Songs like Yeppatiki (Veyi Kannulatho) by R. P. Patnaik
Based on a tempo of (+/- 10%) and a similar genre
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Sandeep Chowta
Dhadak Dhadak
90 bpm • G Maj • 04:13 • -5.65db
41% Popularity • 77% Danceability • 76% Energy • 10% Liveness
3% Instrumentalness • 83% Positiveness
41% Popularity • 77% Danceability • 76% Energy • 10% Liveness
3% Instrumentalness • 83% Positiveness
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Sagar
Nammaka Tappani
90 bpm • A min • 04:32 • -8db
58% Popularity • 72% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
58% Popularity • 72% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Rajesh
Ee Chota Nuvvunna
90 bpm • F min • 04:08 • -7.11db
50% Popularity • 66% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
50% Popularity • 66% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Hariharan
Nanu Preminchananu-Sad
90 bpm • A Maj • 06:13 • -8.91db
42% Popularity • 59% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 59% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Unnikrishnan
Roja Roja
90 bpm • D Maj • 05:52 • -18db
19% Popularity • 66% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 66% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Kousalya
Koncham Karanga
90 bpm • G# Maj • 04:26 • -8.62db
40% Popularity • 64% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 64% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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R. P. Patnaik
Yeppatiki (Veyi Kannulatho)
90 bpm • G Maj • 03:23 • -10db
37% Popularity • 61% Danceability • 79% Energy • 72% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 61% Danceability • 79% Energy • 72% Liveness
0% Instrumentalness • 66% Positiveness
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Chakri
Venello Hai
90 bpm • B Maj • 04:29 • -7.57db
52% Popularity • 80% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
52% Popularity • 80% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Suneetha
Andangalena
90 bpm • E Maj • 04:20 • -8db
43% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Udit Narayan
Naatho Vasthavaa
90 bpm • F min • 04:53 • -8db
51% Popularity • 67% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
51% Popularity • 67% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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S.P. Charan
Etelli Pothundo Manasu
90 bpm • G min • 05:25 • -6.95db
3% Popularity • 74% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
3% Popularity • 74% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Lipsika Bhashyam
Oh My Love
90 bpm • D min • 04:33 • -9.79db
36% Popularity • 59% Danceability • 61% Energy • 12% Liveness
3% Instrumentalness • 33% Positiveness
36% Popularity • 59% Danceability • 61% Energy • 12% Liveness
3% Instrumentalness • 33% Positiveness
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R. P. Patnaik
Neelo Unnadhi
90 bpm • F min • 04:00 • -6db
23% Popularity • 63% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 63% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Nagarjuna
Dikka Dikka Dum Dum
90 bpm • C# Maj • 04:08 • -6db
43% Popularity • 85% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
43% Popularity • 85% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Venu Srirangam
Soundarya
90 bpm • G min • 05:02 • -6.68db
43% Popularity • 55% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 55% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Parupalli ranganad
Andhari Daivamaya
90 bpm • D min • 05:44 • -5.59db
6% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
6% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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S.P. Charan
Oka Thotalo
90 bpm • F min • 03:54 • -6db
39% Popularity • 75% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 75% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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M. M. Keeravani
Dhammu
89 bpm • C min • 04:18 • -6.06db
39% Popularity • 80% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
39% Popularity • 80% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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R. P. Patnaik
Veyi Kannulatho
90 bpm • G Maj • 02:19 • -10db
51% Popularity • 60% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
51% Popularity • 60% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Rahul Nambiar
Hosanna
91 bpm • D# min • 04:42 • -8.48db
34% Popularity • 68% Danceability • 66% Energy • 9% Liveness
8% Instrumentalness • 65% Positiveness
34% Popularity • 68% Danceability • 66% Energy • 9% Liveness
8% Instrumentalness • 65% Positiveness
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Usha
Nuvvante Naaku Istam
88 bpm • D# min • 01:18 • -13.74db
27% Popularity • 20% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 20% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Tippu
Chakkani Bike Undi
92 bpm • A min • 04:03 • -2.94db
48% Popularity • 82% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
48% Popularity • 82% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Devi Sri Prasad
Excuse Me
92 bpm • B min • 04:48 • -8.62db
2% Popularity • 79% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
2% Popularity • 79% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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M. M. Keeravani
Nenunnanani
92 bpm • D Maj • 03:31 • -7.56db
53% Popularity • 60% Danceability • 66% Energy • 58% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 60% Danceability • 66% Energy • 58% Liveness
0% Instrumentalness • 35% Positiveness
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R. P. Patnaik
Preethi Akke
90 bpm • F min • 05:19 • -7.39db
4% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
4% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Chakri
Gundello Edo Sadi
92 bpm • E min • 04:12 • -9db
43% Popularity • 72% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 72% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Usha
Slokam
91 bpm • C Maj • 01:18 • -6.22db
3% Popularity • 38% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
3% Popularity • 38% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Unnikrishnan
Madhura Madhuratara
92 bpm • D Maj • 05:33 • -7.8db
42% Popularity • 73% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 73% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Devi Sri Prasad
Kariga Loga - D-Plugged
92 bpm • C min • 02:54 • -7.85db
48% Popularity • 62% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 62% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Hariharan
Gummadi Gummadi
92 bpm • D Maj • 04:50 • -9.16db
48% Popularity • 78% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 78% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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R. P. Patnaik
Endhuke Ila
89 bpm • A# min • 03:53 • -5.29db
45% Popularity • 45% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 45% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Udit Narayan
Elavachenamma
92 bpm • G Maj • 04:33 • -5.36db
36% Popularity • 76% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 76% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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Malavika
Evarulerani
88 bpm • A min • 04:31 • -8.68db
47% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Shweta Mohan
Rangule
92 bpm • G min • 04:17 • -6.39db
35% Popularity • 68% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 68% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Rajesh
Nuvvante Naakishtamani
88 bpm • A min • 05:00 • -6db
51% Popularity • 68% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
51% Popularity • 68% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Hariharan
Vasthane Vasthane
92 bpm • F Maj • 04:41 • -6.85db
39% Popularity • 75% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 75% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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R. P. Patnaik
Bhagavadgeetha, Chapter. 12
91 bpm • D Maj • 05:24 • -8.04db
2% Popularity • 70% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
2% Popularity • 70% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Mickey J. Meyer
Nandalaala
88 bpm • B Maj • 04:09 • -8db
34% Popularity • 67% Danceability • 53% Energy • 11% Liveness
17% Instrumentalness • 69% Positiveness
34% Popularity • 67% Danceability • 53% Energy • 11% Liveness
17% Instrumentalness • 69% Positiveness
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Swarnalatha
Adireti
88 bpm • C# Maj • 05:51 • -14db
41% Popularity • 84% Danceability • 58% Energy • 20% Liveness
1% Instrumentalness • 52% Positiveness
41% Popularity • 84% Danceability • 58% Energy • 20% Liveness
1% Instrumentalness • 52% Positiveness
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Mallikarjun
Paduchu Bangarama
88 bpm • F min • 04:57 • -8.69db
46% Popularity • 72% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
46% Popularity • 72% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Usha
Chinuku Thadiki
92 bpm • D# min • 04:59 • -8.43db
38% Popularity • 58% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 58% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Rajesh
Poolalo Thene Prema
93 bpm • E min • 04:16 • -8.68db
38% Popularity • 60% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 60% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Parupalli ranganad
Narasimha Devaya Namaha
92 bpm • F# Maj • 05:17 • -6.69db
7% Popularity • 63% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 63% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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P.S.Ranganath
Hara Shambu Shankara
87 bpm • A Maj • 05:21 • -8.28db
7% Popularity • 34% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 34% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Srivardhani Kuchi
Nallani Mabbu
93 bpm • D Maj • 04:37 • -7.11db
35% Popularity • 50% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 50% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Chakri
O Maghuve Neetho
93 bpm • G# Maj • 05:57 • -6.92db
45% Popularity • 68% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 68% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Adnan Sami
Bhoogolamamntha
93 bpm • G Maj • 04:18 • -8.35db
41% Popularity • 82% Danceability • 95% Energy • 10% Liveness
5% Instrumentalness • 58% Positiveness
41% Popularity • 82% Danceability • 95% Energy • 10% Liveness
5% Instrumentalness • 58% Positiveness
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Gopika Poornima
Pallakivye
93 bpm • G Maj • 04:45 • -7.5db
33% Popularity • 80% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 80% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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R. P. Patnaik
Evvaru Emanna
87 bpm • F Maj • 04:07 • -5db
35% Popularity • 64% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 64% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Mallikarjun
Gunnamavi
87 bpm • G min • 04:19 • -3.89db
26% Popularity • 65% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 65% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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Sagar
Jatha Kalise
87 bpm • C Maj • 03:44 • -6.39db
51% Popularity • 78% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 78% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Venu Srirangam
Gundello Emundho
94 bpm • C# min • 04:19 • -12.17db
57% Popularity • 80% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
57% Popularity • 80% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Deepu
Love U Raa
94 bpm • F min • 04:50 • -5.75db
49% Popularity • 84% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 84% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Jr. NTR
Chary (Where Is The Panchakattu)
94 bpm • A min • 04:48 • -3db
44% Popularity • 79% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 79% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Kousalya
Ee Roje
94 bpm • E min • 04:51 • -6.65db
47% Popularity • 76% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
47% Popularity • 76% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Mallikarjun
Rama Rama
87 bpm • G Maj • 05:17 • -7.89db
43% Popularity • 59% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 59% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Ravi Varma
Style Style
86 bpm • C# Maj • 04:37 • -9.26db
36% Popularity • 57% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 57% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Mickey J. Meyer
Naalo Nenu
94 bpm • C# min • 03:46 • -5.32db
51% Popularity • 71% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 71% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Kushi Murali
Killi Killi
86 bpm • D Maj • 04:09 • -6db
49% Popularity • 79% Danceability • 84% Energy • 2% Liveness
0% Instrumentalness • 76% Positiveness
49% Popularity • 79% Danceability • 84% Energy • 2% Liveness
0% Instrumentalness • 76% Positiveness
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Unni Menon
Dhandiya
94 bpm • F# Maj • 07:49 • -14.17db
18% Popularity • 43% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 43% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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R. P. Patnaik
Cheppave Prema
94 bpm • A min • 05:17 • -4db
48% Popularity • 50% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
48% Popularity • 50% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Sravani
Sukhibhava Annaru
86 bpm • B min • 04:15 • -8.42db
11% Popularity • 68% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 68% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Usha
Edo Edo
95 bpm • G min • 05:01 • -10.96db
39% Popularity • 41% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 41% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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KK
Cheli Nee Vypu Choose
95 bpm • G Maj • 04:52 • -8.35db
6% Popularity • 70% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
6% Popularity • 70% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Ramya Behara
Undipo
95 bpm • D min • 05:03 • -4.43db
48% Popularity • 60% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 60% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Tanishka, Sonalika
Tooneega
95 bpm • F Maj • 04:21 • -14.01db
7% Popularity • 75% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 75% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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R. P. Patnaik
Jayam
95 bpm • G Maj • 01:52 • -5.88db
31% Popularity • 55% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 55% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Rajesh
Innallu
95 bpm • G# Maj • 04:13 • -8.41db
23% Popularity • 65% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 65% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Sanjeevini
Thuneega Thuneega
95 bpm • G Maj • 04:23 • -4db
39% Popularity • 76% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
39% Popularity • 76% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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KK
Nuvve Naku Pranam
95 bpm • G Maj • 03:50 • -3.44db
32% Popularity • 62% Danceability • 88% Energy • 46% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 62% Danceability • 88% Energy • 46% Liveness
0% Instrumentalness • 36% Positiveness
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Malgudi Subha
Pakado Pakado
95 bpm • D Maj • 04:00 • -2.93db
38% Popularity • 78% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 78% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Hariharan
Mona Mona
95 bpm • B min • 05:39 • -6.58db
43% Popularity • 68% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 68% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Devi Sri Prasad
Cheliya Cheliya
95 bpm • C Maj • 04:53 • -7.91db
46% Popularity • 80% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 80% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Vijay Prakash
Bagundhey
95 bpm • G# Maj • 05:19 • -5.45db
42% Popularity • 71% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 71% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Sumangaly
Nuvvu Nuvvu
95 bpm • C# min • 05:33 • -8.55db
59% Popularity • 81% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
59% Popularity • 81% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Sagar
Padam Kadala
95 bpm • C# Maj • 01:08 • -8.9db
51% Popularity • 79% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 79% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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R. P. Patnaik
Ounani
95 bpm • E min • 04:35 • -6.62db
36% Popularity • 82% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 82% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Jassie Gift
Kandi Chenu Kada
95 bpm • A# min • 06:12 • -7.55db
48% Popularity • 82% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 82% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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S.P. Charan
Chinna Chirunavvutoti
95 bpm • F Maj • 04:44 • -1.61db
26% Popularity • 64% Danceability • 92% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 64% Danceability • 92% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
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Saandip
Naa Gundelo
95 bpm • A# min • 04:50 • -3.24db
38% Popularity • 62% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 62% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Pushpavanam Kuppusamy
Gongoora Thota
95 bpm • A# min • 04:51 • -7.66db
45% Popularity • 75% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
45% Popularity • 75% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Hariharan
Hima Seemallo
85 bpm • D Maj • 05:39 • -11.53db
47% Popularity • 56% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 56% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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R. P. Patnaik
Yenduko Yemito
95 bpm • A# min • 04:08 • -7.52db
28% Popularity • 74% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 74% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Vijay Yesudas
Nuvvante Pranamani
85 bpm • D Maj • 03:56 • -6.07db
44% Popularity • 48% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
44% Popularity • 48% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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M. M. Keeravani
Hylessa
96 bpm • A min • 04:16 • -7.14db
44% Popularity • 59% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 59% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Unnikrishnan
O Cheliya
96 bpm • D# Maj • 05:09 • -8.4db
45% Popularity • 45% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 45% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Ravi Varma
Cheliya Cheliya
96 bpm • F min • 05:18 • -6.57db
53% Popularity • 78% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
53% Popularity • 78% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Sagar
Naa Pedavulu
96 bpm • D min • 04:04 • -10.13db
33% Popularity • 81% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 81% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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R. P. Patnaik
Vaana Vaana
95 bpm • G Maj • 04:11 • -5.31db
21% Popularity • 71% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 71% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Clinton
Egire Egire
96 bpm • D Maj • 04:06 • -7.14db
48% Popularity • 59% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 59% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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K.K, Sunitha
Veluthunna
96 bpm • C# min • 04:36 • -6.94db
34% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Sowmya Raoh
Welcome Kanakam
84 bpm • B min • 04:20 • -5.69db
51% Popularity • 73% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 73% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Ravi Varma
Nuziveedu Sonia
84 bpm • G Maj • 04:13 • -6db
41% Popularity • 73% Danceability • 94% Energy • 79% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 73% Danceability • 94% Energy • 79% Liveness
0% Instrumentalness • 76% Positiveness
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Vasu
Adaragottu
84 bpm • G Maj • 04:51 • -7db
42% Popularity • 56% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 56% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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R. P. Patnaik
Nee Kosam
85 bpm • E min • 04:08 • -9.4db
35% Popularity • 60% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 60% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Sagar
Box Badhalai Poyi
96 bpm • G Maj • 03:33 • -2.3db
49% Popularity • 83% Danceability • 95% Energy • 64% Liveness
1% Instrumentalness • 81% Positiveness
49% Popularity • 83% Danceability • 95% Energy • 64% Liveness
1% Instrumentalness • 81% Positiveness
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Usha
Dil Deewana Main Haseena
84 bpm • A Maj • 04:15 • -7.32db
35% Popularity • 67% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 67% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Harish Raghavendra
Inthandanga
97 bpm • D Maj • 04:03 • -7.99db
40% Popularity • 79% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 79% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
