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You Can't Hide A Light With The Dark
Songs like
You Can't Hide A Light With The Dark
by
Bill Ryder-Jones
Based on a tempo of (+/- 10%) and a similar genre
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Bill Ryder-Jones
Tell Me You Don't Love Me Watching
90 bpm • A# Maj • 02:26 • -11.09db
31% Popularity • 69% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Spectrals
I Ran With Love But Couldn't Keep Up
90 bpm • G min • 06:25 • -8.22db
35% Popularity • 42% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Steve Gunn
Dust Filled Room
90 bpm • F# Maj • 02:02 • -9.96db
30% Popularity • 54% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Spiritualized
Anyway That You Want Me
91 bpm • G# Maj • 06:27 • -7db
30% Popularity • 42% Danceability • 70% Energy • 14% Liveness
70% Instrumentalness • 9% Positiveness
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A. Savage
Indian Style
89 bpm • G Maj • 04:11 • -11.47db
33% Popularity • 62% Danceability • 37% Energy • 10% Liveness
6% Instrumentalness • 18% Positiveness
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The Feelies
Turn Back Time
91 bpm • B min • 02:11 • -11.23db
28% Popularity • 62% Danceability • 48% Energy • 8% Liveness
73% Instrumentalness • 93% Positiveness
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Bill Ryder-Jones
You Can't Hide A Light With The Dark
90 bpm • F Maj • 03:38 • -9.08db
31% Popularity • 47% Danceability • 49% Energy • 12% Liveness
89% Instrumentalness • 88% Positiveness
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Girl Ray
Trouble - Bonus Track
91 bpm • G Maj • 03:29 • -8.66db
28% Popularity • 61% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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OCS
Memory of a Cut off Head
89 bpm • A Maj • 04:47 • -10.5db
22% Popularity • 62% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
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BC Camplight
I Only Drink When I'm Drunk
88 bpm • E Maj • 03:44 • -9.1db
25% Popularity • 28% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Ultimate Painting
Riverside
91 bpm • G Maj • 02:47 • -8.84db
29% Popularity • 58% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 62% Positiveness
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Deerhunter
Death In Midsummer
92 bpm • D Maj • 04:22 • -7db
29% Popularity • 31% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Bill Ryder-Jones
Catharine and Huskisson
91 bpm • F Maj • 04:01 • -6.79db
19% Popularity • 47% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Holy Hive
The Things Themselves
92 bpm • F# min • 03:29 • -6.51db
29% Popularity • 74% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
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Parsley Sound
Ease Yourself and Glide
88 bpm • G# Maj • 03:19 • -8.57db
39% Popularity • 50% Danceability • 60% Energy • 9% Liveness
63% Instrumentalness • 69% Positiveness
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Vanishing Twin
The Conservation of Energy
92 bpm • G Maj • 04:13 • -6.44db
34% Popularity • 47% Danceability • 64% Energy • 13% Liveness
61% Instrumentalness • 26% Positiveness
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Ryley Walker
Spoil with the Rest
88 bpm • B Maj • 03:42 • -12.72db
19% Popularity • 46% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
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Rozi Plain
Actually
92 bpm • D Maj • 03:04 • -9.68db
24% Popularity • 53% Danceability • 53% Energy • 8% Liveness
16% Instrumentalness • 64% Positiveness
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Bill Ryder-Jones
By Morning I
92 bpm • E Maj • 03:35 • -15.86db
19% Popularity • 52% Danceability • 22% Energy • 13% Liveness
8% Instrumentalness • 19% Positiveness
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Black Lips
Get It on Time
93 bpm • B Maj • 03:06 • -7db
33% Popularity • 34% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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I Am Kloot
To You - Remastered
87 bpm • A Maj • 03:15 • -9.03db
35% Popularity • 55% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Twerps
Coast to Coast
87 bpm • G Maj • 04:36 • -3.98db
23% Popularity • 20% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 47% Positiveness
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Gruff Rhys
Drones in the City
93 bpm • G Maj • 03:49 • -11db
8% Popularity • 29% Danceability • 38% Energy • 11% Liveness
40% Instrumentalness • 32% Positiveness
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Kurt Vile
Lost my Head there
94 bpm • A min • 06:55 • -9.17db
41% Popularity • 50% Danceability • 59% Energy • 8% Liveness
74% Instrumentalness • 56% Positiveness
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Bill Ryder-Jones
Let's Get Away From Here
93 bpm • A Maj • 04:21 • -10.35db
20% Popularity • 72% Danceability • 25% Energy • 8% Liveness
59% Instrumentalness • 34% Positiveness
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BC Camplight
When I Think of My Dog
94 bpm • B Maj • 04:12 • -11db
10% Popularity • 52% Danceability • 21% Energy • 10% Liveness
9% Instrumentalness • 13% Positiveness
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Luna
23 Minutes in Brussels
94 bpm • G Maj • 06:40 • -10.88db
39% Popularity • 58% Danceability • 45% Energy • 11% Liveness
71% Instrumentalness • 61% Positiveness
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Bonnie Prince Billy
Rubin and Cherise
86 bpm • F Maj • 05:46 • -5.39db
37% Popularity • 31% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Smog
Our Anniversary
95 bpm • F# Maj • 06:17 • -15db
39% Popularity • 54% Danceability • 47% Energy • 13% Liveness
80% Instrumentalness • 36% Positiveness
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Charles Watson
Now That I'm a River
95 bpm • A Maj • 04:03 • -9.57db
32% Popularity • 58% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 60% Positiveness
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Bill Ryder-Jones
Daniel
94 bpm • B Maj • 04:20 • -7.26db
25% Popularity • 60% Danceability • 59% Energy • 8% Liveness
72% Instrumentalness • 78% Positiveness
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Kurt Vile
Was All Talk
95 bpm • G Maj • 07:41 • -7.84db
29% Popularity • 50% Danceability • 89% Energy • 15% Liveness
35% Instrumentalness • 50% Positiveness
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Daniel Romano
All The Reaching Trims
95 bpm • D# Maj • 03:47 • -8.95db
23% Popularity • 39% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Angelo De Augustine
Crazy, Stoned, and Gone
95 bpm • F Maj • 02:41 • -12.41db
30% Popularity • 62% Danceability • 18% Energy • 11% Liveness
58% Instrumentalness • 36% Positiveness
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Ultimate Painting
Song for Brian Jones
95 bpm • D Maj • 03:43 • -7db
24% Popularity • 64% Danceability • 64% Energy • 7% Liveness
32% Instrumentalness • 80% Positiveness
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Insecure Men
Subaru Nights
96 bpm • C# Maj • 04:55 • -6.85db
22% Popularity • 66% Danceability • 59% Energy • 8% Liveness
10% Instrumentalness • 84% Positiveness
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Samantha Crain
Pastime
96 bpm • G Maj • 03:27 • -5.63db
30% Popularity • 60% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 63% Positiveness
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Kurt Vile
Girl Called Alex
85 bpm • G min • 06:19 • -10db
33% Popularity • 17% Danceability • 75% Energy • 14% Liveness
82% Instrumentalness • 27% Positiveness
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Boy Azooga
Breakfast Epiphany
96 bpm • A min • 02:29 • -8.11db
24% Popularity • 57% Danceability • 58% Energy • 63% Liveness
12% Instrumentalness • 64% Positiveness
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Juan Wauters
Woodside, Queens
84 bpm • G Maj • 02:33 • -8db
3% Popularity • 68% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Smog
Dress Sexy At My Funeral
96 bpm • G min • 05:30 • -12db
39% Popularity • 46% Danceability • 49% Energy • 11% Liveness
8% Instrumentalness • 70% Positiveness
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Twerps
Bring Me Down
97 bpm • E Maj • 02:18 • -14.05db
32% Popularity • 51% Danceability • 28% Energy • 25% Liveness
93% Instrumentalness • 37% Positiveness
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Cate Le Bon
I Just Wanna Be Good
97 bpm • G Maj • 03:02 • -8.29db
22% Popularity • 62% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 68% Positiveness
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The Concretes
Miss You
97 bpm • A min • 03:50 • -10db
33% Popularity • 47% Danceability • 43% Energy • 9% Liveness
58% Instrumentalness • 14% Positiveness
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The War On Drugs
Taking The Farm
98 bpm • C Maj • 04:00 • -6.94db
35% Popularity • 41% Danceability • 98% Energy • 14% Liveness
24% Instrumentalness • 42% Positiveness
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Avi Buffalo
Skeleton Painting
84 bpm • G Maj • 06:24 • -7.3db
16% Popularity • 38% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Muzz
Bad Feeling
83 bpm • F Maj • 02:37 • -9.09db
33% Popularity • 51% Danceability • 35% Energy • 11% Liveness
73% Instrumentalness • 27% Positiveness
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Sam Cohen
Waiting for My Baby
83 bpm • G Maj • 04:09 • -6.05db
11% Popularity • 46% Danceability • 68% Energy • 12% Liveness
89% Instrumentalness • 54% Positiveness
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The Proper Ornaments
Waiting for the Summer
98 bpm • D Maj • 02:13 • -4.86db
25% Popularity • 66% Danceability • 66% Energy • 9% Liveness
84% Instrumentalness • 94% Positiveness
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Daniele Luppi
Pretty Prizes
98 bpm • E Maj • 03:05 • -5.11db
35% Popularity • 74% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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The Walkmen
Another One Goes By
98 bpm • A# Maj • 03:56 • -4.55db
34% Popularity • 47% Danceability • 79% Energy • 60% Liveness
0% Instrumentalness • 69% Positiveness
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Fontaines D.C.
Starburster
98 bpm • A# Maj • 03:41 • -5.68db
66% Popularity • 51% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Mutual Benefit
Getting Gone
98 bpm • C Maj • 04:03 • -12db
10% Popularity • 36% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 12% Positiveness
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Here We Go Magic
Alone But Moving
82 bpm • D Maj • 03:57 • -7db
35% Popularity • 58% Danceability • 47% Energy • 7% Liveness
5% Instrumentalness • 46% Positiveness
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Marlon Williams
Dark Child
82 bpm • G# min • 03:57 • -8.16db
34% Popularity • 46% Danceability • 42% Energy • 22% Liveness
7% Instrumentalness • 24% Positiveness
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Hand Habits
Book on How to Change
98 bpm • C# Maj • 04:38 • -10.16db
18% Popularity • 47% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Kurt Vile
Baby's Arms
82 bpm • B min • 04:44 • -6db
42% Popularity • 49% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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The Ladybug Transistor
Oceans in the Hall
99 bpm • A Maj • 03:39 • -9.46db
32% Popularity • 61% Danceability • 45% Energy • 19% Liveness
67% Instrumentalness • 62% Positiveness
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Bill Ryder-Jones
Recover
82 bpm • A# Maj • 03:35 • -14db
19% Popularity • 37% Danceability • 33% Energy • 7% Liveness
16% Instrumentalness • 5% Positiveness
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Luna
Lost in Space
99 bpm • G Maj • 03:44 • -10.48db
30% Popularity • 49% Danceability • 44% Energy • 9% Liveness
27% Instrumentalness • 29% Positiveness
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Dick Stusso
Modern Music
82 bpm • F# min • 04:38 • -15db
25% Popularity • 62% Danceability • 32% Energy • 10% Liveness
30% Instrumentalness • 46% Positiveness
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Chris Cohen
Drink from a Silver Cup
82 bpm • B min • 04:43 • -8.21db
17% Popularity • 56% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Smog
Hit The Ground Running
99 bpm • G Maj • 06:56 • -11.65db
36% Popularity • 72% Danceability • 44% Energy • 16% Liveness
55% Instrumentalness • 56% Positiveness
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Mega Bog
Diary of a Rose
82 bpm • F# min • 04:39 • -10db
30% Popularity • 57% Danceability • 55% Energy • 24% Liveness
4% Instrumentalness • 30% Positiveness
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Bill Ryder-Jones
There's Something on Your Mind - Yawny Y...
82 bpm • B Maj • 05:06 • -20.04db
13% Popularity • 28% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Michael Price
In Spite of the Weather (Bill Ryder-Jone...
82 bpm • F Maj • 05:56 • -17.33db
11% Popularity • 18% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Richard Swift
Lady Day
100 bpm • A Maj • 02:55 • -11.78db
12% Popularity • 50% Danceability • 53% Energy • 63% Liveness
56% Instrumentalness • 30% Positiveness
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Widowspeak
Money
100 bpm • G# Maj • 04:53 • -7.46db
37% Popularity • 64% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 60% Positiveness
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Dougie Poole
Don't You Think I'm Funny Anymore?
100 bpm • B Maj • 03:36 • -7.86db
31% Popularity • 61% Danceability • 50% Energy • 14% Liveness
85% Instrumentalness • 34% Positiveness
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Loma
Ocotillo
81 bpm • D# Maj • 04:50 • -11.36db
35% Popularity • 54% Danceability • 55% Energy • 8% Liveness
58% Instrumentalness • 42% Positiveness
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Bill Ryder-Jones
Christina That's the Saddest Thing
100 bpm • F Maj • 04:03 • -10.49db
19% Popularity • 46% Danceability • 35% Energy • 8% Liveness
34% Instrumentalness • 24% Positiveness
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Kurt Vile
Wild Imagination
100 bpm • C# Maj • 05:50 • -9.4db
36% Popularity • 71% Danceability • 72% Energy • 8% Liveness
38% Instrumentalness • 96% Positiveness
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The Phoenix Foundation
The Captain
100 bpm • F# min • 03:37 • -6.83db
16% Popularity • 56% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Boy Azooga
O Silly Me
81 bpm • E Maj • 03:59 • -10.83db
11% Popularity • 50% Danceability • 48% Energy • 12% Liveness
64% Instrumentalness • 37% Positiveness
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Voom
We're so Lost
81 bpm • B Maj • 02:40 • -7.54db
30% Popularity • 49% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Michael Nau
The Glass
100 bpm • C Maj • 03:17 • -12db
25% Popularity • 61% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Bill Ryder-Jones
Wild Roses
100 bpm • D Maj • 03:38 • -7.54db
25% Popularity • 61% Danceability • 65% Energy • 14% Liveness
38% Instrumentalness • 49% Positiveness
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H. Hawkline
Last Thing on Your Mind
101 bpm • G Maj • 06:14 • -7.93db
14% Popularity • 80% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Fat White Family
Oh Sebastian
101 bpm • E Maj • 02:44 • -12.16db
23% Popularity • 34% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
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Julia Holter
Sea Calls Me Home
80 bpm • B min • 03:07 • -7db
38% Popularity • 32% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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Lael Neale
Blue Vein
102 bpm • D# Maj • 04:22 • -4db
33% Popularity • 41% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Vetiver
Swaying
79 bpm • C# Maj • 03:18 • -10.92db
17% Popularity • 50% Danceability • 68% Energy • 20% Liveness
49% Instrumentalness • 81% Positiveness
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Bill Ryder-Jones
We Don’t Need Them
100 bpm • F# Maj • 04:55 • -9.21db
37% Popularity • 44% Danceability • 37% Energy • 35% Liveness
62% Instrumentalness • 27% Positiveness
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A. Savage
Wild, Wild, Wild Horses
102 bpm • C Maj • 04:36 • -13.42db
31% Popularity • 44% Danceability • 29% Energy • 11% Liveness
42% Instrumentalness • 6% Positiveness
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Fat White Family
Rock Fishes
80 bpm • A Maj • 04:04 • -6.93db
24% Popularity • 41% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Kurt Vile
Slow Talkers
103 bpm • B min • 03:00 • -15.56db
34% Popularity • 48% Danceability • 32% Energy • 11% Liveness
46% Instrumentalness • 46% Positiveness
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Shana Cleveland
Face of the Sun
103 bpm • A min • 03:29 • -10.03db
32% Popularity • 31% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Swift
Sept20
103 bpm • A min • 02:35 • -9.6db
13% Popularity • 51% Danceability • 36% Energy • 7% Liveness
37% Instrumentalness • 28% Positiveness
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Bill Ryder-Jones
Seabirds
80 bpm • D Maj • 04:24 • -14.83db
21% Popularity • 52% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Destroyer
It's Gonna Take an Airplane
103 bpm • B min • 03:41 • -13db
36% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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William Doyle
And Everything Changed (But I Feel Alrig...
103 bpm • G# Maj • 03:50 • -10db
18% Popularity • 55% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Cut Worms
Like Going Down Sideways
78 bpm • E Maj • 04:41 • -6.87db
25% Popularity • 44% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Coco
One Time Villain
104 bpm • A# Maj • 03:11 • -10.42db
31% Popularity • 39% Danceability • 65% Energy • 10% Liveness
81% Instrumentalness • 46% Positiveness
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Cate Le Bon
Secretary
78 bpm • G Maj • 02:41 • -11.45db
17% Popularity • 62% Danceability • 25% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
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Bill Ryder-Jones
John
80 bpm • G# Maj • 04:38 • -12.06db
15% Popularity • 16% Danceability • 39% Energy • 18% Liveness
50% Instrumentalness • 8% Positiveness
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Steve Gunn
New Moon
104 bpm • A Maj • 05:10 • -5.91db
35% Popularity • 42% Danceability • 70% Energy • 16% Liveness
6% Instrumentalness • 52% Positiveness
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Jonathan Richman & The Modern Lovers
The Morning of Our Lives
104 bpm • A Maj • 05:26 • -15.34db
37% Popularity • 60% Danceability • 29% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
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Daniele Luppi
Soul and Cigarette
105 bpm • G min • 03:28 • -8.38db
36% Popularity • 78% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Ty Segall
Orange Color Queen
77 bpm • A# Maj • 03:04 • -11.23db
38% Popularity • 40% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Cate Le Bon
Duke
105 bpm • B Maj • 03:49 • -7db
29% Popularity • 71% Danceability • 55% Energy • 20% Liveness
63% Instrumentalness • 47% Positiveness
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You Can't Hide A Light With The Dark