Songs like Yellow Roses by Heron
Based on a tempo of (+/- 10%) and a similar genre
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Heron
Yellow Roses
141 bpm • G Maj • 04:13 • -9.63db
20% Popularity • 50% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 50% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Jackson C. Frank
Madonna of Swans
141 bpm • G Maj • 02:03 • -14.7db
25% Popularity • 41% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 41% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Michael Chapman
Aviator - 2011 Remaster
141 bpm • G Maj • 09:30 • -10.25db
25% Popularity • 40% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 40% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Gene Clark
She Don't Care About Time
140 bpm • D Maj • 03:38 • -15db
9% Popularity • 50% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 50% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Ian McDonald
Flight Of The Ibis
142 bpm • A Maj • 03:11 • -12.26db
15% Popularity • 53% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 53% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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LIL Will
ME,MYSELF,MY .40
140 bpm • G Maj • 04:38 • -11.11db
0% Popularity • 85% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 85% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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The Incredible String Band
Waltz of the New Moon - 2010 Remaster
142 bpm • D Maj • 05:07 • -8.25db
16% Popularity • 35% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 35% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 7% Positiveness
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Heron
Jokerman
140 bpm • D# Maj • 05:34 • -15.92db
3% Popularity • 53% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
3% Popularity • 53% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Richard Goldman
Don't Spoil It Now
142 bpm • G Maj • 05:08 • -11.34db
9% Popularity • 37% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 37% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Andwella
Saint Bartholomew
140 bpm • G Maj • 03:07 • -10.81db
10% Popularity • 52% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 52% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Roy Harper
I'll See You Again
139 bpm • D Maj • 04:57 • -15.41db
9% Popularity • 34% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 34% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Fresh Maggots
Rosemary Hill
143 bpm • D min • 03:34 • -14.27db
17% Popularity • 34% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 34% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Emitt Rhodes
Farewell To Paradise
139 bpm • D Maj • 03:57 • -8.98db
9% Popularity • 53% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 53% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Bridget St John
Goodbaby Goodbye
139 bpm • E Maj • 02:08 • -18db
16% Popularity • 40% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 40% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Jimmy Carter and Dallas County Green
Let Me Be Your Player
143 bpm • D Maj • 03:31 • -11.97db
14% Popularity • 52% Danceability • 64% Energy • 12% Liveness
29% Instrumentalness • 86% Positiveness
14% Popularity • 52% Danceability • 64% Energy • 12% Liveness
29% Instrumentalness • 86% Positiveness
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Gene Clark
The American Dreamer
139 bpm • B Maj • 01:54 • -17.77db
32% Popularity • 61% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 61% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Mark Fry
Down Narrrow Streets
143 bpm • A Maj • 02:58 • -12.92db
31% Popularity • 27% Danceability • 40% Energy • 44% Liveness
65% Instrumentalness • 41% Positiveness
31% Popularity • 27% Danceability • 40% Energy • 44% Liveness
65% Instrumentalness • 41% Positiveness
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Norma Tanega
Beautiful Things
143 bpm • A min • 03:33 • -10.38db
16% Popularity • 32% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 32% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Alan Munson
In The Rain
143 bpm • F# Maj • 04:32 • -13.25db
13% Popularity • 59% Danceability • 26% Energy • 11% Liveness
23% Instrumentalness • 28% Positiveness
13% Popularity • 59% Danceability • 26% Energy • 11% Liveness
23% Instrumentalness • 28% Positiveness
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Robert Lester Folsom
Weeping Willow Tree
144 bpm • A Maj • 03:38 • -12.83db
7% Popularity • 42% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 42% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Gene Kalmes
Worth the Risk
139 bpm • G# Maj • 04:21 • -5.61db
10% Popularity • 46% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 46% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Tim Buckley
Happy Time
144 bpm • E Maj • 03:16 • -18db
30% Popularity • 48% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 48% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Heron
If It's Love
138 bpm • G min • 02:59 • -8.14db
2% Popularity • 66% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
2% Popularity • 66% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Norma Tanega
Upper Osterley - Instrumental
144 bpm • C Maj • 00:54 • -7.81db
20% Popularity • 58% Danceability • 46% Energy • 28% Liveness
63% Instrumentalness • 58% Positiveness
20% Popularity • 58% Danceability • 46% Energy • 28% Liveness
63% Instrumentalness • 58% Positiveness
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Makk
Brzi Grad
138 bpm • C min • 03:49 • -8.44db
0% Popularity • 75% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 75% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Michael Chapman
Rabbit Hills - 2011 Remaster
138 bpm • D Maj • 04:09 • -12.31db
14% Popularity • 42% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 42% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
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The Incredible String Band
The Hedgehog's Song - 2010 Remaster
138 bpm • F# Maj • 03:27 • -12db
33% Popularity • 68% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 68% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Gene Clark
From a Silver Phial
144 bpm • G Maj • 03:40 • -11.14db
25% Popularity • 50% Danceability • 41% Energy • 8% Liveness
3% Instrumentalness • 42% Positiveness
25% Popularity • 50% Danceability • 41% Energy • 8% Liveness
3% Instrumentalness • 42% Positiveness
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Heron
Some Kinda Big Thing
144 bpm • E Maj • 03:03 • -10.53db
3% Popularity • 32% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
3% Popularity • 32% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Jordan Bussau
I Don’t Know Why
138 bpm • D Maj • 02:41 • -15.22db
21% Popularity • 42% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 42% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Help Yourself
Paper Leaves
138 bpm • G Maj • 03:07 • -11.63db
10% Popularity • 46% Danceability • 48% Energy • 9% Liveness
7% Instrumentalness • 69% Positiveness
10% Popularity • 46% Danceability • 48% Energy • 9% Liveness
7% Instrumentalness • 69% Positiveness
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Elyse Weinberg
Gospel Ship
138 bpm • G Maj • 02:27 • -5.6db
9% Popularity • 50% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 50% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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TÃr na nÓg
I'm Happy to Be (On This Mountain) - Bon...
138 bpm • G Maj • 02:18 • -12.07db
16% Popularity • 70% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 70% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Robert Lester Folsom
Biding My Time
138 bpm • A Maj • 03:28 • -12.6db
21% Popularity • 50% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 50% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Heron
Little Boy
145 bpm • C# min • 03:13 • -11.77db
8% Popularity • 50% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 50% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Jimmy Carter and Dallas County Green
Honey Dew
137 bpm • E min • 04:47 • -12db
29% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jeff Cowell
Can't Make Nothin'
137 bpm • D Maj • 02:50 • -9db
15% Popularity • 49% Danceability • 52% Energy • 17% Liveness
92% Instrumentalness • 42% Positiveness
15% Popularity • 49% Danceability • 52% Energy • 17% Liveness
92% Instrumentalness • 42% Positiveness
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Gary Higgins
Thicker Than A Smokey
145 bpm • C Maj • 03:38 • -11.11db
16% Popularity • 57% Danceability • 34% Energy • 6% Liveness
81% Instrumentalness • 9% Positiveness
16% Popularity • 57% Danceability • 34% Energy • 6% Liveness
81% Instrumentalness • 9% Positiveness
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Kevin Ayers
The Oyster and the Flying Fish - 2003 Re...
137 bpm • C Maj • 02:37 • -13.64db
21% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Judee Sill
The Phoenix - Remastered
145 bpm • G Maj • 02:37 • -13.83db
27% Popularity • 33% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 33% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Heron
Rambling Gamblers
137 bpm • G Maj • 03:38 • -10.86db
4% Popularity • 61% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
4% Popularity • 61% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Bridget St John
Hello Again (Of Course)
137 bpm • G# Maj • 04:11 • -15.88db
10% Popularity • 55% Danceability • 25% Energy • 10% Liveness
25% Instrumentalness • 32% Positiveness
10% Popularity • 55% Danceability • 25% Energy • 10% Liveness
25% Instrumentalness • 32% Positiveness
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Chris Darrow
Shawnee Moon
145 bpm • F Maj • 03:32 • -11.72db
15% Popularity • 54% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 54% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Sopwith Camel
Hello, Hello
137 bpm • C Maj • 02:34 • -19db
23% Popularity • 69% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 69% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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Duncan Browne
Give Me, Take You
137 bpm • C# Maj • 03:16 • -14.11db
9% Popularity • 32% Danceability • 25% Energy • 14% Liveness
44% Instrumentalness • 22% Positiveness
9% Popularity • 32% Danceability • 25% Energy • 14% Liveness
44% Instrumentalness • 22% Positiveness
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Gene Clark
She's The Kind Of Girl
146 bpm • D Maj • 02:58 • -12.53db
14% Popularity • 39% Danceability • 34% Energy • 28% Liveness
1% Instrumentalness • 48% Positiveness
14% Popularity • 39% Danceability • 34% Energy • 28% Liveness
1% Instrumentalness • 48% Positiveness
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Elyse Weinberg
Deed I Do
136 bpm • G Maj • 02:58 • -11.16db
16% Popularity • 31% Danceability • 30% Energy • 9% Liveness
67% Instrumentalness • 29% Positiveness
16% Popularity • 31% Danceability • 30% Energy • 9% Liveness
67% Instrumentalness • 29% Positiveness
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Dr. Strangely Strange
Strangely Strange But Oddly Normal
145 bpm • C Maj • 04:57 • -14.89db
16% Popularity • 45% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 45% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Patti Whipp
Walkin'
136 bpm • E Maj • 02:34 • -18db
35% Popularity • 46% Danceability • 23% Energy • 11% Liveness
59% Instrumentalness • 63% Positiveness
35% Popularity • 46% Danceability • 23% Energy • 11% Liveness
59% Instrumentalness • 63% Positiveness
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The Incredible String Band
Painting Box - 2010 Remaster
136 bpm • G Maj • 04:00 • -12db
26% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Michael Chapman
You Say - 2011 Remaster
146 bpm • B Maj • 03:42 • -10.67db
31% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Tucker Zimmerman
Another Normal Day
136 bpm • C Maj • 03:46 • -13.52db
18% Popularity • 49% Danceability • 29% Energy • 11% Liveness
6% Instrumentalness • 49% Positiveness
18% Popularity • 49% Danceability • 29% Energy • 11% Liveness
6% Instrumentalness • 49% Positiveness
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Heron
Miss Kiss
136 bpm • G Maj • 02:44 • -17.35db
8% Popularity • 52% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
8% Popularity • 52% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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LIL Will
CHOP IT UP
136 bpm • C# Maj • 03:49 • -12.05db
0% Popularity • 83% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 83% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Laura Cramer
Freedom
135 bpm • D Maj • 02:14 • -11.27db
21% Popularity • 47% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 47% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Gene Clark
With Tomorrow
135 bpm • D Maj • 02:25 • -15db
39% Popularity • 54% Danceability • 20% Energy • 11% Liveness
80% Instrumentalness • 58% Positiveness
39% Popularity • 54% Danceability • 20% Energy • 11% Liveness
80% Instrumentalness • 58% Positiveness
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Chris Von B.
Devilish Smiles - Heron Remix
135 bpm • G min • 08:10 • -9.23db
0% Popularity • 57% Danceability • 93% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
0% Popularity • 57% Danceability • 93% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Mark Fry
A Norman Soldier
135 bpm • C# Maj • 02:22 • -20db
38% Popularity • 57% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 93% Positiveness
38% Popularity • 57% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 93% Positiveness
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Heron
Lord and Master
147 bpm • C Maj • 04:50 • -15.02db
13% Popularity • 40% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 40% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Jeff Cowell
Joanne & Jason
135 bpm • G Maj • 02:10 • -10.99db
10% Popularity • 43% Danceability • 28% Energy • 12% Liveness
47% Instrumentalness • 44% Positiveness
10% Popularity • 43% Danceability • 28% Energy • 12% Liveness
47% Instrumentalness • 44% Positiveness
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The Left Banke
She May Call You Up Tonight
135 bpm • D# Maj • 02:21 • -7db
32% Popularity • 55% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 55% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Charles Brown
Talk Too Much Blues
147 bpm • A Maj • 03:04 • -7.51db
14% Popularity • 55% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 55% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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The Flying Burrito Brothers
I Shall Be Released
134 bpm • F# Maj • 01:33 • -16.66db
42% Popularity • 59% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 59% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Mark Fry
Song for Wilde
134 bpm • F# Maj • 02:33 • -16.38db
43% Popularity • 54% Danceability • 35% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
43% Popularity • 54% Danceability • 35% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
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Robert Lester Folsom
Another Sunday Morning
148 bpm • G# Maj • 03:14 • -6.75db
16% Popularity • 55% Danceability • 92% Energy • 31% Liveness
1% Instrumentalness • 86% Positiveness
16% Popularity • 55% Danceability • 92% Energy • 31% Liveness
1% Instrumentalness • 86% Positiveness
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Bridget St John
Ask Me No Questions
134 bpm • E Maj • 07:48 • -18.07db
28% Popularity • 47% Danceability • 47% Energy • 9% Liveness
5% Instrumentalness • 51% Positiveness
28% Popularity • 47% Danceability • 47% Energy • 9% Liveness
5% Instrumentalness • 51% Positiveness
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TÃr na nÓg
Dance of Years - 2012 Remaster
134 bpm • E Maj • 03:48 • -21.84db
19% Popularity • 42% Danceability • 16% Energy • 11% Liveness
29% Instrumentalness • 20% Positiveness
19% Popularity • 42% Danceability • 16% Energy • 11% Liveness
29% Instrumentalness • 20% Positiveness
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Heron
Something Inside
134 bpm • F Maj • 02:29 • -9.64db
9% Popularity • 60% Danceability • 43% Energy • 9% Liveness
2% Instrumentalness • 45% Positiveness
9% Popularity • 60% Danceability • 43% Energy • 9% Liveness
2% Instrumentalness • 45% Positiveness
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Trees
Polly on the Shore
134 bpm • E Maj • 06:09 • -10.57db
19% Popularity • 44% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 44% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Rab Noakes
Waiting Here for You
134 bpm • D Maj • 03:40 • -12.68db
10% Popularity • 51% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 51% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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The Pretty Things
In the Square
149 bpm • D Maj • 01:55 • -15.13db
23% Popularity • 38% Danceability • 34% Energy • 20% Liveness
12% Instrumentalness • 23% Positiveness
23% Popularity • 38% Danceability • 34% Energy • 20% Liveness
12% Instrumentalness • 23% Positiveness
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Rob Carr
Daphne
133 bpm • F# min • 02:06 • -22.64db
18% Popularity • 43% Danceability • 9% Energy • 12% Liveness
81% Instrumentalness • 50% Positiveness
18% Popularity • 43% Danceability • 9% Energy • 12% Liveness
81% Instrumentalness • 50% Positiveness
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Keven Louis Lareau
Not All Songs Have Been Sung
133 bpm • D# Maj • 03:47 • -13.23db
13% Popularity • 75% Danceability • 39% Energy • 21% Liveness
1% Instrumentalness • 69% Positiveness
13% Popularity • 75% Danceability • 39% Energy • 21% Liveness
1% Instrumentalness • 69% Positiveness
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Mellow Candle
Silver Song
133 bpm • F min • 04:26 • -15.78db
23% Popularity • 54% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 54% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Trees
Nothing Special
133 bpm • D Maj • 04:31 • -6.13db
19% Popularity • 54% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 54% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Jackie Lomax
Fall Inside Your Eyes - Remastered 2010
150 bpm • E Maj • 03:11 • -11.48db
9% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Michael Chapman
It Didn't Work Out - 2011 Remaster
150 bpm • G Maj • 05:13 • -8.63db
12% Popularity • 37% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 37% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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The City
Lady
150 bpm • C Maj • 03:00 • -15.8db
7% Popularity • 36% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 36% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Mark Fry
Lute and Flute
150 bpm • F Maj • 03:56 • -14.77db
20% Popularity • 28% Danceability • 41% Energy • 14% Liveness
86% Instrumentalness • 69% Positiveness
20% Popularity • 28% Danceability • 41% Energy • 14% Liveness
86% Instrumentalness • 69% Positiveness
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Jimmy Carter and Dallas County Green
You
132 bpm • D Maj • 04:14 • -11.22db
16% Popularity • 43% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
16% Popularity • 43% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Bill Boazman
Do You Believe It's Easy
132 bpm • A# Maj • 03:14 • -9.43db
8% Popularity • 60% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 60% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Cowboy
Pretty Friend
151 bpm • D Maj • 04:16 • -10.94db
12% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Kevin Ayers
Eleanor's Cake (Which Ate Her) - 2003 Re...
131 bpm • A Maj • 02:53 • -15.54db
19% Popularity • 38% Danceability • 21% Energy • 14% Liveness
41% Instrumentalness • 25% Positiveness
19% Popularity • 38% Danceability • 21% Energy • 14% Liveness
41% Instrumentalness • 25% Positiveness
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Heron
Little Angel
131 bpm • G Maj • 04:11 • -14.14db
5% Popularity • 51% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
5% Popularity • 51% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Bridget St John
Curl Your Toes
130 bpm • G# Maj • 03:01 • -17.25db
14% Popularity • 55% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
14% Popularity • 55% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Duncan Browne
My Only Son - 2002 Remaster
130 bpm • D Maj • 04:12 • -13db
15% Popularity • 60% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 31% Positiveness
15% Popularity • 60% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 31% Positiveness
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Seah Cheng Tat
Crazy
130 bpm • E min • 04:02 • -19.43db
16% Popularity • 75% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 75% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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NRBQ
Tragic Magic
129 bpm • C min • 01:52 • -11.53db
20% Popularity • 60% Danceability • 35% Energy • 18% Liveness
87% Instrumentalness • 59% Positiveness
20% Popularity • 60% Danceability • 35% Energy • 18% Liveness
87% Instrumentalness • 59% Positiveness
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Shelagh Mcdonald
Mirage
129 bpm • B min • 04:03 • -12.55db
11% Popularity • 67% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 67% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Heron
Gypsy Roads
132 bpm • D# Maj • 03:29 • -10.06db
6% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
6% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Dando Shaft
Rain
154 bpm • B min • 05:06 • -8.73db
17% Popularity • 29% Danceability • 72% Energy • 10% Liveness
5% Instrumentalness • 37% Positiveness
17% Popularity • 29% Danceability • 72% Energy • 10% Liveness
5% Instrumentalness • 37% Positiveness
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Dillard & Clark
Out On The Side
154 bpm • F# min • 03:49 • -17.95db
29% Popularity • 35% Danceability • 29% Energy • 11% Liveness
6% Instrumentalness • 44% Positiveness
29% Popularity • 35% Danceability • 29% Energy • 11% Liveness
6% Instrumentalness • 44% Positiveness
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Ronnie Lane
Done This One Before
129 bpm • D Maj • 03:31 • -8.01db
12% Popularity • 46% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 46% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Cowboy
Song Of Love And Peace
155 bpm • G Maj • 02:39 • -9.95db
25% Popularity • 58% Danceability • 52% Energy • 14% Liveness
2% Instrumentalness • 86% Positiveness
25% Popularity • 58% Danceability • 52% Energy • 14% Liveness
2% Instrumentalness • 86% Positiveness
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Slapp Happy
The Drum
155 bpm • G# Maj • 03:35 • -11db
31% Popularity • 59% Danceability • 68% Energy • 20% Liveness
6% Instrumentalness • 82% Positiveness
31% Popularity • 59% Danceability • 68% Energy • 20% Liveness
6% Instrumentalness • 82% Positiveness
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Heron
My Turn to Cry
130 bpm • A# Maj • 01:54 • -7.82db
5% Popularity • 64% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
5% Popularity • 64% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Kevin Ayers
Shouting in a Bucket Blues - 2003 Remast...
129 bpm • C Maj • 03:44 • -11db
29% Popularity • 68% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 68% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Emitt Rhodes
Live Till You Die
155 bpm • D Maj • 02:47 • -10.53db
30% Popularity • 43% Danceability • 48% Energy • 34% Liveness
19% Instrumentalness • 56% Positiveness
30% Popularity • 43% Danceability • 48% Energy • 34% Liveness
19% Instrumentalness • 56% Positiveness
