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You Are a Memory
Songs like
You Are a Memory
by
Message To Bears
Based on a tempo of (+/- 10%) and a similar genre
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Message To Bears
Hope
145 bpm • F min • 04:39 • -18.67db
17% Popularity • 13% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Amber Run
5AM
146 bpm • C Maj • 04:17 • -11.52db
52% Popularity • 36% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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Will Samson
This Little Light of Mine
144 bpm • F# Maj • 04:47 • -15.63db
28% Popularity • 55% Danceability • 51% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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CLANN
Once Again
144 bpm • A# min • 05:58 • -10db
36% Popularity • 28% Danceability • 43% Energy • 10% Liveness
34% Instrumentalness • 16% Positiveness
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Slow Meadow
Ghosts in the Brazos
144 bpm • A min • 05:17 • -18db
36% Popularity • 14% Danceability • 16% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Radical Face
Ashes
146 bpm • F# min • 02:06 • -19db
31% Popularity • 18% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Message To Bears
You Are a Memory
144 bpm • A Maj • 03:41 • -10.32db
55% Popularity • 13% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
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Novo Amor
Weather
144 bpm • F# Maj • 03:52 • -13.55db
60% Popularity • 53% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Will Samson
Faro
146 bpm • C Maj • 03:41 • -16.99db
16% Popularity • 53% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Owsey
Sarah's Summer Wasteland
142 bpm • C min • 02:30 • -14.54db
30% Popularity • 15% Danceability • 44% Energy • 20% Liveness
93% Instrumentalness • 4% Positiveness
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Talos
Reborn
142 bpm • E min • 04:43 • -11.17db
29% Popularity • 35% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Robot Koch
Nitesky
148 bpm • D Maj • 04:42 • -13.95db
42% Popularity • 47% Danceability • 45% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Phoria
Red
142 bpm • F min • 05:48 • -11.59db
31% Popularity • 54% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Novo Amor
Alps
147 bpm • D# Maj • 03:14 • -10.38db
64% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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Lord Huron
The Yawning Grave
142 bpm • B min • 03:12 • -8db
48% Popularity • 48% Danceability • 40% Energy • 24% Liveness
6% Instrumentalness • 31% Positiveness
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Will Samson
Alder
144 bpm • D min • 03:22 • -23.9db
9% Popularity • 29% Danceability • 5% Energy • 7% Liveness
66% Instrumentalness • 6% Positiveness
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Tom Rosenthal
To You Alone
142 bpm • E min • 02:43 • -17db
56% Popularity • 63% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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The Cinematic Orchestra
To Build A Home
149 bpm • A Maj • 06:11 • -15.4db
75% Popularity • 26% Danceability • 12% Energy • 9% Liveness
35% Instrumentalness • 7% Positiveness
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Phoria
Loss
142 bpm • G# Maj • 06:36 • -11.28db
37% Popularity • 35% Danceability • 40% Energy • 12% Liveness
38% Instrumentalness • 14% Positiveness
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Message To Bears
Bird's Tail - Slow Meadow Rework
149 bpm • F Maj • 05:43 • -18db
29% Popularity • 14% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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J.R Alexander
Memories
141 bpm • G Maj • 03:25 • -10.34db
3% Popularity • 30% Danceability • 82% Energy • 16% Liveness
44% Instrumentalness • 6% Positiveness
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Will Samson
Always Was
148 bpm • D# Maj • 03:30 • -13.59db
20% Popularity • 45% Danceability • 46% Energy • 11% Liveness
68% Instrumentalness • 62% Positiveness
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Bear's Den
When You Break
141 bpm • F min • 04:45 • -10.95db
46% Popularity • 51% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Will Bates & Phil Mossman
White Peacock
141 bpm • D# Maj • 03:34 • -15db
31% Popularity • 33% Danceability • 12% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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HIN
Teleport
149 bpm • B Maj • 02:41 • -10.32db
3% Popularity • 59% Danceability • 73% Energy • 39% Liveness
59% Instrumentalness • 12% Positiveness
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Message To Bears
Bird's Tail
149 bpm • F Maj • 03:44 • -13.6db
22% Popularity • 51% Danceability • 45% Energy • 11% Liveness
89% Instrumentalness • 69% Positiveness
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Mt. Wolf
Life Size Ghosts
150 bpm • G# Maj • 04:08 • -11.3db
33% Popularity • 49% Danceability • 38% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
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Dustin O'Halloran
We Move Lightly
150 bpm • F min • 03:11 • -15.52db
51% Popularity • 19% Danceability • 17% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
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DOLKINS
Into the woods
140 bpm • A min • 07:08 • -24.04db
36% Popularity • 41% Danceability • 14% Energy • 24% Liveness
90% Instrumentalness • 10% Positiveness
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Owsey
To the Child Drifting Out At Sea
140 bpm • A# Maj • 04:21 • -13.56db
28% Popularity • 22% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Kisnou
My Love
140 bpm • C# Maj • 05:43 • -19.23db
41% Popularity • 23% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 6% Positiveness
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Message To Bears
Farewell, Stars
140 bpm • C# Maj • 04:17 • -15.22db
31% Popularity • 48% Danceability • 44% Energy • 27% Liveness
85% Instrumentalness • 34% Positiveness
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Slow Meadow
You Felt Like Home
150 bpm • D Maj • 04:36 • -19.87db
24% Popularity • 14% Danceability • 8% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Jermaine Soul
Time Waits - Message To Bears Remix
140 bpm • F# min • 03:54 • -11.49db
0% Popularity • 52% Danceability • 66% Energy • 9% Liveness
95% Instrumentalness • 45% Positiveness
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Lennert Busch
Splitscreen - A Love Story
140 bpm • A min • 02:26 • -18db
35% Popularity • 45% Danceability • 3% Energy • 15% Liveness
85% Instrumentalness • 5% Positiveness
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Jome
Cinnamon
140 bpm • G# min • 03:24 • -11db
57% Popularity • 46% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Will Samson
Already Am
140 bpm • D Maj • 03:12 • -14.22db
15% Popularity • 58% Danceability • 28% Energy • 6% Liveness
84% Instrumentalness • 34% Positiveness
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Luca Fogale
Bluebird
150 bpm • B min • 04:52 • -14db
44% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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The Antlers
Kettering
140 bpm • A min • 05:11 • -13.91db
48% Popularity • 32% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Shelby Merry
When the Darkness Comes
140 bpm • G min • 04:17 • -18.99db
32% Popularity • 26% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Stateless
Bloodstream - Quartet Session
140 bpm • F# min • 05:01 • -12db
37% Popularity • 47% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 20% Positiveness
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Lowercase Noises
The First Glimmer of Wind
151 bpm • F# Maj • 05:54 • -14.73db
36% Popularity • 12% Danceability • 25% Energy • 25% Liveness
92% Instrumentalness • 3% Positiveness
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Lissom
Atrophy
151 bpm • A# min • 04:01 • -16.68db
33% Popularity • 22% Danceability • 14% Energy • 9% Liveness
16% Instrumentalness • 14% Positiveness
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Sad Souls
Cloud Speed
139 bpm • D Maj • 03:05 • -25db
30% Popularity • 33% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
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Anoice
colder than thermite
139 bpm • G Maj • 07:01 • -9.76db
12% Popularity • 15% Danceability • 31% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Message To Bears
Almost Faded
152 bpm • F Maj • 03:21 • -13.54db
30% Popularity • 12% Danceability • 19% Energy • 8% Liveness
20% Instrumentalness • 4% Positiveness
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Slow Meadow
Evoke
138 bpm • G min • 03:11 • -16.06db
20% Popularity • 18% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Lowercase Noises
Roaring Forties
139 bpm • D Maj • 05:27 • -10.54db
16% Popularity • 50% Danceability • 30% Energy • 5% Liveness
93% Instrumentalness • 7% Positiveness
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SYML
Harvest Moon
138 bpm • C Maj • 03:43 • -15db
43% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 18% Positiveness
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Robot Koch
Care
138 bpm • C Maj • 03:31 • -16.83db
34% Popularity • 40% Danceability • 31% Energy • 21% Liveness
91% Instrumentalness • 19% Positiveness
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Novo Amor
Holland
138 bpm • C# Maj • 02:39 • -12db
61% Popularity • 50% Danceability • 17% Energy • 11% Liveness
7% Instrumentalness • 9% Positiveness
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The Irrepressibles
The Opening
153 bpm • F# min • 01:55 • -14db
36% Popularity • 18% Danceability • 32% Energy • 32% Liveness
13% Instrumentalness • 18% Positiveness
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Syd Matters
I Might Float
153 bpm • G# Maj • 04:50 • -10db
34% Popularity • 61% Danceability • 35% Energy • 8% Liveness
46% Instrumentalness • 17% Positiveness
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Josiah Everhart
Life Is Strange - Max & Chloe
153 bpm • G# Maj • 03:03 • -21db
28% Popularity • 44% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Racing Glaciers
Caught in the Strange
137 bpm • G min • 03:25 • -16db
39% Popularity • 41% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Fleurie
Sirens
137 bpm • G Maj • 04:26 • -10db
50% Popularity • 31% Danceability • 47% Energy • 12% Liveness
60% Instrumentalness • 5% Positiveness
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Lowercase Noises
Passage
137 bpm • G Maj • 05:47 • -12.33db
34% Popularity • 38% Danceability • 27% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Sol Seppy
Enter One
136 bpm • A# Maj • 06:15 • -12.04db
49% Popularity • 38% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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K.S. Rhoads
Our Corner of the Universe
136 bpm • F min • 05:19 • -13.05db
33% Popularity • 27% Danceability • 9% Energy • 11% Liveness
15% Instrumentalness • 6% Positiveness
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Puzzle Muteson
We Are, We Own
136 bpm • A Maj • 03:33 • -13.4db
25% Popularity • 56% Danceability • 40% Energy • 10% Liveness
77% Instrumentalness • 18% Positiveness
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Ed Carlsen
Grey
155 bpm • D min • 04:02 • -14.67db
15% Popularity • 16% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
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Daniel Hart
This Is Not a Dream
136 bpm • D min • 01:37 • -23.66db
22% Popularity • 54% Danceability • 7% Energy • 14% Liveness
98% Instrumentalness • 19% Positiveness
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Hungry Ghosts
Nothing Has To Happen
136 bpm • E min • 07:35 • -12.73db
20% Popularity • 24% Danceability • 28% Energy • 5% Liveness
67% Instrumentalness • 5% Positiveness
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Message To Bears
I'll Lead You There
135 bpm • D Maj • 03:44 • -12.03db
21% Popularity • 59% Danceability • 56% Energy • 12% Liveness
48% Instrumentalness • 12% Positiveness
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Emily Jane White
Hands
135 bpm • A min • 03:22 • -13.06db
44% Popularity • 49% Danceability • 40% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
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LUCHS
Present Perfect
135 bpm • B Maj • 03:18 • -15.73db
23% Popularity • 51% Danceability • 46% Energy • 49% Liveness
87% Instrumentalness • 14% Positiveness
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J.R Alexander
Goodbye
134 bpm • C# Maj • 03:42 • -14.82db
1% Popularity • 43% Danceability • 54% Energy • 84% Liveness
78% Instrumentalness • 15% Positiveness
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Ben Howard
Promise
157 bpm • D Maj • 06:24 • -15.74db
61% Popularity • 37% Danceability • 19% Energy • 36% Liveness
43% Instrumentalness • 18% Positiveness
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Lambert
Sweet Apocalypse
134 bpm • G# Maj • 03:12 • -18db
38% Popularity • 49% Danceability • 45% Energy • 7% Liveness
90% Instrumentalness • 33% Positiveness
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The Echelon Effect
Outbound
134 bpm • G# Maj • 02:34 • -14.89db
34% Popularity • 26% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Pim Stones
The Last One I Made
134 bpm • C# Maj • 05:07 • -15.68db
37% Popularity • 27% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Black Atlantic
Baiulus
134 bpm • C Maj • 01:36 • -24db
35% Popularity • 25% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Message To Bears
Closed Doors
134 bpm • C Maj • 05:07 • -18.12db
24% Popularity • 22% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Mountains of the Moon
Bayou
158 bpm • A# min • 07:23 • -16db
40% Popularity • 34% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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Radical Face
I'll Be There Soon
158 bpm • F# min • 02:16 • -12.84db
29% Popularity • 52% Danceability • 57% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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The Last Dinosaur
Gusts of Wind Blowing in Different Direc...
133 bpm • F# Maj • 02:21 • -27.11db
43% Popularity • 31% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Foreign Fields
Correct Me
133 bpm • B min • 05:02 • -13.58db
20% Popularity • 26% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 8% Positiveness
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Ben Howard
Black Flies
132 bpm • G# Maj • 06:21 • -13db
51% Popularity • 58% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Mt. Wolf
Soteria - Instrumental
132 bpm • D Maj • 04:41 • -11.28db
11% Popularity • 39% Danceability • 48% Energy • 6% Liveness
87% Instrumentalness • 7% Positiveness
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CLANN
Her & the Sea
132 bpm • C# min • 03:42 • -17.75db
49% Popularity • 18% Danceability • 18% Energy • 38% Liveness
18% Instrumentalness • 4% Positiveness
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Random Forest
Awakening
160 bpm • F Maj • 07:37 • -13db
25% Popularity • 37% Danceability • 31% Energy • 25% Liveness
89% Instrumentalness • 5% Positiveness
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HIN
Red Sun
160 bpm • C Maj • 04:19 • -11.25db
3% Popularity • 30% Danceability • 46% Energy • 6% Liveness
75% Instrumentalness • 8% Positiveness
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Will Samson
Celeste
160 bpm • C Maj • 03:27 • -15.99db
19% Popularity • 52% Danceability • 19% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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DOLKINS
End of Chaos
160 bpm • C# min • 02:14 • -13.84db
28% Popularity • 30% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Lucy Claire
Stille - Message to Bears remix
160 bpm • E Maj • 04:08 • -17.95db
1% Popularity • 34% Danceability • 21% Energy • 7% Liveness
66% Instrumentalness • 3% Positiveness
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BPMoore
Through the Trees
130 bpm • C# Maj • 06:01 • -18.62db
21% Popularity • 45% Danceability • 7% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Haux
Caves
130 bpm • D# min • 03:53 • -13.29db
42% Popularity • 55% Danceability • 32% Energy • 12% Liveness
40% Instrumentalness • 6% Positiveness
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The Echelon Effect
Your First Light My Eventide
130 bpm • F Maj • 05:10 • -10db
31% Popularity • 50% Danceability • 65% Energy • 12% Liveness
75% Instrumentalness • 22% Positiveness
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Will Samson
Tumble
130 bpm • D Maj • 04:21 • -12.46db
20% Popularity • 60% Danceability • 38% Energy • 18% Liveness
92% Instrumentalness • 59% Positiveness
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At The End Of Times, Nothing
Ravelling
130 bpm • F# min • 02:30 • -9.05db
23% Popularity • 32% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
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J.R Alexander
I'm Glad
130 bpm • C# Maj • 03:23 • -11.93db
4% Popularity • 68% Danceability • 50% Energy • 15% Liveness
78% Instrumentalness • 9% Positiveness
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HIN
Blue In Alkali
130 bpm • C min • 04:07 • -11.63db
3% Popularity • 61% Danceability • 36% Energy • 9% Liveness
73% Instrumentalness • 22% Positiveness
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Nils Frahm
Familiar
130 bpm • D# min • 03:30 • -19db
50% Popularity • 62% Danceability • 43% Energy • 36% Liveness
96% Instrumentalness • 29% Positiveness
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Joachim Heinrich
Lùnastal
130 bpm • C Maj • 03:15 • -19.19db
11% Popularity • 30% Danceability • 30% Energy • 29% Liveness
92% Instrumentalness • 9% Positiveness
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Susie Suh
Here with Me
130 bpm • C# min • 03:58 • -13.28db
51% Popularity • 58% Danceability • 38% Energy • 14% Liveness
6% Instrumentalness • 11% Positiveness
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Black Hill
Falconheart
130 bpm • B min • 01:41 • -18.32db
35% Popularity • 53% Danceability • 15% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Message To Bears
Everything Was Covered In Snow
130 bpm • C Maj • 05:05 • -13.16db
22% Popularity • 49% Danceability • 39% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
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Phoria
Saving Us a Riot
130 bpm • D# min • 04:17 • -16.24db
41% Popularity • 48% Danceability • 14% Energy • 12% Liveness
13% Instrumentalness • 6% Positiveness
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Petit Biscuit
You
162 bpm • A min • 03:51 • -13.55db
53% Popularity • 57% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 49% Positiveness
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Amalunga
Nothing
129 bpm • B Maj • 04:55 • -10.42db
29% Popularity • 31% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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You Are a Memory