Songs like You Are My Friend (contains interpolations of "It's You I Like" and "Am I A Mistake?") by Nate Heller
Based on a tempo of (+/- 10%) and a similar genre
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Michael Giacchino
Joy Turns to Sadness/A Growing Personali...
110 bpm • D Maj • 07:49 • -17db
35% Popularity • 35% Danceability • 22% Energy • 37% Liveness
76% Instrumentalness • 3% Positiveness
35% Popularity • 35% Danceability • 22% Energy • 37% Liveness
76% Instrumentalness • 3% Positiveness
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Stephen Rennicks
First Day at Trinity
110 bpm • D Maj • 01:31 • -17.94db
37% Popularity • 44% Danceability • 14% Energy • 16% Liveness
96% Instrumentalness • 11% Positiveness
37% Popularity • 44% Danceability • 14% Energy • 16% Liveness
96% Instrumentalness • 11% Positiveness
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Nate Heller
You Are My Friend (contains interpolatio...
110 bpm • D Maj • 01:07 • -22.57db
19% Popularity • 19% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
19% Popularity • 19% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Abel Korzeniowski
When You Come Home
110 bpm • A min • 01:04 • -28.6db
32% Popularity • 16% Danceability • 9% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 9% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Mark McKenzie
Red's Goodbye
110 bpm • G min • 01:35 • -21.57db
30% Popularity • 20% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
30% Popularity • 20% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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John Debney
Mowgli's Leaving - Elephant Theme
109 bpm • C# min • 03:27 • -21.32db
26% Popularity • 20% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
26% Popularity • 20% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Basil Poledouris
Main Title & Opening Credits
111 bpm • E min • 03:34 • -17.3db
13% Popularity • 20% Danceability • 19% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
13% Popularity • 20% Danceability • 19% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
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Michael Giacchino
Jojo's Theme
109 bpm • A min • 03:53 • -20.06db
16% Popularity • 31% Danceability • 13% Energy • 12% Liveness
9% Instrumentalness • 5% Positiveness
16% Popularity • 31% Danceability • 13% Energy • 12% Liveness
9% Instrumentalness • 5% Positiveness
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Nate Heller
Under the Waterfall
110 bpm • A min • 01:13 • -26.83db
0% Popularity • 41% Danceability • 9% Energy • 9% Liveness
57% Instrumentalness • 5% Positiveness
0% Popularity • 41% Danceability • 9% Energy • 9% Liveness
57% Instrumentalness • 5% Positiveness
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John Lunn
The Butler And The Housekeeper
109 bpm • F Maj • 02:08 • -20db
29% Popularity • 16% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Harald Kloser
Burning Books
111 bpm • E min • 01:42 • -27db
46% Popularity • 22% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
46% Popularity • 22% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Blake Neely
I’ll Always Be Looking For You
109 bpm • D# Maj • 01:17 • -32.37db
34% Popularity • 16% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Dan Romer
Rules Are for Rule People
109 bpm • F# min • 01:08 • -17.33db
32% Popularity • 62% Danceability • 32% Energy • 13% Liveness
90% Instrumentalness • 51% Positiveness
32% Popularity • 62% Danceability • 32% Energy • 13% Liveness
90% Instrumentalness • 51% Positiveness
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George Fenton
Meet Me At Cafe Lalo
108 bpm • G Maj • 01:52 • -18.29db
22% Popularity • 58% Danceability • 8% Energy • 9% Liveness
32% Instrumentalness • 17% Positiveness
22% Popularity • 58% Danceability • 8% Energy • 9% Liveness
32% Instrumentalness • 17% Positiveness
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Nate Heller
Noel Coward/John Hancock
111 bpm • C Maj • 04:02 • -18.75db
6% Popularity • 42% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 24% Positiveness
6% Popularity • 42% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 24% Positiveness
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Martin Phipps
The Attic
108 bpm • E min • 02:22 • -21.25db
12% Popularity • 33% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
12% Popularity • 33% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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John Debney
The Makeup / First Kiss
112 bpm • G Maj • 02:25 • -22.38db
12% Popularity • 31% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
12% Popularity • 31% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Anne Niktin
The Magic Garden
112 bpm • F Maj • 01:03 • -7.35db
14% Popularity • 37% Danceability • 49% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
14% Popularity • 37% Danceability • 49% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
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Carlos Rafael Rivera
Sygrayem (Let's Play)
112 bpm • C Maj • 02:11 • -21.46db
50% Popularity • 52% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
50% Popularity • 52% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
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Mychael Danna
New Ian
108 bpm • C Maj • 02:36 • -13.51db
22% Popularity • 59% Danceability • 40% Energy • 10% Liveness
22% Instrumentalness • 19% Positiveness
22% Popularity • 59% Danceability • 40% Energy • 10% Liveness
22% Instrumentalness • 19% Positiveness
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Dario Marianelli
A Letter From Prison
112 bpm • A# Maj • 02:20 • -25db
41% Popularity • 29% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
41% Popularity • 29% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Dan Romer
The Curious Fish
108 bpm • E min • 01:39 • -19.79db
35% Popularity • 24% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
35% Popularity • 24% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Christopher Willis
Notes and Impressions
107 bpm • E Maj • 01:34 • -25db
18% Popularity • 20% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Rael Jones
Footloose and Fancy Free
113 bpm • D Maj • 01:19 • -19.44db
40% Popularity • 21% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 11% Positiveness
40% Popularity • 21% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 11% Positiveness
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Carlos Rafael Rivera
Training With Benny
108 bpm • E min • 02:15 • -24.79db
34% Popularity • 44% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
34% Popularity • 44% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
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Marcelo Zarvos
I Want You To Have This - Reprise
107 bpm • D# Maj • 01:10 • -27.19db
36% Popularity • 36% Danceability • 3% Energy • 9% Liveness
100% Instrumentalness • 4% Positiveness
36% Popularity • 36% Danceability • 3% Energy • 9% Liveness
100% Instrumentalness • 4% Positiveness
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Marco Beltrami
Main Title & Yosemite Valley
113 bpm • A# min • 04:41 • -20.94db
19% Popularity • 17% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Daniel Pemberton
Ha!
107 bpm • C Maj • 01:16 • -10.36db
25% Popularity • 51% Danceability • 61% Energy • 15% Liveness
95% Instrumentalness • 34% Positiveness
25% Popularity • 51% Danceability • 61% Energy • 15% Liveness
95% Instrumentalness • 34% Positiveness
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Siddhartha Khosla
Romantic Theme Pt. 2
113 bpm • D min • 01:31 • -19.54db
25% Popularity • 22% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Carter Burwell
Toys and Stars
113 bpm • F Maj • 01:23 • -18.88db
35% Popularity • 27% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
35% Popularity • 27% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
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Carlos Rafael Rivera
Training With Mr. Schaibel
108 bpm • A min • 03:04 • -24.87db
45% Popularity • 35% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
45% Popularity • 35% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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Howard Shore
The Thief
113 bpm • B min • 04:20 • -21.24db
30% Popularity • 25% Danceability • 11% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
30% Popularity • 25% Danceability • 11% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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George Fenton
The Homecoming
107 bpm • C Maj • 01:29 • -20.26db
33% Popularity • 16% Danceability • 14% Energy • 8% Liveness
79% Instrumentalness • 11% Positiveness
33% Popularity • 16% Danceability • 14% Energy • 8% Liveness
79% Instrumentalness • 11% Positiveness
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Mychael Danna
It Was Always Tate
114 bpm • A# Maj • 02:40 • -23.97db
20% Popularity • 18% Danceability • 10% Energy • 12% Liveness
30% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 10% Energy • 12% Liveness
30% Instrumentalness • 4% Positiveness
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Daniel Pemberton
An Old Friend
114 bpm • C min • 01:53 • -19.62db
29% Popularity • 38% Danceability • 9% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
29% Popularity • 38% Danceability • 9% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Clint Mansell
Starry Night Over The Rhone
106 bpm • D Maj • 01:17 • -17.55db
41% Popularity • 24% Danceability • 18% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
41% Popularity • 24% Danceability • 18% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Thomas Newman
Valley of the Shadow - Instrumental
106 bpm • F Maj • 02:09 • -27.01db
37% Popularity • 27% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
37% Popularity • 27% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Emile Mosseri
Paul's Antiphony
114 bpm • C Maj • 01:54 • -14.7db
40% Popularity • 23% Danceability • 29% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
40% Popularity • 23% Danceability • 29% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
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George Fenton
Kathleen Computer Sneak
114 bpm • D Maj • 01:22 • -20.56db
24% Popularity • 82% Danceability • 12% Energy • 18% Liveness
81% Instrumentalness • 35% Positiveness
24% Popularity • 82% Danceability • 12% Energy • 18% Liveness
81% Instrumentalness • 35% Positiveness
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Steven Price
We Took To The Skies
114 bpm • G# Maj • 04:49 • -16.51db
20% Popularity • 17% Danceability • 24% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 24% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Playing Townes
114 bpm • A min • 03:45 • -29db
42% Popularity • 33% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
42% Popularity • 33% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Jonathan Kirkscey
Trolley Music
115 bpm • C Maj • 01:28 • -21.73db
18% Popularity • 48% Danceability • 20% Energy • 11% Liveness
89% Instrumentalness • 29% Positiveness
18% Popularity • 48% Danceability • 20% Energy • 11% Liveness
89% Instrumentalness • 29% Positiveness
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Craig Armstrong
Reflections of Ivan
106 bpm • C Maj • 03:36 • -16.58db
10% Popularity • 16% Danceability • 12% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 12% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Dan Romer
Go Find Out for Me
105 bpm • A# Maj • 01:39 • -9.78db
42% Popularity • 24% Danceability • 32% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
42% Popularity • 24% Danceability • 32% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Marco Beltrami
Freerider
115 bpm • A min • 03:27 • -16.23db
15% Popularity • 51% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
15% Popularity • 51% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Joseph Trapanese
The Fifth Spirit
105 bpm • G# Maj • 03:34 • -13.17db
9% Popularity • 40% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
9% Popularity • 40% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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George Fenton
Goodnight Dear Void
115 bpm • E min • 01:07 • -20db
44% Popularity • 27% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
44% Popularity • 27% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Martin Phipps
Feet Up
116 bpm • D Maj • 03:11 • -23.03db
26% Popularity • 42% Danceability • 7% Energy • 15% Liveness
79% Instrumentalness • 16% Positiveness
26% Popularity • 42% Danceability • 7% Energy • 15% Liveness
79% Instrumentalness • 16% Positiveness
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Paolo Buonvino
Fatima
116 bpm • F Maj • 04:33 • -25.09db
19% Popularity • 17% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Guy Farley
Love Theme
116 bpm • C# Maj • 02:45 • -29db
45% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Kevin Smuts
Playing With Fish
117 bpm • A Maj • 02:38 • -21.7db
33% Popularity • 17% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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John Debney
The Proposal / Trying to Tell Her
104 bpm • C Maj • 02:20 • -21.07db
9% Popularity • 21% Danceability • 10% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
9% Popularity • 21% Danceability • 10% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
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Rob Simonsen
A Walk in the Park
117 bpm • F min • 02:08 • -24.27db
17% Popularity • 20% Danceability • 14% Energy • 7% Liveness
92% Instrumentalness • 22% Positiveness
17% Popularity • 20% Danceability • 14% Energy • 7% Liveness
92% Instrumentalness • 22% Positiveness
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Marcel Barsotti
Traktorfahrt
117 bpm • G min • 01:31 • -18.62db
9% Popularity • 36% Danceability • 13% Energy • 20% Liveness
13% Instrumentalness • 5% Positiveness
9% Popularity • 36% Danceability • 13% Energy • 20% Liveness
13% Instrumentalness • 5% Positiveness
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George Fenton
The Verdict
117 bpm • G# Maj • 01:20 • -20db
37% Popularity • 18% Danceability • 9% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
37% Popularity • 18% Danceability • 9% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
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Mychael Danna
I Don't Feel Alone Anymore
117 bpm • G Maj • 02:22 • -19.6db
15% Popularity • 25% Danceability • 13% Energy • 41% Liveness
61% Instrumentalness • 7% Positiveness
15% Popularity • 25% Danceability • 13% Energy • 41% Liveness
61% Instrumentalness • 7% Positiveness
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David Newman
Baby Walks
118 bpm • G Maj • 01:34 • -14db
38% Popularity • 20% Danceability • 30% Energy • 11% Liveness
45% Instrumentalness • 9% Positiveness
38% Popularity • 20% Danceability • 30% Energy • 11% Liveness
45% Instrumentalness • 9% Positiveness
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Jay Wadley
Everything is Different
103 bpm • F Maj • 05:18 • -25.28db
10% Popularity • 15% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Dario Marianelli
Happy Birthday Aunt Lucy
103 bpm • D Maj • 03:34 • -21.3db
26% Popularity • 27% Danceability • 7% Energy • 30% Liveness
84% Instrumentalness • 12% Positiveness
26% Popularity • 27% Danceability • 7% Energy • 30% Liveness
84% Instrumentalness • 12% Positiveness
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Steven Price
Nothing To Stop Us
103 bpm • A min • 02:12 • -20.47db
19% Popularity • 18% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
19% Popularity • 18% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Randy Newman
Mommy Phase
102 bpm • F min • 01:01 • -21.55db
28% Popularity • 33% Danceability • 5% Energy • 35% Liveness
0% Instrumentalness • 6% Positiveness
28% Popularity • 33% Danceability • 5% Energy • 35% Liveness
0% Instrumentalness • 6% Positiveness
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Christopher Willis
A Blissful Summer
118 bpm • A Maj • 01:16 • -11.47db
17% Popularity • 47% Danceability • 47% Energy • 12% Liveness
5% Instrumentalness • 32% Positiveness
17% Popularity • 47% Danceability • 47% Energy • 12% Liveness
5% Instrumentalness • 32% Positiveness
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Anne Niktin
This Beautiful Fantastic
118 bpm • A Maj • 02:17 • -9.69db
19% Popularity • 61% Danceability • 39% Energy • 19% Liveness
86% Instrumentalness • 19% Positiveness
19% Popularity • 61% Danceability • 39% Energy • 19% Liveness
86% Instrumentalness • 19% Positiveness
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John Debney
Travel Montage
102 bpm • D Maj • 01:47 • -18.49db
15% Popularity • 43% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
15% Popularity • 43% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Michael Giacchino
What Elsa Is New
102 bpm • G# Maj • 02:01 • -32.96db
16% Popularity • 39% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 15% Positiveness
16% Popularity • 39% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 15% Positiveness
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Nathan Johnson
Blanc's Tale, Pt. II
101 bpm • G Maj • 06:11 • -16.37db
20% Popularity • 17% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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David Newman
Giving Back The Baby
119 bpm • E min • 06:26 • -14db
32% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Jonathan Kirkscey
143
101 bpm • G# Maj • 01:54 • -21.28db
8% Popularity • 20% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Marco Beltrami
Bethany and Dad
120 bpm • C Maj • 02:20 • -22db
20% Popularity • 43% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
20% Popularity • 43% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
► Preview
Burkhard Dallwitz
It's a Life
120 bpm • E Maj • 01:29 • -22db
36% Popularity • 42% Danceability • 16% Energy • 48% Liveness
96% Instrumentalness • 14% Positiveness
36% Popularity • 42% Danceability • 16% Energy • 48% Liveness
96% Instrumentalness • 14% Positiveness
► Preview
Miriam Cutler
Ethel Main Title
120 bpm • F Maj • 03:16 • -21.88db
16% Popularity • 43% Danceability • 7% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
16% Popularity • 43% Danceability • 7% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
► Preview
Nathan Johnson
The Thrombey Family Theme (Solo Piano)
101 bpm • C min • 01:33 • -26db
38% Popularity • 52% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
38% Popularity • 52% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Jonathan Grow
A Travers En Ville
120 bpm • C# Maj • 04:39 • -12db
15% Popularity • 26% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
15% Popularity • 26% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
► Preview
Stephen Warbeck
Train Journey
120 bpm • E min • 02:34 • -25db
27% Popularity • 38% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
27% Popularity • 38% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Guy Farley
Family
120 bpm • A min • 01:47 • -17.68db
49% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
49% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Trent Reznor and Atticus Ross
Just Us
120 bpm • G Maj • 02:42 • -19.63db
43% Popularity • 54% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
43% Popularity • 54% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Mychael Danna
The Fourth Of July
120 bpm • G min • 01:51 • -21.75db
22% Popularity • 44% Danceability • 15% Energy • 23% Liveness
54% Instrumentalness • 6% Positiveness
22% Popularity • 44% Danceability • 15% Energy • 23% Liveness
54% Instrumentalness • 6% Positiveness
► Preview
Carlos Rafael Rivera
The Green Pills
120 bpm • C min • 01:30 • -31.61db
46% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
46% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Rob Simonsen
Gifted
120 bpm • A Maj • 02:21 • -20.07db
21% Popularity • 58% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
21% Popularity • 58% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
► Preview
Stephen Warbeck
Shakespeare In Love: End Credits
120 bpm • F# Maj • 04:31 • -15db
17% Popularity • 18% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Dustin O'Halloran
Enzo Returns
100 bpm • A# Maj • 01:13 • -25.95db
14% Popularity • 14% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
14% Popularity • 14% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
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Randy Newman
Nicole Tells Her Story
100 bpm • F Maj • 01:02 • -15.32db
20% Popularity • 19% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
20% Popularity • 19% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Mychael Danna
The Times Have Already Changed
120 bpm • C Maj • 02:42 • -14.32db
9% Popularity • 72% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
9% Popularity • 72% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
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Carlos Rafael Rivera
Mexico City Invitational 1966
120 bpm • G# Maj • 02:21 • -19.98db
40% Popularity • 49% Danceability • 28% Energy • 8% Liveness
96% Instrumentalness • 17% Positiveness
40% Popularity • 49% Danceability • 28% Energy • 8% Liveness
96% Instrumentalness • 17% Positiveness
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Pinar Toprak
First Day on the Job
100 bpm • G min • 02:42 • -18.65db
14% Popularity • 63% Danceability • 20% Energy • 14% Liveness
20% Instrumentalness • 20% Positiveness
14% Popularity • 63% Danceability • 20% Energy • 14% Liveness
20% Instrumentalness • 20% Positiveness
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Rob Simonsen
I Found You Again
100 bpm • C Maj • 01:42 • -22.79db
15% Popularity • 30% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
15% Popularity • 30% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Marius de Vries
Going To Boston
121 bpm • E Maj • 02:14 • -12.24db
27% Popularity • 45% Danceability • 35% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
27% Popularity • 45% Danceability • 35% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
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Randy Newman
End of Story (Credits)
121 bpm • E Maj • 02:46 • -15.48db
23% Popularity • 30% Danceability • 7% Energy • 8% Liveness
37% Instrumentalness • 19% Positiveness
23% Popularity • 30% Danceability • 7% Energy • 8% Liveness
37% Instrumentalness • 19% Positiveness
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Dario Marianelli
Dog Happiness
100 bpm • G Maj • 02:25 • -16.34db
17% Popularity • 52% Danceability • 17% Energy • 7% Liveness
64% Instrumentalness • 20% Positiveness
17% Popularity • 52% Danceability • 17% Energy • 7% Liveness
64% Instrumentalness • 20% Positiveness
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John Debney
Mia Invites Lilly To The Ball - Score
122 bpm • A Maj • 01:08 • -32db
49% Popularity • 25% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
49% Popularity • 25% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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David Arnold
Opening Titles
99 bpm • C min • 01:07 • -20.05db
49% Popularity • 22% Danceability • 14% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
49% Popularity • 22% Danceability • 14% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Justin Hurwitz
I Oughta Be Getting Home / Plugs Out
122 bpm • F# min • 01:10 • -26.29db
31% Popularity • 33% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
31% Popularity • 33% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
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Gavin Greenaway
Skyline
122 bpm • C# Maj • 04:44 • -21db
19% Popularity • 36% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
19% Popularity • 36% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
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Rael Jones
Mrs. Harris
99 bpm • D Maj • 01:59 • -12.15db
32% Popularity • 32% Danceability • 25% Energy • 10% Liveness
71% Instrumentalness • 17% Positiveness
32% Popularity • 32% Danceability • 25% Energy • 10% Liveness
71% Instrumentalness • 17% Positiveness
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Nicholas Britell
The BASH Presentation
99 bpm • F Maj • 02:07 • -11.59db
17% Popularity • 19% Danceability • 43% Energy • 8% Liveness
2% Instrumentalness • 10% Positiveness
17% Popularity • 19% Danceability • 43% Energy • 8% Liveness
2% Instrumentalness • 10% Positiveness
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Dario Marianelli
Colin Gets Up
99 bpm • F# min • 02:26 • -11.74db
13% Popularity • 22% Danceability • 28% Energy • 6% Liveness
26% Instrumentalness • 5% Positiveness
13% Popularity • 22% Danceability • 28% Energy • 6% Liveness
26% Instrumentalness • 5% Positiveness
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Michael Andrews
Voicemail From Emily
123 bpm • C Maj • 04:38 • -21.05db
10% Popularity • 33% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 33% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
George Fenton
Leaping Penguins
123 bpm • D Maj • 01:28 • -16db
35% Popularity • 36% Danceability • 26% Energy • 27% Liveness
68% Instrumentalness • 16% Positiveness
35% Popularity • 36% Danceability • 26% Energy • 27% Liveness
68% Instrumentalness • 16% Positiveness
