Songs like You Are My Face by Wilco
Based on a tempo of (+/- 10%) and a similar genre
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Lambchop
Six O'clock News
80 bpm • G Maj • 04:23 • -13.22db
21% Popularity • 61% Danceability • 46% Energy • 8% Liveness
78% Instrumentalness • 22% Positiveness
21% Popularity • 61% Danceability • 46% Energy • 8% Liveness
78% Instrumentalness • 22% Positiveness
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Father John Misty
Only Son of the Ladiesman
80 bpm • F Maj • 04:09 • -6.53db
40% Popularity • 52% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 52% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Eels
P.S. You Rock My World
80 bpm • D# Maj • 03:08 • -16db
36% Popularity • 38% Danceability • 42% Energy • 11% Liveness
77% Instrumentalness • 53% Positiveness
36% Popularity • 38% Danceability • 42% Energy • 11% Liveness
77% Instrumentalness • 53% Positiveness
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Fruit Bats
You're Too Weird
80 bpm • G Maj • 03:46 • -7.9db
54% Popularity • 68% Danceability • 84% Energy • 32% Liveness
32% Instrumentalness • 88% Positiveness
54% Popularity • 68% Danceability • 84% Energy • 32% Liveness
32% Instrumentalness • 88% Positiveness
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Golden Smog
Glad and Sorry
80 bpm • E Maj • 03:33 • -7.73db
25% Popularity • 58% Danceability • 62% Energy • 7% Liveness
2% Instrumentalness • 60% Positiveness
25% Popularity • 58% Danceability • 62% Energy • 7% Liveness
2% Instrumentalness • 60% Positiveness
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Grizzly Bear
While You Wait For The Others
81 bpm • F# min • 04:29 • -7.62db
38% Popularity • 55% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 55% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Beck
Ramshackle
79 bpm • B Maj • 04:46 • -19.43db
29% Popularity • 70% Danceability • 13% Energy • 14% Liveness
27% Instrumentalness • 19% Positiveness
29% Popularity • 70% Danceability • 13% Energy • 14% Liveness
27% Instrumentalness • 19% Positiveness
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The Felice Brothers
Love Me Tenderly
80 bpm • F# Maj • 03:40 • -7db
38% Popularity • 59% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 59% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Wilco
The Late Greats
79 bpm • F Maj • 02:31 • -10.01db
33% Popularity • 54% Danceability • 54% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
33% Popularity • 54% Danceability • 54% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
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Conor Oberst
Get-Well-Cards
81 bpm • G Maj • 03:33 • -5.77db
32% Popularity • 51% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 51% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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J Mascis
Is It Done
79 bpm • G Maj • 04:50 • -10db
22% Popularity • 35% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 35% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Heartless Bastards
Searching for the Ghost
79 bpm • E Maj • 03:45 • -5.3db
23% Popularity • 28% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 28% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Tweedy
World Away
79 bpm • G Maj • 03:31 • -7.48db
17% Popularity • 77% Danceability • 67% Energy • 10% Liveness
25% Instrumentalness • 87% Positiveness
17% Popularity • 77% Danceability • 67% Energy • 10% Liveness
25% Instrumentalness • 87% Positiveness
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The Felice Brothers
Greatest Show on Earth
79 bpm • C min • 05:30 • -8.71db
23% Popularity • 61% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
23% Popularity • 61% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
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Wilco
Misunderstood - 2017 Remaster
81 bpm • D Maj • 06:29 • -9.6db
23% Popularity • 29% Danceability • 41% Energy • 11% Liveness
16% Instrumentalness • 28% Positiveness
23% Popularity • 29% Danceability • 41% Energy • 11% Liveness
16% Instrumentalness • 28% Positiveness
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Conor Oberst
I Got The Reason #2
82 bpm • G Maj • 07:15 • -6.3db
1% Popularity • 28% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
1% Popularity • 28% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Songs: Ohia
Almost Was Good Enough
78 bpm • F# min • 04:28 • -7db
38% Popularity • 42% Danceability • 66% Energy • 13% Liveness
61% Instrumentalness • 34% Positiveness
38% Popularity • 42% Danceability • 66% Energy • 13% Liveness
61% Instrumentalness • 34% Positiveness
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J Mascis
Not Enough
82 bpm • F Maj • 03:13 • -9.93db
23% Popularity • 52% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 52% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Golden Smog
Please Tell My Brother
78 bpm • F Maj • 02:10 • -12.73db
33% Popularity • 64% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 64% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Okkervil River
Pink-Slips
82 bpm • A# Maj • 03:39 • -5.47db
18% Popularity • 58% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 58% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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The Jayhawks
Don't Let The World Get In Your Way
83 bpm • G Maj • 04:19 • -5.56db
21% Popularity • 49% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 49% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Bright Eyes
If the Brakeman Turns My Way
77 bpm • B Maj • 04:53 • -8db
33% Popularity • 35% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 35% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Tweedy
New Moon
83 bpm • C Maj • 03:39 • -12.83db
14% Popularity • 45% Danceability • 36% Energy • 10% Liveness
26% Instrumentalness • 30% Positiveness
14% Popularity • 45% Danceability • 36% Energy • 10% Liveness
26% Instrumentalness • 30% Positiveness
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The Felice Brothers
Helen Fry
76 bpm • G min • 05:44 • -6.2db
13% Popularity • 51% Danceability • 55% Energy • 12% Liveness
11% Instrumentalness • 71% Positiveness
13% Popularity • 51% Danceability • 55% Energy • 12% Liveness
11% Instrumentalness • 71% Positiveness
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Midlake
Van Occupanther
84 bpm • F min • 03:11 • -11db
34% Popularity • 47% Danceability • 39% Energy • 10% Liveness
34% Instrumentalness • 56% Positiveness
34% Popularity • 47% Danceability • 39% Energy • 10% Liveness
34% Instrumentalness • 56% Positiveness
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The Shins
Weird Divide
84 bpm • E Maj • 01:58 • -13.05db
45% Popularity • 65% Danceability • 27% Energy • 7% Liveness
6% Instrumentalness • 32% Positiveness
45% Popularity • 65% Danceability • 27% Energy • 7% Liveness
6% Instrumentalness • 32% Positiveness
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Vetiver
Another Reason To Go
76 bpm • D min • 03:43 • -5.62db
14% Popularity • 70% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 70% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Golden Smog
Fear of Falling
76 bpm • G Maj • 03:31 • -7db
11% Popularity • 46% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 46% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Cass McCombs
Big Wheel
84 bpm • C min • 03:40 • -11.4db
26% Popularity • 50% Danceability • 60% Energy • 13% Liveness
14% Instrumentalness • 85% Positiveness
26% Popularity • 50% Danceability • 60% Energy • 13% Liveness
14% Instrumentalness • 85% Positiveness
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Whiskeytown
Don't Be Sad
84 bpm • C Maj • 03:20 • -10.03db
27% Popularity • 39% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 39% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Billy Bragg
Walt Whitman's Niece
76 bpm • A Maj • 03:53 • -5.86db
39% Popularity • 44% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 44% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Father John Misty
Everyman Needs a Companion
85 bpm • G# Maj • 05:18 • -6.28db
37% Popularity • 55% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 55% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Guster
The Sun Shines Down on Me
75 bpm • D Maj • 03:10 • -10.41db
19% Popularity • 50% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
19% Popularity • 50% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
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Golden Smog
Radio King
85 bpm • G Maj • 03:09 • -12.2db
36% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Conor Oberst
Milk Thistle
85 bpm • B Maj • 05:21 • -12.82db
31% Popularity • 51% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 51% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Wilco
Company in My Back
75 bpm • F Maj • 03:43 • -10.9db
28% Popularity • 65% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 65% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Bragg
Listening To The Wind That Blows
75 bpm • C# min • 05:03 • -8.2db
27% Popularity • 57% Danceability • 42% Energy • 13% Liveness
2% Instrumentalness • 47% Positiveness
27% Popularity • 57% Danceability • 42% Energy • 13% Liveness
2% Instrumentalness • 47% Positiveness
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Bonnie Prince Billy
Bird Song
86 bpm • D Maj • 06:09 • -8.71db
18% Popularity • 40% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 40% Positiveness
18% Popularity • 40% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 40% Positiveness
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J Mascis
Circle
74 bpm • G Maj • 03:23 • -11.28db
22% Popularity • 58% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 58% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Cass McCombs
There Can Be Only One
86 bpm • A Maj • 04:17 • -13.59db
39% Popularity • 61% Danceability • 69% Energy • 24% Liveness
22% Instrumentalness • 86% Positiveness
39% Popularity • 61% Danceability • 69% Energy • 24% Liveness
22% Instrumentalness • 86% Positiveness
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Stephen Malkmus
We Can't Help You
74 bpm • C Maj • 03:04 • -8.58db
3% Popularity • 61% Danceability • 41% Energy • 11% Liveness
67% Instrumentalness • 17% Positiveness
3% Popularity • 61% Danceability • 41% Energy • 11% Liveness
67% Instrumentalness • 17% Positiveness
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Wilco
I Am Trying to Break Your Heart - 2022 R...
86 bpm • E Maj • 06:57 • -10db
41% Popularity • 48% Danceability • 55% Energy • 16% Liveness
1% Instrumentalness • 52% Positiveness
41% Popularity • 48% Danceability • 55% Energy • 16% Liveness
1% Instrumentalness • 52% Positiveness
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Monsters Of Folk
Sandman, The Brakeman And Me
87 bpm • C Maj • 03:23 • -10.99db
21% Popularity • 47% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 47% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Big Star
Watch The Sunrise
88 bpm • G Maj • 03:43 • -12.04db
31% Popularity • 38% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 38% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Jeff Tweedy
Ashes of American Flags
73 bpm • D Maj • 03:45 • -17.07db
21% Popularity • 66% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 66% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Uncle Tupelo
Slate
89 bpm • D Maj • 03:24 • -9.96db
25% Popularity • 29% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 29% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Son Volt
Circadian Rhythm
89 bpm • D# min • 05:04 • -7.68db
13% Popularity • 24% Danceability • 57% Energy • 30% Liveness
74% Instrumentalness • 53% Positiveness
13% Popularity • 24% Danceability • 57% Energy • 30% Liveness
74% Instrumentalness • 53% Positiveness
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Wilco
She's a Jar
74 bpm • G Maj • 04:42 • -6db
39% Popularity • 38% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 38% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Monsters Of Folk
Slow Down Joe
71 bpm • C Maj • 03:21 • -11.21db
13% Popularity • 45% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 45% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Fruit Bats
Absolute Loser
90 bpm • G Maj • 03:51 • -10.39db
40% Popularity • 52% Danceability • 51% Energy • 12% Liveness
8% Instrumentalness • 40% Positiveness
40% Popularity • 52% Danceability • 51% Energy • 12% Liveness
8% Instrumentalness • 40% Positiveness
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Jeff Tweedy
Warm (When The Sun Has Died)
90 bpm • D min • 02:18 • -19.66db
30% Popularity • 57% Danceability • 19% Energy • 14% Liveness
76% Instrumentalness • 36% Positiveness
30% Popularity • 57% Danceability • 19% Energy • 14% Liveness
76% Instrumentalness • 36% Positiveness
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Blitzen Trapper
Sleepytime in the Western World
90 bpm • F Maj • 03:29 • -6.97db
23% Popularity • 53% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 53% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Tweedy
Slow Love
91 bpm • B min • 05:32 • -9.66db
12% Popularity • 54% Danceability • 74% Energy • 13% Liveness
87% Instrumentalness • 62% Positiveness
12% Popularity • 54% Danceability • 74% Energy • 13% Liveness
87% Instrumentalness • 62% Positiveness
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Wilco
At Least That's What You Said
89 bpm • G Maj • 05:31 • -11.78db
31% Popularity • 26% Danceability • 40% Energy • 9% Liveness
24% Instrumentalness • 40% Positiveness
31% Popularity • 26% Danceability • 40% Energy • 9% Liveness
24% Instrumentalness • 40% Positiveness
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Monsters Of Folk
Temazcal
71 bpm • B Maj • 03:49 • -10.36db
22% Popularity • 61% Danceability • 37% Energy • 11% Liveness
6% Instrumentalness • 54% Positiveness
22% Popularity • 61% Danceability • 37% Energy • 11% Liveness
6% Instrumentalness • 54% Positiveness
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Brendan Benson
Me Just Purely
91 bpm • E min • 02:44 • -9.05db
12% Popularity • 57% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 57% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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The Glands
swim
92 bpm • C# Maj • 03:12 • -10.18db
15% Popularity • 62% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 62% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Damien Jurado
Mountains Still Asleep
92 bpm • F# Maj • 02:18 • -9.53db
19% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Jim James
Candyman
91 bpm • C Maj • 05:34 • -6.83db
25% Popularity • 27% Danceability • 69% Energy • 12% Liveness
39% Instrumentalness • 59% Positiveness
25% Popularity • 27% Danceability • 69% Energy • 12% Liveness
39% Instrumentalness • 59% Positiveness
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Wilco
Poor Places - 2022 Remaster
90 bpm • A# Maj • 05:18 • -9.58db
34% Popularity • 28% Danceability • 43% Energy • 26% Liveness
13% Instrumentalness • 34% Positiveness
34% Popularity • 28% Danceability • 43% Energy • 26% Liveness
13% Instrumentalness • 34% Positiveness
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The Jayhawks
Ace
92 bpm • C# Maj • 05:36 • -7.47db
9% Popularity • 41% Danceability • 78% Energy • 9% Liveness
86% Instrumentalness • 74% Positiveness
9% Popularity • 41% Danceability • 78% Energy • 9% Liveness
86% Instrumentalness • 74% Positiveness
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Blitzen Trapper
Furr
92 bpm • D Maj • 04:07 • -10.66db
60% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Scud Mountain Boys
In A Ditch
92 bpm • D Maj • 02:42 • -10.89db
20% Popularity • 63% Danceability • 41% Energy • 7% Liveness
1% Instrumentalness • 55% Positiveness
20% Popularity • 63% Danceability • 41% Energy • 7% Liveness
1% Instrumentalness • 55% Positiveness
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Billy Bragg
Another Man's Done Gone
69 bpm • G Maj • 01:36 • -10.32db
41% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Okkervil River
Blue Tulip
69 bpm • D Maj • 06:18 • -6.43db
17% Popularity • 22% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 22% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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The Shins
Saint Simon - 2023 Remaster
93 bpm • D# Maj • 04:24 • -5.76db
44% Popularity • 60% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 60% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Morphine
All Your Way
93 bpm • D Maj • 03:04 • -10.71db
37% Popularity • 62% Danceability • 61% Energy • 12% Liveness
3% Instrumentalness • 69% Positiveness
37% Popularity • 62% Danceability • 61% Energy • 12% Liveness
3% Instrumentalness • 69% Positiveness
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Stephen Malkmus & The Jicks
Asking Price
93 bpm • G# min • 02:41 • -10.57db
18% Popularity • 60% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 60% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Ron Sexsmith
Cheap Hotel
93 bpm • G# Maj • 02:18 • -10.2db
26% Popularity • 54% Danceability • 47% Energy • 15% Liveness
31% Instrumentalness • 55% Positiveness
26% Popularity • 54% Danceability • 47% Energy • 15% Liveness
31% Instrumentalness • 55% Positiveness
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Billy Bragg
Remember The Mountain Bed
69 bpm • F Maj • 06:26 • -10.16db
34% Popularity • 33% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 33% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Conor Oberst
Nikorette
94 bpm • D Maj • 04:11 • -4.74db
2% Popularity • 55% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
2% Popularity • 55% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Wilco
Via Chicago
94 bpm • D Maj • 05:33 • -8.17db
45% Popularity • 54% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 54% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Paul Westerberg
Tears Rolling Up Our Sleeves
94 bpm • C Maj • 03:28 • -9.51db
13% Popularity • 60% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 60% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Father John Misty
Misty's Nightmares 1 & 2
94 bpm • C Maj • 03:13 • -7.3db
38% Popularity • 65% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 65% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Ryan Adams
My Winding Wheel
94 bpm • F# Maj • 03:12 • -12.88db
46% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Billy Bragg
The Unwelcome Guest
94 bpm • C Maj • 05:05 • -8.76db
27% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Hayden
Dynamite Walls
95 bpm • A Maj • 06:43 • -12db
24% Popularity • 58% Danceability • 40% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
24% Popularity • 58% Danceability • 40% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
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Wilco
I'm the Man Who Loves You - 2022 Remaste...
94 bpm • F Maj • 03:56 • -6.81db
39% Popularity • 59% Danceability • 76% Energy • 21% Liveness
2% Instrumentalness • 87% Positiveness
39% Popularity • 59% Danceability • 76% Energy • 21% Liveness
2% Instrumentalness • 87% Positiveness
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Okkervil River
John Allyn Smith Sails
95 bpm • E Maj • 04:33 • -8.03db
30% Popularity • 35% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 35% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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Father John Misty
Now I'm Learning to Love the War
94 bpm • A# Maj • 04:16 • -6.87db
36% Popularity • 57% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 57% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Monsters Of Folk
Man Named Truth
95 bpm • D min • 03:51 • -5.05db
15% Popularity • 53% Danceability • 91% Energy • 54% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 53% Danceability • 91% Energy • 54% Liveness
0% Instrumentalness • 94% Positiveness
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Kurt Vile
Rollin With The Flow
96 bpm • D Maj • 02:59 • -7db
42% Popularity • 56% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 56% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Band of Horses
Older
96 bpm • C Maj • 03:28 • -5.85db
30% Popularity • 44% Danceability • 50% Energy • 54% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 44% Danceability • 50% Energy • 54% Liveness
0% Instrumentalness • 46% Positiveness
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Fruit Bats
The Ruminant Band
97 bpm • G Maj • 03:20 • -6.36db
49% Popularity • 54% Danceability • 69% Energy • 35% Liveness
12% Instrumentalness • 53% Positiveness
49% Popularity • 54% Danceability • 69% Energy • 35% Liveness
12% Instrumentalness • 53% Positiveness
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Okkervil River
Plus Ones
97 bpm • A Maj • 03:43 • -8db
29% Popularity • 42% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 42% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Beachwood Sparks
Talk About Lonesome
97 bpm • C Maj • 03:08 • -9.01db
8% Popularity • 51% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 51% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Vetiver
I Must Be In A Good Place Now
97 bpm • F Maj • 04:30 • -14.02db
17% Popularity • 42% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 42% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Belle and Sebastian
The Loneliness of a Middle Distance Runn...
97 bpm • E Maj • 04:32 • -6.73db
23% Popularity • 52% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 52% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Sun Kil Moon
Carry Me Ohio
97 bpm • F# Maj • 06:21 • -9db
47% Popularity • 59% Danceability • 51% Energy • 11% Liveness
10% Instrumentalness • 52% Positiveness
47% Popularity • 59% Danceability • 51% Energy • 11% Liveness
10% Instrumentalness • 52% Positiveness
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The National
Karen
98 bpm • C min • 03:59 • -7db
36% Popularity • 66% Danceability • 62% Energy • 9% Liveness
80% Instrumentalness • 77% Positiveness
36% Popularity • 66% Danceability • 62% Energy • 9% Liveness
80% Instrumentalness • 77% Positiveness
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Monsters Of Folk
Say Please
98 bpm • D Maj • 02:48 • -5.16db
17% Popularity • 52% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 52% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Beachwood Sparks
Forget The Song
98 bpm • E Maj • 03:38 • -8.06db
17% Popularity • 49% Danceability • 55% Energy • 10% Liveness
37% Instrumentalness • 56% Positiveness
17% Popularity • 49% Danceability • 55% Energy • 10% Liveness
37% Instrumentalness • 56% Positiveness
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Wilco
Can't Stand It
99 bpm • G Maj • 03:46 • -3db
36% Popularity • 56% Danceability • 82% Energy • 28% Liveness
1% Instrumentalness • 84% Positiveness
36% Popularity • 56% Danceability • 82% Energy • 28% Liveness
1% Instrumentalness • 84% Positiveness
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Conor Oberst and the Mystic Valley Band
Corina, Corina
99 bpm • F Maj • 03:45 • -6.84db
14% Popularity • 55% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 55% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Sun Kil Moon
Among the Leaves
100 bpm • D# Maj • 03:31 • -18db
47% Popularity • 62% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
47% Popularity • 62% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Dawes
Time Spent in Los Angeles
100 bpm • G# Maj • 04:35 • -19db
38% Popularity • 51% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 51% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Kurt Vile
Peeping Tomboy
101 bpm • D Maj • 04:24 • -9db
25% Popularity • 43% Danceability • 40% Energy • 34% Liveness
1% Instrumentalness • 29% Positiveness
25% Popularity • 43% Danceability • 40% Energy • 34% Liveness
1% Instrumentalness • 29% Positiveness
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Uncle Tupelo
Anodyne
101 bpm • G Maj • 04:50 • -10.32db
21% Popularity • 31% Danceability • 26% Energy • 6% Liveness
67% Instrumentalness • 9% Positiveness
21% Popularity • 31% Danceability • 26% Energy • 6% Liveness
67% Instrumentalness • 9% Positiveness
