Songs like Yesterday With Spanish Guitar by Salvador Andrades
Based on a tempo of (+/- 10%) and a similar genre
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Salvador Andrades
Spanish Romance
120 bpm • E min • 03:14 • -8.26db
5% Popularity • 80% Danceability • 66% Energy • 11% Liveness
83% Instrumentalness • 95% Positiveness
5% Popularity • 80% Danceability • 66% Energy • 11% Liveness
83% Instrumentalness • 95% Positiveness
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Ramon Solé
Cuando Vuelva a Tu Lado
120 bpm • G Maj • 02:40 • -8db
34% Popularity • 63% Danceability • 70% Energy • 5% Liveness
51% Instrumentalness • 82% Positiveness
34% Popularity • 63% Danceability • 70% Energy • 5% Liveness
51% Instrumentalness • 82% Positiveness
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Stars Magical Orchestra
Volver a Empezar
120 bpm • A min • 04:05 • -13.02db
24% Popularity • 65% Danceability • 44% Energy • 6% Liveness
87% Instrumentalness • 31% Positiveness
24% Popularity • 65% Danceability • 44% Energy • 6% Liveness
87% Instrumentalness • 31% Positiveness
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Juan Del Rio
La Leyenda De Beso
120 bpm • A min • 03:55 • -12db
18% Popularity • 70% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
18% Popularity • 70% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
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flamenco
La Paloma
120 bpm • C Maj • 01:51 • -14db
28% Popularity • 74% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 58% Positiveness
28% Popularity • 74% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 58% Positiveness
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Pablo De Luca
Cinema Paradiso
120 bpm • A# Maj • 03:12 • -22db
32% Popularity • 70% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 31% Positiveness
32% Popularity • 70% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 31% Positiveness
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Salvador Andrades
Amapola
120 bpm • B min • 02:51 • -6.98db
8% Popularity • 73% Danceability • 53% Energy • 9% Liveness
85% Instrumentalness • 70% Positiveness
8% Popularity • 73% Danceability • 53% Energy • 9% Liveness
85% Instrumentalness • 70% Positiveness
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Manny Olivera
Nosotros
120 bpm • D Maj • 02:31 • -9db
22% Popularity • 68% Danceability • 55% Energy • 16% Liveness
84% Instrumentalness • 48% Positiveness
22% Popularity • 68% Danceability • 55% Energy • 16% Liveness
84% Instrumentalness • 48% Positiveness
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Luis Siu Riveron
Besame Mucho - Instrumental
120 bpm • D min • 03:20 • -13db
39% Popularity • 63% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 71% Positiveness
39% Popularity • 63% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 71% Positiveness
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Mario Pompetti
El Paso How You Hurt Me
120 bpm • C Maj • 04:19 • -17db
11% Popularity • 87% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 39% Positiveness
11% Popularity • 87% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 39% Positiveness
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Mark Barnwell
Santa Rosa
120 bpm • A min • 02:52 • -12db
28% Popularity • 79% Danceability • 34% Energy • 17% Liveness
60% Instrumentalness • 60% Positiveness
28% Popularity • 79% Danceability • 34% Energy • 17% Liveness
60% Instrumentalness • 60% Positiveness
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Seis Cuerdas Magicas
La Golondrina
120 bpm • A min • 02:39 • -7db
16% Popularity • 76% Danceability • 59% Energy • 14% Liveness
32% Instrumentalness • 83% Positiveness
16% Popularity • 76% Danceability • 59% Energy • 14% Liveness
32% Instrumentalness • 83% Positiveness
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Salvador Andrades
Yesterday With Spanish Guitar
120 bpm • F Maj • 03:20 • -16.49db
16% Popularity • 83% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 30% Positiveness
16% Popularity • 83% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 30% Positiveness
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Green Planet Studio
Feeling (Animals and Sounds of the Ocean...
120 bpm • E min • 05:01 • -17.44db
0% Popularity • 68% Danceability • 33% Energy • 32% Liveness
89% Instrumentalness • 37% Positiveness
0% Popularity • 68% Danceability • 33% Energy • 32% Liveness
89% Instrumentalness • 37% Positiveness
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Luis Siu Riveron
Asi Bailaba Cuba - Instrumental
120 bpm • A min • 05:33 • -14db
32% Popularity • 67% Danceability • 34% Energy • 18% Liveness
93% Instrumentalness • 76% Positiveness
32% Popularity • 67% Danceability • 34% Energy • 18% Liveness
93% Instrumentalness • 76% Positiveness
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Luke Gartner-Brereton
Amber Strings
120 bpm • D Maj • 01:29 • -12db
23% Popularity • 72% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 30% Positiveness
23% Popularity • 72% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 30% Positiveness
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Michael Zanabili
Anhelo
120 bpm • A min • 03:04 • -11.39db
23% Popularity • 69% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
23% Popularity • 69% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
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Seis Cuerdas Magicas
Ansiedad
120 bpm • C Maj • 02:54 • -7db
15% Popularity • 79% Danceability • 47% Energy • 16% Liveness
84% Instrumentalness • 79% Positiveness
15% Popularity • 79% Danceability • 47% Energy • 16% Liveness
84% Instrumentalness • 79% Positiveness
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Discovey Light Orchestra
Concierto de Aranjuez
120 bpm • B min • 03:38 • -12db
51% Popularity • 26% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 16% Positiveness
51% Popularity • 26% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 16% Positiveness
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Salvador Andrades
Feeling
120 bpm • E min • 04:08 • -19.34db
0% Popularity • 79% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 30% Positiveness
0% Popularity • 79% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 30% Positiveness
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Zariz
Minueto en Sol Mayor
120 bpm • G Maj • 02:33 • -12.08db
15% Popularity • 93% Danceability • 29% Energy • 12% Liveness
95% Instrumentalness • 88% Positiveness
15% Popularity • 93% Danceability • 29% Energy • 12% Liveness
95% Instrumentalness • 88% Positiveness
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Green Planet Studio
Yerterday (A Classic Hit and Sound Effec...
120 bpm • F Maj • 03:51 • -19.61db
0% Popularity • 66% Danceability • 26% Energy • 57% Liveness
81% Instrumentalness • 33% Positiveness
0% Popularity • 66% Danceability • 26% Energy • 57% Liveness
81% Instrumentalness • 33% Positiveness
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Juan Del Rio
Carmen
120 bpm • D Maj • 03:04 • -12db
20% Popularity • 76% Danceability • 21% Energy • 13% Liveness
87% Instrumentalness • 35% Positiveness
20% Popularity • 76% Danceability • 21% Energy • 13% Liveness
87% Instrumentalness • 35% Positiveness
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Seis Cuerdas Magicas
A Media Luz
120 bpm • A Maj • 03:21 • -6db
13% Popularity • 77% Danceability • 49% Energy • 11% Liveness
92% Instrumentalness • 53% Positiveness
13% Popularity • 77% Danceability • 49% Energy • 11% Liveness
92% Instrumentalness • 53% Positiveness
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Manny Olivera
Cuando Vuelva A Tu Lado
120 bpm • F Maj • 02:01 • -11db
29% Popularity • 68% Danceability • 45% Energy • 14% Liveness
93% Instrumentalness • 69% Positiveness
29% Popularity • 68% Danceability • 45% Energy • 14% Liveness
93% Instrumentalness • 69% Positiveness
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Salvador Andrades
Feelings With Spanish Guitar
120 bpm • E min • 04:10 • -15.18db
10% Popularity • 79% Danceability • 12% Energy • 13% Liveness
40% Instrumentalness • 17% Positiveness
10% Popularity • 79% Danceability • 12% Energy • 13% Liveness
40% Instrumentalness • 17% Positiveness
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Paul Latin
Adagio
120 bpm • E min • 02:55 • -12.62db
16% Popularity • 58% Danceability • 10% Energy • 12% Liveness
80% Instrumentalness • 22% Positiveness
16% Popularity • 58% Danceability • 10% Energy • 12% Liveness
80% Instrumentalness • 22% Positiveness
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Mateo Garcia
Spanish Gypsy Guitar
120 bpm • D# Maj • 02:37 • -13.58db
29% Popularity • 53% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
29% Popularity • 53% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
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Manuel Olivera Almada
Nosotros
120 bpm • D Maj • 02:26 • -10.09db
49% Popularity • 61% Danceability • 57% Energy • 17% Liveness
84% Instrumentalness • 60% Positiveness
49% Popularity • 61% Danceability • 57% Energy • 17% Liveness
84% Instrumentalness • 60% Positiveness
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Waldir Silva
Frenesi
119 bpm • A# Maj • 02:39 • -6.84db
30% Popularity • 78% Danceability • 70% Energy • 12% Liveness
62% Instrumentalness • 84% Positiveness
30% Popularity • 78% Danceability • 70% Energy • 12% Liveness
62% Instrumentalness • 84% Positiveness
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flamenco
Tributo
121 bpm • D min • 03:11 • -17.89db
28% Popularity • 81% Danceability • 32% Energy • 9% Liveness
76% Instrumentalness • 75% Positiveness
28% Popularity • 81% Danceability • 32% Energy • 9% Liveness
76% Instrumentalness • 75% Positiveness
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Salvador Andrades
Yerterday
120 bpm • F Maj • 03:19 • -22.71db
1% Popularity • 85% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 27% Positiveness
1% Popularity • 85% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 27% Positiveness
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Morenito De Illora
Se Me Va Tu Amor
119 bpm • G min • 05:45 • -5.31db
1% Popularity • 67% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
1% Popularity • 67% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Liona & Serena Strings
Avinu Malkenu
121 bpm • F min • 03:20 • -8.85db
0% Popularity • 48% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 48% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Arpa Romántica
Candilejas
121 bpm • E Maj • 02:35 • -9db
34% Popularity • 34% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
34% Popularity • 34% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Lyra
Anthem
118 bpm • C Maj • 05:19 • -21.79db
14% Popularity • 37% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
14% Popularity • 37% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
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Juan Del Rio
Romance Anónimo
122 bpm • E min • 02:00 • -9.87db
25% Popularity • 70% Danceability • 36% Energy • 16% Liveness
83% Instrumentalness • 34% Positiveness
25% Popularity • 70% Danceability • 36% Energy • 16% Liveness
83% Instrumentalness • 34% Positiveness
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Mutenrohi
Lavarion
118 bpm • B min • 03:17 • -11.01db
12% Popularity • 20% Danceability • 25% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
12% Popularity • 20% Danceability • 25% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Juan España
Lambada
118 bpm • D min • 03:25 • -6.53db
24% Popularity • 74% Danceability • 80% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
24% Popularity • 74% Danceability • 80% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
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Peter Godfrey
Slow Cooking - Spanish/Latin Style
122 bpm • A min • 03:26 • -18db
12% Popularity • 77% Danceability • 23% Energy • 18% Liveness
89% Instrumentalness • 72% Positiveness
12% Popularity • 77% Danceability • 23% Energy • 18% Liveness
89% Instrumentalness • 72% Positiveness
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Ronald Valentino
Marcha Turca
122 bpm • A min • 02:35 • -6db
46% Popularity • 65% Danceability • 69% Energy • 23% Liveness
77% Instrumentalness • 97% Positiveness
46% Popularity • 65% Danceability • 69% Energy • 23% Liveness
77% Instrumentalness • 97% Positiveness
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Manuel Angel y Su Arpa Maravillosa
Noches de Barcelona
118 bpm • G Maj • 03:05 • -10db
28% Popularity • 67% Danceability • 55% Energy • 7% Liveness
47% Instrumentalness • 92% Positiveness
28% Popularity • 67% Danceability • 55% Energy • 7% Liveness
47% Instrumentalness • 92% Positiveness
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Juan Del Rio
Bésame Mucho
122 bpm • G min • 02:11 • -10.71db
35% Popularity • 78% Danceability • 42% Energy • 10% Liveness
87% Instrumentalness • 84% Positiveness
35% Popularity • 78% Danceability • 42% Energy • 10% Liveness
87% Instrumentalness • 84% Positiveness
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Luke Gartner-Brereton
Olive Strings
122 bpm • G Maj • 02:17 • -24.6db
12% Popularity • 47% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
12% Popularity • 47% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Esteban Delano
Bella Donna
123 bpm • F# min • 02:19 • -14db
36% Popularity • 69% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
36% Popularity • 69% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
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Guitarras De Oro
La Cumparsita (Guitar Version)
117 bpm • A min • 02:55 • -17.04db
10% Popularity • 72% Danceability • 19% Energy • 34% Liveness
90% Instrumentalness • 59% Positiveness
10% Popularity • 72% Danceability • 19% Energy • 34% Liveness
90% Instrumentalness • 59% Positiveness
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El Niño de la Guitarra
Entre Dos Aguas
117 bpm • E min • 05:16 • -8.94db
16% Popularity • 42% Danceability • 72% Energy • 17% Liveness
87% Instrumentalness • 79% Positiveness
16% Popularity • 42% Danceability • 72% Energy • 17% Liveness
87% Instrumentalness • 79% Positiveness
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Diego De Cossio
Viento
123 bpm • A Maj • 02:25 • -16.61db
18% Popularity • 44% Danceability • 22% Energy • 8% Liveness
92% Instrumentalness • 36% Positiveness
18% Popularity • 44% Danceability • 22% Energy • 8% Liveness
92% Instrumentalness • 36% Positiveness
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Juan Del Rio
Sevilla
117 bpm • G Maj • 03:20 • -10db
18% Popularity • 66% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 63% Positiveness
18% Popularity • 66% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 63% Positiveness
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Ottmar Liebert
Dancing Under The Moon
116 bpm • C Maj • 04:38 • -8.74db
30% Popularity • 67% Danceability • 77% Energy • 5% Liveness
78% Instrumentalness • 94% Positiveness
30% Popularity • 67% Danceability • 77% Energy • 5% Liveness
78% Instrumentalness • 94% Positiveness
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Paul Latin
Quiereme Mucho
124 bpm • D# Maj • 03:11 • -11db
19% Popularity • 68% Danceability • 37% Energy • 10% Liveness
66% Instrumentalness • 65% Positiveness
19% Popularity • 68% Danceability • 37% Energy • 10% Liveness
66% Instrumentalness • 65% Positiveness
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Mark Barnwell
Moonstone
116 bpm • F# min • 04:49 • -9.58db
39% Popularity • 74% Danceability • 45% Energy • 32% Liveness
90% Instrumentalness • 57% Positiveness
39% Popularity • 74% Danceability • 45% Energy • 32% Liveness
90% Instrumentalness • 57% Positiveness
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Esteban Delano
Gipsy Sister
125 bpm • E min • 02:36 • -17db
33% Popularity • 79% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 62% Positiveness
33% Popularity • 79% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 62% Positiveness
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Salvador Andrades
La Paloma
115 bpm • C Maj • 04:03 • -8.39db
18% Popularity • 79% Danceability • 49% Energy • 9% Liveness
83% Instrumentalness • 38% Positiveness
18% Popularity • 79% Danceability • 49% Energy • 9% Liveness
83% Instrumentalness • 38% Positiveness
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Juan Del Rio
Pérfida
116 bpm • C Maj • 03:04 • -16db
33% Popularity • 73% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 66% Positiveness
33% Popularity • 73% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 66% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Y la Amo
115 bpm • C# min • 02:44 • -8.77db
44% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Paul Latin
Aquellos Ojos Verdes
115 bpm • D Maj • 01:48 • -7db
42% Popularity • 78% Danceability • 70% Energy • 18% Liveness
86% Instrumentalness • 89% Positiveness
42% Popularity • 78% Danceability • 70% Energy • 18% Liveness
86% Instrumentalness • 89% Positiveness
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Marco Vinicio
Para Elisa (Panpipe version)
115 bpm • E min • 03:29 • -5.96db
32% Popularity • 73% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 73% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Glen Lucas
Sacrifice
115 bpm • C# Maj • 04:52 • -16db
34% Popularity • 72% Danceability • 37% Energy • 4% Liveness
71% Instrumentalness • 38% Positiveness
34% Popularity • 72% Danceability • 37% Energy • 4% Liveness
71% Instrumentalness • 38% Positiveness
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Salvador Andrades
Perfidia
115 bpm • G Maj • 03:20 • -5.97db
7% Popularity • 78% Danceability • 48% Energy • 10% Liveness
82% Instrumentalness • 48% Positiveness
7% Popularity • 78% Danceability • 48% Energy • 10% Liveness
82% Instrumentalness • 48% Positiveness
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Los Tres Mariquitas
Cerezo Rosa
125 bpm • D Maj • 03:04 • -9.83db
37% Popularity • 70% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 82% Positiveness
37% Popularity • 70% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 82% Positiveness
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Creol
2 The Night (Ottmar Liebert)
115 bpm • A min • 04:05 • -12db
35% Popularity • 68% Danceability • 67% Energy • 14% Liveness
95% Instrumentalness • 97% Positiveness
35% Popularity • 68% Danceability • 67% Energy • 14% Liveness
95% Instrumentalness • 97% Positiveness
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Richard Clayderman
I Just Called To Say I Love You
115 bpm • C# Maj • 03:43 • -16.81db
25% Popularity • 42% Danceability • 18% Energy • 12% Liveness
64% Instrumentalness • 12% Positiveness
25% Popularity • 42% Danceability • 18% Energy • 12% Liveness
64% Instrumentalness • 12% Positiveness
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Incendio
Rosanna
126 bpm • A# Maj • 03:24 • -9db
24% Popularity • 45% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 51% Positiveness
24% Popularity • 45% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 51% Positiveness
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Ottmar Liebert
Borrasca
126 bpm • A min • 03:34 • -9.8db
26% Popularity • 72% Danceability • 72% Energy • 10% Liveness
82% Instrumentalness • 40% Positiveness
26% Popularity • 72% Danceability • 72% Energy • 10% Liveness
82% Instrumentalness • 40% Positiveness
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Salvador Andrades
Piel Canela (Spanish Guitar Version)
114 bpm • G Maj • 02:44 • -5.1db
7% Popularity • 60% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
7% Popularity • 60% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
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Paola HermosÃn
El Gato Montés, Pasodoble torero para G...
114 bpm • A Maj • 01:32 • -10.28db
17% Popularity • 59% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 69% Positiveness
17% Popularity • 59% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 69% Positiveness
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Global Village Players
Sweet Awakening
114 bpm • D Maj • 02:06 • -11.66db
28% Popularity • 69% Danceability • 26% Energy • 14% Liveness
88% Instrumentalness • 23% Positiveness
28% Popularity • 69% Danceability • 26% Energy • 14% Liveness
88% Instrumentalness • 23% Positiveness
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Ramon Solé
Piel Canela
114 bpm • A Maj • 02:46 • -8db
29% Popularity • 74% Danceability • 78% Energy • 6% Liveness
43% Instrumentalness • 90% Positiveness
29% Popularity • 74% Danceability • 78% Energy • 6% Liveness
43% Instrumentalness • 90% Positiveness
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Guitarra Azul
Brisa Caliente
114 bpm • F# min • 03:34 • -7.22db
34% Popularity • 83% Danceability • 47% Energy • 6% Liveness
74% Instrumentalness • 80% Positiveness
34% Popularity • 83% Danceability • 47% Energy • 6% Liveness
74% Instrumentalness • 80% Positiveness
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Celia Linde
Imelda´s Waltz
127 bpm • G Maj • 02:38 • -18.32db
15% Popularity • 48% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
15% Popularity • 48% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
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Salvador Andrades
¿Quién Será?
126 bpm • D min • 02:33 • -8.36db
34% Popularity • 87% Danceability • 64% Energy • 10% Liveness
83% Instrumentalness • 80% Positiveness
34% Popularity • 87% Danceability • 64% Energy • 10% Liveness
83% Instrumentalness • 80% Positiveness
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Manny Olivera
Piel Canela
127 bpm • A Maj • 02:50 • -10.8db
24% Popularity • 75% Danceability • 52% Energy • 10% Liveness
88% Instrumentalness • 81% Positiveness
24% Popularity • 75% Danceability • 52% Energy • 10% Liveness
88% Instrumentalness • 81% Positiveness
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Manuel Olivera Almada
Piel Canela
127 bpm • E Maj • 02:42 • -11db
47% Popularity • 71% Danceability • 54% Energy • 9% Liveness
90% Instrumentalness • 90% Positiveness
47% Popularity • 71% Danceability • 54% Energy • 9% Liveness
90% Instrumentalness • 90% Positiveness
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Mayra All-Starz
A Mi Manera
127 bpm • A# Maj • 03:35 • -11db
24% Popularity • 64% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 64% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Hanspeter Kruesi
Flamenco Guitar - Remix
113 bpm • D min • 02:52 • -16db
14% Popularity • 46% Danceability • 30% Energy • 9% Liveness
88% Instrumentalness • 38% Positiveness
14% Popularity • 46% Danceability • 30% Energy • 9% Liveness
88% Instrumentalness • 38% Positiveness
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Ottmar Liebert
Santa Fe
113 bpm • D Maj • 04:21 • -9.25db
44% Popularity • 52% Danceability • 45% Energy • 9% Liveness
83% Instrumentalness • 72% Positiveness
44% Popularity • 52% Danceability • 45% Energy • 9% Liveness
83% Instrumentalness • 72% Positiveness
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Michael Lucarelli
Dreaming of the Sea
128 bpm • E min • 06:07 • -20.59db
6% Popularity • 29% Danceability • 28% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
6% Popularity • 29% Danceability • 28% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
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Narciso Yepes
Juegos Prohibidos Parte A 1ª
113 bpm • E Maj • 01:50 • -15.36db
29% Popularity • 54% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
29% Popularity • 54% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Metal Saxo Band
I Just Called to Say I Love You
113 bpm • A# Maj • 03:09 • -9db
39% Popularity • 74% Danceability • 53% Energy • 16% Liveness
19% Instrumentalness • 39% Positiveness
39% Popularity • 74% Danceability • 53% Energy • 16% Liveness
19% Instrumentalness • 39% Positiveness
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Jo Masino
A New Hope
128 bpm • G# Maj • 01:37 • -14db
24% Popularity • 63% Danceability • 21% Energy • 10% Liveness
85% Instrumentalness • 35% Positiveness
24% Popularity • 63% Danceability • 21% Energy • 10% Liveness
85% Instrumentalness • 35% Positiveness
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Los Hijos del sol
Pretty Woman
128 bpm • A Maj • 02:55 • -11db
39% Popularity • 69% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 69% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Ottmar Liebert
Santa Fe - Digitally Remastered 1999
113 bpm • A min • 04:18 • -11.8db
25% Popularity • 64% Danceability • 35% Energy • 13% Liveness
93% Instrumentalness • 50% Positiveness
25% Popularity • 64% Danceability • 35% Energy • 13% Liveness
93% Instrumentalness • 50% Positiveness
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Luis Siu Riveron
La Paloma - Yradier
128 bpm • C Maj • 03:15 • -12.16db
31% Popularity • 62% Danceability • 40% Energy • 16% Liveness
85% Instrumentalness • 74% Positiveness
31% Popularity • 62% Danceability • 40% Energy • 16% Liveness
85% Instrumentalness • 74% Positiveness
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Juan Del Rio
Asturias
112 bpm • E min • 03:19 • -11.93db
14% Popularity • 57% Danceability • 43% Energy • 27% Liveness
90% Instrumentalness • 56% Positiveness
14% Popularity • 57% Danceability • 43% Energy • 27% Liveness
90% Instrumentalness • 56% Positiveness
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Seis Cuerdas Magicas
Cielito Lindo
128 bpm • C Maj • 03:24 • -4.36db
19% Popularity • 50% Danceability • 75% Energy • 11% Liveness
87% Instrumentalness • 88% Positiveness
19% Popularity • 50% Danceability • 75% Energy • 11% Liveness
87% Instrumentalness • 88% Positiveness
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Guitarra Azul
Adios Amigos
112 bpm • C# Maj • 03:21 • -6.66db
31% Popularity • 70% Danceability • 83% Energy • 5% Liveness
84% Instrumentalness • 96% Positiveness
31% Popularity • 70% Danceability • 83% Energy • 5% Liveness
84% Instrumentalness • 96% Positiveness
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Govi
Valencia
112 bpm • G min • 05:39 • -10.98db
39% Popularity • 68% Danceability • 63% Energy • 10% Liveness
89% Instrumentalness • 53% Positiveness
39% Popularity • 68% Danceability • 63% Energy • 10% Liveness
89% Instrumentalness • 53% Positiveness
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Salvador Andrades
Y Todo A Media Luz (Acoustic Guitar Vers...
112 bpm • D Maj • 02:23 • -8.07db
10% Popularity • 72% Danceability • 50% Energy • 9% Liveness
81% Instrumentalness • 69% Positiveness
10% Popularity • 72% Danceability • 50% Energy • 9% Liveness
81% Instrumentalness • 69% Positiveness
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El Niño de la Guitarra
A Dónde Irán los Besos
112 bpm • F# min • 03:40 • -13.65db
26% Popularity • 74% Danceability • 33% Energy • 14% Liveness
86% Instrumentalness • 71% Positiveness
26% Popularity • 74% Danceability • 33% Energy • 14% Liveness
86% Instrumentalness • 71% Positiveness
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Antonio Lucena
Kalimba de Luna
112 bpm • C Maj • 04:11 • -11.52db
10% Popularity • 75% Danceability • 55% Energy • 11% Liveness
75% Instrumentalness • 83% Positiveness
10% Popularity • 75% Danceability • 55% Energy • 11% Liveness
75% Instrumentalness • 83% Positiveness
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Seis Cuerdas Magicas
Yo Vendo unos Ojos Negros
112 bpm • F Maj • 03:06 • -4.87db
13% Popularity • 91% Danceability • 58% Energy • 10% Liveness
38% Instrumentalness • 92% Positiveness
13% Popularity • 91% Danceability • 58% Energy • 10% Liveness
38% Instrumentalness • 92% Positiveness
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Adrian Perticone
La Última Noche
129 bpm • G Maj • 02:58 • -15db
41% Popularity • 75% Danceability • 49% Energy • 15% Liveness
74% Instrumentalness • 83% Positiveness
41% Popularity • 75% Danceability • 49% Energy • 15% Liveness
74% Instrumentalness • 83% Positiveness
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Juanillo de Alba
Mi Favorita
129 bpm • E min • 01:59 • -18.26db
14% Popularity • 54% Danceability • 24% Energy • 8% Liveness
89% Instrumentalness • 67% Positiveness
14% Popularity • 54% Danceability • 24% Energy • 8% Liveness
89% Instrumentalness • 67% Positiveness
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Global Village Players
Spanish Romance
129 bpm • E Maj • 02:07 • -9.83db
30% Popularity • 44% Danceability • 36% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
30% Popularity • 44% Danceability • 36% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
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Alan Goodman
cancion de la casa
111 bpm • G Maj • 02:43 • -15.08db
14% Popularity • 60% Danceability • 35% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
14% Popularity • 60% Danceability • 35% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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Piano Marico
Si Nos Dejan / De Que Manera Te Olvido
111 bpm • C Maj • 06:43 • -14db
42% Popularity • 50% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 49% Positiveness
42% Popularity • 50% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 49% Positiveness
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Liona & Serena Strings
Chimes
111 bpm • G# min • 05:03 • -10.27db
0% Popularity • 46% Danceability • 42% Energy • 8% Liveness
83% Instrumentalness • 47% Positiveness
0% Popularity • 46% Danceability • 42% Energy • 8% Liveness
83% Instrumentalness • 47% Positiveness