Songs like You Could've Been a Lady by Hot Chocolate
Based on a tempo of (+/- 10%) and a similar genre
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Shirley Bassey
Jezahel - 2000 Remaster
109 bpm • C# min • 02:50 • -7.74db
43% Popularity • 56% Danceability • 57% Energy • 72% Liveness
3% Instrumentalness • 74% Positiveness
43% Popularity • 56% Danceability • 57% Energy • 72% Liveness
3% Instrumentalness • 74% Positiveness
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Hot Chocolate
You Could've Been a Lady
109 bpm • G Maj • 04:24 • -6.63db
14% Popularity • 77% Danceability • 76% Energy • 4% Liveness
14% Instrumentalness • 83% Positiveness
14% Popularity • 77% Danceability • 76% Energy • 4% Liveness
14% Instrumentalness • 83% Positiveness
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Tom Jones
Looking Out My Window
109 bpm • A Maj • 02:20 • -12.04db
19% Popularity • 50% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 50% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 65% Positiveness
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The Mighty Hannibal
Get in the Groove
109 bpm • D Maj • 02:25 • -7.09db
17% Popularity • 64% Danceability • 89% Energy • 26% Liveness
60% Instrumentalness • 78% Positiveness
17% Popularity • 64% Danceability • 89% Energy • 26% Liveness
60% Instrumentalness • 78% Positiveness
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Wilbert Harrison
Let's Work Together
109 bpm • G Maj • 05:35 • -6db
34% Popularity • 80% Danceability • 82% Energy • 7% Liveness
6% Instrumentalness • 97% Positiveness
34% Popularity • 80% Danceability • 82% Energy • 7% Liveness
6% Instrumentalness • 97% Positiveness
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Gilbert O'Sullivan
Too Much Attention
110 bpm • D# Maj • 02:38 • -9.37db
34% Popularity • 82% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 82% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Jackson Sisters
I Believe In Miracles - 7" Version
108 bpm • D min • 02:57 • -10.56db
38% Popularity • 65% Danceability • 85% Energy • 66% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 65% Danceability • 85% Energy • 66% Liveness
0% Instrumentalness • 92% Positiveness
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Hot Chocolate
You Could've Been a Lady
109 bpm • G Maj • 03:48 • -5.79db
37% Popularity • 75% Danceability • 78% Energy • 5% Liveness
10% Instrumentalness • 84% Positiveness
37% Popularity • 75% Danceability • 78% Energy • 5% Liveness
10% Instrumentalness • 84% Positiveness
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Faces
You Can Make Me Dance, Sing or Anything ...
108 bpm • C# min • 04:32 • -7.84db
32% Popularity • 61% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 61% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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James Brown
Get On The Good Foot, Pt. 1 - Single Ver...
108 bpm • G Maj • 03:29 • -6.31db
44% Popularity • 89% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
44% Popularity • 89% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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The Human Beinz
Dance On Through
110 bpm • D Maj • 03:07 • -10.75db
37% Popularity • 64% Danceability • 56% Energy • 14% Liveness
5% Instrumentalness • 47% Positiveness
37% Popularity • 64% Danceability • 56% Energy • 14% Liveness
5% Instrumentalness • 47% Positiveness
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Millie Jackson
We Got to Hit It Off
108 bpm • A# Maj • 04:09 • -12db
30% Popularity • 73% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 73% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Betty Davis
Hangin' Out
108 bpm • A# Maj • 04:55 • -12.63db
25% Popularity • 69% Danceability • 62% Energy • 7% Liveness
1% Instrumentalness • 84% Positiveness
25% Popularity • 69% Danceability • 62% Energy • 7% Liveness
1% Instrumentalness • 84% Positiveness
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Hot Chocolate
Don't Stop It Now
110 bpm • A Maj • 03:02 • -6.03db
26% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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B.T. Express
Keep It Up
108 bpm • A Maj • 06:58 • -6.36db
25% Popularity • 70% Danceability • 82% Energy • 5% Liveness
2% Instrumentalness • 89% Positiveness
25% Popularity • 70% Danceability • 82% Energy • 5% Liveness
2% Instrumentalness • 89% Positiveness
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Ann Peebles
Beware
110 bpm • A min • 03:09 • -9.51db
29% Popularity • 93% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 93% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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The Rolling Stones
If I Was A Dancer (Dance Pt. 2) - Remast...
108 bpm • B Maj • 05:50 • -7.42db
22% Popularity • 77% Danceability • 83% Energy • 19% Liveness
1% Instrumentalness • 96% Positiveness
22% Popularity • 77% Danceability • 83% Energy • 19% Liveness
1% Instrumentalness • 96% Positiveness
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10cc
I'm Mandy Fly Me
108 bpm • G Maj • 05:23 • -10db
43% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Incredible Bongo Band
Satisfaction - I Can't Get No
108 bpm • C# Maj • 04:03 • -7.44db
21% Popularity • 69% Danceability • 75% Energy • 7% Liveness
90% Instrumentalness • 83% Positiveness
21% Popularity • 69% Danceability • 75% Energy • 7% Liveness
90% Instrumentalness • 83% Positiveness
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Hot Chocolate
Brother Louie
108 bpm • A min • 04:59 • -8db
37% Popularity • 74% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 74% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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James Brown
I Got Ants In My Pants (And I Want To Da...
108 bpm • A# Maj • 07:26 • -12.08db
38% Popularity • 89% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 89% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Harari
Give
110 bpm • D Maj • 05:20 • -8.58db
25% Popularity • 74% Danceability • 70% Energy • 8% Liveness
3% Instrumentalness • 96% Positiveness
25% Popularity • 74% Danceability • 70% Energy • 8% Liveness
3% Instrumentalness • 96% Positiveness
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Nick Lowe
I Love the Sound of Breaking Glass
108 bpm • G Maj • 03:14 • -10.64db
42% Popularity • 71% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 92% Positiveness
42% Popularity • 71% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 92% Positiveness
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Chairmen Of The Board
Chairman of the Board
108 bpm • A# min • 03:35 • -5.73db
13% Popularity • 68% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 68% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Geater Davis
My Love Is so Strong for You
111 bpm • G min • 03:05 • -9db
31% Popularity • 75% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 95% Positiveness
31% Popularity • 75% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 95% Positiveness
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Hot Chocolate
West End of Park Lane
110 bpm • D min • 03:30 • -12.88db
9% Popularity • 79% Danceability • 53% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
9% Popularity • 79% Danceability • 53% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
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The Rolling Stones
Dance (pt 1) - Remastered 2009
107 bpm • C# min • 04:23 • -5db
37% Popularity • 74% Danceability • 90% Energy • 5% Liveness
40% Instrumentalness • 90% Positiveness
37% Popularity • 74% Danceability • 90% Energy • 5% Liveness
40% Instrumentalness • 90% Positiveness
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The Mighty Hannibal
Somebody in the World for You
107 bpm • D Maj • 02:52 • -8.06db
19% Popularity • 63% Danceability • 61% Energy • 9% Liveness
12% Instrumentalness • 66% Positiveness
19% Popularity • 63% Danceability • 61% Energy • 9% Liveness
12% Instrumentalness • 66% Positiveness
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Baby Huey
Listen To Me
111 bpm • C Maj • 06:41 • -7db
31% Popularity • 40% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 40% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Bobby Williams
Funky Super Fly - Pts. 1 & 2
107 bpm • C# Maj • 05:39 • -6.56db
13% Popularity • 71% Danceability • 84% Energy • 4% Liveness
2% Instrumentalness • 94% Positiveness
13% Popularity • 71% Danceability • 84% Energy • 4% Liveness
2% Instrumentalness • 94% Positiveness
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Gwen McCrae
The Rub
111 bpm • A Maj • 03:31 • -5db
39% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Hot Chocolate
Every 1's a Winner - Single Version
108 bpm • A# Maj • 04:49 • -7.39db
60% Popularity • 73% Danceability • 55% Energy • 13% Liveness
52% Instrumentalness • 93% Positiveness
60% Popularity • 73% Danceability • 55% Energy • 13% Liveness
52% Instrumentalness • 93% Positiveness
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Odyssey
Going Back to My Roots - Single Version
107 bpm • C# Maj • 03:25 • -9.67db
48% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
48% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Dr. John
Desitively Bonnaroo
111 bpm • A min • 02:31 • -8.79db
20% Popularity • 84% Danceability • 68% Energy • 5% Liveness
29% Instrumentalness • 97% Positiveness
20% Popularity • 84% Danceability • 68% Energy • 5% Liveness
29% Instrumentalness • 97% Positiveness
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Captain Beefheart & His Magic Band
Too Much Time
111 bpm • A Maj • 02:50 • -14db
40% Popularity • 84% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 84% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Chi-Lites
I Found Sunshine
111 bpm • A Maj • 03:08 • -8.2db
17% Popularity • 73% Danceability • 76% Energy • 75% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 73% Danceability • 76% Energy • 75% Liveness
0% Instrumentalness • 94% Positiveness
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Chairmen Of The Board
Working on a Building of Love
111 bpm • F Maj • 02:56 • -8db
19% Popularity • 57% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 57% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Hot Chocolate
Confetti Day
108 bpm • E Maj • 04:39 • -7.07db
27% Popularity • 72% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 72% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Otis Redding
Tramp
107 bpm • F Maj • 03:01 • -12.11db
47% Popularity • 89% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 89% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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10cc
The Things We Do For Love
107 bpm • C# Maj • 03:27 • -9.84db
66% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
66% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Stevie Wonder
Boogie On Reggae Woman
107 bpm • C# Maj • 05:13 • -11.41db
43% Popularity • 88% Danceability • 71% Energy • 7% Liveness
7% Instrumentalness • 64% Positiveness
43% Popularity • 88% Danceability • 71% Energy • 7% Liveness
7% Instrumentalness • 64% Positiveness
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Four Tops
Bernadette
111 bpm • F# Maj • 03:01 • -8db
50% Popularity • 66% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 66% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 70% Positiveness
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George McCrae
I Can't Leave You Alone (I Keep Holdin' ...
111 bpm • C Maj • 03:10 • -10.3db
20% Popularity • 74% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 91% Positiveness
20% Popularity • 74% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 91% Positiveness
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Hot Chocolate
Cheri Babe
111 bpm • E Maj • 02:52 • -9.25db
23% Popularity • 77% Danceability • 69% Energy • 51% Liveness
53% Instrumentalness • 81% Positiveness
23% Popularity • 77% Danceability • 69% Energy • 51% Liveness
53% Instrumentalness • 81% Positiveness
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Joe Jackson
Another World
107 bpm • C Maj • 04:04 • -6.11db
33% Popularity • 68% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 68% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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The Pointer Sisters
Happiness
107 bpm • B min • 03:59 • -7.68db
43% Popularity • 63% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 63% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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10cc
Good Morning Judge
107 bpm • A Maj • 02:54 • -9.49db
51% Popularity • 74% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 74% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Gladys Knight & The Pips
Who Is She (And What Is She To You)
107 bpm • C# min • 04:13 • -15db
39% Popularity • 84% Danceability • 54% Energy • 6% Liveness
2% Instrumentalness • 78% Positiveness
39% Popularity • 84% Danceability • 54% Energy • 6% Liveness
2% Instrumentalness • 78% Positiveness
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George McCrae
Look at You
107 bpm • G# Maj • 04:59 • -9.27db
21% Popularity • 73% Danceability • 93% Energy • 5% Liveness
24% Instrumentalness • 97% Positiveness
21% Popularity • 73% Danceability • 93% Energy • 5% Liveness
24% Instrumentalness • 97% Positiveness
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Hot Chocolate
Runaway Girl
107 bpm • A Maj • 03:25 • -9.91db
16% Popularity • 71% Danceability • 57% Energy • 10% Liveness
60% Instrumentalness • 50% Positiveness
16% Popularity • 71% Danceability • 57% Energy • 10% Liveness
60% Instrumentalness • 50% Positiveness
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Little Sister
You're the One (Pts. 1 & 2)
111 bpm • F min • 05:25 • -8db
18% Popularity • 82% Danceability • 78% Energy • 15% Liveness
1% Instrumentalness • 85% Positiveness
18% Popularity • 82% Danceability • 78% Energy • 15% Liveness
1% Instrumentalness • 85% Positiveness
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Banbarra
Shack Up
112 bpm • A Maj • 02:59 • -9db
28% Popularity • 90% Danceability • 62% Energy • 6% Liveness
71% Instrumentalness • 96% Positiveness
28% Popularity • 90% Danceability • 62% Energy • 6% Liveness
71% Instrumentalness • 96% Positiveness
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Betty Harris
Mean Man
107 bpm • B Maj • 02:34 • -11.56db
17% Popularity • 76% Danceability • 50% Energy • 3% Liveness
14% Instrumentalness • 78% Positiveness
17% Popularity • 76% Danceability • 50% Energy • 3% Liveness
14% Instrumentalness • 78% Positiveness
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The Chi-Lites
Are You My Woman? (Tell Me So)
112 bpm • A min • 03:02 • -6.75db
41% Popularity • 72% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
41% Popularity • 72% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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The Flirtations
Nothing But A Heartache
112 bpm • G# Maj • 02:44 • -5db
46% Popularity • 49% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
46% Popularity • 49% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Hot Chocolate
Every 1's a Winner - Groove Mix
107 bpm • F min • 03:54 • -13.82db
39% Popularity • 72% Danceability • 54% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
39% Popularity • 72% Danceability • 54% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Otis Clay
Trying To Live My Life Without You
106 bpm • D# Maj • 02:53 • -7.02db
13% Popularity • 84% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 84% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Ian Dury
Dance Little Rude Boy
106 bpm • C Maj • 04:34 • -5.15db
33% Popularity • 67% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 67% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Jean Knight
Don't Talk About Jody
106 bpm • G# Maj • 02:43 • -10.97db
28% Popularity • 85% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
28% Popularity • 85% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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George McCrae
I Can't Leave You Alone
112 bpm • C Maj • 03:08 • -5.62db
24% Popularity • 73% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
24% Popularity • 73% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
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Bohannon
Take the Country to New York City
112 bpm • A Maj • 05:56 • -11.73db
29% Popularity • 74% Danceability • 81% Energy • 4% Liveness
13% Instrumentalness • 73% Positiveness
29% Popularity • 74% Danceability • 81% Energy • 4% Liveness
13% Instrumentalness • 73% Positiveness
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Hot Chocolate
Call the Police
106 bpm • D Maj • 03:58 • -7.78db
20% Popularity • 75% Danceability • 58% Energy • 39% Liveness
3% Instrumentalness • 85% Positiveness
20% Popularity • 75% Danceability • 58% Energy • 39% Liveness
3% Instrumentalness • 85% Positiveness
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Dyke & The Blazers
Let A Woman Be A Woman - Let A Man Be A ...
112 bpm • A min • 03:13 • -11.01db
48% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Har Mar Superstar
Prisoner
106 bpm • A min • 03:23 • -5.58db
38% Popularity • 60% Danceability • 87% Energy • 18% Liveness
37% Instrumentalness • 60% Positiveness
38% Popularity • 60% Danceability • 87% Energy • 18% Liveness
37% Instrumentalness • 60% Positiveness
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Gladys Knight & The Pips
I Heard It Through The Grapevine
112 bpm • F Maj • 02:45 • -11.79db
48% Popularity • 68% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 68% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Parliament
Give Up The Funk (Tear The Roof Off The ...
106 bpm • A Maj • 05:48 • -9.5db
60% Popularity • 72% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 72% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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The Emotions
Blind Alley
106 bpm • D min • 03:04 • -12db
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Hot Chocolate
Cicero Park
112 bpm • A min • 04:41 • -8db
11% Popularity • 62% Danceability • 74% Energy • 32% Liveness
9% Instrumentalness • 80% Positiveness
11% Popularity • 62% Danceability • 74% Energy • 32% Liveness
9% Instrumentalness • 80% Positiveness
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The Dramatics
Your Love Was Strange
106 bpm • C Maj • 03:04 • -9db
29% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Tony Joe White
Voodoo Village
105 bpm • D Maj • 03:06 • -9db
14% Popularity • 71% Danceability • 73% Energy • 16% Liveness
1% Instrumentalness • 67% Positiveness
14% Popularity • 71% Danceability • 73% Energy • 16% Liveness
1% Instrumentalness • 67% Positiveness
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Stevie Wonder
We Can Work It Out
105 bpm • G# Maj • 03:19 • -12db
57% Popularity • 61% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
57% Popularity • 61% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Candi Staton
Listen to the Music
113 bpm • D Maj • 03:44 • -12db
15% Popularity • 75% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 75% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Rufus Thomas
The Funky Bird
105 bpm • A min • 03:24 • -10.44db
26% Popularity • 78% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 78% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Hot Chocolate
Heaven Is in the Back Seat of My Cadilla...
112 bpm • D Maj • 05:09 • -6.87db
32% Popularity • 86% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 86% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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The Parliaments
(I Wanna) Testify (Mono Single Version)
105 bpm • A# Maj • 03:03 • -5.75db
24% Popularity • 67% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 67% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Warren Zevon
Nighttime in the Switching Yard
113 bpm • F min • 04:14 • -6.39db
17% Popularity • 79% Danceability • 90% Energy • 5% Liveness
9% Instrumentalness • 96% Positiveness
17% Popularity • 79% Danceability • 90% Energy • 5% Liveness
9% Instrumentalness • 96% Positiveness
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KC & The Sunshine Band
Sound Your Funky Horn
105 bpm • F# Maj • 03:03 • -5db
31% Popularity • 71% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 71% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 80% Positiveness
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Gill Scott
The Bottle
113 bpm • D Maj • 05:16 • -15.01db
45% Popularity • 81% Danceability • 50% Energy • 12% Liveness
7% Instrumentalness • 85% Positiveness
45% Popularity • 81% Danceability • 50% Energy • 12% Liveness
7% Instrumentalness • 85% Positiveness
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Bill Moss
Sock It to 'Em Soul Brother
113 bpm • D min • 02:26 • -7.18db
16% Popularity • 70% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 70% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Hot Chocolate
Heaven Is In the Back Seat of My Cadilla...
112 bpm • D Maj • 07:24 • -5.32db
17% Popularity • 81% Danceability • 91% Energy • 71% Liveness
29% Instrumentalness • 91% Positiveness
17% Popularity • 81% Danceability • 91% Energy • 71% Liveness
29% Instrumentalness • 91% Positiveness
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Eddie Floyd
Knock on Wood
105 bpm • E Maj • 03:09 • -12.92db
61% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
61% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Dr. John
Big Chief
113 bpm • G# Maj • 03:26 • -16db
34% Popularity • 74% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
34% Popularity • 74% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
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Mary Clark
Take Me I'm Yours
105 bpm • F min • 06:57 • -10db
41% Popularity • 67% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 67% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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The Chambers Brothers
All Strung Out Over You
105 bpm • G# min • 02:28 • -8db
22% Popularity • 65% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 65% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Gil Scott-Heron
Gun
105 bpm • D# Maj • 03:59 • -11db
49% Popularity • 82% Danceability • 49% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
49% Popularity • 82% Danceability • 49% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
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Hot Chocolate
Heaven Is in the Back Seat of My Cadilla...
112 bpm • D Maj • 04:00 • -6.18db
21% Popularity • 82% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 82% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Candi Staton
I'm Just a Prisoner (Of Your Good Lovin'...
113 bpm • A Maj • 03:12 • -15db
33% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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King Curtis
Memphis Soul Stew
113 bpm • B min • 02:59 • -10.81db
52% Popularity • 72% Danceability • 60% Energy • 11% Liveness
24% Instrumentalness • 89% Positiveness
52% Popularity • 72% Danceability • 60% Energy • 11% Liveness
24% Instrumentalness • 89% Positiveness
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Darondo
Qualified
105 bpm • G# Maj • 02:52 • -9db
39% Popularity • 80% Danceability • 65% Energy • 2% Liveness
14% Instrumentalness • 94% Positiveness
39% Popularity • 80% Danceability • 65% Energy • 2% Liveness
14% Instrumentalness • 94% Positiveness
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Bohannon
Disco Stomp
105 bpm • F Maj • 05:15 • -9db
25% Popularity • 87% Danceability • 79% Energy • 8% Liveness
35% Instrumentalness • 94% Positiveness
25% Popularity • 87% Danceability • 79% Energy • 8% Liveness
35% Instrumentalness • 94% Positiveness
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KC & The Sunshine Band
I'm Your Boogie Man
113 bpm • F min • 04:01 • -5.72db
56% Popularity • 76% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
56% Popularity • 76% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Hot Chocolate
You Sexy Thing
106 bpm • F Maj • 04:04 • -5.47db
75% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
75% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Warren Zevon
Nighttime in the Switching Yard
113 bpm • G# Maj • 04:19 • -6.66db
36% Popularity • 80% Danceability • 88% Energy • 4% Liveness
8% Instrumentalness • 96% Positiveness
36% Popularity • 80% Danceability • 88% Energy • 4% Liveness
8% Instrumentalness • 96% Positiveness
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10cc
Dreadlock Holiday
105 bpm • G min • 05:01 • -10db
45% Popularity • 80% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 80% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Clarence Carter
Slip Away
113 bpm • C# Maj • 02:33 • -9.1db
55% Popularity • 78% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 78% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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Darondo
Get up off Your Butt
114 bpm • D Maj • 06:16 • -9db
26% Popularity • 69% Danceability • 88% Energy • 22% Liveness
11% Instrumentalness • 57% Positiveness
26% Popularity • 69% Danceability • 88% Energy • 22% Liveness
11% Instrumentalness • 57% Positiveness
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George McCrae
You Can Have It All
105 bpm • G# Maj • 02:54 • -10db
45% Popularity • 42% Danceability • 84% Energy • 15% Liveness
3% Instrumentalness • 66% Positiveness
45% Popularity • 42% Danceability • 84% Energy • 15% Liveness
3% Instrumentalness • 66% Positiveness
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Hot Chocolate
Mindless Boogie - 2011 Remaster
112 bpm • A# Maj • 08:56 • -5.8db
16% Popularity • 77% Danceability • 73% Energy • 13% Liveness
19% Instrumentalness • 76% Positiveness
16% Popularity • 77% Danceability • 73% Energy • 13% Liveness
19% Instrumentalness • 76% Positiveness
