Songs like You Broke a Beautiful Thing by Renee Geyer
Based on a tempo of (+/- 10%) and a similar genre
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Renee Geyer
Difficult Woman
144 bpm • A min • 04:30 • -12.11db
9% Popularity • 68% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 68% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Toni Childs
Let The Rain Come Down
144 bpm • C Maj • 04:50 • -14.4db
23% Popularity • 62% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 62% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Imelda May
When It's My Time
144 bpm • G Maj • 05:16 • -6.95db
31% Popularity • 47% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
31% Popularity • 47% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
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k.d. lang
The Joker
144 bpm • A Maj • 04:46 • -11.37db
24% Popularity • 41% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 41% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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D. Pritzker
Ragdoll
145 bpm • G Maj • 03:51 • -7.36db
8% Popularity • 60% Danceability • 47% Energy • 67% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 60% Danceability • 47% Energy • 67% Liveness
0% Instrumentalness • 53% Positiveness
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The Hi-Marks
Cab Driver
143 bpm • D Maj • 02:44 • -14.98db
19% Popularity • 72% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 72% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Renee Geyer
You Broke a Beautiful Thing
144 bpm • C Maj • 05:17 • -7.91db
13% Popularity • 35% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 35% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
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Marcia Hines
Loves Me Like a Rock
143 bpm • C Maj • 04:40 • -6.78db
14% Popularity • 63% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 63% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Jesse Colin Young
Songbird
145 bpm • D Maj • 04:20 • -8.03db
27% Popularity • 67% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 67% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Adam Harvey
Have I Told You Lately
143 bpm • C Maj • 04:06 • -9.46db
13% Popularity • 62% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 62% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Womack & Womack
Here Comes the Sun
143 bpm • A Maj • 03:06 • -21.23db
24% Popularity • 63% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 63% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Shelby Lynne
Breakfast In Bed
142 bpm • G Maj • 03:21 • -13db
44% Popularity • 70% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
44% Popularity • 70% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
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Renee Geyer
Come On
143 bpm • A min • 02:39 • -13.8db
18% Popularity • 78% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 98% Positiveness
18% Popularity • 78% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 98% Positiveness
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Wendy Matthews
Follow You Down
142 bpm • A# Maj • 03:44 • -7.18db
11% Popularity • 51% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 51% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Jenny Morris
Jackson
142 bpm • A Maj • 03:39 • -7.26db
21% Popularity • 68% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 68% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Joss Stone
The Chokin' Kind
142 bpm • D# Maj • 03:36 • -6db
43% Popularity • 55% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 55% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Ruthie Foster
Open Sky
142 bpm • A Maj • 04:26 • -7.96db
12% Popularity • 59% Danceability • 54% Energy • 47% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 59% Danceability • 54% Energy • 47% Liveness
0% Instrumentalness • 54% Positiveness
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The Black Sorrows
Wednesday’s Child
142 bpm • G Maj • 03:23 • -7.01db
20% Popularity • 68% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 68% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Renee Geyer
Baby I've Been Missing You
147 bpm • G Maj • 03:36 • -5.71db
33% Popularity • 72% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 72% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Heather Small
You Do Something to Me
141 bpm • F# min • 03:46 • -11.46db
10% Popularity • 25% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 25% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Laura Lee
Uptight Good Man
141 bpm • D Maj • 02:47 • -14.01db
27% Popularity • 46% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 46% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Lulu
Sweet Memories - 2007 Remastered Version
147 bpm • F Maj • 03:33 • -14.5db
12% Popularity • 30% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 30% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sananda Maitreya
A Change Is Gonna Come
147 bpm • D Maj • 04:50 • -11.1db
26% Popularity • 57% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 57% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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The Black Sorrows
Brown Eyed Girl
141 bpm • G Maj • 03:32 • -12.65db
23% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Renee Geyer
Stares and Whispers
141 bpm • C min • 03:29 • -10.64db
21% Popularity • 41% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 41% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Dorothy Moore
The Only Time You Ever Say You Love Me
141 bpm • A Maj • 03:35 • -13.72db
23% Popularity • 44% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 44% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Jools Holland
Ooh La La
140 bpm • E Maj • 03:43 • -7.35db
8% Popularity • 40% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 40% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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John Hiatt
Feels Like Rain
140 bpm • G Maj • 04:51 • -18.29db
44% Popularity • 69% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
44% Popularity • 69% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Ruthie Foster
What Are You Listening To?
148 bpm • C# Maj • 04:17 • -4.11db
28% Popularity • 53% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 53% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Shelby Lynne
I Don't Want To Hear It Anymore
140 bpm • C# Maj • 04:36 • -15db
35% Popularity • 73% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 73% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Herbs
On My Mind - Remastered Version
140 bpm • C# Maj • 04:17 • -9.44db
29% Popularity • 49% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 49% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Dorothy Moore
Once Or Twice
140 bpm • C Maj • 02:45 • -14db
29% Popularity • 64% Danceability • 35% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 64% Danceability • 35% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
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Annie Crummer
Once Or Twice
140 bpm • C Maj • 03:05 • -9db
24% Popularity • 68% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
24% Popularity • 68% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
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Dave Dobbyn
Wild Kisses Like Rain
140 bpm • C Maj • 03:04 • -6.89db
13% Popularity • 60% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 60% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Dusty Springfield
Tupelo Honey
140 bpm • C# Maj • 04:01 • -8.7db
15% Popularity • 46% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 46% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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P.P. Arnold
Brand New Day
139 bpm • C Maj • 05:46 • -12.4db
11% Popularity • 46% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 46% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Grayson Hugh
I'll Remember You
149 bpm • D Maj • 05:10 • -9.47db
18% Popularity • 54% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 54% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Jools Holland
I Went By
139 bpm • C# Maj • 03:03 • -8.92db
7% Popularity • 42% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 42% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Renee Geyer
It's a Man's Man's World
151 bpm • E min • 03:34 • -9.8db
26% Popularity • 38% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 38% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Toni Childs
Next To You
137 bpm • A min • 05:15 • -11.89db
19% Popularity • 69% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 69% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Archie Roach
Love in the Morning
137 bpm • E Maj • 04:20 • -13.31db
24% Popularity • 50% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 50% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Blue Mink
By the Devil (I Was Tempted)
137 bpm • F Maj • 03:40 • -8.4db
35% Popularity • 72% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 72% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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The Manhattans
Hurt
137 bpm • D# Maj • 03:01 • -9.34db
44% Popularity • 56% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 56% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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The Black Sorrows
Ain't Love The Strangest Thing
152 bpm • C# min • 05:48 • -7db
19% Popularity • 44% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 44% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 52% Positiveness
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Renee Geyer
What Do I Do on a Sunday Morning
138 bpm • G Maj • 03:58 • -9.9db
6% Popularity • 31% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
6% Popularity • 31% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Sarah Jane Morris
I Am A Woman
152 bpm • D min • 04:14 • -11.1db
8% Popularity • 59% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 59% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 57% Positiveness
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Prince Tui Teka
Hoki Mai
136 bpm • G Maj • 03:11 • -12.05db
32% Popularity • 54% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 54% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Womack & Womack
Angie
136 bpm • D# Maj • 02:56 • -21.9db
24% Popularity • 69% Danceability • 13% Energy • 50% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 69% Danceability • 13% Energy • 50% Liveness
0% Instrumentalness • 18% Positiveness
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Frankie Miller
Sending Me Angels
136 bpm • C Maj • 04:37 • -8.46db
13% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Niamh Kavanagh
Do Right Woman, Do Right Man
135 bpm • E Maj • 03:16 • -13.14db
27% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Renee Geyer
Heading in the Right Direction
136 bpm • G Maj • 03:01 • -11db
9% Popularity • 39% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 39% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Retro Bytes
Darkness
135 bpm • A min • 01:26 • -9.95db
11% Popularity • 50% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 50% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Emma Donovan
Keep Me in Your Reach
135 bpm • E Maj • 04:20 • -6.9db
8% Popularity • 62% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 62% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Oleta Adams
Don't Let The Sun Go Down On Me
134 bpm • D Maj • 05:57 • -10.08db
32% Popularity • 44% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 44% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Dorothy Moore
Funny How Time Slips Away
154 bpm • F Maj • 03:52 • -13db
28% Popularity • 35% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 35% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Simply Red
Granma's Hands - 2020 Remaster
134 bpm • D min • 02:50 • -10.91db
8% Popularity • 46% Danceability • 30% Energy • 11% Liveness
7% Instrumentalness • 18% Positiveness
8% Popularity • 46% Danceability • 30% Energy • 11% Liveness
7% Instrumentalness • 18% Positiveness
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Renee Geyer
I Can Feel the Fire
134 bpm • C Maj • 04:15 • -14db
18% Popularity • 73% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 73% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
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Lulu
Oh Me Oh My (I'm A Fool For You Baby) - ...
155 bpm • A# Maj • 02:44 • -12db
29% Popularity • 32% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 32% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Herbs
E Papa
134 bpm • C Maj • 02:06 • -11.63db
40% Popularity • 51% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 51% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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The Hi-Marks
Personality
134 bpm • E Maj • 02:09 • -10.44db
18% Popularity • 59% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 59% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Dorothy Moore
Too Much Love
134 bpm • B min • 03:24 • -10.27db
9% Popularity • 72% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 72% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Red Void Monkey
Better to Be Blind
155 bpm • G Maj • 05:10 • -11.62db
14% Popularity • 58% Danceability • 26% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 58% Danceability • 26% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Judie Tzuke
Where Does the Time Go?
133 bpm • F Maj • 04:14 • -9.07db
16% Popularity • 74% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 74% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Archie Roach
Down City Streets
133 bpm • D Maj • 04:04 • -13.32db
32% Popularity • 57% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 57% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Toni Childs
I Want To Walk With You
156 bpm • D Maj • 05:02 • -13.23db
26% Popularity • 50% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 50% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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James Reyne
Fearless
156 bpm • C# min • 03:05 • -6.28db
17% Popularity • 71% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 71% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Dorothy Moore
I Don't Want To Be With Nobody But You
133 bpm • F Maj • 04:15 • -13db
22% Popularity • 63% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 63% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Chrissie Hynde
Love Song
133 bpm • A min • 03:21 • -8.85db
12% Popularity • 68% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 68% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Billy Thorpe
Since You've Been Gone
156 bpm • D Maj • 05:28 • -5.11db
9% Popularity • 50% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 50% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Renee Geyer
Stormy Monday
133 bpm • G Maj • 06:43 • -14.32db
9% Popularity • 54% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 54% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Johnny Diesel & The Injectors
Since I Fell For You
156 bpm • A Maj • 05:37 • -9.42db
23% Popularity • 36% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 36% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Grayson Hugh
Romantic Heart
132 bpm • D# Maj • 03:46 • -10.25db
7% Popularity • 70% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 70% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Modern Maori Quartet
Shine
132 bpm • C Maj • 03:44 • -7.09db
31% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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The Badloves
Loves Me Like a Rock
131 bpm • A Maj • 05:05 • -9db
17% Popularity • 47% Danceability • 59% Energy • 80% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 47% Danceability • 59% Energy • 80% Liveness
0% Instrumentalness • 60% Positiveness
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Kiki Dee
Loving & Free
131 bpm • D Maj • 04:21 • -7db
24% Popularity • 58% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 58% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Renee Geyer
Good Lovin
133 bpm • G Maj • 03:37 • -15.73db
5% Popularity • 76% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
5% Popularity • 76% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Jo Harman
Loving Arms - (radio edit), Masterlink S...
131 bpm • A# Maj • 05:26 • -10.01db
27% Popularity • 43% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 43% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Billy Thorpe
Its Almost Summer
131 bpm • E Maj • 02:59 • -16.88db
28% Popularity • 62% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 62% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Robert Cray
Nothin' But A Woman
131 bpm • C Maj • 03:57 • -12.33db
39% Popularity • 84% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 84% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Sananda Maitreya
Holding On To You - Edit 2
130 bpm • F# Maj • 05:03 • -7.76db
39% Popularity • 49% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 49% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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Big Daddy Wilson
Mississippi Me
130 bpm • F# Maj • 03:35 • -10.55db
9% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Renee Geyer
And I Love Him
132 bpm • D min • 05:14 • -13.02db
11% Popularity • 60% Danceability • 30% Energy • 29% Liveness
1% Instrumentalness • 29% Positiveness
11% Popularity • 60% Danceability • 30% Energy • 29% Liveness
1% Instrumentalness • 29% Positiveness
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Kristina Train
Spilt Milk
129 bpm • G Maj • 03:40 • -6.51db
24% Popularity • 46% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 46% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Annie Crummer
See What Love Can Do
160 bpm • E Maj • 04:35 • -7db
35% Popularity • 51% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 51% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Robert Cray
I've Slipped Her Mind
159 bpm • C Maj • 05:19 • -9.68db
15% Popularity • 54% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 54% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
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Sananda Maitreya
Holding On To You
130 bpm • F# Maj • 05:58 • -7.34db
35% Popularity • 46% Danceability • 67% Energy • 92% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 46% Danceability • 67% Energy • 92% Liveness
0% Instrumentalness • 47% Positiveness
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k.d. lang
Crying - Live
129 bpm • D Maj • 04:32 • -8.15db
25% Popularity • 37% Danceability • 42% Energy • 96% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 37% Danceability • 42% Energy • 96% Liveness
0% Instrumentalness • 9% Positiveness
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Renee Geyer
Sweet Guy
160 bpm • B min • 04:35 • -16.54db
8% Popularity • 42% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 42% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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The Manhattans
Kiss and Say Goodbye
129 bpm • A# Maj • 04:26 • -10.09db
62% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
62% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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The Badloves
Tell Me
129 bpm • A Maj • 03:20 • -12.69db
20% Popularity • 64% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 64% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Tami Neilson
A Woman's Pain
161 bpm • B Maj • 02:57 • -11.89db
5% Popularity • 47% Danceability • 34% Energy • 10% Liveness
23% Instrumentalness • 40% Positiveness
5% Popularity • 47% Danceability • 34% Energy • 10% Liveness
23% Instrumentalness • 40% Positiveness
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Ry Cooder
Little Sister
129 bpm • A# Maj • 03:52 • -18.3db
41% Popularity • 76% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
41% Popularity • 76% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Yandall Sisters
Broken Hearted Melody - Bonus Track
128 bpm • E Maj • 03:02 • -10.25db
26% Popularity • 60% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 60% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Renee Geyer
The Thrill Is Gone
129 bpm • C min • 06:55 • -13.6db
12% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Pretenders
Thin Line Between Love and Hate - 2007 R...
128 bpm • A min • 03:40 • -8db
34% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Richard Clapton
Blue Bay Blues - Original
129 bpm • F Maj • 04:26 • -14.37db
27% Popularity • 63% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 64% Positiveness
27% Popularity • 63% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 64% Positiveness
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Rufus & Chaka Khan
Walkin' In The Sun
162 bpm • C Maj • 02:58 • -11db
42% Popularity • 47% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 47% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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The Black Sorrows
Last One Standing For Ya - 2007 Remaster...
128 bpm • G Maj • 03:41 • -4.03db
11% Popularity • 58% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 58% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
