Songs like You Don't Want Me by Tassia Zappia
Based on a tempo of (+/- 10%) and a similar genre
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Kelsey Coleman
Break Mine
149 bpm • A# Maj • 02:51 • -5.67db
14% Popularity • 72% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 72% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Rupert Pope
My Oxygen
149 bpm • A min • 03:48 • -7.81db
24% Popularity • 60% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 60% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Tassia Zappia
You Don't Want Me
149 bpm • G min • 03:06 • -5.8db
38% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Enisa
Tears Hit The Ground
148 bpm • B min • 03:21 • -5.41db
27% Popularity • 50% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 50% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Kyndal Inskeep
Light Switch
150 bpm • D Maj • 03:21 • -10.57db
24% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Jessie Murph
I Would've
150 bpm • D Maj • 02:30 • -10db
65% Popularity • 60% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
65% Popularity • 60% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Jammes Nova
Bad Boy, Bad Girl
148 bpm • E min • 03:45 • -5db
31% Popularity • 61% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 61% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
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Ryan Wright
u were never mine
150 bpm • B min • 03:32 • -8.64db
28% Popularity • 66% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 66% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Zhavia
God Sent You
148 bpm • B min • 02:38 • -6db
35% Popularity • 76% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 76% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Bailey Bryan
play w/ me
148 bpm • F# Maj • 03:03 • -7db
42% Popularity • 74% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 74% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Malory
My Bed
150 bpm • F# min • 03:10 • -6.49db
17% Popularity • 41% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 41% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Faith Richards
Might Be Toxic
148 bpm • E min • 03:08 • -10.41db
17% Popularity • 31% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 31% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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JESSIA
Be Here Now
150 bpm • G# Maj • 02:33 • -11db
36% Popularity • 51% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 51% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Grey Zeigler
cigarettes in the morning
150 bpm • A# min • 02:46 • -7.37db
34% Popularity • 62% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 62% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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EZI
Need You Like That
148 bpm • B Maj • 03:29 • -6.28db
36% Popularity • 47% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 47% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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MOONZz
Falling Short
147 bpm • G Maj • 04:17 • -6db
25% Popularity • 46% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 46% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Nemahsis
what if i took it off for you?
151 bpm • F Maj • 02:16 • -8db
46% Popularity • 38% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 38% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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YAS
TUCKITIN
146 bpm • F min • 03:06 • -10.18db
22% Popularity • 55% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 55% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
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Raissa
CROWDED
152 bpm • A# Maj • 03:12 • -7.59db
22% Popularity • 50% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 50% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Roza
See Me Fly
152 bpm • F min • 02:56 • -11db
33% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Karl Michael
Monster / I Fall Apart
146 bpm • D min • 02:43 • -8.69db
29% Popularity • 80% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 80% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Rhea Raj
MVP
146 bpm • E min • 02:08 • -6.79db
47% Popularity • 67% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 67% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Talia Rose
Pretty Little Liars
146 bpm • F# min • 02:57 • -8.19db
18% Popularity • 52% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 52% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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The Spades
Alive
146 bpm • C Maj • 02:35 • -7.8db
21% Popularity • 54% Danceability • 48% Energy • 36% Liveness
70% Instrumentalness • 51% Positiveness
21% Popularity • 54% Danceability • 48% Energy • 36% Liveness
70% Instrumentalness • 51% Positiveness
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Shahrae
Awkward
152 bpm • A Maj • 03:22 • -8.23db
23% Popularity • 70% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 70% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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5 Alarm
I'll Stop When
146 bpm • A Maj • 03:27 • -10.39db
13% Popularity • 69% Danceability • 34% Energy • 11% Liveness
8% Instrumentalness • 44% Positiveness
13% Popularity • 69% Danceability • 34% Energy • 11% Liveness
8% Instrumentalness • 44% Positiveness
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BOBI ANDONOV
Faithful - Stripped
152 bpm • A# min • 03:27 • -5db
41% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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FLETCHER
Last Laugh
146 bpm • C# min • 02:42 • -5.85db
47% Popularity • 69% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 69% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Carly Rose
Highest Love
146 bpm • B min • 03:19 • -9.6db
28% Popularity • 34% Danceability • 20% Energy • 59% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 34% Danceability • 20% Energy • 59% Liveness
0% Instrumentalness • 20% Positiveness
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Kat Leon
Can't Get Enough
146 bpm • A min • 04:16 • -8.59db
32% Popularity • 49% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 49% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Bahari
Jackie Kennedy
145 bpm • C Maj • 03:24 • -11.83db
17% Popularity • 42% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 42% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Bishop Briggs
I STILL LOVE YOU
145 bpm • C Maj • 01:23 • -6db
36% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jessie Murph
When I'm Not Around
145 bpm • D# min • 03:21 • -11.03db
56% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
56% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Lola Young
Pill or a Lullaby - 4AM till sunrise
154 bpm • F# min • 03:51 • -4.93db
34% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jessie Reyez
SUGAR AT NIGHT
154 bpm • E min • 02:57 • -4.42db
38% Popularity • 44% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 44% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Imaginary After
Mad
154 bpm • A min • 03:16 • -8.54db
14% Popularity • 53% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 53% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Daktyl
Chaos Control
144 bpm • A# min • 03:42 • -12.05db
23% Popularity • 62% Danceability • 49% Energy • 34% Liveness
10% Instrumentalness • 30% Positiveness
23% Popularity • 62% Danceability • 49% Energy • 34% Liveness
10% Instrumentalness • 30% Positiveness
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Flowerbxmb.
Toym
144 bpm • E min • 02:56 • -6.75db
14% Popularity • 66% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 66% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Kimmie Devereux
Genie In a Bottle
144 bpm • F min • 03:35 • -9.22db
12% Popularity • 56% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 56% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Lillian Hepler
I Only Love You When I'm Sad
144 bpm • F min • 02:22 • -10.83db
32% Popularity • 82% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 82% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Molly Moore
Handsomer
144 bpm • B Maj • 02:15 • -8db
27% Popularity • 67% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 67% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Elley Duhé
GOOD DIE YOUNG
144 bpm • G# min • 02:42 • -7.26db
35% Popularity • 50% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
35% Popularity • 50% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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Lucy Cloud
Crash and Learn
144 bpm • G# Maj • 03:28 • -6.94db
17% Popularity • 57% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 57% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Morgan Saint
HELP
144 bpm • G# Maj • 02:45 • -6db
18% Popularity • 62% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 62% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Skye Emanuel
Heaven Is a Wasteland
144 bpm • C min • 03:40 • -10db
21% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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chloe mk
Cosmic
143 bpm • C# Maj • 03:00 • -6.87db
31% Popularity • 61% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 61% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Liv Grace Blue
Don't Need A Man
155 bpm • B Maj • 02:29 • -7.64db
46% Popularity • 60% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 60% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Arlissa
Rules
156 bpm • C# min • 03:13 • -4.88db
27% Popularity • 63% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 63% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Tassia Zappia
Sunshine
156 bpm • F min • 03:47 • -6.7db
4% Popularity • 61% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
4% Popularity • 61% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Zeina
Teach
142 bpm • A Maj • 02:55 • -7.08db
34% Popularity • 69% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 69% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Cyn
Drinks
142 bpm • C Maj • 02:30 • -6.73db
47% Popularity • 82% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 82% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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biz colletti
Triggered
142 bpm • B min • 03:16 • -9db
15% Popularity • 71% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 71% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Ashlynn Malia
open
141 bpm • C min • 03:32 • -14.69db
21% Popularity • 41% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 41% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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CORii
Walk Away
142 bpm • B min • 03:35 • -7.65db
16% Popularity • 54% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 54% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Hannah Grace
Wonderful Way
141 bpm • F Maj • 03:37 • -6.65db
27% Popularity • 45% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 45% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Vanacore Music
Don't Forget to Breathe
141 bpm • F Maj • 02:01 • -9.95db
31% Popularity • 60% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 31% Positiveness
31% Popularity • 60% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 31% Positiveness
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Black Red Gold
Are We In A Dream
158 bpm • A min • 02:27 • -11.48db
23% Popularity • 51% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 51% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Bailey Bryan
Dark In The Morning
141 bpm • C# Maj • 03:05 • -5.84db
21% Popularity • 76% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 76% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Joanna Jones as The Dame
Trouble Ahead
158 bpm • A min • 03:13 • -10.95db
36% Popularity • 53% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
36% Popularity • 53% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Jamie Fine
Hate Me Love Me
141 bpm • C# Maj • 02:34 • -8.82db
47% Popularity • 67% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 67% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Laplace
My Blood Runs Cold
158 bpm • G min • 03:20 • -11.98db
23% Popularity • 44% Danceability • 37% Energy • 10% Liveness
4% Instrumentalness • 12% Positiveness
23% Popularity • 44% Danceability • 37% Energy • 10% Liveness
4% Instrumentalness • 12% Positiveness
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Elira Roe
Loaded Gun
140 bpm • C min • 02:35 • -7db
19% Popularity • 50% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 50% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Noah Vela
I WANNA LIVE
140 bpm • A min • 03:06 • -12.41db
27% Popularity • 52% Danceability • 22% Energy • 40% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 52% Danceability • 22% Energy • 40% Liveness
0% Instrumentalness • 20% Positiveness
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Naomi August
Little Fires
140 bpm • C Maj • 03:41 • -5.63db
24% Popularity • 71% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 71% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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FLETCHER
Feel
140 bpm • F# Maj • 03:02 • -7.12db
45% Popularity • 45% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 45% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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CLAVVS
Slow Dive
140 bpm • A# min • 03:51 • -6.1db
40% Popularity • 71% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 71% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Grey Zeigler
what about now?
140 bpm • B Maj • 02:28 • -7.93db
14% Popularity • 83% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 83% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Sereda
Smoke with Me
140 bpm • F min • 02:22 • -7.24db
21% Popularity • 72% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 72% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Maty Noyes
Man Needs A Woman
140 bpm • A min • 03:51 • -8.83db
16% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Britton
do you even miss me at all?
140 bpm • F min • 04:12 • -8.5db
35% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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James Donald Davies
Pack of Lies
140 bpm • F# Maj • 03:06 • -6.05db
17% Popularity • 65% Danceability • 66% Energy • 13% Liveness
3% Instrumentalness • 25% Positiveness
17% Popularity • 65% Danceability • 66% Energy • 13% Liveness
3% Instrumentalness • 25% Positiveness
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Donzell Taggart
Flames
140 bpm • G# min • 02:41 • -6db
52% Popularity • 54% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 54% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Sofia Quinn
Anyway
140 bpm • B min • 02:33 • -5.92db
28% Popularity • 67% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 67% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Ruby Amanfu
All This Love
140 bpm • A Maj • 03:05 • -5db
23% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Simple Thieves
This Isn't Happening
140 bpm • G Maj • 03:10 • -15.06db
15% Popularity • 56% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 56% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Britton
Happy Being Me
140 bpm • F Maj • 03:03 • -11db
37% Popularity • 60% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 60% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Mariah Counts
Something Sexy
140 bpm • C# min • 03:15 • -6.91db
23% Popularity • 59% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 59% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sarah Jaffe
LAY LOW (TAKE CARE)
140 bpm • C min • 03:24 • -12.31db
29% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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The Knuckles
So Much to Say
140 bpm • F min • 03:26 • -7db
14% Popularity • 63% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 63% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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Empara Mi
No More
140 bpm • B Maj • 04:20 • -6.23db
21% Popularity • 36% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 36% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Kate Grahn
Greyhound
159 bpm • D Maj • 03:43 • -6.16db
13% Popularity • 43% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 43% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Britton
R U OK
139 bpm • B min • 03:40 • -10.69db
31% Popularity • 51% Danceability • 49% Energy • 58% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 51% Danceability • 49% Energy • 58% Liveness
0% Instrumentalness • 42% Positiveness
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Faith Richards
I'm Still Sorry
159 bpm • E min • 04:03 • -10.74db
13% Popularity • 57% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 57% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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D'Anna Stewart
Call on the Moon
160 bpm • F# Maj • 02:00 • -9db
14% Popularity • 54% Danceability • 51% Energy • 65% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 54% Danceability • 51% Energy • 65% Liveness
0% Instrumentalness • 57% Positiveness
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Dounia
Smoke & Slow Dance
139 bpm • C Maj • 02:05 • -11.09db
22% Popularity • 38% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 38% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Tate McRae
bad ones
139 bpm • F# Maj • 03:03 • -11.88db
57% Popularity • 69% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
57% Popularity • 69% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Jordan Max
Morning Sun
139 bpm • G Maj • 03:27 • -7.92db
20% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Britton
To My Younger Self
139 bpm • G# min • 02:52 • -10.38db
56% Popularity • 63% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 63% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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FLETCHER
Healing
160 bpm • D Maj • 03:07 • -7.25db
56% Popularity • 58% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 58% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Raphael Lake
Going Harder
160 bpm • F Maj • 03:27 • -7.69db
24% Popularity • 67% Danceability • 54% Energy • 12% Liveness
9% Instrumentalness • 52% Positiveness
24% Popularity • 67% Danceability • 54% Energy • 12% Liveness
9% Instrumentalness • 52% Positiveness
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Daya
What If I Told You
160 bpm • D min • 02:48 • -8db
34% Popularity • 49% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 49% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Faith Richards
Before We're Leaving Here
139 bpm • F Maj • 03:40 • -12.16db
29% Popularity • 34% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 34% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Julian Daniel
Distance
160 bpm • F Maj • 02:54 • -5.47db
23% Popularity • 56% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 56% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Grey Zeigler
Hey Angel
138 bpm • C min • 03:28 • -7.59db
23% Popularity • 67% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 67% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Bishop Briggs
Dark Side
138 bpm • A Maj • 03:28 • -5.98db
56% Popularity • 71% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
56% Popularity • 71% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Hemi Moore
When
138 bpm • E min • 02:38 • -11.48db
18% Popularity • 55% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 55% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Sophie Ann
Masochist
137 bpm • C min • 02:34 • -10.5db
29% Popularity • 42% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 42% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Izzy Warner
Won't Catch Me Falling
162 bpm • C Maj • 03:30 • -8.79db
27% Popularity • 57% Danceability • 44% Energy • 11% Liveness
10% Instrumentalness • 14% Positiveness
27% Popularity • 57% Danceability • 44% Energy • 11% Liveness
10% Instrumentalness • 14% Positiveness
