.62db
54% Popularity • 12% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
54% Popularity • 12% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Mark O'Connor
Appalachia Waltz (Version for Cello) - S...
65 bpm • G Maj • 04:20 • -27.41db
9% Popularity • 15% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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César Franck
Panis Angelicus (Arr. Leopold Stokowski)
65 bpm • A Maj • 03:49 • -23.96db
24% Popularity • 15% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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James Galway
Spartacus: Adagio (arr. J. Galway for fl...
65 bpm • G# Maj • 03:14 • -19db
13% Popularity • 29% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
13% Popularity • 29% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7, Träumerei
65 bpm • F Maj • 02:27 • -36.04db
39% Popularity • 36% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
39% Popularity • 36% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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Wilhelm Kempff
Keyboard Suite No. 1 (Set II) in B-Flat ...
67 bpm • G min • 03:37 • -31.64db
26% Popularity • 48% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
26% Popularity • 48% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Jean Sibelius
Andante festivo for Strings and Timpani,...
65 bpm • G Maj • 05:37 • -20.05db
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Franz Schubert
Du bist die Ruh, Op. 59/3, D. 776
67 bpm • D# Maj • 05:01 • -27.52db
41% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
41% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Teresa Carreño
Mi Teresita (Little Waltz)
65 bpm • D Maj • 04:27 • -32db
19% Popularity • 32% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
19% Popularity • 32% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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François Couperin
Couperin: Les Baricades mistérieuses
65 bpm • A# Maj • 02:44 • -37db
40% Popularity • 16% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
40% Popularity • 16% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Peter Maxwell Davies
Five Pieces for Piano, Op. 2: III. —
65 bpm • A min • 05:39 • -26.24db
0% Popularity • 45% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
0% Popularity • 45% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Gabriela Montero
Montero & Vivaldi: The Four Seasons, Vio...
67 bpm • D# Maj • 05:09 • -27db
14% Popularity • 32% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 32% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Fredrico Bayco
Elizabethan Masque
64 bpm • A min • 02:27 • -28db
27% Popularity • 22% Danceability • 7% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
27% Popularity • 22% Danceability • 7% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
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Manuel de Falla
Suite populaire espagnole (Transcr. M. M...
64 bpm • A Maj • 02:11 • -33db
24% Popularity • 19% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
24% Popularity • 19% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Rebecca Clarke
Lullaby on an Ancient Irish Tune
68 bpm • C# Maj • 02:37 • -37db
25% Popularity • 10% Danceability • 0% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 0% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Musette en rondeau
68 bpm • E Maj • 03:13 • -30db
29% Popularity • 19% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
29% Popularity • 19% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Die Torrente in ...
68 bpm • B min • 04:15 • -25.14db
37% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Peter Maxwell Davies
Six Secret Songs: VI. Andante
68 bpm • A Maj • 01:21 • -25.88db
0% Popularity • 50% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 28% Positiveness
0% Popularity • 50% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 28% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Gypsy Songs, Op. 55, B. 104: No. 4, Song...
68 bpm • C min • 02:54 • -25db
29% Popularity • 14% Danceability • 3% Energy • 20% Liveness
83% Instrumentalness • 7% Positiveness
29% Popularity • 14% Danceability • 3% Energy • 20% Liveness
83% Instrumentalness • 7% Positiveness
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Frederick Delius
Florida Suite: IV. At Night
68 bpm • F# min • 09:01 • -27.78db
25% Popularity • 6% Danceability • 2% Energy • 18% Liveness
92% Instrumentalness • 3% Positiveness
25% Popularity • 6% Danceability • 2% Energy • 18% Liveness
92% Instrumentalness • 3% Positiveness
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Maurice Ravel
Pavane pour une infante défunte in G ma...
69 bpm • E min • 05:55 • -32db
30% Popularity • 40% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
30% Popularity • 40% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Gaetano Donizetti
Clarinet Concerto in B-Flat Major: Andan...
69 bpm • A# min • 04:10 • -25.67db
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Peter Maxwell Davies
Five Pieces for Piano, Op. 2: IV. —
68 bpm • D# min • 01:49 • -21.92db
0% Popularity • 36% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
0% Popularity • 36% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
69 bpm • E min • 01:38 • -32.76db
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. T...
69 bpm • G Maj • 02:33 • -22.02db
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Frederick Delius
5 Songs from the Norwegian: No. 5. Sunse...
69 bpm • F# Maj • 02:35 • -25.6db
37% Popularity • 26% Danceability • 4% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
37% Popularity • 26% Danceability • 4% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19
62 bpm • G Maj • 05:42 • -33db
47% Popularity • 34% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
47% Popularity • 34% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
33% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Peter Maxwell Davies
Litany for a ruined chapel between sheep...
69 bpm • G Maj • 03:03 • -18.56db
0% Popularity • 15% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
0% Popularity • 15% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
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Emmy Lindström
Song About Em
70 bpm • C min • 05:00 • -21.71db
33% Popularity • 14% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Carl Orff
Orff: Carmina Burana: In Trutina
70 bpm • D Maj • 02:31 • -23.43db
28% Popularity • 24% Danceability • 5% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
28% Popularity • 24% Danceability • 5% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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Manuel de Falla
7 canciones populares españolas: VI. Ca...
70 bpm • C min • 02:19 • -32.94db
45% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
45% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Yo-Yo Ma
Appalachia Waltz
70 bpm • D Maj • 04:16 • -21.42db
19% Popularity • 15% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Traditional
Londonderry Air (Danny Boy) (Arr. Knigge...
70 bpm • G# Maj • 02:37 • -21.65db
7% Popularity • 12% Danceability • 6% Energy • 8% Liveness
98% Instrumentalness • 10% Positiveness
7% Popularity • 12% Danceability • 6% Energy • 8% Liveness
98% Instrumentalness • 10% Positiveness
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Peter Maxwell Davies
Mr Emmet Takes a Walk, Op. 207: No. 3, A...
70 bpm • C# Maj • 01:40 • -21.72db
0% Popularity • 35% Danceability • 5% Energy • 69% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 35% Danceability • 5% Energy • 69% Liveness
0% Instrumentalness • 16% Positiveness
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Jean-Philippe Rameau
Deuxieme livre, Suite en Mi: X. Tambouri...
70 bpm • E min • 01:30 • -27db
44% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
44% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Christoph Willibald Gluck
Orfeo et Eurydice: Mélodie for Piano So...
70 bpm • D min • 04:44 • -35.11db
37% Popularity • 44% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 12% Positiveness
37% Popularity • 44% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 12% Positiveness
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JoaquÃn Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Patrick Hawes
Quanta Qualia
70 bpm • D# Maj • 04:01 • -21.58db
26% Popularity • 7% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 7% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Variations on an Original Theme, ...
70 bpm • D# Maj • 03:54 • -18.17db
49% Popularity • 6% Danceability • 15% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
49% Popularity • 6% Danceability • 15% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Peter Maxwell Davies
Farewell to Stromness
70 bpm • D Maj • 04:49 • -32.51db
21% Popularity • 34% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
21% Popularity • 34% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Béla Bartók
3 Hungarian Folksongs from the Csìk Dis...
62 bpm • F# min • 03:12 • -28db
26% Popularity • 39% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
26% Popularity • 39% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Robert Schumann
5 Stücke im Volkston, Op. 102: II. Lang...
62 bpm • F Maj • 03:10 • -25.09db
47% Popularity • 7% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
47% Popularity • 7% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
Five Variants of ‘Dives and Lazarus’
71 bpm • B min • 11:34 • -21db
46% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
46% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75: III. Clair de ...
71 bpm • C# Maj • 05:33 • -32.9db
47% Popularity • 28% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
47% Popularity • 28% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Peter Maxwell Davies
Mr Emmet Takes a Walk, Op. 207: Episode ...
70 bpm • F Maj • 05:13 • -23.45db
0% Popularity • 30% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 30% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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George Butterworth
The Banks of Green Willow
71 bpm • A min • 06:25 • -32db
36% Popularity • 12% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
36% Popularity • 12% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
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Aaron Copland
Appalachian Spring - 1945 Suite: 1. Very...
71 bpm • A Maj • 02:54 • -35db
44% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
44% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Frederick Delius
Over the Mountains High (arr. J. Lloyd W...
71 bpm • C Maj • 02:20 • -28db
47% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Song Without Words, Op. 109
71 bpm • D Maj • 04:14 • -23.33db
31% Popularity • 14% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
31% Popularity • 14% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
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Arvo Pärt
Spiegel im Spiegel - Version for Violin ...
71 bpm • F Maj • 10:36 • -42.24db
51% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
51% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Peter Maxwell Davies
Five Pieces for Piano, Op. 2: II. —
70 bpm • E Maj • 01:57 • -28.72db
0% Popularity • 33% Danceability • 4% Energy • 6% Liveness
94% Instrumentalness • 6% Positiveness
0% Popularity • 33% Danceability • 4% Energy • 6% Liveness
94% Instrumentalness • 6% Positiveness
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Traditional
Deep River
71 bpm • D Maj • 02:18 • -17.8db
2% Popularity • 21% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 11% Positiveness
2% Popularity • 21% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 11% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
61 bpm • B Maj • 09:21 • -27db
43% Popularity • 24% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Leo Brouwer
Cancion de cuna
72 bpm • G Maj • 04:42 • -32db
41% Popularity • 32% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
41% Popularity • 32% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Grace Williams
Hiraeth
61 bpm • D# Maj • 02:57 • -27.19db
11% Popularity • 48% Danceability • 0% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
11% Popularity • 48% Danceability • 0% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Aaron Copland
Quiet City
72 bpm • F Maj • 09:16 • -22.68db
24% Popularity • 13% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
Peter Maxwell Davies
Five Pieces for Piano, Op. 2: I. —
70 bpm • E Maj • 01:26 • -23.46db
0% Popularity • 57% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
0% Popularity • 57% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Nora Mercz
Carmen (arr. N. Mercz): Intermezzo from ...
72 bpm • D# Maj • 02:38 • -25db
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
► Preview
David Stanhope
Thaïs: Méditation (Arr. David Stanhope...
72 bpm • D Maj • 04:54 • -26db
7% Popularity • 33% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
7% Popularity • 33% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Gerald Finzi
Eclogue, Op. 10
72 bpm • F min • 11:00 • -20db
14% Popularity • 20% Danceability • 6% Energy • 6% Liveness
85% Instrumentalness • 10% Positiveness
14% Popularity • 20% Danceability • 6% Energy • 6% Liveness
85% Instrumentalness • 10% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
60 bpm • G Maj • 02:49 • -28db
27% Popularity • 16% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
27% Popularity • 16% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Peter Maxwell Davies
Five Little Pieces for Piano: I. —
62 bpm • D min • 01:17 • -31.36db
0% Popularity • 55% Danceability • 0% Energy • 11% Liveness
85% Instrumentalness • 25% Positiveness
0% Popularity • 55% Danceability • 0% Energy • 11% Liveness
85% Instrumentalness • 25% Positiveness
► Preview
Jules Massenet
Méditation de Thaïs (Arr. Cullen for C...
72 bpm • D Maj • 04:53 • -26db
41% Popularity • 11% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 11% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Wilhelm Kempff
Keyboard Suite No. 1 (Set II) in B-Flat ...
60 bpm • G min • 03:54 • -34db
36% Popularity • 34% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
36% Popularity • 34% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12
73 bpm • E Maj • 03:08 • -21db
26% Popularity • 19% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 19% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
François Couperin
Les Baricades Misterieuses
73 bpm • A# Maj • 02:38 • -34.72db
12% Popularity • 23% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
12% Popularity • 23% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
► Preview
Traditional
Aboriginal Lullaby
73 bpm • A# Maj • 01:53 • -29db
46% Popularity • 28% Danceability • 0% Energy • 10% Liveness
67% Instrumentalness • 45% Positiveness
46% Popularity • 28% Danceability • 0% Energy • 10% Liveness
67% Instrumentalness • 45% Positiveness
► Preview
Peter Maxwell Davies
Litany for a ruined chapel between sheep...
72 bpm • A Maj • 05:31 • -14.91db
0% Popularity • 45% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 40% Positiveness
0% Popularity • 45% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 40% Positiveness
► Preview
John Tavener
Mother Of God, Here I Stand
73 bpm • G Maj • 02:51 • -28db
28% Popularity • 13% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 13% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
73 bpm • E min • 01:32 • -27.14db
49% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
49% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
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François Couperin
Troisième livre de pièces de clavecin:...
73 bpm • F Maj • 02:10 • -24.62db
41% Popularity • 50% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
41% Popularity • 50% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
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PÄ“teris Vasks
The Fruit of Silence
73 bpm • D# Maj • 07:27 • -32.51db
27% Popularity • 10% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
27% Popularity • 10% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Peter Maxwell Davies
Three Sanday Places: II. Waters of Woo
73 bpm • F Maj • 01:33 • -27.85db
2% Popularity • 47% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
2% Popularity • 47% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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John Tavener
Funeral Ikos
74 bpm • F min • 03:24 • -18.92db
24% Popularity • 11% Danceability • 6% Energy • 15% Liveness
76% Instrumentalness • 5% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 15% Liveness
76% Instrumentalness • 5% Positiveness
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George Frideric Handel
Suite in B-Flat Major, HWV 434: IV. Menu...
59 bpm • G min • 03:50 • -32.74db
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Christoph Willibald Gluck
Melody from « Orfeo »
74 bpm • D min • 03:25 • -36db
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
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Xuefei Yang
Drunken Ecstasy (arr. Xuefei Yang for gu...
74 bpm • F Maj • 02:07 • -32.11db
24% Popularity • 34% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
24% Popularity • 34% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
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Peter Maxwell Davies
The Yellow Cake Revue: Farewell to Strom...
73 bpm • D Maj • 05:36 • -31db
19% Popularity • 41% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
19% Popularity • 41% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
74 bpm • E Maj • 09:23 • -34.6db
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Federico Mompou
Música Callada III
74 bpm • A# Maj • 01:45 • -33db
33% Popularity • 27% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 24% Positiveness
33% Popularity • 27% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 24% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
75 bpm • A# Maj • 01:23 • -30.62db
22% Popularity • 36% Danceability • 1% Energy • 8% Liveness
65% Instrumentalness • 27% Positiveness
22% Popularity • 36% Danceability • 1% Energy • 8% Liveness
65% Instrumentalness • 27% Positiveness
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Christoph Willibald Gluck
Dance of the Blessed Spirits
74 bpm • F Maj • 07:15 • -22.94db
27% Popularity • 18% Danceability • 7% Energy • 15% Liveness
79% Instrumentalness • 12% Positiveness
27% Popularity • 18% Danceability • 7% Energy • 15% Liveness
79% Instrumentalness • 12% Positiveness
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Erik Satie
Satie / Arr. Barker & Balsom: 3 Gymnopé...
75 bpm • A min • 02:32 • -14.17db
23% Popularity • 13% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
23% Popularity • 13% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Peter Maxwell Davies
Trumpet Concerto: II. Adagio molto
74 bpm • F# Maj • 09:53 • -35.57db
0% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
0% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
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Arnold Schoenberg
Notturno for Strings and Harp
75 bpm • G# Maj • 03:12 • -19.64db
61% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
61% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Carlo Gesualdo
Paccantem Me Quotidie (Arr. P. M. Davies...
75 bpm • G min • 05:49 • -21.87db
1% Popularity • 7% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
1% Popularity • 7% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Amy Beach
Dreaming, Op. 15 No. 3
75 bpm • F Maj • 06:12 • -28.84db
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Alexander Borodin
Nocturne (Arr. Cullen for Cello and Orch...
76 bpm • A Maj • 04:05 • -27db
31% Popularity • 20% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
31% Popularity • 20% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
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Georgs Pelēcis
All in the Past
58 bpm • D min • 02:56 • -26.4db
32% Popularity • 33% Danceability • 2% Energy • 21% Liveness
36% Instrumentalness • 16% Positiveness
32% Popularity • 33% Danceability • 2% Energy • 21% Liveness
36% Instrumentalness • 16% Positiveness
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Peter Maxwell Davies
Maxwell Davies / Arr Balsom & Poster: Fa...
74 bpm • D Maj • 03:52 • -27.66db
7% Popularity • 20% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
7% Popularity • 20% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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![Concierto de Aranjuez: II. Adagio [Excerpt] cover art](https://i.scdn.co/image/ab67616d00001e022927579fb3cae403dc6d1f75)
JoaquÃn Rodrigo
Concierto de Aranjuez: II. Adagio [Excer...
76 bpm • B min • 02:47 • -27.3db
31% Popularity • 26% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
