Songs like You Ain't Pretty by Nate Barnes
Based on a tempo of (+/- 10%) and a similar genre
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Zach Bridges
Scared of a Little Love
75 bpm • C Maj • 03:19 • -4.4db
21% Popularity • 53% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 53% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Ryan Griffin
Going Going Gone
75 bpm • D Maj • 03:24 • -4.25db
28% Popularity • 56% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 56% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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John Morgan
Coldest Beer In Town
75 bpm • G# Maj • 03:06 • -5.63db
34% Popularity • 54% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 54% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Granger Smith
Where I Get It From
75 bpm • C# Maj • 03:06 • -4.23db
25% Popularity • 60% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 60% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Tyler Rich
A Little Bit Of You
75 bpm • G Maj • 03:00 • -4.96db
38% Popularity • 44% Danceability • 60% Energy • 28% Liveness
12% Instrumentalness • 30% Positiveness
38% Popularity • 44% Danceability • 60% Energy • 28% Liveness
12% Instrumentalness • 30% Positiveness
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Walker Montgomery
Bad Day To Be A Beer
75 bpm • C Maj • 03:02 • -4.08db
37% Popularity • 50% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 50% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Dylan Schneider
Lost In A Small Town
75 bpm • A# Maj • 03:13 • -5.83db
32% Popularity • 60% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 60% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Jeb Gipson
If It Ain't With You
75 bpm • D Maj • 03:03 • -6.92db
27% Popularity • 51% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 51% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Trea Landon
What Feelin' Good Feels Like
75 bpm • F Maj • 02:50 • -4.59db
25% Popularity • 53% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 53% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Kenton Bryant
Following My Broken Heart
75 bpm • G# Maj • 03:22 • -7.13db
21% Popularity • 51% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 51% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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AJ Kross
It Can Wait
75 bpm • E Maj • 03:13 • -4.22db
16% Popularity • 56% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 56% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Nate Barnes
You Ain't Pretty
75 bpm • C# Maj • 03:20 • -5.95db
32% Popularity • 51% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 51% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Jordan Rowe
I Didn't Sleep Last Night
75 bpm • B Maj • 03:03 • -4.85db
14% Popularity • 43% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 43% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Jade Eagleson
All Night To Figure It Out
76 bpm • A Maj • 02:50 • -3.36db
39% Popularity • 54% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 54% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Thomas Rhett
To The Guys That Date My Girls
76 bpm • E Maj • 03:01 • -9.31db
41% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Southerland
Little Bit of You
76 bpm • F# Maj • 02:57 • -5.41db
17% Popularity • 61% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 61% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Elvie Shane
My Mississippi
76 bpm • C Maj • 04:01 • -3.9db
25% Popularity • 49% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 49% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Restless Road
It Ain't Easy
76 bpm • F# Maj • 03:34 • -5db
31% Popularity • 47% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 47% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jimmie Allen
Get Country
76 bpm • G Maj • 03:53 • -2.67db
22% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Matt Stell
If I Was a Bar
76 bpm • D# Maj • 03:01 • -4db
30% Popularity • 51% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 51% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Andrew Jannakos
Wine Country
76 bpm • G Maj • 03:09 • -5.44db
35% Popularity • 53% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 53% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Jameson Rodgers
Desert
76 bpm • F# Maj • 03:21 • -8db
20% Popularity • 60% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 60% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Tyler Booth
Long Comes a Girl
76 bpm • D Maj • 03:23 • -5db
28% Popularity • 51% Danceability • 69% Energy • 16% Liveness
5% Instrumentalness • 57% Positiveness
28% Popularity • 51% Danceability • 69% Energy • 16% Liveness
5% Instrumentalness • 57% Positiveness
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Adam Sanders
I Got Roots
73 bpm • C# Maj • 03:05 • -6.45db
19% Popularity • 38% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 38% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Heath Sanders
Down on the South
77 bpm • B Maj • 04:02 • -7db
29% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Todd Cameron
The Little Things
77 bpm • E Maj • 03:24 • -4.12db
29% Popularity • 43% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 43% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Hunter & Jordan
Ghost
77 bpm • F Maj • 02:52 • -7.98db
29% Popularity • 51% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 51% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Jameson Rodgers
In It for the Money
77 bpm • E Maj • 03:57 • -6.37db
23% Popularity • 56% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 56% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Andrew Jannakos
She Ain't Gone
77 bpm • A Maj • 03:28 • -5.75db
26% Popularity • 63% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 63% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Tim Dugger
Home Away From Home
77 bpm • B Maj • 02:52 • -5db
22% Popularity • 59% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 59% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Matt Austin
Your Name
77 bpm • A Maj • 03:14 • -4db
28% Popularity • 55% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 55% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Jordan Rowe
Doin' good
77 bpm • F# Maj • 03:14 • -4.21db
15% Popularity • 54% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 54% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Brett Young
Dear Me
78 bpm • G Maj • 03:40 • -6.15db
36% Popularity • 49% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 49% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Justin Lee
Could've Loved You More
78 bpm • G# Maj • 04:11 • -5.28db
20% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Jordan Rager
Habits and Hearts
78 bpm • C# Maj • 03:24 • -4.57db
21% Popularity • 48% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 48% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Matt Jordan
Like the Moon
78 bpm • G# Maj • 03:02 • -8.76db
11% Popularity • 62% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 62% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Chris Lane
That's What Mamas Are For
79 bpm • C# Maj • 03:27 • -6db
34% Popularity • 28% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 28% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Hunter Phelps
Silverado
79 bpm • A Maj • 03:23 • -4.93db
36% Popularity • 60% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 60% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Kelsey Hart
Let It Ring
79 bpm • G# Maj • 03:30 • -6.08db
27% Popularity • 42% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 42% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Grant Gilbert
Hey Bartender
79 bpm • B Maj • 03:10 • -4.8db
17% Popularity • 32% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 32% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Jordan Rager
Call You Home
72 bpm • G Maj • 03:28 • -3.95db
14% Popularity • 44% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 44% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Drew Baldridge
Before You
79 bpm • F Maj • 03:39 • -6.17db
35% Popularity • 52% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 52% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Brandon Lay
Crazy Like You
79 bpm • G Maj • 02:51 • -8.15db
25% Popularity • 55% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 55% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Thomas Rhett
Heaven Right Now
80 bpm • C Maj • 03:48 • -9.3db
39% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Craig Campbell
All My Friends Drink Beer
80 bpm • G Maj • 02:47 • -6.13db
28% Popularity • 55% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 55% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Derek Austin
Ride Or Die
80 bpm • D Maj • 03:11 • -4db
21% Popularity • 60% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 60% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Nate Barnes
I Love You Too (Acoustic)
80 bpm • D min • 03:35 • -7.27db
1% Popularity • 79% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
1% Popularity • 79% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Laine Hardy
Ground I Grew Up On
80 bpm • C Maj • 03:33 • -6.09db
31% Popularity • 52% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 52% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Chris Young
Hold My Beer Watch This
80 bpm • C# Maj • 02:46 • -2db
27% Popularity • 50% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 50% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Parmalee
For You
80 bpm • C Maj • 02:53 • -4.99db
28% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Jameson Rodgers
Some Girls - Acoustic
81 bpm • D# Maj • 03:11 • -5.67db
34% Popularity • 58% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 58% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Styles Haury
She's That Kind of Beautiful
80 bpm • D# Maj • 03:15 • -6.63db
14% Popularity • 65% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 65% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Josiah Siska
To Get a Girl
81 bpm • A# Maj • 03:03 • -9db
17% Popularity • 57% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 57% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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Laine Hardy
Comin' Down
80 bpm • C# Maj • 03:12 • -5db
24% Popularity • 60% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 60% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Granger Smith
That’s What Love Looks Like
81 bpm • E Maj • 03:25 • -6.59db
29% Popularity • 48% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 48% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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William Michael Morgan
Girl Like Mine
81 bpm • D Maj • 03:32 • -6.67db
27% Popularity • 54% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 54% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Justin Lee
Where I Belong
81 bpm • F Maj • 03:15 • -8db
36% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Justin Adams
Lucky One
82 bpm • C# Maj • 03:09 • -4.98db
11% Popularity • 51% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 51% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Blake Wood
Everything I Want
82 bpm • G# Maj • 03:12 • -4.14db
23% Popularity • 71% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 71% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Laine Hardy
Let There Be Country
81 bpm • G Maj • 03:03 • -4.17db
26% Popularity • 59% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 59% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
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Craig Campbell
Talk Country To Me
82 bpm • D Maj • 03:18 • -5.94db
19% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Austin Burke
Speed of Life
82 bpm • C# min • 03:13 • -6.57db
27% Popularity • 53% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 53% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Easton Corbin
Here's to the Next One
82 bpm • G Maj • 03:04 • -4.88db
23% Popularity • 77% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 77% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Josh Melton
One Day
82 bpm • A Maj • 02:45 • -5db
38% Popularity • 62% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 62% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Dillon Carmichael
Lucky Man
68 bpm • E Maj • 03:14 • -6.38db
31% Popularity • 54% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 54% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Laine Hardy
California Won't
82 bpm • G# Maj • 03:06 • -4.89db
44% Popularity • 49% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 49% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Ray Fulcher
Ghost
83 bpm • D Maj • 03:34 • -7.43db
18% Popularity • 46% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 46% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Walker Montgomery
Burnin' 18
83 bpm • F Maj • 03:15 • -5.3db
23% Popularity • 37% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 37% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Jaden Hamilton
Thinkin' 'Bout You
84 bpm • D Maj • 02:49 • -5.37db
24% Popularity • 46% Danceability • 82% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 46% Danceability • 82% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Young
When You're Drinking
84 bpm • G Maj • 03:16 • -3.74db
28% Popularity • 35% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 35% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Lewis Brice
That's a Given
84 bpm • C# Maj • 02:49 • -4.73db
13% Popularity • 59% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 59% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Laine Hardy
Tiny Town
84 bpm • F# Maj • 02:54 • -8db
29% Popularity • 60% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 60% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Adam Sanders
Ruled the World
84 bpm • F Maj • 03:01 • -3.48db
28% Popularity • 60% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 60% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Brandon Lay
Startin' Young
85 bpm • D Maj • 03:39 • -6.59db
23% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Gary Allan
Till It Felt Like You
85 bpm • C Maj • 03:41 • -6.35db
31% Popularity • 52% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 52% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Jeb Gipson
Sitting on Empty
85 bpm • C Maj • 03:08 • -7.71db
21% Popularity • 62% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 62% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Drew Green
Just Talkin
86 bpm • D# Maj • 03:19 • -5.88db
33% Popularity • 56% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 56% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Chris Lane
Ain't Even Met You Yet
86 bpm • E Maj • 03:00 • -6.69db
37% Popularity • 44% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
37% Popularity • 44% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Jameson Rodgers
Girl with the Broken Heart
86 bpm • D Maj • 03:20 • -5.42db
25% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Florida Georgia Line
Life Looks Good
88 bpm • C Maj • 02:47 • -3.54db
35% Popularity • 60% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 60% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Matt Stell
I Bet Whiskey Would
88 bpm • G Maj • 03:11 • -4.74db
30% Popularity • 55% Danceability • 79% Energy • 47% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 55% Danceability • 79% Energy • 47% Liveness
0% Instrumentalness • 45% Positiveness
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Roman Alexander
Better In A Car
86 bpm • C Maj • 03:14 • -4.79db
25% Popularity • 47% Danceability • 87% Energy • 76% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 47% Danceability • 87% Energy • 76% Liveness
0% Instrumentalness • 55% Positiveness
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Josh Melton
You Don't
89 bpm • G Maj • 03:40 • -5.47db
15% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Tyler Rich
Feels Like Home
90 bpm • F Maj • 03:20 • -4db
36% Popularity • 36% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 36% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Jordan Rager
The Wrong Ones
90 bpm • G Maj • 02:49 • -6db
29% Popularity • 54% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 54% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Ryan Robinette
Way Out Boys
89 bpm • F Maj • 03:29 • -3.98db
28% Popularity • 42% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 42% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Adam Sanders
Bible Versus
90 bpm • F# Maj • 03:21 • -5db
26% Popularity • 52% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 52% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Lee Brice
Sons And Daughters
90 bpm • B min • 03:05 • -7.63db
30% Popularity • 53% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 53% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Laine Hardy
One of Those
90 bpm • F Maj • 02:30 • -5.9db
28% Popularity • 61% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 61% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Jon Wolfe
Heart to Steal Tonight
90 bpm • A Maj • 03:18 • -5db
30% Popularity • 52% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 52% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Tyler Dial
Way Back When
91 bpm • B Maj • 02:55 • -5.07db
9% Popularity • 51% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 51% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Josh Melton
Take Your Breath Away
91 bpm • G Maj • 02:54 • -6.05db
33% Popularity • 64% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 64% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Drew Baldridge
Beach Ain't One
93 bpm • B Maj • 02:50 • -3.71db
40% Popularity • 60% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 60% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Lee Brice
Country Knows
92 bpm • F Maj • 03:36 • -7.64db
30% Popularity • 43% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 43% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Travis Denning
Heartbeat Of A Small Town
93 bpm • G# Maj • 03:21 • -5.41db
38% Popularity • 54% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 54% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Caleb Kennedy
Raised On Dirt
93 bpm • E Maj • 03:33 • -4.09db
18% Popularity • 55% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 55% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Ryan Waters Band
Maker Mark On This Town
94 bpm • F Maj • 02:48 • -7db
30% Popularity • 50% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 50% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Jake Bush
If You Ever Get Lonely
93 bpm • F# Maj • 03:48 • -5.85db
17% Popularity • 58% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 58% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
