Songs like You as You Were by Shearwater
Based on a tempo of (+/- 10%) and a similar genre
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The Decemberists
Till The Water’s All Long Gone
148 bpm • B min • 05:01 • -9.89db
27% Popularity • 49% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
27% Popularity • 49% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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The Shins
It's Only Life
148 bpm • C Maj • 04:01 • -6.61db
45% Popularity • 63% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 63% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Shearwater
You as You Were
148 bpm • F# Maj • 03:42 • -5.54db
30% Popularity • 51% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
30% Popularity • 51% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Glen Hansard
Talking With The Wolves
148 bpm • B min • 04:43 • -12.51db
4% Popularity • 69% Danceability • 48% Energy • 10% Liveness
20% Instrumentalness • 57% Positiveness
4% Popularity • 69% Danceability • 48% Energy • 10% Liveness
20% Instrumentalness • 57% Positiveness
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Rue Royale
Guide to an Escape
148 bpm • A# min • 04:07 • -12.57db
23% Popularity • 49% Danceability • 61% Energy • 15% Liveness
72% Instrumentalness • 36% Positiveness
23% Popularity • 49% Danceability • 61% Energy • 15% Liveness
72% Instrumentalness • 36% Positiveness
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Augustines
Kid You're On Your Own
148 bpm • F Maj • 03:59 • -6.85db
19% Popularity • 51% Danceability • 91% Energy • 9% Liveness
57% Instrumentalness • 48% Positiveness
19% Popularity • 51% Danceability • 91% Energy • 9% Liveness
57% Instrumentalness • 48% Positiveness
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Calexico
Tapping On The Line
148 bpm • D Maj • 03:28 • -11.33db
3% Popularity • 55% Danceability • 39% Energy • 15% Liveness
2% Instrumentalness • 44% Positiveness
3% Popularity • 55% Danceability • 39% Energy • 15% Liveness
2% Instrumentalness • 44% Positiveness
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Sea Wolf
Old Friend
147 bpm • G Maj • 03:57 • -8db
38% Popularity • 66% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 66% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Kevin Drew
Good Sex
147 bpm • C Maj • 03:09 • -7.63db
17% Popularity • 49% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 49% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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The Jezabels
Sahara Mahala
147 bpm • B Maj • 05:03 • -6.69db
30% Popularity • 48% Danceability • 74% Energy • 8% Liveness
82% Instrumentalness • 38% Positiveness
30% Popularity • 48% Danceability • 74% Energy • 8% Liveness
82% Instrumentalness • 38% Positiveness
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Okkervil River
A Girl In Port
147 bpm • E Maj • 06:36 • -7db
24% Popularity • 44% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 44% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Allo Darlin'
History Lessons
149 bpm • A Maj • 04:05 • -10.95db
8% Popularity • 53% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 53% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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There Will Be Fireworks
Youngblood
150 bpm • G Maj • 04:37 • -8.27db
29% Popularity • 43% Danceability • 84% Energy • 12% Liveness
54% Instrumentalness • 8% Positiveness
29% Popularity • 43% Danceability • 84% Energy • 12% Liveness
54% Instrumentalness • 8% Positiveness
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Owl John
A Good Reason to Grow Old
150 bpm • D Maj • 04:11 • -8.44db
22% Popularity • 38% Danceability • 60% Energy • 10% Liveness
65% Instrumentalness • 11% Positiveness
22% Popularity • 38% Danceability • 60% Energy • 10% Liveness
65% Instrumentalness • 11% Positiveness
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Julian Plenti
Only If You Run
150 bpm • F Maj • 03:48 • -8db
35% Popularity • 48% Danceability • 58% Energy • 10% Liveness
55% Instrumentalness • 29% Positiveness
35% Popularity • 48% Danceability • 58% Energy • 10% Liveness
55% Instrumentalness • 29% Positiveness
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Ramona Falls
Spore
150 bpm • A Maj • 04:19 • -7db
27% Popularity • 53% Danceability • 70% Energy • 45% Liveness
14% Instrumentalness • 50% Positiveness
27% Popularity • 53% Danceability • 70% Energy • 45% Liveness
14% Instrumentalness • 50% Positiveness
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Bombay Bicycle Club
Rinse Me Down
150 bpm • E Maj • 03:10 • -8db
41% Popularity • 66% Danceability • 84% Energy • 14% Liveness
28% Instrumentalness • 97% Positiveness
41% Popularity • 66% Danceability • 84% Energy • 14% Liveness
28% Instrumentalness • 97% Positiveness
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Cloud Cult
Unexplainable Stories
150 bpm • F Maj • 04:37 • -8.61db
20% Popularity • 38% Danceability • 71% Energy • 12% Liveness
19% Instrumentalness • 15% Positiveness
20% Popularity • 38% Danceability • 71% Energy • 12% Liveness
19% Instrumentalness • 15% Positiveness
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The Frames
Finally
146 bpm • D Maj • 04:53 • -5db
23% Popularity • 43% Danceability • 92% Energy • 13% Liveness
33% Instrumentalness • 50% Positiveness
23% Popularity • 43% Danceability • 92% Energy • 13% Liveness
33% Instrumentalness • 50% Positiveness
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Arcade Fire
Speaking in Tongues
146 bpm • F# Maj • 03:52 • -7.96db
40% Popularity • 58% Danceability • 68% Energy • 7% Liveness
45% Instrumentalness • 48% Positiveness
40% Popularity • 58% Danceability • 68% Energy • 7% Liveness
45% Instrumentalness • 48% Positiveness
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Shearwater
Pushing the River
150 bpm • A min • 04:32 • -6.34db
11% Popularity • 47% Danceability • 88% Energy • 39% Liveness
26% Instrumentalness • 69% Positiveness
11% Popularity • 47% Danceability • 88% Energy • 39% Liveness
26% Instrumentalness • 69% Positiveness
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Owen Pallett
This Is The Dream Of Win & Regine
150 bpm • G min • 03:24 • -7.03db
29% Popularity • 65% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 65% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Ed Harcourt
Antarctica
150 bpm • D min • 04:35 • -10.45db
9% Popularity • 38% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
9% Popularity • 38% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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The Low Anthem
To Ohio
145 bpm • D Maj • 03:17 • -10db
23% Popularity • 27% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 27% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Typhoon
Summer Home
151 bpm • G Maj • 05:17 • -11.35db
22% Popularity • 39% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 39% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Leisure Society
We Were Wasted
145 bpm • C min • 02:55 • -14.23db
38% Popularity • 27% Danceability • 15% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
38% Popularity • 27% Danceability • 15% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
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Shearwater
Animal Life
146 bpm • B Maj • 03:38 • -7db
29% Popularity • 57% Danceability • 77% Energy • 11% Liveness
2% Instrumentalness • 82% Positiveness
29% Popularity • 57% Danceability • 77% Energy • 11% Liveness
2% Instrumentalness • 82% Positiveness
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Patrick Wolf
The Magic Position
145 bpm • B Maj • 03:52 • -8.15db
32% Popularity • 51% Danceability • 49% Energy • 14% Liveness
13% Instrumentalness • 47% Positiveness
32% Popularity • 51% Danceability • 49% Energy • 14% Liveness
13% Instrumentalness • 47% Positiveness
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Emmy The Great
Paper Forest (In the Afterglow of Raptur...
145 bpm • G Maj • 03:41 • -12.57db
26% Popularity • 62% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 62% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Jesse Marchant
Distance Is the Only Measure
151 bpm • F min • 03:41 • -5.76db
33% Popularity • 40% Danceability • 72% Energy • 18% Liveness
38% Instrumentalness • 50% Positiveness
33% Popularity • 40% Danceability • 72% Energy • 18% Liveness
38% Instrumentalness • 50% Positiveness
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EL VY
It's a Game
145 bpm • C Maj • 04:04 • -9.64db
29% Popularity • 67% Danceability • 56% Energy • 17% Liveness
62% Instrumentalness • 53% Positiveness
29% Popularity • 67% Danceability • 56% Energy • 17% Liveness
62% Instrumentalness • 53% Positiveness
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Band of Horses
Ode To LRC
145 bpm • F Maj • 04:16 • -4.86db
39% Popularity • 29% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 29% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Shearwater
A Long Time Away
145 bpm • F# min • 04:12 • -7db
16% Popularity • 46% Danceability • 90% Energy • 8% Liveness
13% Instrumentalness • 60% Positiveness
16% Popularity • 46% Danceability • 90% Energy • 8% Liveness
13% Instrumentalness • 60% Positiveness
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Woodpigeon
Home as a Romanticized Concept Where Eve...
145 bpm • G Maj • 03:43 • -11db
15% Popularity • 49% Danceability • 60% Energy • 25% Liveness
29% Instrumentalness • 34% Positiveness
15% Popularity • 49% Danceability • 60% Energy • 25% Liveness
29% Instrumentalness • 34% Positiveness
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Okkervil River
Our Life is Not a Movie or Maybe
151 bpm • G Maj • 04:24 • -7.02db
31% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Ravens & Chimes
Division Street
151 bpm • E min • 03:14 • -8.81db
15% Popularity • 50% Danceability • 53% Energy • 11% Liveness
23% Instrumentalness • 42% Positiveness
15% Popularity • 50% Danceability • 53% Energy • 11% Liveness
23% Instrumentalness • 42% Positiveness
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Laura Veirs
Don't Lose Yourself
144 bpm • B Maj • 04:01 • -9.94db
18% Popularity • 63% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 63% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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The Notwist
One With The Freaks
145 bpm • E Maj • 04:33 • -8db
21% Popularity • 42% Danceability • 79% Energy • 66% Liveness
17% Instrumentalness • 32% Positiveness
21% Popularity • 42% Danceability • 79% Energy • 66% Liveness
17% Instrumentalness • 32% Positiveness
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Matthew And The Atlas
To The North
152 bpm • G Maj • 03:35 • -9.13db
24% Popularity • 38% Danceability • 55% Energy • 6% Liveness
1% Instrumentalness • 29% Positiveness
24% Popularity • 38% Danceability • 55% Energy • 6% Liveness
1% Instrumentalness • 29% Positiveness
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Hudson and Troop
Against The Grain
152 bpm • D# Maj • 04:34 • -11.17db
34% Popularity • 75% Danceability • 61% Energy • 56% Liveness
75% Instrumentalness • 67% Positiveness
34% Popularity • 75% Danceability • 61% Energy • 56% Liveness
75% Instrumentalness • 67% Positiveness
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King Creosote
Melin Wynt
144 bpm • D# Maj • 05:16 • -9.35db
35% Popularity • 45% Danceability • 66% Energy • 16% Liveness
67% Instrumentalness • 47% Positiveness
35% Popularity • 45% Danceability • 66% Energy • 16% Liveness
67% Instrumentalness • 47% Positiveness
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Shearwater
Home Life
144 bpm • E min • 07:15 • -12.97db
16% Popularity • 43% Danceability • 40% Energy • 24% Liveness
2% Instrumentalness • 27% Positiveness
16% Popularity • 43% Danceability • 40% Energy • 24% Liveness
2% Instrumentalness • 27% Positiveness
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Sin Fang
Young Boys
144 bpm • C Maj • 03:34 • -8.93db
15% Popularity • 58% Danceability • 66% Energy • 71% Liveness
1% Instrumentalness • 28% Positiveness
15% Popularity • 58% Danceability • 66% Energy • 71% Liveness
1% Instrumentalness • 28% Positiveness
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Elbow
Fly Boy Blue / Lunette
143 bpm • D Maj • 06:23 • -9.06db
37% Popularity • 37% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 37% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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The Frames
Song For Someone
143 bpm • A min • 05:36 • -10.72db
4% Popularity • 32% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
4% Popularity • 32% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Rylan Farrell
Entering a Gentle Embrace
143 bpm • D# Maj • 03:26 • -8.71db
12% Popularity • 58% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 58% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Midlake
Head Home
143 bpm • D min • 05:41 • -9db
36% Popularity • 42% Danceability • 79% Energy • 9% Liveness
5% Instrumentalness • 49% Positiveness
36% Popularity • 42% Danceability • 79% Energy • 9% Liveness
5% Instrumentalness • 49% Positiveness
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Willy Mason
What Is This
143 bpm • A min • 02:54 • -6db
28% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Augustines
Now You Are Free
153 bpm • F Maj • 04:09 • -6.1db
20% Popularity • 43% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 43% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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King Creosote
Third Swan
143 bpm • D min • 03:24 • -8.78db
19% Popularity • 55% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 55% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Husky
The Woods
154 bpm • B min • 03:15 • -6.91db
14% Popularity • 31% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 31% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Jesse Marchant
Forests
154 bpm • C# min • 03:51 • -10.1db
25% Popularity • 50% Danceability • 51% Energy • 11% Liveness
22% Instrumentalness • 32% Positiveness
25% Popularity • 50% Danceability • 51% Energy • 11% Liveness
22% Instrumentalness • 32% Positiveness
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Shearwater
Lost Boys
142 bpm • A min • 02:24 • -10.42db
13% Popularity • 24% Danceability • 19% Energy • 7% Liveness
8% Instrumentalness • 36% Positiveness
13% Popularity • 24% Danceability • 19% Energy • 7% Liveness
8% Instrumentalness • 36% Positiveness
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Matthew And The Atlas
On A Midnight Street
154 bpm • D Maj • 03:36 • -6.36db
26% Popularity • 60% Danceability • 71% Energy • 10% Liveness
2% Instrumentalness • 65% Positiveness
26% Popularity • 60% Danceability • 71% Energy • 10% Liveness
2% Instrumentalness • 65% Positiveness
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Lanterns on the Lake
Faultlines
142 bpm • C min • 05:14 • -7.93db
15% Popularity • 24% Danceability • 74% Energy • 64% Liveness
43% Instrumentalness • 20% Positiveness
15% Popularity • 24% Danceability • 74% Energy • 64% Liveness
43% Instrumentalness • 20% Positiveness
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Noah And The Whale
All Through The Night
142 bpm • A# Maj • 03:18 • -4.9db
28% Popularity • 53% Danceability • 80% Energy • 17% Liveness
5% Instrumentalness • 21% Positiveness
28% Popularity • 53% Danceability • 80% Energy • 17% Liveness
5% Instrumentalness • 21% Positiveness
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Gabriel Bruce
Cars Not Leaving
142 bpm • C Maj • 04:29 • -5.76db
9% Popularity • 51% Danceability • 87% Energy • 41% Liveness
33% Instrumentalness • 60% Positiveness
9% Popularity • 51% Danceability • 87% Energy • 41% Liveness
33% Instrumentalness • 60% Positiveness
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King Creosote
Give It Up
142 bpm • B Maj • 03:27 • -8.73db
12% Popularity • 54% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 54% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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The War On Drugs
Burning
155 bpm • A Maj • 05:48 • -8db
49% Popularity • 39% Danceability • 86% Energy • 10% Liveness
35% Instrumentalness • 33% Positiveness
49% Popularity • 39% Danceability • 86% Energy • 10% Liveness
35% Instrumentalness • 33% Positiveness
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Get Well Soon
Angry Young Man
155 bpm • A min • 04:46 • -11.22db
17% Popularity • 41% Danceability • 74% Energy • 35% Liveness
68% Instrumentalness • 7% Positiveness
17% Popularity • 41% Danceability • 74% Energy • 35% Liveness
68% Instrumentalness • 7% Positiveness
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Typhoon
CPR / Claws Pt. 2
142 bpm • A# Maj • 06:59 • -8.57db
24% Popularity • 56% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 56% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Admiral Fallow
Guest Of The Government
155 bpm • B Maj • 03:35 • -5.7db
30% Popularity • 50% Danceability • 85% Energy • 12% Liveness
3% Instrumentalness • 60% Positiveness
30% Popularity • 50% Danceability • 85% Energy • 12% Liveness
3% Instrumentalness • 60% Positiveness
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Cloud Cult
When Water Comes to Life
141 bpm • C Maj • 03:47 • -7.69db
24% Popularity • 50% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 50% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Calexico
He Lays In The Reins
155 bpm • B min • 03:43 • -10.2db
42% Popularity • 51% Danceability • 60% Energy • 12% Liveness
31% Instrumentalness • 85% Positiveness
42% Popularity • 51% Danceability • 60% Energy • 12% Liveness
31% Instrumentalness • 85% Positiveness
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EL VY
No Time to Crank the Sun
155 bpm • C# Maj • 05:12 • -9db
30% Popularity • 53% Danceability • 51% Energy • 30% Liveness
2% Instrumentalness • 56% Positiveness
30% Popularity • 53% Danceability • 51% Energy • 30% Liveness
2% Instrumentalness • 56% Positiveness
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Trent Dabbs
Mountain Song
156 bpm • A min • 03:55 • -10.07db
27% Popularity • 40% Danceability • 73% Energy • 9% Liveness
68% Instrumentalness • 26% Positiveness
27% Popularity • 40% Danceability • 73% Energy • 9% Liveness
68% Instrumentalness • 26% Positiveness
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Lost In The Trees
Daunting Friend
156 bpm • G# min • 02:52 • -6.45db
14% Popularity • 39% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 39% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
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Jesse Marchant
Frame for One
156 bpm • G# Maj • 05:23 • -8.09db
27% Popularity • 33% Danceability • 55% Energy • 13% Liveness
8% Instrumentalness • 25% Positiveness
27% Popularity • 33% Danceability • 55% Energy • 13% Liveness
8% Instrumentalness • 25% Positiveness
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There Will Be Fireworks
From '84
140 bpm • B Maj • 04:16 • -15.33db
24% Popularity • 66% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 66% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Mark Kozelek & Jimmy LaValle
Gustavo
140 bpm • F Maj • 07:11 • -13.89db
28% Popularity • 74% Danceability • 24% Energy • 8% Liveness
12% Instrumentalness • 19% Positiveness
28% Popularity • 74% Danceability • 24% Energy • 8% Liveness
12% Instrumentalness • 19% Positiveness
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Shearwater
Hidden Lakes
140 bpm • G min • 03:47 • -15.25db
13% Popularity • 49% Danceability • 37% Energy • 27% Liveness
42% Instrumentalness • 10% Positiveness
13% Popularity • 49% Danceability • 37% Energy • 27% Liveness
42% Instrumentalness • 10% Positiveness
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Eels
Parallels
157 bpm • G Maj • 03:15 • -13.78db
21% Popularity • 50% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 50% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Sea Wolf
Bavarian Porcelain
139 bpm • D min • 03:51 • -14.55db
29% Popularity • 65% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
29% Popularity • 65% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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Ramona Falls
Melectric
158 bpm • A Maj • 04:16 • -11db
20% Popularity • 62% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 43% Positiveness
20% Popularity • 62% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 43% Positiveness
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Rue Royale
Tell Me When You Go
158 bpm • F# Maj • 02:32 • -8.96db
13% Popularity • 60% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 60% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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The Frames
When Your Mind's Made Up
158 bpm • C Maj • 03:44 • -8.18db
4% Popularity • 47% Danceability • 54% Energy • 13% Liveness
11% Instrumentalness • 28% Positiveness
4% Popularity • 47% Danceability • 54% Energy • 13% Liveness
11% Instrumentalness • 28% Positiveness
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Shearwater
Filaments
139 bpm • A Maj • 06:11 • -6.87db
24% Popularity • 61% Danceability • 87% Energy • 15% Liveness
13% Instrumentalness • 79% Positiveness
24% Popularity • 61% Danceability • 87% Energy • 15% Liveness
13% Instrumentalness • 79% Positiveness
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Augustines
This Ain't Me
138 bpm • F Maj • 04:37 • -7.7db
19% Popularity • 57% Danceability • 84% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
19% Popularity • 57% Danceability • 84% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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Okkervil River
Westfall
138 bpm • E min • 05:54 • -5db
35% Popularity • 32% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 32% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Basia Bulat
Infamous
159 bpm • E Maj • 03:42 • -5.3db
24% Popularity • 57% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 57% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Marble Sounds
Two And Still Counting
138 bpm • D Maj • 03:57 • -6.94db
9% Popularity • 57% Danceability • 70% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
9% Popularity • 57% Danceability • 70% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
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Meursault
Crank Resolutions
160 bpm • G Maj • 04:37 • -12db
20% Popularity • 44% Danceability • 78% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
20% Popularity • 44% Danceability • 78% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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Shearwater
Prime
158 bpm • A min • 03:38 • -8.12db
20% Popularity • 33% Danceability • 64% Energy • 12% Liveness
93% Instrumentalness • 29% Positiveness
20% Popularity • 33% Danceability • 64% Energy • 12% Liveness
93% Instrumentalness • 29% Positiveness
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Bright Eyes
No One Would Riot for Less
137 bpm • B min • 05:12 • -10.25db
29% Popularity • 33% Danceability • 29% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
29% Popularity • 33% Danceability • 29% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
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Wild Beasts
Loop The Loop
161 bpm • A# Maj • 04:06 • -13.37db
27% Popularity • 46% Danceability • 53% Energy • 9% Liveness
29% Instrumentalness • 32% Positiveness
27% Popularity • 46% Danceability • 53% Energy • 9% Liveness
29% Instrumentalness • 32% Positiveness
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The New Pornographers
Champions Of Red Wine
137 bpm • D Maj • 03:40 • -6.83db
38% Popularity • 61% Danceability • 80% Energy • 27% Liveness
66% Instrumentalness • 47% Positiveness
38% Popularity • 61% Danceability • 80% Energy • 27% Liveness
66% Instrumentalness • 47% Positiveness
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Damien Jurado
Metallic Cloud
136 bpm • F# Maj • 03:25 • -7db
27% Popularity • 44% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
27% Popularity • 44% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Elbow
The Take Off and Landing of Everything
136 bpm • D Maj • 07:11 • -4.62db
26% Popularity • 35% Danceability • 80% Energy • 34% Liveness
4% Instrumentalness • 19% Positiveness
26% Popularity • 35% Danceability • 80% Energy • 34% Liveness
4% Instrumentalness • 19% Positiveness
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Shearwater
This Year
138 bpm • G Maj • 03:33 • -9.29db
9% Popularity • 57% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 57% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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The Slow Show
Hurts
136 bpm • E Maj • 04:23 • -18.26db
23% Popularity • 56% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 17% Positiveness
23% Popularity • 56% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 17% Positiveness
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Calexico
Falling From The Sky
136 bpm • D Maj • 03:23 • -5.7db
3% Popularity • 35% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
3% Popularity • 35% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Band of Horses
Is There A Ghost
136 bpm • C# Maj • 02:59 • -4db
54% Popularity • 30% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
54% Popularity • 30% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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The Frames
People Get Ready
162 bpm • G Maj • 05:28 • -10.78db
4% Popularity • 27% Danceability • 41% Energy • 12% Liveness
44% Instrumentalness • 12% Positiveness
4% Popularity • 27% Danceability • 41% Energy • 12% Liveness
44% Instrumentalness • 12% Positiveness
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Elbow
Colour Fields
136 bpm • A Maj • 03:42 • -12.73db
29% Popularity • 84% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 84% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Shearwater
Mary is Mary
136 bpm • G# min • 03:43 • -13db
10% Popularity • 67% Danceability • 26% Energy • 11% Liveness
52% Instrumentalness • 33% Positiveness
10% Popularity • 67% Danceability • 26% Energy • 11% Liveness
52% Instrumentalness • 33% Positiveness
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To Kill A King
Fictional State
136 bpm • A Maj • 04:54 • -7.97db
13% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Midlake
Branches
135 bpm • D Maj • 05:02 • -12.73db
27% Popularity • 35% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 35% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Patrick Wolf
Overture
135 bpm • C Maj • 04:08 • -10.94db
20% Popularity • 51% Danceability • 42% Energy • 14% Liveness
4% Instrumentalness • 27% Positiveness
20% Popularity • 51% Danceability • 42% Energy • 14% Liveness
4% Instrumentalness • 27% Positiveness
