Songs like You Are the Song by Herbie Mann
Based on a tempo of (+/- 10%) and a similar genre
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Wayne Shorter
Beauty and the Beast
140 bpm • G min • 05:04 • -7db
30% Popularity • 67% Danceability • 57% Energy • 6% Liveness
50% Instrumentalness • 65% Positiveness
30% Popularity • 67% Danceability • 57% Energy • 6% Liveness
50% Instrumentalness • 65% Positiveness
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Horace Silver
Que Pasa - Rudy Van Gelder Edition/1999 ...
140 bpm • F# min • 07:47 • -11.75db
26% Popularity • 62% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 65% Positiveness
26% Popularity • 62% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 65% Positiveness
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Pucho
Chitterlings Con Carne
140 bpm • C Maj • 04:43 • -21db
24% Popularity • 60% Danceability • 29% Energy • 11% Liveness
31% Instrumentalness • 80% Positiveness
24% Popularity • 60% Danceability • 29% Energy • 11% Liveness
31% Instrumentalness • 80% Positiveness
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Yusef Lateef
Russell and Eliot
140 bpm • A min • 04:53 • -13.83db
25% Popularity • 56% Danceability • 41% Energy • 6% Liveness
78% Instrumentalness • 62% Positiveness
25% Popularity • 56% Danceability • 41% Energy • 6% Liveness
78% Instrumentalness • 62% Positiveness
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Kenyon Hopkins
Hard Latin
141 bpm • F min • 02:11 • -10.35db
30% Popularity • 67% Danceability • 60% Energy • 9% Liveness
95% Instrumentalness • 89% Positiveness
30% Popularity • 67% Danceability • 60% Energy • 9% Liveness
95% Instrumentalness • 89% Positiveness
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James Moody
I'm In the Mood for Love
140 bpm • C min • 02:48 • -13.67db
28% Popularity • 54% Danceability • 20% Energy • 16% Liveness
85% Instrumentalness • 48% Positiveness
28% Popularity • 54% Danceability • 20% Energy • 16% Liveness
85% Instrumentalness • 48% Positiveness
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Ornella Vanoni
Aria
141 bpm • C Maj • 03:36 • -15.58db
6% Popularity • 18% Danceability • 32% Energy • 55% Liveness
2% Instrumentalness • 20% Positiveness
6% Popularity • 18% Danceability • 32% Energy • 55% Liveness
2% Instrumentalness • 20% Positiveness
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Sergio Mendes & Brasil '66
Day Tripper
139 bpm • A# Maj • 03:06 • -16.95db
31% Popularity • 63% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 63% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Herbie Mann
Fever
139 bpm • G min • 01:53 • -9.34db
24% Popularity • 79% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 79% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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The Dave Brubeck Quartet
Pick up Sticks
139 bpm • F min • 04:16 • -16db
40% Popularity • 52% Danceability • 31% Energy • 18% Liveness
30% Instrumentalness • 50% Positiveness
40% Popularity • 52% Danceability • 31% Energy • 18% Liveness
30% Instrumentalness • 50% Positiveness
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Chico Hamilton Quintet
Passin' Thru
142 bpm • D Maj • 08:19 • -12.22db
9% Popularity • 42% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 42% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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James Moody
Darben The Redd Foxx
139 bpm • D min • 03:49 • -11db
13% Popularity • 41% Danceability • 40% Energy • 27% Liveness
6% Instrumentalness • 58% Positiveness
13% Popularity • 41% Danceability • 40% Energy • 27% Liveness
6% Instrumentalness • 58% Positiveness
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Yusef Lateef
Livingston Playground
142 bpm • C# min • 03:43 • -12.63db
23% Popularity • 48% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 78% Positiveness
23% Popularity • 48% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 78% Positiveness
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Boogaloo Joe Jones
No Way
138 bpm • G Maj • 07:17 • -13.01db
25% Popularity • 49% Danceability • 57% Energy • 10% Liveness
63% Instrumentalness • 74% Positiveness
25% Popularity • 49% Danceability • 57% Energy • 10% Liveness
63% Instrumentalness • 74% Positiveness
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Reuben Wilson
Stormy - Remastered 1997
138 bpm • E min • 05:46 • -12db
12% Popularity • 75% Danceability • 52% Energy • 32% Liveness
87% Instrumentalness • 87% Positiveness
12% Popularity • 75% Danceability • 52% Energy • 32% Liveness
87% Instrumentalness • 87% Positiveness
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Dave Brubeck Trio
Heart And Soul
142 bpm • D# Maj • 02:18 • -18.63db
52% Popularity • 52% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 47% Positiveness
52% Popularity • 52% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 47% Positiveness
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Big John Patton
The Yodel
138 bpm • D min • 08:17 • -8.81db
12% Popularity • 51% Danceability • 70% Energy • 48% Liveness
71% Instrumentalness • 73% Positiveness
12% Popularity • 51% Danceability • 70% Energy • 48% Liveness
71% Instrumentalness • 73% Positiveness
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Sergio Mendes & Brasil '66
Casa Forte
142 bpm • D min • 04:04 • -14.55db
14% Popularity • 39% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 43% Positiveness
14% Popularity • 39% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 43% Positiveness
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Nat Adderley
Call Me
138 bpm • C min • 03:03 • -17.29db
26% Popularity • 54% Danceability • 32% Energy • 56% Liveness
20% Instrumentalness • 79% Positiveness
26% Popularity • 54% Danceability • 32% Energy • 56% Liveness
20% Instrumentalness • 79% Positiveness
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Junior Mance
Tin Tin Deo
138 bpm • F min • 04:39 • -15.54db
31% Popularity • 61% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 83% Positiveness
31% Popularity • 61% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 83% Positiveness
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Cal Tjader
Soul Sauce
143 bpm • F Maj • 02:26 • -13db
36% Popularity • 67% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 67% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Bobby Hutcherson
Little B's Poem - Remastered 1994
143 bpm • A# min • 05:11 • -17.08db
36% Popularity • 46% Danceability • 22% Energy • 9% Liveness
4% Instrumentalness • 35% Positiveness
36% Popularity • 46% Danceability • 22% Energy • 9% Liveness
4% Instrumentalness • 35% Positiveness
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Big John Patton
Soul Woman
138 bpm • G# min • 07:42 • -9.56db
14% Popularity • 56% Danceability • 63% Energy • 12% Liveness
51% Instrumentalness • 74% Positiveness
14% Popularity • 56% Danceability • 63% Energy • 12% Liveness
51% Instrumentalness • 74% Positiveness
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Lonnie Liston Smith
Summer Days
143 bpm • D# Maj • 05:51 • -10.77db
25% Popularity • 54% Danceability • 72% Energy • 47% Liveness
9% Instrumentalness • 94% Positiveness
25% Popularity • 54% Danceability • 72% Energy • 47% Liveness
9% Instrumentalness • 94% Positiveness
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Nat Adderley
Manchild
138 bpm • C min • 02:43 • -15db
18% Popularity • 61% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 61% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Sonny Rollins
Alfie's Theme
137 bpm • F min • 09:44 • -10.83db
31% Popularity • 58% Danceability • 44% Energy • 3% Liveness
1% Instrumentalness • 56% Positiveness
31% Popularity • 58% Danceability • 44% Energy • 3% Liveness
1% Instrumentalness • 56% Positiveness
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Phil Woods
Alvin G.
143 bpm • D min • 06:10 • -13.96db
3% Popularity • 55% Danceability • 22% Energy • 3% Liveness
9% Instrumentalness • 40% Positiveness
3% Popularity • 55% Danceability • 22% Energy • 3% Liveness
9% Instrumentalness • 40% Positiveness
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Herbie Mann
A Spring Morning
137 bpm • F min • 02:42 • -16.14db
3% Popularity • 61% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
3% Popularity • 61% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Carmen McRae
Live for Life
137 bpm • D Maj • 02:46 • -10.62db
3% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
3% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny Griffin
Twist City
136 bpm • F min • 05:22 • -13.72db
10% Popularity • 55% Danceability • 34% Energy • 26% Liveness
3% Instrumentalness • 62% Positiveness
10% Popularity • 55% Danceability • 34% Energy • 26% Liveness
3% Instrumentalness • 62% Positiveness
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Jeremy Steig
Waves
144 bpm • F Maj • 05:54 • -13.48db
8% Popularity • 41% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 41% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Bobby Hutcherson
A Night In Barcelona
144 bpm • B Maj • 07:23 • -12.31db
14% Popularity • 47% Danceability • 62% Energy • 10% Liveness
67% Instrumentalness • 51% Positiveness
14% Popularity • 47% Danceability • 62% Energy • 10% Liveness
67% Instrumentalness • 51% Positiveness
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The Howard Roberts Quartet
Turista
136 bpm • C Maj • 02:11 • -18.34db
37% Popularity • 62% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 55% Positiveness
37% Popularity • 62% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 55% Positiveness
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Bob Brookmeyer
Theme From Mutiny On The Bounty
144 bpm • G min • 02:03 • -16.31db
29% Popularity • 72% Danceability • 38% Energy • 7% Liveness
88% Instrumentalness • 96% Positiveness
29% Popularity • 72% Danceability • 38% Energy • 7% Liveness
88% Instrumentalness • 96% Positiveness
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Wayne Shorter
Footprints - Remastered
136 bpm • G min • 07:29 • -11db
51% Popularity • 53% Danceability • 45% Energy • 11% Liveness
12% Instrumentalness • 49% Positiveness
51% Popularity • 53% Danceability • 45% Energy • 11% Liveness
12% Instrumentalness • 49% Positiveness
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Ray Bryant Trio
Golden Earrings
136 bpm • G# Maj • 04:50 • -18.25db
32% Popularity • 61% Danceability • 19% Energy • 9% Liveness
80% Instrumentalness • 57% Positiveness
32% Popularity • 61% Danceability • 19% Energy • 9% Liveness
80% Instrumentalness • 57% Positiveness
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Jacky Terrasson
Que reste - t'il de nos amours?
136 bpm • G# Maj • 04:20 • -15.87db
28% Popularity • 60% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 47% Positiveness
28% Popularity • 60% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 47% Positiveness
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The Jazz Crusaders
Freedom Sound
136 bpm • F min • 08:23 • -12.81db
14% Popularity • 54% Danceability • 40% Energy • 22% Liveness
39% Instrumentalness • 68% Positiveness
14% Popularity • 54% Danceability • 40% Energy • 22% Liveness
39% Instrumentalness • 68% Positiveness
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Richard "Groove" Holmes
Groove's Groove
145 bpm • A# Maj • 04:47 • -8.59db
16% Popularity • 52% Danceability • 66% Energy • 30% Liveness
56% Instrumentalness • 78% Positiveness
16% Popularity • 52% Danceability • 66% Energy • 30% Liveness
56% Instrumentalness • 78% Positiveness
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Horace Silver
Calcutta Cutie - Rudy Van Gelder Edition...
144 bpm • C Maj • 08:31 • -13db
25% Popularity • 57% Danceability • 22% Energy • 11% Liveness
71% Instrumentalness • 18% Positiveness
25% Popularity • 57% Danceability • 22% Energy • 11% Liveness
71% Instrumentalness • 18% Positiveness
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Yusef Lateef
Slippin' & Slidin' - Live At Pep's Loung...
145 bpm • F Maj • 03:26 • -18.22db
14% Popularity • 47% Danceability • 33% Energy • 72% Liveness
13% Instrumentalness • 61% Positiveness
14% Popularity • 47% Danceability • 33% Energy • 72% Liveness
13% Instrumentalness • 61% Positiveness
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Herbie Mann
Insensatez
145 bpm • C Maj • 03:06 • -19.17db
10% Popularity • 41% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
10% Popularity • 41% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
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Boogaloo Joe Jones
Dream On Little Dreamer
135 bpm • A min • 06:40 • -14.59db
20% Popularity • 54% Danceability • 54% Energy • 12% Liveness
79% Instrumentalness • 87% Positiveness
20% Popularity • 54% Danceability • 54% Energy • 12% Liveness
79% Instrumentalness • 87% Positiveness
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Johnny Lytle
Baby, You Make Me Feel So Good
135 bpm • D# Maj • 02:59 • -8.91db
10% Popularity • 57% Danceability • 77% Energy • 41% Liveness
19% Instrumentalness • 86% Positiveness
10% Popularity • 57% Danceability • 77% Energy • 41% Liveness
19% Instrumentalness • 86% Positiveness
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Horace Silver Quintet
Senor Blues - Alternate 45 Take/ Remaste...
145 bpm • A# min • 06:38 • -10db
29% Popularity • 52% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 77% Positiveness
29% Popularity • 52% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 77% Positiveness
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Horace Silver
Summer In Central Park - Remastered
135 bpm • D min • 04:41 • -12.77db
33% Popularity • 52% Danceability • 47% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
33% Popularity • 52% Danceability • 47% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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Yusef Lateef
Nubian Lady - 1972
145 bpm • B min • 06:38 • -15db
28% Popularity • 44% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 78% Positiveness
28% Popularity • 44% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 78% Positiveness
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Sonny Rollins
Alfie's Theme Differently
135 bpm • A# min • 03:44 • -10.1db
27% Popularity • 53% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 53% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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The Howard Roberts Quartet
Rough Ridin'
135 bpm • C Maj • 02:27 • -18.78db
16% Popularity • 51% Danceability • 27% Energy • 11% Liveness
59% Instrumentalness • 38% Positiveness
16% Popularity • 51% Danceability • 27% Energy • 11% Liveness
59% Instrumentalness • 38% Positiveness
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Charles Earland
Here Comes Charlie - Instrumental
134 bpm • C min • 08:17 • -9.06db
11% Popularity • 66% Danceability • 67% Energy • 11% Liveness
45% Instrumentalness • 74% Positiveness
11% Popularity • 66% Danceability • 67% Energy • 11% Liveness
45% Instrumentalness • 74% Positiveness
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Jack McDuff
Down Home Style
134 bpm • C Maj • 05:06 • -6.67db
13% Popularity • 71% Danceability • 61% Energy • 6% Liveness
86% Instrumentalness • 74% Positiveness
13% Popularity • 71% Danceability • 61% Energy • 6% Liveness
86% Instrumentalness • 74% Positiveness
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Herbie Mann
Turkish Coffee
134 bpm • G Maj • 05:01 • -14.12db
13% Popularity • 73% Danceability • 50% Energy • 6% Liveness
5% Instrumentalness • 84% Positiveness
13% Popularity • 73% Danceability • 50% Energy • 6% Liveness
5% Instrumentalness • 84% Positiveness
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Elvin Jones
Feeling Good
134 bpm • A min • 04:09 • -22db
31% Popularity • 40% Danceability • 6% Energy • 9% Liveness
14% Instrumentalness • 28% Positiveness
31% Popularity • 40% Danceability • 6% Energy • 9% Liveness
14% Instrumentalness • 28% Positiveness
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Francis Coppieters
Sales Talk
134 bpm • F Maj • 03:23 • -16.32db
13% Popularity • 63% Danceability • 26% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
13% Popularity • 63% Danceability • 26% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
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Boogaloo Joe Jones
Georgia On My Mind
146 bpm • C Maj • 06:00 • -17.75db
12% Popularity • 45% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 9% Positiveness
12% Popularity • 45% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 9% Positiveness
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Richard "Groove" Holmes
Theme From "Love Story" - Remastered
134 bpm • G min • 03:38 • -11db
14% Popularity • 53% Danceability • 48% Energy • 16% Liveness
86% Instrumentalness • 66% Positiveness
14% Popularity • 53% Danceability • 48% Energy • 16% Liveness
86% Instrumentalness • 66% Positiveness
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Herbie Hancock
Bring Down the Birds - Outtake
134 bpm • G# Maj • 01:46 • -15.19db
47% Popularity • 70% Danceability • 39% Energy • 11% Liveness
83% Instrumentalness • 88% Positiveness
47% Popularity • 70% Danceability • 39% Energy • 11% Liveness
83% Instrumentalness • 88% Positiveness
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Herbie Mann
A Man and a Woman
146 bpm • F# min • 02:25 • -16.72db
20% Popularity • 28% Danceability • 35% Energy • 11% Liveness
21% Instrumentalness • 58% Positiveness
20% Popularity • 28% Danceability • 35% Energy • 11% Liveness
21% Instrumentalness • 58% Positiveness
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King Curtis
Da-Duh-Dah
134 bpm • F# Maj • 05:09 • -15.98db
9% Popularity • 49% Danceability • 39% Energy • 16% Liveness
1% Instrumentalness • 53% Positiveness
9% Popularity • 49% Danceability • 39% Energy • 16% Liveness
1% Instrumentalness • 53% Positiveness
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Jack McDuff
Brother Jack
147 bpm • D# Maj • 02:59 • -13.76db
13% Popularity • 74% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 74% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Bobby Hutcherson
Theme From M-A-S-H
133 bpm • C min • 04:30 • -17.35db
18% Popularity • 63% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 82% Positiveness
18% Popularity • 63% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 82% Positiveness
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Charles Earland
Black Talk - Rudy Van Gelder Remaster
133 bpm • C Maj • 07:49 • -7.79db
23% Popularity • 69% Danceability • 75% Energy • 21% Liveness
79% Instrumentalness • 94% Positiveness
23% Popularity • 69% Danceability • 75% Energy • 21% Liveness
79% Instrumentalness • 94% Positiveness
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Herbie Hancock
Blind Man, Blind Man
134 bpm • C min • 08:19 • -10.29db
32% Popularity • 65% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 65% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Herbie Mann
Hold On, I'm Coming
134 bpm • A# min • 08:55 • -14.06db
22% Popularity • 50% Danceability • 62% Energy • 11% Liveness
87% Instrumentalness • 76% Positiveness
22% Popularity • 50% Danceability • 62% Energy • 11% Liveness
87% Instrumentalness • 76% Positiveness
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Duke Ellington Orchestra
Bonga
133 bpm • F min • 02:47 • -11.76db
8% Popularity • 50% Danceability • 60% Energy • 21% Liveness
26% Instrumentalness • 60% Positiveness
8% Popularity • 50% Danceability • 60% Energy • 21% Liveness
26% Instrumentalness • 60% Positiveness
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O'Donel Levy
Call Me
133 bpm • A# Maj • 04:03 • -15.51db
27% Popularity • 67% Danceability • 36% Energy • 9% Liveness
94% Instrumentalness • 92% Positiveness
27% Popularity • 67% Danceability • 36% Energy • 9% Liveness
94% Instrumentalness • 92% Positiveness
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Duke Jordan
No problem
147 bpm • G min • 06:47 • -13db
29% Popularity • 43% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 49% Positiveness
29% Popularity • 43% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 49% Positiveness
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Jeremy Steig
Mint Tea
148 bpm • F min • 05:20 • -12.69db
10% Popularity • 56% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 56% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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King Curtis
Live for Life (Vivre Pour Vivre)
133 bpm • D Maj • 02:55 • -11.65db
15% Popularity • 52% Danceability • 45% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
15% Popularity • 52% Danceability • 45% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
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Herbie Mann
Do It Again
134 bpm • A Maj • 03:01 • -18.04db
13% Popularity • 84% Danceability • 39% Energy • 9% Liveness
86% Instrumentalness • 58% Positiveness
13% Popularity • 84% Danceability • 39% Energy • 9% Liveness
86% Instrumentalness • 58% Positiveness
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Jack McDuff
Hot Barbeque
148 bpm • C# Maj • 02:56 • -11db
30% Popularity • 59% Danceability • 69% Energy • 8% Liveness
28% Instrumentalness • 92% Positiveness
30% Popularity • 59% Danceability • 69% Energy • 8% Liveness
28% Instrumentalness • 92% Positiveness
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Charlie Parker
Summertime
133 bpm • G min • 02:47 • -7.6db
58% Popularity • 34% Danceability • 34% Energy • 16% Liveness
32% Instrumentalness • 39% Positiveness
58% Popularity • 34% Danceability • 34% Energy • 16% Liveness
32% Instrumentalness • 39% Positiveness
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Kenny Burrell
Chitlins Con Carne
133 bpm • G# Maj • 05:30 • -13.33db
50% Popularity • 80% Danceability • 34% Energy • 8% Liveness
1% Instrumentalness • 79% Positiveness
50% Popularity • 80% Danceability • 34% Energy • 8% Liveness
1% Instrumentalness • 79% Positiveness
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Ike Quebec
Favela
148 bpm • C min • 04:00 • -18.79db
49% Popularity • 62% Danceability • 13% Energy • 13% Liveness
68% Instrumentalness • 81% Positiveness
49% Popularity • 62% Danceability • 13% Energy • 13% Liveness
68% Instrumentalness • 81% Positiveness
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Hank Mobley
A Caddy For Daddy
132 bpm • F Maj • 09:24 • -16.11db
18% Popularity • 57% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 57% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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The Blue Mitchell Quintet
Perception - Remastered 2005/Rudy Van Ge...
148 bpm • F min • 05:42 • -11.41db
21% Popularity • 57% Danceability • 51% Energy • 26% Liveness
11% Instrumentalness • 76% Positiveness
21% Popularity • 57% Danceability • 51% Energy • 26% Liveness
11% Instrumentalness • 76% Positiveness
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Horace Silver
Senor Blues
149 bpm • A# min • 07:01 • -11db
35% Popularity • 51% Danceability • 35% Energy • 11% Liveness
84% Instrumentalness • 68% Positiveness
35% Popularity • 51% Danceability • 35% Energy • 11% Liveness
84% Instrumentalness • 68% Positiveness
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Blue Mitchell
Killing Me Softly With His Song
132 bpm • C Maj • 03:02 • -12.89db
8% Popularity • 54% Danceability • 40% Energy • 18% Liveness
93% Instrumentalness • 57% Positiveness
8% Popularity • 54% Danceability • 40% Energy • 18% Liveness
93% Instrumentalness • 57% Positiveness
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James Moody
Disappointed
149 bpm • F Maj • 02:10 • -11.35db
28% Popularity • 54% Danceability • 43% Energy • 53% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 54% Danceability • 43% Energy • 53% Liveness
0% Instrumentalness • 66% Positiveness
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Wes Montgomery Trio
Yesterdays
149 bpm • A min • 03:15 • -25.34db
49% Popularity • 46% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 46% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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The Jazz Crusaders
Jackson!
132 bpm • D# Maj • 02:44 • -9.45db
29% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Don Ellis
Alone
131 bpm • G# Maj • 05:31 • -10.68db
12% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Horace Silver
The Hippest Cat In Hollywood
149 bpm • F min • 06:42 • -12db
23% Popularity • 60% Danceability • 53% Energy • 13% Liveness
92% Instrumentalness • 80% Positiveness
23% Popularity • 60% Danceability • 53% Energy • 13% Liveness
92% Instrumentalness • 80% Positiveness
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Yusef Lateef
African Song
131 bpm • G# Maj • 03:50 • -19.62db
25% Popularity • 70% Danceability • 37% Energy • 7% Liveness
79% Instrumentalness • 86% Positiveness
25% Popularity • 70% Danceability • 37% Energy • 7% Liveness
79% Instrumentalness • 86% Positiveness
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Hank Crawford
You're the One
131 bpm • D Maj • 04:20 • -12.91db
8% Popularity • 63% Danceability • 54% Energy • 12% Liveness
52% Instrumentalness • 82% Positiveness
8% Popularity • 63% Danceability • 54% Energy • 12% Liveness
52% Instrumentalness • 82% Positiveness
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Mary Lou Williams
Rosa Mae
131 bpm • C Maj • 04:40 • -20.75db
11% Popularity • 73% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 70% Positiveness
11% Popularity • 73% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 70% Positiveness
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O'Donel Levy
Bad, Bad, Simba
131 bpm • C Maj • 07:14 • -10.42db
32% Popularity • 52% Danceability • 68% Energy • 10% Liveness
66% Instrumentalness • 76% Positiveness
32% Popularity • 52% Danceability • 68% Energy • 10% Liveness
66% Instrumentalness • 76% Positiveness
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Herbie Mann
Chicken Little
131 bpm • F# min • 02:58 • -13.15db
3% Popularity • 66% Danceability • 37% Energy • 21% Liveness
1% Instrumentalness • 76% Positiveness
3% Popularity • 66% Danceability • 37% Energy • 21% Liveness
1% Instrumentalness • 76% Positiveness
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Horace Silver
Psychedelic Sally - Remastered
131 bpm • C min • 07:14 • -6.85db
16% Popularity • 65% Danceability • 46% Energy • 12% Liveness
32% Instrumentalness • 76% Positiveness
16% Popularity • 65% Danceability • 46% Energy • 12% Liveness
32% Instrumentalness • 76% Positiveness
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Ike Quebec
Me 'N You
149 bpm • C min • 05:59 • -18.18db
28% Popularity • 56% Danceability • 12% Energy • 9% Liveness
79% Instrumentalness • 51% Positiveness
28% Popularity • 56% Danceability • 12% Energy • 9% Liveness
79% Instrumentalness • 51% Positiveness
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Various Artists
Autumn Leaves-Barney Kessel
131 bpm • C min • 04:52 • -17.95db
21% Popularity • 62% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
21% Popularity • 62% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Gene Harris & The Three Sounds
African Sweets
131 bpm • A min • 04:28 • -9db
15% Popularity • 61% Danceability • 67% Energy • 64% Liveness
82% Instrumentalness • 84% Positiveness
15% Popularity • 61% Danceability • 67% Energy • 64% Liveness
82% Instrumentalness • 84% Positiveness
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Bobby Hutcherson
Maiden Voyage - Rudy Van Gelder Edition;...
131 bpm • G min • 05:49 • -12.04db
19% Popularity • 53% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 53% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Boogaloo Joe Jones
Poppin' - Rudy Van Gelder Remaster
130 bpm • G# Maj • 06:05 • -8.26db
12% Popularity • 54% Danceability • 81% Energy • 22% Liveness
61% Instrumentalness • 87% Positiveness
12% Popularity • 54% Danceability • 81% Energy • 22% Liveness
61% Instrumentalness • 87% Positiveness
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Horace Silver
Liberated Brother
150 bpm • D min • 05:23 • -8.46db
29% Popularity • 53% Danceability • 72% Energy • 15% Liveness
40% Instrumentalness • 59% Positiveness
29% Popularity • 53% Danceability • 72% Energy • 15% Liveness
40% Instrumentalness • 59% Positiveness
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Mose Allison
The Seventh Son
150 bpm • C# Maj • 02:37 • -15db
44% Popularity • 63% Danceability • 40% Energy • 12% Liveness
24% Instrumentalness • 96% Positiveness
44% Popularity • 63% Danceability • 40% Energy • 12% Liveness
24% Instrumentalness • 96% Positiveness
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Elvin Jones
Raunchy Rita
130 bpm • F min • 11:32 • -13db
23% Popularity • 57% Danceability • 43% Energy • 10% Liveness
57% Instrumentalness • 70% Positiveness
23% Popularity • 57% Danceability • 43% Energy • 10% Liveness
57% Instrumentalness • 70% Positiveness
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Gene Harris & The Three Sounds
Walls Of Respect
131 bpm • C min • 03:13 • -7.43db
25% Popularity • 74% Danceability • 55% Energy • 12% Liveness
90% Instrumentalness • 59% Positiveness
25% Popularity • 74% Danceability • 55% Energy • 12% Liveness
90% Instrumentalness • 59% Positiveness
