Songs like Yesterdays Rebellion by Evil Conduct
Based on a tempo of (+/- 10%) and a similar genre
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Gimp Fist
Friends Like You
93 bpm • C Maj • 02:36 • -4.73db
23% Popularity • 58% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 58% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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The Business
Spirit Of The Streets
93 bpm • D Maj • 01:57 • -3.83db
21% Popularity • 33% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 59% Positiveness
21% Popularity • 33% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 59% Positiveness
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Evil Conduct
Yesterdays Rebellion
93 bpm • A Maj • 03:09 • -2.92db
17% Popularity • 64% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 64% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Pöbel & Gesocks
Frau die immer will
93 bpm • E min • 03:05 • -5db
16% Popularity • 26% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 26% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Marching Orders
Nation of Ghosts
93 bpm • E Maj • 02:58 • -7.57db
9% Popularity • 44% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 44% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Stomper 98
In deinen Augen
93 bpm • B Maj • 04:02 • -6.18db
21% Popularity • 42% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 42% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Saints & Sinners
Voice of the Street
93 bpm • D Maj • 04:32 • -4.98db
5% Popularity • 58% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
5% Popularity • 58% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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The Business
Southgate (Euro 96)
93 bpm • G Maj • 02:16 • -3.76db
21% Popularity • 46% Danceability • 95% Energy • 81% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 46% Danceability • 95% Energy • 81% Liveness
0% Instrumentalness • 76% Positiveness
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Jenny Woo
The Voice of Oi!
93 bpm • D Maj • 03:22 • -5.01db
8% Popularity • 49% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 49% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Rude Pride
One More Pint
93 bpm • G Maj • 01:37 • -3.87db
22% Popularity • 60% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 60% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Grade 2
Rise Up
92 bpm • E Maj • 02:59 • -5.85db
17% Popularity • 52% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 52% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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Stomper 98
Pour la glorie
94 bpm • A Maj • 02:39 • -4.48db
8% Popularity • 40% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 40% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Red Bricks
No One Is Illegal
92 bpm • A min • 03:01 • -7db
13% Popularity • 55% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 55% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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The Business
The Truth The Whole Truth
93 bpm • E Maj • 02:03 • -8db
21% Popularity • 42% Danceability • 80% Energy • 9% Liveness
62% Instrumentalness • 78% Positiveness
21% Popularity • 42% Danceability • 80% Energy • 9% Liveness
62% Instrumentalness • 78% Positiveness
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The Hardknocks
Battle Scarred
92 bpm • D Maj • 02:41 • -5.69db
9% Popularity • 24% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 24% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Rude Pride
Screaming Oi!
92 bpm • G Maj • 03:59 • -4.05db
34% Popularity • 58% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 58% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Grade 2
Speak Your Mind
92 bpm • D# min • 02:42 • -5.05db
20% Popularity • 62% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 62% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Evil Conduct
This Flame
94 bpm • D Maj • 02:32 • -2.64db
21% Popularity • 57% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 57% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Vanilla Muffins
Want Some Gas, That's All!
94 bpm • D# Maj • 04:01 • -3.24db
14% Popularity • 35% Danceability • 95% Energy • 28% Liveness
1% Instrumentalness • 44% Positiveness
14% Popularity • 35% Danceability • 95% Energy • 28% Liveness
1% Instrumentalness • 44% Positiveness
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The Business
Harry May
92 bpm • A Maj • 02:13 • -6.19db
25% Popularity • 42% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 42% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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The Hardknocks
Staying True
92 bpm • C Maj • 03:18 • -5db
12% Popularity • 42% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 42% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Prowlers
We Come Out First
92 bpm • A Maj • 02:35 • -5db
7% Popularity • 40% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
7% Popularity • 40% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Loikaemie
Als ich vierzehn war
92 bpm • E Maj • 03:02 • -8db
10% Popularity • 40% Danceability • 92% Energy • 51% Liveness
3% Instrumentalness • 77% Positiveness
10% Popularity • 40% Danceability • 92% Energy • 51% Liveness
3% Instrumentalness • 77% Positiveness
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Produzenten Der Froide
Auf den Untergang
94 bpm • A Maj • 03:23 • -5.89db
12% Popularity • 53% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 53% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Brutal Bravo
The Last One of Your Kind
95 bpm • B min • 03:14 • -2.59db
19% Popularity • 22% Danceability • 95% Energy • 34% Liveness
2% Instrumentalness • 14% Positiveness
19% Popularity • 22% Danceability • 95% Energy • 34% Liveness
2% Instrumentalness • 14% Positiveness
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The Business
Suburban Rebels
92 bpm • G Maj • 02:17 • -6.32db
31% Popularity • 35% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 35% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Pöbel & Gesocks
Auf uns zwei!
95 bpm • A# Maj • 02:49 • -6.27db
22% Popularity • 36% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 36% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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The Prowlers
Joe Hawkins
92 bpm • A Maj • 02:18 • -5.21db
9% Popularity • 40% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 40% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Squelette
Cavale
91 bpm • F# min • 02:03 • -6db
19% Popularity • 47% Danceability • 92% Energy • 14% Liveness
93% Instrumentalness • 73% Positiveness
19% Popularity • 47% Danceability • 92% Energy • 14% Liveness
93% Instrumentalness • 73% Positiveness
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Saints & Sinners
Raise Your Glass
95 bpm • D Maj • 02:56 • -4.03db
6% Popularity • 54% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
6% Popularity • 54% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Seaside Rebels
Too Many Expectations
95 bpm • C Maj • 04:29 • -3.08db
12% Popularity • 54% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 54% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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The Business
Hardcore Hooligan
94 bpm • G Maj • 01:37 • -2.44db
27% Popularity • 48% Danceability • 99% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 48% Danceability • 99% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
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Harrington Saints
Let It Burn
95 bpm • A# min • 02:26 • -5.09db
14% Popularity • 48% Danceability • 89% Energy • 36% Liveness
78% Instrumentalness • 46% Positiveness
14% Popularity • 48% Danceability • 89% Energy • 36% Liveness
78% Instrumentalness • 46% Positiveness
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Gimp Fist
Heart Full of Pride
95 bpm • G Maj • 04:10 • -4.06db
24% Popularity • 42% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 42% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Jenny Woo
Here We Stand
95 bpm • D Maj • 03:12 • -5.06db
19% Popularity • 53% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 53% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Resistance 77
True Punk And Oi!
95 bpm • A Maj • 03:06 • -4db
15% Popularity • 33% Danceability • 98% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 33% Danceability • 98% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Bromure
50-50
95 bpm • C Maj • 03:41 • -7.61db
18% Popularity • 38% Danceability • 96% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
18% Popularity • 38% Danceability • 96% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
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The Business
Hardcore Hooligan
94 bpm • G Maj • 01:41 • -7.28db
24% Popularity • 53% Danceability • 94% Energy • 38% Liveness
1% Instrumentalness • 66% Positiveness
24% Popularity • 53% Danceability • 94% Energy • 38% Liveness
1% Instrumentalness • 66% Positiveness
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4 Promille
Fight for Your Class
95 bpm • A Maj • 03:02 • -6.95db
15% Popularity • 52% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 52% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Harrington Saints
Riot City Dublin
95 bpm • F# Maj • 02:42 • -3.94db
12% Popularity • 58% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 58% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Grade 2
All I Know
95 bpm • G Maj • 02:40 • -4.66db
27% Popularity • 51% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 51% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Runnin' Riot
Lost Generation
91 bpm • A Maj • 03:21 • -4db
11% Popularity • 19% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 19% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Section 5
We Stand Alone
95 bpm • D Maj • 03:04 • -3.98db
11% Popularity • 47% Danceability • 92% Energy • 22% Liveness
4% Instrumentalness • 60% Positiveness
11% Popularity • 47% Danceability • 92% Energy • 22% Liveness
4% Instrumentalness • 60% Positiveness
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Vanilla Muffins
You Come Back to Switzerland
96 bpm • C# Maj • 03:24 • -4.3db
18% Popularity • 20% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 20% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Stomper 98
Für den Augenblick
90 bpm • B Maj • 03:57 • -3.47db
23% Popularity • 34% Danceability • 97% Energy • 34% Liveness
27% Instrumentalness • 54% Positiveness
23% Popularity • 34% Danceability • 97% Energy • 34% Liveness
27% Instrumentalness • 54% Positiveness
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Evil Conduct
Anger & Frustration
96 bpm • D Maj • 02:44 • -2.79db
9% Popularity • 54% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 54% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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The Agitators
Facebook Generation
90 bpm • C# Maj • 03:02 • -4.07db
20% Popularity • 49% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 49% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Oldfashioned Ideas
Warriors
90 bpm • A Maj • 02:07 • -4.13db
23% Popularity • 50% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 50% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Rude Pride
45 Years
90 bpm • D Maj • 03:57 • -3.89db
26% Popularity • 56% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 56% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Vanilla Muffins
My Angel
96 bpm • D Maj • 03:13 • -3.8db
16% Popularity • 34% Danceability • 94% Energy • 31% Liveness
82% Instrumentalness • 86% Positiveness
16% Popularity • 34% Danceability • 94% Energy • 31% Liveness
82% Instrumentalness • 86% Positiveness
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City Saints
Slippery Joe
96 bpm • A Maj • 02:17 • -5.77db
30% Popularity • 42% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 42% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Stomper 98
Althergebracht
90 bpm • D Maj • 04:23 • -3.5db
26% Popularity • 34% Danceability • 99% Energy • 38% Liveness
4% Instrumentalness • 38% Positiveness
26% Popularity • 34% Danceability • 99% Energy • 38% Liveness
4% Instrumentalness • 38% Positiveness
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Saints & Sinners
Our City - Bonus Track
90 bpm • G Maj • 03:13 • -3.28db
2% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
2% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Harrington Saints
Saturdays In The Sun
96 bpm • G# Maj • 02:32 • -3.62db
9% Popularity • 46% Danceability • 99% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 46% Danceability • 99% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
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Argy Bargy
Looking for Glory
96 bpm • D Maj • 03:52 • -4db
20% Popularity • 51% Danceability • 98% Energy • 24% Liveness
1% Instrumentalness • 61% Positiveness
20% Popularity • 51% Danceability • 98% Energy • 24% Liveness
1% Instrumentalness • 61% Positiveness
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The Bruisers
No Truce (Bonus Track)
97 bpm • D# min • 01:44 • -7.6db
23% Popularity • 48% Danceability • 93% Energy • 55% Liveness
3% Instrumentalness • 74% Positiveness
23% Popularity • 48% Danceability • 93% Energy • 55% Liveness
3% Instrumentalness • 74% Positiveness
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Hard Skin
Skinhead
97 bpm • G Maj • 02:24 • -2.35db
18% Popularity • 37% Danceability • 93% Energy • 35% Liveness
1% Instrumentalness • 52% Positiveness
18% Popularity • 37% Danceability • 93% Energy • 35% Liveness
1% Instrumentalness • 52% Positiveness
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Evil Conduct
Cctv
97 bpm • D Maj • 03:13 • -2.88db
10% Popularity • 64% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 64% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Boots n All
Fill Ya Boots!
89 bpm • A Maj • 03:13 • -4.95db
22% Popularity • 46% Danceability • 93% Energy • 7% Liveness
4% Instrumentalness • 95% Positiveness
22% Popularity • 46% Danceability • 93% Energy • 7% Liveness
4% Instrumentalness • 95% Positiveness
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Condemned 84
The Boots Go Marching In
97 bpm • D Maj • 03:03 • -8.07db
16% Popularity • 43% Danceability • 95% Energy • 35% Liveness
83% Instrumentalness • 35% Positiveness
16% Popularity • 43% Danceability • 95% Energy • 35% Liveness
83% Instrumentalness • 35% Positiveness
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Argy Bargy
This Is Me
97 bpm • G# Maj • 04:16 • -3.77db
14% Popularity • 54% Danceability • 99% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 54% Danceability • 99% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Marching Orders
Dog Eat Dog
97 bpm • A# Maj • 03:38 • -4.02db
19% Popularity • 49% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 49% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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City Saints
Punk, Rock and Oi!
97 bpm • C Maj • 03:10 • -4.51db
26% Popularity • 47% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 47% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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The Hardknocks
Lion's Den
89 bpm • C Maj • 02:03 • -6.41db
25% Popularity • 38% Danceability • 91% Energy • 34% Liveness
1% Instrumentalness • 64% Positiveness
25% Popularity • 38% Danceability • 91% Energy • 34% Liveness
1% Instrumentalness • 64% Positiveness
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Red Bricks
Outlaw
98 bpm • A Maj • 03:02 • -6.71db
13% Popularity • 59% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 59% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Oldfashioned Ideas
Hate Patrol
98 bpm • A min • 02:22 • -4.44db
30% Popularity • 46% Danceability • 90% Energy • 11% Liveness
9% Instrumentalness • 73% Positiveness
30% Popularity • 46% Danceability • 90% Energy • 11% Liveness
9% Instrumentalness • 73% Positiveness
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Stomper 98
Keine Helden
98 bpm • C# min • 03:23 • -2.57db
27% Popularity • 22% Danceability • 97% Energy • 7% Liveness
31% Instrumentalness • 33% Positiveness
27% Popularity • 22% Danceability • 97% Energy • 7% Liveness
31% Instrumentalness • 33% Positiveness
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The Prowlers
Loonies Days
98 bpm • A# Maj • 03:32 • -3.65db
13% Popularity • 49% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 49% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
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Evil Conduct
That Old Tattoo
98 bpm • D Maj • 03:44 • -1.96db
31% Popularity • 48% Danceability • 97% Energy • 62% Liveness
1% Instrumentalness • 70% Positiveness
31% Popularity • 48% Danceability • 97% Energy • 62% Liveness
1% Instrumentalness • 70% Positiveness
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Rasta Knast
Räuberstaat
98 bpm • G# Maj • 03:46 • -4.4db
20% Popularity • 36% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 36% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Saints & Sinners
Mr. Know It All
98 bpm • D Maj • 03:42 • -4.11db
3% Popularity • 42% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
3% Popularity • 42% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Razorcut
Your Enemy
98 bpm • E Maj • 03:19 • -4.33db
8% Popularity • 42% Danceability • 95% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 42% Danceability • 95% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Harrington Saints
Claret & Blue
88 bpm • G Maj • 02:47 • -3db
8% Popularity • 46% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 46% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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Blitz
Razors in the Night
98 bpm • C Maj • 01:54 • -4.87db
27% Popularity • 34% Danceability • 89% Energy • 14% Liveness
56% Instrumentalness • 56% Positiveness
27% Popularity • 34% Danceability • 89% Energy • 14% Liveness
56% Instrumentalness • 56% Positiveness
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Evil Conduct
Cost of Living
98 bpm • D Maj • 03:26 • -1.59db
13% Popularity • 40% Danceability • 100% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 40% Danceability • 100% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
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Argy Bargy
Burning Skies
99 bpm • G min • 03:44 • -2.66db
22% Popularity • 46% Danceability • 100% Energy • 33% Liveness
8% Instrumentalness • 36% Positiveness
22% Popularity • 46% Danceability • 100% Energy • 33% Liveness
8% Instrumentalness • 36% Positiveness
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Vanilla Muffins
All Roads Lead to Rome
98 bpm • C Maj • 02:50 • -2.62db
14% Popularity • 41% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
14% Popularity • 41% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
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Bad Co. Project
Mission Mohawk
99 bpm • F Maj • 02:35 • -2.8db
11% Popularity • 40% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 40% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
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Runnin' Riot
That's When the Boots Fly In
99 bpm • D Maj • 03:18 • -2.83db
14% Popularity • 38% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 38% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Oldfashioned Ideas
Same Old Story
99 bpm • C Maj • 02:09 • -3.61db
25% Popularity • 37% Danceability • 93% Energy • 30% Liveness
1% Instrumentalness • 62% Positiveness
25% Popularity • 37% Danceability • 93% Energy • 30% Liveness
1% Instrumentalness • 62% Positiveness
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Harrington Saints
Dead Broke In The U.S.A.
88 bpm • F# Maj • 02:21 • -4.01db
8% Popularity • 52% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 52% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Saints & Sinners
Life Goes On
99 bpm • G Maj • 03:16 • -3.77db
4% Popularity • 47% Danceability • 92% Energy • 26% Liveness
17% Instrumentalness • 70% Positiveness
4% Popularity • 47% Danceability • 92% Energy • 26% Liveness
17% Instrumentalness • 70% Positiveness
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Produzenten Der Froide
Lazy boy
99 bpm • D Maj • 03:12 • -6.05db
14% Popularity • 52% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 52% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Bonecrusher
In This Life
99 bpm • D Maj • 03:55 • -3.9db
15% Popularity • 42% Danceability • 99% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 42% Danceability • 99% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Gimp Fist
Which Side Are You on?
99 bpm • G Maj • 02:38 • -1.83db
18% Popularity • 28% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 28% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Brutal Bravo
No Ballads in Oi!
99 bpm • F# min • 02:08 • -2.27db
15% Popularity • 29% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 29% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Razorblade
Never Fade Away
100 bpm • C# min • 01:49 • -3.94db
8% Popularity • 46% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 46% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Vanilla Muffins
We Are the City Boys
100 bpm • B Maj • 03:21 • -0.92db
14% Popularity • 49% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 49% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Evil Conduct
Victory
100 bpm • G Maj • 04:04 • -3.59db
10% Popularity • 61% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 61% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Combat 77
Walking on
100 bpm • B Maj • 03:22 • -5.28db
17% Popularity • 51% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 51% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Jenny Woo
Voice of Oi!
100 bpm • D Maj • 02:46 • -9.57db
10% Popularity • 64% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 64% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Grade 2
Groundhog Day
100 bpm • G Maj • 03:00 • -5.58db
26% Popularity • 49% Danceability • 91% Energy • 25% Liveness
1% Instrumentalness • 49% Positiveness
26% Popularity • 49% Danceability • 91% Energy • 25% Liveness
1% Instrumentalness • 49% Positiveness
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Gimp Fist
Top Dog
100 bpm • C Maj • 03:35 • -5.46db
25% Popularity • 55% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 55% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Bromure
Catacombes
101 bpm • F# Maj • 02:33 • -4.62db
17% Popularity • 45% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 45% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Evil Conduct
Enjoy Yourself
100 bpm • A Maj • 03:05 • -3.15db
17% Popularity • 50% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 50% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Lancasters
Burn the Bastards
100 bpm • G Maj • 02:05 • -9.36db
12% Popularity • 50% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 50% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Marching Orders
Nothing To Lose
101 bpm • B Maj • 02:54 • -3.97db
13% Popularity • 48% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 48% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Grade 2
Mainstream View
100 bpm • D min • 03:33 • -7.36db
15% Popularity • 56% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 56% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
