Songs like Yennama Kannu Sowkiyama (From "Mr. Bharath") by Malaysia Vasudevan
Based on a tempo of (+/- 10%) and a similar genre
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Malaysia Vasudevan
Yennama Kannu Sowkiyama
142 bpm • C Maj • 04:36 • -10.73db
40% Popularity • 82% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
40% Popularity • 82% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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P. B. Sreenivas
Ponnondru Kandaen
142 bpm • F min • 03:15 • -6db
27% Popularity • 45% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 45% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Deva
Singam Ondru
142 bpm • D Maj • 04:45 • -11.41db
23% Popularity • 74% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 74% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Manikka Vinayagam
Kattu Kattu
142 bpm • A min • 05:12 • -8.99db
57% Popularity • 86% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
57% Popularity • 86% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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A. M. Rajah
Raavoyi Chanamama Chandamma
142 bpm • F# min • 02:56 • -9.03db
19% Popularity • 64% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 64% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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K. J. Yesudas
Oorai Therinchikitten
142 bpm • A min • 04:08 • -7.99db
54% Popularity • 66% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
54% Popularity • 66% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Malaysia Vasudevan
Maamanukku Mayilapoorethaan
142 bpm • G# Maj • 04:36 • -8.56db
23% Popularity • 64% Danceability • 67% Energy • 81% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 64% Danceability • 67% Energy • 81% Liveness
0% Instrumentalness • 96% Positiveness
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D. Imman
Pidikkudhae
142 bpm • C min • 04:27 • -3.91db
43% Popularity • 68% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 68% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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P. Jayachandran
Kaathirunthu
141 bpm • C Maj • 04:21 • -9db
51% Popularity • 53% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
51% Popularity • 53% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Manikka Vinayagam
Theradi Veeethiyil Devathai
142 bpm • B min • 04:55 • -10.64db
44% Popularity • 84% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
44% Popularity • 84% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Uma Ramanan
Aagaya Vennilavae
141 bpm • E min • 04:37 • -9.85db
52% Popularity • 65% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
52% Popularity • 65% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Ilaiyaraaja
Maanguyile Poonguyile - Duet
140 bpm • A Maj • 04:26 • -12.99db
40% Popularity • 70% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 70% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Malaysia Vasudevan
Kakki Sattai Potta Machan
141 bpm • A Maj • 04:32 • -11.89db
43% Popularity • 78% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 78% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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G. V. Prakash
Unnale
140 bpm • A min • 01:43 • -12.17db
47% Popularity • 47% Danceability • 78% Energy • 22% Liveness
22% Instrumentalness • 17% Positiveness
47% Popularity • 47% Danceability • 78% Energy • 22% Liveness
22% Instrumentalness • 17% Positiveness
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Shreya Ghoshal
Elangathu
144 bpm • C Maj • 06:09 • -9db
53% Popularity • 69% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 69% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Vidyasagar
Kannukulle
144 bpm • C Maj • 04:44 • -8.25db
45% Popularity • 86% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 86% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Uma Ramanan
Dhaham
140 bpm • A min • 03:39 • -6.91db
35% Popularity • 70% Danceability • 45% Energy • 11% Liveness
69% Instrumentalness • 61% Positiveness
35% Popularity • 70% Danceability • 45% Energy • 11% Liveness
69% Instrumentalness • 61% Positiveness
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Thaman S
Enna Oru Enna Oru
140 bpm • C min • 04:30 • -6.74db
33% Popularity • 76% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 76% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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D. Imman
Onnum Puriyala
140 bpm • D min • 04:19 • -7db
55% Popularity • 55% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
55% Popularity • 55% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Deva
Panju Mittai
140 bpm • C# Maj • 04:56 • -3.13db
38% Popularity • 80% Danceability • 87% Energy • 31% Liveness
5% Instrumentalness • 89% Positiveness
38% Popularity • 80% Danceability • 87% Energy • 31% Liveness
5% Instrumentalness • 89% Positiveness
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S. N. Surendar
Maamarathu Poo
140 bpm • A Maj • 04:48 • -14db
22% Popularity • 39% Danceability • 45% Energy • 61% Liveness
82% Instrumentalness • 38% Positiveness
22% Popularity • 39% Danceability • 45% Energy • 61% Liveness
82% Instrumentalness • 38% Positiveness
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Ilaiyaraaja
Vaa Vaa Vaathiyare
139 bpm • G# Maj • 04:35 • -4.92db
37% Popularity • 43% Danceability • 91% Energy • 37% Liveness
7% Instrumentalness • 77% Positiveness
37% Popularity • 43% Danceability • 91% Energy • 37% Liveness
7% Instrumentalness • 77% Positiveness
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K. J. Yesudas
Unnai Thaney Thanjam
139 bpm • B Maj • 04:11 • -11.69db
36% Popularity • 61% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 61% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Sagar
Jabilammavo
145 bpm • C# min • 04:34 • -7db
52% Popularity • 74% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 74% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Parthasarathy, Chitra
Alloneredu Kalla
145 bpm • D min • 04:36 • -8.01db
53% Popularity • 78% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
53% Popularity • 78% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Hiphop Tamizha
Kuchi Mittai
145 bpm • F# min • 04:11 • -4db
51% Popularity • 69% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
51% Popularity • 69% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Yesudas
Vellarappoomala Mele
146 bpm • G# Maj • 04:16 • -6.95db
39% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Ilaiyaraaja
En Jodi Manja Kuruvi
138 bpm • A min • 05:39 • -12.77db
40% Popularity • 90% Danceability • 42% Energy • 20% Liveness
17% Instrumentalness • 73% Positiveness
40% Popularity • 90% Danceability • 42% Energy • 20% Liveness
17% Instrumentalness • 73% Positiveness
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Malaysia Vasudevan
Pethu Eduthavathaan
139 bpm • A min • 04:33 • -5.26db
47% Popularity • 75% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 75% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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S. P. Sailaja
Aasaiye Kaathule
147 bpm • A min • 04:40 • -9.19db
57% Popularity • 70% Danceability • 48% Energy • 8% Liveness
27% Instrumentalness • 52% Positiveness
57% Popularity • 70% Danceability • 48% Energy • 8% Liveness
27% Instrumentalness • 52% Positiveness
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Vidyasagar
Kannalay Miya Miya
137 bpm • A min • 04:54 • -10.58db
42% Popularity • 74% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
42% Popularity • 74% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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S. Janaki
Indha Minminikku
137 bpm • D# Maj • 04:27 • -5.98db
42% Popularity • 31% Danceability • 64% Energy • 62% Liveness
8% Instrumentalness • 68% Positiveness
42% Popularity • 31% Danceability • 64% Energy • 62% Liveness
8% Instrumentalness • 68% Positiveness
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Justin Prabhakaran
Enakkaaga Poranthaayae
137 bpm • D Maj • 03:41 • -4.41db
51% Popularity • 61% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 61% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Ilaiyaraaja
Kudagu Malai
138 bpm • C# min • 04:32 • -13.17db
22% Popularity • 59% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 59% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Siva Chidambaram
Vaadi Machiniye
148 bpm • D# Maj • 04:37 • -5.95db
47% Popularity • 62% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
47% Popularity • 62% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Malaysia Vasudevan
Pattukotta Ammalu
138 bpm • F# min • 04:45 • -8.93db
49% Popularity • 71% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
49% Popularity • 71% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Manikka Vinayagam
Aruva Meesai
148 bpm • F Maj • 04:44 • -7db
49% Popularity • 76% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
49% Popularity • 76% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Sunitha Sarathy
Dhoothu Varuma
148 bpm • D Maj • 04:41 • -4.44db
20% Popularity • 64% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 64% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Vijay Antony
Macha Kanni
148 bpm • B Maj • 04:50 • -4.81db
63% Popularity • 78% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
63% Popularity • 78% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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P. Jayachandran
Poove Eduthu
136 bpm • C# Maj • 04:32 • -9db
51% Popularity • 77% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
51% Popularity • 77% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Devi Sri Prasad
Orey Oru
148 bpm • F min • 03:57 • -3.13db
38% Popularity • 72% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 72% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
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Sadhana Sargam
Deewana Deewana
136 bpm • G min • 04:26 • -6.63db
41% Popularity • 73% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 73% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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T. M. Soundararajan
Adi Ennadi Raakkamma
135 bpm • F Maj • 03:39 • -9.8db
29% Popularity • 48% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 48% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Sabesh Murali
Nila Nee Vaanam
136 bpm • A min • 05:46 • -8db
50% Popularity • 75% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 75% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Vijay Antony
Mayam Seidhayo
135 bpm • D min • 04:14 • -7.45db
51% Popularity • 79% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
51% Popularity • 79% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Srikanth Deva
Nibuna Nibuna
135 bpm • C# min • 05:38 • -7.31db
25% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Malaysia Vasudevan
Aasai Nooru Vagai
149 bpm • A Maj • 04:19 • -10.55db
21% Popularity • 46% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 46% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 20% Positiveness
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Sean Roldan
Angel Of Raghuvaran - Iraivanai Thandha ...
135 bpm • G min • 03:13 • -7.24db
48% Popularity • 62% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 62% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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T. M. Soundararajan
Paramasivan Kazhutthil
149 bpm • C# Maj • 04:22 • -10.13db
28% Popularity • 28% Danceability • 57% Energy • 18% Liveness
2% Instrumentalness • 77% Positiveness
28% Popularity • 28% Danceability • 57% Energy • 18% Liveness
2% Instrumentalness • 77% Positiveness
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D. Imman
Verasa Pogayile
150 bpm • D min • 04:16 • -5.35db
47% Popularity • 60% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 60% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Mani Sharma
Appa Amma Vilayatta
150 bpm • G Maj • 04:45 • -6db
51% Popularity • 62% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
51% Popularity • 62% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Vijay Antony
Molachu Moonu
150 bpm • C# Maj • 04:52 • -9.51db
55% Popularity • 71% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
55% Popularity • 71% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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S. S Karunaas
Othakallu Othakallu
150 bpm • F# min • 04:19 • -7db
55% Popularity • 52% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
55% Popularity • 52% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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C. Sathya
Nandooruthu
150 bpm • D Maj • 04:20 • -8db
60% Popularity • 55% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 55% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Gana Ulaganathan
ValamenuKkum
133 bpm • E min • 04:41 • -5.41db
55% Popularity • 73% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
55% Popularity • 73% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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Jency
Deiveega Raagam
151 bpm • C# min • 04:21 • -12.87db
47% Popularity • 44% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
47% Popularity • 44% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
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Deva
Sirippu Varuthu
133 bpm • B min • 04:57 • -11.11db
50% Popularity • 81% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 81% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Ilaiyaraaja
Thenmadurai Vaigai Nadhi
133 bpm • A min • 04:32 • -13.47db
51% Popularity • 79% Danceability • 33% Energy • 6% Liveness
12% Instrumentalness • 61% Positiveness
51% Popularity • 79% Danceability • 33% Energy • 6% Liveness
12% Instrumentalness • 61% Positiveness
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Pushpavanam Kuppusamy
Aalana Naal Muthala
133 bpm • C# min • 05:08 • -5.75db
30% Popularity • 81% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 81% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Malaysia Vasudevan
Pattu Vanna Rosavam
133 bpm • D# min • 04:45 • -4.76db
13% Popularity • 31% Danceability • 68% Energy • 49% Liveness
2% Instrumentalness • 59% Positiveness
13% Popularity • 31% Danceability • 68% Energy • 49% Liveness
2% Instrumentalness • 59% Positiveness
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T. M. Soundararajan
Aaru Maname
133 bpm • A# min • 05:25 • -12db
25% Popularity • 37% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 37% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Gangai Amaran
Poojaiketha Poovithu
152 bpm • F# min • 04:27 • -11.67db
47% Popularity • 54% Danceability • 43% Energy • 16% Liveness
7% Instrumentalness • 76% Positiveness
47% Popularity • 54% Danceability • 43% Energy • 16% Liveness
7% Instrumentalness • 76% Positiveness
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Anuradha Sriram
Anbendru Mazhaieley Agilangal
132 bpm • C# Maj • 03:38 • -21.4db
35% Popularity • 44% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
35% Popularity • 44% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
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Mani Sharma
Vaa Chellam
132 bpm • C Maj • 05:05 • -4db
53% Popularity • 78% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 78% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
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Harish Raghavendra
Manasukkulle Dhagam
132 bpm • A min • 05:22 • -7db
42% Popularity • 75% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 75% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Malaysia Vasudevan
Vetti Veru Vasam
132 bpm • C min • 04:25 • -9.84db
49% Popularity • 58% Danceability • 37% Energy • 10% Liveness
52% Instrumentalness • 68% Positiveness
49% Popularity • 58% Danceability • 37% Energy • 10% Liveness
52% Instrumentalness • 68% Positiveness
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S. Janaki
Ninaivo Oru
132 bpm • G min • 04:44 • -8.32db
53% Popularity • 46% Danceability • 44% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
53% Popularity • 46% Danceability • 44% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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S. Balakrishanan
Paathiravaayi Neram
132 bpm • G min • 04:26 • -10.27db
47% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Ilayaraja
Vithiya
131 bpm • A Maj • 05:03 • -8.95db
17% Popularity • 61% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 61% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Deva
Kathadikkuthu Kathadikkuthu
153 bpm • D# min • 04:17 • -8db
59% Popularity • 78% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
59% Popularity • 78% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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K. S. Chithra
Unna Partha
154 bpm • G# Maj • 04:49 • -8.81db
31% Popularity • 71% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 71% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Jamuna Rani
Naan Sirithal Deepavali
154 bpm • G min • 04:46 • -8db
43% Popularity • 52% Danceability • 67% Energy • 10% Liveness
3% Instrumentalness • 96% Positiveness
43% Popularity • 52% Danceability • 67% Energy • 10% Liveness
3% Instrumentalness • 96% Positiveness
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S.A. Rajkumar
June July
131 bpm • A Maj • 04:32 • -8.53db
48% Popularity • 85% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 85% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Malaysia Vasudevan
Manithan Manithan
131 bpm • C min • 04:20 • -13.49db
22% Popularity • 70% Danceability • 44% Energy • 17% Liveness
85% Instrumentalness • 94% Positiveness
22% Popularity • 70% Danceability • 44% Energy • 17% Liveness
85% Instrumentalness • 94% Positiveness
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A.R. Rahman
Senthamizh Naatu Thamizhachiye
154 bpm • F# min • 04:14 • -16.41db
48% Popularity • 77% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 77% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Solar Sai
Jingu Chikka
130 bpm • D Maj • 03:55 • -6.09db
30% Popularity • 93% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 93% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Mukesh
Kacheri Kacheri
155 bpm • A min • 04:40 • -3.79db
55% Popularity • 73% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
55% Popularity • 73% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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D. Imman
Fy Fy Fy Kalaachify
130 bpm • C Maj • 04:08 • -5.1db
40% Popularity • 86% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
40% Popularity • 86% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Vijay Antony
Bombay Ponnu
130 bpm • E min • 03:54 • -7.31db
60% Popularity • 81% Danceability • 94% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
60% Popularity • 81% Danceability • 94% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
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Srikanth Deva
Kadhal Suthudhe
130 bpm • C Maj • 05:47 • -8.1db
41% Popularity • 63% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 63% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Srinivas
Nenjam Orumurai
130 bpm • F# Maj • 04:45 • -6.5db
43% Popularity • 80% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 80% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Berny-Ignatius
Thaamarappoovil - Version, 1
130 bpm • F min • 04:57 • -13.09db
50% Popularity • 75% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 75% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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G. V. Prakash
Kathaigalai Pesum
130 bpm • A min • 05:24 • -5.82db
45% Popularity • 75% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 75% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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D. Imman
Kanna Kaattu Podhum
130 bpm • C min • 04:29 • -3.35db
46% Popularity • 64% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 64% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
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Malaysia Vasudevan
Maamaavukku Kudumaa Kudumaa
130 bpm • A# Maj • 04:20 • -9.71db
30% Popularity • 84% Danceability • 57% Energy • 15% Liveness
80% Instrumentalness • 91% Positiveness
30% Popularity • 84% Danceability • 57% Energy • 15% Liveness
80% Instrumentalness • 91% Positiveness
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Tippu
Yey Aatha ("From MalaiKkottai" )
156 bpm • G Maj • 03:59 • -4.46db
53% Popularity • 74% Danceability • 90% Energy • 8% Liveness
11% Instrumentalness • 65% Positiveness
53% Popularity • 74% Danceability • 90% Energy • 8% Liveness
11% Instrumentalness • 65% Positiveness
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Manoj
Eetchi Elumichi
156 bpm • A# Maj • 06:45 • -10.87db
55% Popularity • 70% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
55% Popularity • 70% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Ouseppachan
Ormakal Odikkalikkuvaan - Version, 1
157 bpm • D Maj • 04:20 • -8.16db
37% Popularity • 58% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 58% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Asha Bhosle
Konjam Neram
129 bpm • C Maj • 04:31 • -4.8db
52% Popularity • 71% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
52% Popularity • 71% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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B.S. Sasirekha
Raththiri Neraththu
129 bpm • G Maj • 04:47 • -14.68db
19% Popularity • 41% Danceability • 32% Energy • 9% Liveness
30% Instrumentalness • 39% Positiveness
19% Popularity • 41% Danceability • 32% Energy • 9% Liveness
30% Instrumentalness • 39% Positiveness
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Harish Raghavendra
Enkiruthai
158 bpm • F min • 04:02 • -12.38db
39% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Vijay Antony
Ippadi Mazhai
128 bpm • G min • 04:24 • -9.64db
51% Popularity • 79% Danceability • 55% Energy • 10% Liveness
39% Instrumentalness • 69% Positiveness
51% Popularity • 79% Danceability • 55% Energy • 10% Liveness
39% Instrumentalness • 69% Positiveness
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Saisharan
Dang Dang - Soundtrack Version
128 bpm • G min • 04:23 • -5db
47% Popularity • 81% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
47% Popularity • 81% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Manikka Vinayagam
Mannarkudi Kalakalakka
158 bpm • C# min • 04:08 • -6.25db
39% Popularity • 70% Danceability • 91% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 70% Danceability • 91% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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Arunmozhi
Poonguil Pattu Putichirukka - Language: ...
158 bpm • D min • 04:07 • -3.75db
42% Popularity • 68% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 68% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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S. P. Sailaja
Mathana Mohana
128 bpm • A min • 04:51 • -9.11db
15% Popularity • 57% Danceability • 47% Energy • 7% Liveness
68% Instrumentalness • 91% Positiveness
15% Popularity • 57% Danceability • 47% Energy • 7% Liveness
68% Instrumentalness • 91% Positiveness
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Vasundhara Das
Shakalakka Baby ( From "Mudhalvan")
158 bpm • D Maj • 05:25 • -13.11db
39% Popularity • 71% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
39% Popularity • 71% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Shankar-Ehsaan-Loy
Unnai Kaanadhu Naan
127 bpm • G Maj • 05:37 • -7.63db
51% Popularity • 50% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 50% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
