Songs like You, at the End by Lafawndah
Based on a tempo of (+/- 10%) and a similar genre
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Vegyn
So Much Time - So Little Time
131 bpm • G min • 03:15 • -14db
34% Popularity • 51% Danceability • 38% Energy • 33% Liveness
80% Instrumentalness • 7% Positiveness
34% Popularity • 51% Danceability • 38% Energy • 33% Liveness
80% Instrumentalness • 7% Positiveness
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Smerz
Oh my my
131 bpm • A Maj • 02:38 • -11.09db
21% Popularity • 54% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 54% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Arthur Russell
Not Checking Up
131 bpm • G Maj • 04:34 • -23.31db
24% Popularity • 40% Danceability • 10% Energy • 11% Liveness
81% Instrumentalness • 22% Positiveness
24% Popularity • 40% Danceability • 10% Energy • 11% Liveness
81% Instrumentalness • 22% Positiveness
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SAULT
Red Lights
131 bpm • C# Maj • 03:03 • -3.98db
36% Popularity • 80% Danceability • 86% Energy • 12% Liveness
17% Instrumentalness • 88% Positiveness
36% Popularity • 80% Danceability • 86% Energy • 12% Liveness
17% Instrumentalness • 88% Positiveness
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Jenny Hval
I Want to Tell You Something
131 bpm • C Maj • 01:21 • -18.33db
29% Popularity • 34% Danceability • 21% Energy • 35% Liveness
63% Instrumentalness • 35% Positiveness
29% Popularity • 34% Danceability • 21% Energy • 35% Liveness
63% Instrumentalness • 35% Positiveness
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Lafawndah
You, at the End
131 bpm • C# Maj • 04:12 • -16.66db
21% Popularity • 32% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 32% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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ML Buch
I'm A Girl You Can Hold IRL
131 bpm • D Maj • 02:38 • -12db
43% Popularity • 41% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 41% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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James K
I Can Not Remember
132 bpm • F min • 04:56 • -12.09db
16% Popularity • 16% Danceability • 14% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 14% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
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Ydegirl
mx-bank notes
130 bpm • E min • 04:11 • -17.46db
17% Popularity • 43% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 43% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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TWEAKS
On You. 75
132 bpm • D Maj • 03:06 • -17.59db
36% Popularity • 52% Danceability • 29% Energy • 13% Liveness
83% Instrumentalness • 15% Positiveness
36% Popularity • 52% Danceability • 29% Energy • 13% Liveness
83% Instrumentalness • 15% Positiveness
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L'Rain
Suck Teeth
130 bpm • D Maj • 03:56 • -7.21db
17% Popularity • 40% Danceability • 68% Energy • 12% Liveness
13% Instrumentalness • 28% Positiveness
17% Popularity • 40% Danceability • 68% Energy • 12% Liveness
13% Instrumentalness • 28% Positiveness
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Lafawndah
Vous et nous
130 bpm • F# Maj • 02:03 • -11.63db
12% Popularity • 45% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 45% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Kelly Lee Owens
Corner Of My Sky
130 bpm • A Maj • 07:27 • -15.27db
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
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James K
Luv Me Too
130 bpm • E Maj • 02:28 • -20db
28% Popularity • 65% Danceability • 32% Energy • 9% Liveness
74% Instrumentalness • 33% Positiveness
28% Popularity • 65% Danceability • 32% Energy • 9% Liveness
74% Instrumentalness • 33% Positiveness
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Ouri
The More I Feel
130 bpm • C min • 03:59 • -12.02db
12% Popularity • 64% Danceability • 55% Energy • 31% Liveness
14% Instrumentalness • 53% Positiveness
12% Popularity • 64% Danceability • 55% Energy • 31% Liveness
14% Instrumentalness • 53% Positiveness
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Lolina
The River
130 bpm • E Maj • 02:29 • -10.89db
10% Popularity • 72% Danceability • 50% Energy • 18% Liveness
1% Instrumentalness • 60% Positiveness
10% Popularity • 72% Danceability • 50% Energy • 18% Liveness
1% Instrumentalness • 60% Positiveness
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Reckonwrong
Paris is Melting
132 bpm • D min • 04:32 • -12.11db
12% Popularity • 76% Danceability • 61% Energy • 10% Liveness
70% Instrumentalness • 76% Positiveness
12% Popularity • 76% Danceability • 61% Energy • 10% Liveness
70% Instrumentalness • 76% Positiveness
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Rosie Lowe
Son
132 bpm • E Maj • 03:26 • -12.16db
29% Popularity • 22% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 22% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Dawuna
Foreshadowing
130 bpm • B Maj • 04:46 • -12.7db
16% Popularity • 64% Danceability • 33% Energy • 12% Liveness
25% Instrumentalness • 38% Positiveness
16% Popularity • 64% Danceability • 33% Energy • 12% Liveness
25% Instrumentalness • 38% Positiveness
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Moor Mother
Made A Circle
130 bpm • E min • 02:47 • -6.93db
22% Popularity • 48% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 48% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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KAZU
Salty
132 bpm • G# Maj • 05:07 • -11.6db
20% Popularity • 61% Danceability • 49% Energy • 9% Liveness
20% Instrumentalness • 49% Positiveness
20% Popularity • 61% Danceability • 49% Energy • 9% Liveness
20% Instrumentalness • 49% Positiveness
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Okay Kaya
Palm Psalm
129 bpm • C Maj • 03:09 • -15.67db
18% Popularity • 33% Danceability • 39% Energy • 14% Liveness
45% Instrumentalness • 31% Positiveness
18% Popularity • 33% Danceability • 39% Energy • 14% Liveness
45% Instrumentalness • 31% Positiveness
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Eartheater
Angel Path
133 bpm • F min • 04:10 • -10db
23% Popularity • 21% Danceability • 38% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 21% Danceability • 38% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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LEYA
Some Better
129 bpm • A min • 02:50 • -15db
22% Popularity • 20% Danceability • 18% Energy • 9% Liveness
99% Instrumentalness • 13% Positiveness
22% Popularity • 20% Danceability • 18% Energy • 9% Liveness
99% Instrumentalness • 13% Positiveness
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Lafawndah
The Stillness - Moor Mother Version
129 bpm • D# min • 02:18 • -19db
1% Popularity • 38% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
1% Popularity • 38% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Charlotte Adigéry
Senegal Seduction
129 bpm • A min • 05:06 • -12.86db
24% Popularity • 67% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
24% Popularity • 67% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
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Perfume Genius
Teeth
133 bpm • D# Maj • 04:13 • -13.69db
24% Popularity • 51% Danceability • 22% Energy • 14% Liveness
26% Instrumentalness • 12% Positiveness
24% Popularity • 51% Danceability • 22% Energy • 14% Liveness
26% Instrumentalness • 12% Positiveness
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Jenny Hval
Lorna
133 bpm • G# Maj • 02:06 • -15db
21% Popularity • 22% Danceability • 46% Energy • 35% Liveness
68% Instrumentalness • 40% Positiveness
21% Popularity • 22% Danceability • 46% Energy • 35% Liveness
68% Instrumentalness • 40% Positiveness
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SPELLLING
Phantom Farewell
129 bpm • G Maj • 03:05 • -8.21db
8% Popularity • 28% Danceability • 55% Energy • 15% Liveness
22% Instrumentalness • 30% Positiveness
8% Popularity • 28% Danceability • 55% Energy • 15% Liveness
22% Instrumentalness • 30% Positiveness
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James K
Life Of A Fly
128 bpm • D Maj • 04:16 • -12.44db
17% Popularity • 25% Danceability • 38% Energy • 12% Liveness
50% Instrumentalness • 8% Positiveness
17% Popularity • 25% Danceability • 38% Energy • 12% Liveness
50% Instrumentalness • 8% Positiveness
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Lafawndah
You, at the End - Laurel Halo Version
134 bpm • D min • 11:14 • -25.56db
8% Popularity • 16% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
8% Popularity • 16% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
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Keeley Forsyth
Photograph
134 bpm • A# Maj • 03:50 • -21.52db
23% Popularity • 21% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
23% Popularity • 21% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Perfume Genius
Eye in the Wall
129 bpm • A# min • 08:42 • -14db
29% Popularity • 42% Danceability • 48% Energy • 34% Liveness
47% Instrumentalness • 29% Positiveness
29% Popularity • 42% Danceability • 48% Energy • 34% Liveness
47% Instrumentalness • 29% Positiveness
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Okay Kaya
Rorschach
134 bpm • C Maj • 02:29 • -12.27db
14% Popularity • 24% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Carla dal Forno
Took a Long Time
128 bpm • D min • 05:36 • -11.29db
14% Popularity • 55% Danceability • 57% Energy • 9% Liveness
12% Instrumentalness • 36% Positiveness
14% Popularity • 55% Danceability • 57% Energy • 9% Liveness
12% Instrumentalness • 36% Positiveness
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Sassy 009
Here Comes The Weekend
128 bpm • C min • 03:13 • -8db
21% Popularity • 68% Danceability • 72% Energy • 11% Liveness
25% Instrumentalness • 39% Positiveness
21% Popularity • 68% Danceability • 72% Energy • 11% Liveness
25% Instrumentalness • 39% Positiveness
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Lafawndah
Substancia
129 bpm • E min • 03:26 • -9.69db
8% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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James K
Sokit to me Baby
134 bpm • C Maj • 03:48 • -19.26db
15% Popularity • 42% Danceability • 45% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
15% Popularity • 42% Danceability • 45% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
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Zsela
Earlier Days
128 bpm • F Maj • 03:33 • -8.4db
20% Popularity • 84% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 84% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Mira Calix
there is always a girl with a secret
135 bpm • E min • 05:16 • -10.23db
19% Popularity • 50% Danceability • 34% Energy • 28% Liveness
63% Instrumentalness • 14% Positiveness
19% Popularity • 50% Danceability • 34% Energy • 28% Liveness
63% Instrumentalness • 14% Positiveness
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COUCOU CHLOE
BLINK
127 bpm • E min • 03:09 • -12db
17% Popularity • 55% Danceability • 42% Energy • 14% Liveness
8% Instrumentalness • 39% Positiveness
17% Popularity • 55% Danceability • 42% Energy • 14% Liveness
8% Instrumentalness • 39% Positiveness
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Lyra Pramuk
Fountain (ars amatoria)
127 bpm • F Maj • 07:27 • -7.3db
8% Popularity • 32% Danceability • 61% Energy • 7% Liveness
11% Instrumentalness • 4% Positiveness
8% Popularity • 32% Danceability • 61% Energy • 7% Liveness
11% Instrumentalness • 4% Positiveness
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Lafawndah
Ally
128 bpm • B Maj • 04:07 • -7.72db
4% Popularity • 65% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
4% Popularity • 65% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Space Afrika
Lose You Beau
135 bpm • D# min • 02:00 • -15.18db
18% Popularity • 24% Danceability • 45% Energy • 13% Liveness
17% Instrumentalness • 34% Positiveness
18% Popularity • 24% Danceability • 45% Energy • 13% Liveness
17% Instrumentalness • 34% Positiveness
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Carla dal Forno
Blue Morning
127 bpm • G# Maj • 02:38 • -13db
20% Popularity • 68% Danceability • 22% Energy • 38% Liveness
69% Instrumentalness • 30% Positiveness
20% Popularity • 68% Danceability • 22% Energy • 38% Liveness
69% Instrumentalness • 30% Positiveness
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HTRK
Fast Friend
135 bpm • G# min • 03:06 • -14.63db
28% Popularity • 62% Danceability • 44% Energy • 14% Liveness
73% Instrumentalness • 44% Positiveness
28% Popularity • 62% Danceability • 44% Energy • 14% Liveness
73% Instrumentalness • 44% Positiveness
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Kim Gordon
Paprika Pony
127 bpm • A min • 04:08 • -9.83db
33% Popularity • 98% Danceability • 66% Energy • 10% Liveness
84% Instrumentalness • 76% Positiveness
33% Popularity • 98% Danceability • 66% Energy • 10% Liveness
84% Instrumentalness • 76% Positiveness
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COUCOU CHLOE
BLINK - EARTHEATER, TONY SELTZER Remix
127 bpm • E min • 04:17 • -8db
29% Popularity • 58% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
29% Popularity • 58% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
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Lafawndah
Tango Down
135 bpm • C Maj • 04:30 • -9.44db
0% Popularity • 62% Danceability • 90% Energy • 31% Liveness
69% Instrumentalness • 24% Positiveness
0% Popularity • 62% Danceability • 90% Energy • 31% Liveness
69% Instrumentalness • 24% Positiveness
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Charlotte Dos Santos
Josef - Lafawndah Remix
127 bpm • G Maj • 03:27 • -5.48db
4% Popularity • 51% Danceability • 77% Energy • 8% Liveness
3% Instrumentalness • 49% Positiveness
4% Popularity • 51% Danceability • 77% Energy • 8% Liveness
3% Instrumentalness • 49% Positiveness
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Inga Copeland
A&E
127 bpm • G Maj • 04:30 • -7.81db
25% Popularity • 70% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 70% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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John Glacier
If Anything
127 bpm • F min • 02:40 • -8.99db
30% Popularity • 35% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 35% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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HTRK
Siren Song
127 bpm • G# min • 00:49 • -22.08db
31% Popularity • 42% Danceability • 14% Energy • 11% Liveness
65% Instrumentalness • 32% Positiveness
31% Popularity • 42% Danceability • 14% Energy • 11% Liveness
65% Instrumentalness • 32% Positiveness
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Ouri
Shape of It
136 bpm • D Maj • 03:08 • -10.68db
8% Popularity • 46% Danceability • 34% Energy • 73% Liveness
12% Instrumentalness • 29% Positiveness
8% Popularity • 46% Danceability • 34% Energy • 73% Liveness
12% Instrumentalness • 29% Positiveness
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Lafawndah
Joseph
135 bpm • C min • 04:01 • -15.94db
13% Popularity • 31% Danceability • 20% Energy • 12% Liveness
8% Instrumentalness • 16% Positiveness
13% Popularity • 31% Danceability • 20% Energy • 12% Liveness
8% Instrumentalness • 16% Positiveness
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Against All Logic
Alucinao
126 bpm • C Maj • 09:06 • -8.51db
20% Popularity • 79% Danceability • 85% Energy • 8% Liveness
70% Instrumentalness • 81% Positiveness
20% Popularity • 79% Danceability • 85% Energy • 8% Liveness
70% Instrumentalness • 81% Positiveness
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Ian Chang
Audacious
126 bpm • F min • 03:06 • -10.76db
2% Popularity • 74% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
2% Popularity • 74% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Space Afrika
Indigo Grit
136 bpm • G Maj • 01:52 • -15.58db
21% Popularity • 28% Danceability • 24% Energy • 50% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 28% Danceability • 24% Energy • 50% Liveness
0% Instrumentalness • 4% Positiveness
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Mariá Portugal
Dois Litorais
126 bpm • D Maj • 08:40 • -14.64db
14% Popularity • 29% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 10% Positiveness
14% Popularity • 29% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 10% Positiveness
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Caroline Polachek
Door - Oklou Remix
136 bpm • F Maj • 03:21 • -10.43db
32% Popularity • 62% Danceability • 42% Energy • 18% Liveness
38% Instrumentalness • 20% Positiveness
32% Popularity • 62% Danceability • 42% Energy • 18% Liveness
38% Instrumentalness • 20% Positiveness
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Lafawndah
I'm an Island
136 bpm • C# Maj • 03:05 • -8.54db
6% Popularity • 79% Danceability • 68% Energy • 39% Liveness
81% Instrumentalness • 23% Positiveness
6% Popularity • 79% Danceability • 68% Energy • 39% Liveness
81% Instrumentalness • 23% Positiveness
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keiyaA
Rectifiya
137 bpm • C# Maj • 03:58 • -15.84db
23% Popularity • 66% Danceability • 42% Energy • 9% Liveness
57% Instrumentalness • 90% Positiveness
23% Popularity • 66% Danceability • 42% Energy • 9% Liveness
57% Instrumentalness • 90% Positiveness
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Kelsey Lu
Pushin Against the Wind
125 bpm • C# min • 03:43 • -9db
31% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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COUCOU CHLOE
WAITING
137 bpm • B Maj • 02:37 • -9db
33% Popularity • 92% Danceability • 45% Energy • 11% Liveness
15% Instrumentalness • 32% Positiveness
33% Popularity • 92% Danceability • 45% Energy • 11% Liveness
15% Instrumentalness • 32% Positiveness
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Mica Levi
Om Om Om Om
125 bpm • G Maj • 02:51 • -9db
13% Popularity • 50% Danceability • 36% Energy • 18% Liveness
6% Instrumentalness • 21% Positiveness
13% Popularity • 50% Danceability • 36% Energy • 18% Liveness
6% Instrumentalness • 21% Positiveness
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Easter
Bone Marrow Stem Cell
125 bpm • D min • 03:52 • -19.57db
33% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Lafawndah
The Stillness
127 bpm • D# min • 08:06 • -27.41db
7% Popularity • 49% Danceability • 16% Energy • 21% Liveness
91% Instrumentalness • 14% Positiveness
7% Popularity • 49% Danceability • 16% Energy • 21% Liveness
91% Instrumentalness • 14% Positiveness
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Cecile Believe
Stay Open
125 bpm • B Maj • 02:23 • -5.66db
32% Popularity • 80% Danceability • 77% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
32% Popularity • 80% Danceability • 77% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Oneohtrix Point Never
Auto & Allo
138 bpm • C Maj • 03:21 • -7.95db
25% Popularity • 33% Danceability • 40% Energy • 45% Liveness
21% Instrumentalness • 34% Positiveness
25% Popularity • 33% Danceability • 40% Energy • 45% Liveness
21% Instrumentalness • 34% Positiveness
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BEA1991
Philip
125 bpm • D# min • 03:46 • -11.82db
14% Popularity • 64% Danceability • 33% Energy • 12% Liveness
44% Instrumentalness • 22% Positiveness
14% Popularity • 64% Danceability • 33% Energy • 12% Liveness
44% Instrumentalness • 22% Positiveness
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Mica Levi
Wave
124 bpm • F# min • 02:02 • -16.67db
22% Popularity • 41% Danceability • 29% Energy • 13% Liveness
4% Instrumentalness • 44% Positiveness
22% Popularity • 41% Danceability • 29% Energy • 13% Liveness
4% Instrumentalness • 44% Positiveness
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Kelsey Lu
Atlantic
138 bpm • E min • 03:13 • -9.27db
27% Popularity • 29% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 29% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Lafawndah
Don't Despair
125 bpm • A Maj • 05:32 • -17.45db
8% Popularity • 21% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
8% Popularity • 21% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Clark
Small
124 bpm • A min • 02:24 • -16.82db
24% Popularity • 51% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 51% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Jenny Hval
Year of Sky
124 bpm • G# Maj • 05:20 • -12.21db
19% Popularity • 64% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 20% Positiveness
19% Popularity • 64% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 20% Positiveness
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Sassy 009
Mystery Boy
124 bpm • F# Maj • 03:09 • -9.03db
30% Popularity • 39% Danceability • 69% Energy • 17% Liveness
50% Instrumentalness • 56% Positiveness
30% Popularity • 39% Danceability • 69% Energy • 17% Liveness
50% Instrumentalness • 56% Positiveness
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L'Rain
Find It
123 bpm • B min • 06:17 • -8.94db
17% Popularity • 29% Danceability • 61% Energy • 30% Liveness
8% Instrumentalness • 21% Positiveness
17% Popularity • 29% Danceability • 61% Energy • 30% Liveness
8% Instrumentalness • 21% Positiveness
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Duval Timothy
Slave
139 bpm • D# min • 03:28 • -11.69db
20% Popularity • 30% Danceability • 36% Energy • 8% Liveness
78% Instrumentalness • 26% Positiveness
20% Popularity • 30% Danceability • 36% Energy • 8% Liveness
78% Instrumentalness • 26% Positiveness
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Lafawndah
Ancestor Boy
125 bpm • G min • 04:38 • -9.14db
12% Popularity • 60% Danceability • 57% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 60% Danceability • 57% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
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Pram
Chrysalis
139 bpm • D Maj • 03:57 • -14.67db
27% Popularity • 51% Danceability • 46% Energy • 10% Liveness
32% Instrumentalness • 25% Positiveness
27% Popularity • 51% Danceability • 46% Energy • 10% Liveness
32% Instrumentalness • 25% Positiveness
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Eartheater
Mint
139 bpm • C min • 03:24 • -15.32db
20% Popularity • 24% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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LEYA
Win Some
123 bpm • C# Maj • 05:12 • -17.9db
17% Popularity • 18% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Carla dal Forno
No Trace
123 bpm • A min • 04:15 • -13.97db
23% Popularity • 59% Danceability • 56% Energy • 12% Liveness
83% Instrumentalness • 33% Positiveness
23% Popularity • 59% Danceability • 56% Energy • 12% Liveness
83% Instrumentalness • 33% Positiveness
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felice bauer
Disappear
140 bpm • B Maj • 02:15 • -12.36db
8% Popularity • 42% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 42% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Lafawndah
WATERWORK X CRYSTALLMESS REWORK
140 bpm • F# min • 04:34 • -8.19db
1% Popularity • 61% Danceability • 78% Energy • 10% Liveness
31% Instrumentalness • 21% Positiveness
1% Popularity • 61% Danceability • 78% Energy • 10% Liveness
31% Instrumentalness • 21% Positiveness
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ML Buch
Can't Get Over You With You
140 bpm • C# Maj • 02:34 • -11.78db
41% Popularity • 69% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 69% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Eartheater
Spill The Milk
123 bpm • E min • 03:39 • -10db
47% Popularity • 59% Danceability • 42% Energy • 9% Liveness
38% Instrumentalness • 22% Positiveness
47% Popularity • 59% Danceability • 42% Energy • 9% Liveness
38% Instrumentalness • 22% Positiveness
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Holly Herndon
Frontier
140 bpm • F min • 04:29 • -7db
30% Popularity • 47% Danceability • 56% Energy • 47% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 47% Danceability • 56% Energy • 47% Liveness
0% Instrumentalness • 17% Positiveness
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Kelsey Lu
let all the poisons that lurk in the mud...
140 bpm • C# min • 05:13 • -7.95db
16% Popularity • 48% Danceability • 81% Energy • 16% Liveness
53% Instrumentalness • 7% Positiveness
16% Popularity • 48% Danceability • 81% Energy • 16% Liveness
53% Instrumentalness • 7% Positiveness
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Jenny Hval
Six Red Cannas
140 bpm • A min • 04:07 • -6.44db
18% Popularity • 57% Danceability • 78% Energy • 7% Liveness
56% Instrumentalness • 24% Positiveness
18% Popularity • 57% Danceability • 78% Energy • 7% Liveness
56% Instrumentalness • 24% Positiveness
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Lafawndah
Oasis
140 bpm • A Maj • 03:31 • -10.08db
5% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Erika de Casier
Friendly - Smerz Remix
140 bpm • C# min • 03:45 • -9.63db
20% Popularity • 59% Danceability • 36% Energy • 8% Liveness
3% Instrumentalness • 18% Positiveness
20% Popularity • 59% Danceability • 36% Energy • 8% Liveness
3% Instrumentalness • 18% Positiveness
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Eartheater
Preservation
140 bpm • C# Maj • 03:40 • -9.11db
41% Popularity • 65% Danceability • 44% Energy • 14% Liveness
54% Instrumentalness • 24% Positiveness
41% Popularity • 65% Danceability • 44% Energy • 14% Liveness
54% Instrumentalness • 24% Positiveness
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Okay Kaya
Bill Withers
140 bpm • C Maj • 02:20 • -14.58db
19% Popularity • 41% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 41% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Holly Herndon
Fear, Uncertainty, Doubt
122 bpm • D# min • 03:11 • -13.39db
23% Popularity • 23% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 23% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Rosie Lowe
Gonna Be
140 bpm • D# Maj • 04:11 • -15.04db
36% Popularity • 18% Danceability • 20% Energy • 12% Liveness
53% Instrumentalness • 21% Positiveness
36% Popularity • 18% Danceability • 20% Energy • 12% Liveness
53% Instrumentalness • 21% Positiveness
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Keeley Forsyth
It's Raining
140 bpm • G Maj • 04:27 • -21.14db
17% Popularity • 45% Danceability • 1% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
17% Popularity • 45% Danceability • 1% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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Kelsey Lu
Rebel
122 bpm • E min • 03:44 • -10db
32% Popularity • 33% Danceability • 34% Energy • 11% Liveness
16% Instrumentalness • 14% Positiveness
32% Popularity • 33% Danceability • 34% Energy • 11% Liveness
16% Instrumentalness • 14% Positiveness
