Songs like You Got By by Sara Gazarek
Based on a tempo of (+/- 10%) and a similar genre
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Sara Gazarek
Amazing
90 bpm • D Maj • 05:11 • -12.46db
10% Popularity • 54% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 54% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Tierney Sutton
You're Nearer
90 bpm • D# Maj • 03:12 • -22.01db
14% Popularity • 43% Danceability • 3% Energy • 11% Liveness
48% Instrumentalness • 15% Positiveness
14% Popularity • 43% Danceability • 3% Energy • 11% Liveness
48% Instrumentalness • 15% Positiveness
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Luciana Souza
Down To You
90 bpm • E min • 05:02 • -12.85db
9% Popularity • 57% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 57% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Katharine McPhee
Night and Day
90 bpm • A Maj • 05:08 • -15.21db
29% Popularity • 49% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 49% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Lina Nyberg
Trial
90 bpm • G Maj • 05:40 • -18db
22% Popularity • 35% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 35% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Lisa Lovbrand
Light My Fire
91 bpm • G# Maj • 05:01 • -10.66db
23% Popularity • 71% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 71% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Sara Gazarek
You Got By
90 bpm • A# Maj • 04:27 • -11.52db
14% Popularity • 54% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 54% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Nnenna Freelon
The Very Thought of You
91 bpm • D# Maj • 06:01 • -16.03db
40% Popularity • 42% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 42% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Susannah McCorkle
I Don't Want To Set The World On Fire
89 bpm • A# min • 03:27 • -14db
31% Popularity • 75% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 75% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Sophie Milman
50 Ways To Leave Your Lover
89 bpm • F min • 04:37 • -11.68db
33% Popularity • 37% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 37% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Connie Lansberg
What'll I Do
91 bpm • A# Maj • 04:05 • -14db
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Rebecca Ferguson
Embraceable You
88 bpm • D# Maj • 03:36 • -8.8db
26% Popularity • 26% Danceability • 30% Energy • 29% Liveness
1% Instrumentalness • 14% Positiveness
26% Popularity • 26% Danceability • 30% Energy • 29% Liveness
1% Instrumentalness • 14% Positiveness
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Sara Gazarek
So This Is Love
90 bpm • C# Maj • 04:14 • -14.7db
5% Popularity • 64% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
5% Popularity • 64% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Carin Lundin
Tribute to Miss A
88 bpm • G# Maj • 03:10 • -14.05db
22% Popularity • 55% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 55% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
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Cécile McLorin Salvant
Monday
88 bpm • F min • 02:01 • -15.47db
41% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
41% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Ellen Andersson
Once Upon a Summertime
88 bpm • B Maj • 04:39 • -16.83db
32% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Tony DeSare
Just One of Those Things
88 bpm • D Maj • 03:17 • -8.74db
37% Popularity • 72% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 72% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Sophie Milman
So Long, You Fool
92 bpm • G Maj • 03:04 • -10db
26% Popularity • 61% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 61% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Sara Gazarek
All or Nothing At All
89 bpm • F Maj • 06:53 • -11.15db
9% Popularity • 40% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 40% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
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Nnenna Freelon
Another Star
92 bpm • A min • 03:44 • -10.25db
11% Popularity • 51% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 51% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Ruth Cameron
The Night We Called It A Day - Live
87 bpm • G min • 03:07 • -21.87db
14% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Sachal Vasandani
Love Is a Losing Game
87 bpm • G# Maj • 03:46 • -11.47db
16% Popularity • 51% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 51% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Kandace Springs
Place To Hide
93 bpm • A Maj • 03:44 • -9.49db
48% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Veronica Mortensen
Beyond The Rainbow
87 bpm • A# min • 03:43 • -10.84db
11% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Sara Gazarek
Dear Someone
89 bpm • A# Maj • 03:30 • -14.82db
25% Popularity • 42% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 42% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Shelby Lynne
The Look Of Love
87 bpm • C Maj • 03:21 • -16db
47% Popularity • 84% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
47% Popularity • 84% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
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Hailey Tuck
Polkadots & Moonbeams
87 bpm • A# Maj • 05:06 • -11.12db
47% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Triosence
Let It In
93 bpm • G Maj • 04:22 • -9db
9% Popularity • 45% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 45% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Viktoria Tolstoy
The Book of Love
93 bpm • G# Maj • 03:14 • -12.9db
21% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Heather Rigdon
Sunday Morning With You
87 bpm • G# Maj • 03:02 • -10.34db
55% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Sara Gazarek
Hallelujah
92 bpm • E min • 05:35 • -12db
32% Popularity • 43% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 43% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kevin Mahogany
Nature Boy
93 bpm • F min • 06:01 • -11db
15% Popularity • 45% Danceability • 42% Energy • 19% Liveness
1% Instrumentalness • 49% Positiveness
15% Popularity • 45% Danceability • 42% Energy • 19% Liveness
1% Instrumentalness • 49% Positiveness
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Cécile Verny Quartet
The Bitter And The Sweet
93 bpm • C min • 05:51 • -8.85db
19% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Susannah McCorkle
Manhã de Carnaval (Sunrise)
93 bpm • F Maj • 04:48 • -21.02db
33% Popularity • 53% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
33% Popularity • 53% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Nnenna Freelon
Creepin'
94 bpm • G min • 05:02 • -13.22db
9% Popularity • 69% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 69% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Bria Skonberg
Sway
94 bpm • A min • 03:15 • -13db
32% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Sara Gazarek
Blossom & Bee
92 bpm • A# min • 03:36 • -13.26db
18% Popularity • 53% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 53% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Kevin Mahogany
How Did She Look?
93 bpm • C min • 04:06 • -17.94db
11% Popularity • 43% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 43% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Rigmor Gustafsson
Close to You
94 bpm • C# Maj • 04:03 • -15.55db
41% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Lisa Bassenge
Still Crazy After All These Years
94 bpm • G Maj • 03:37 • -11.47db
45% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
45% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Nnenna Freelon
Superstition
94 bpm • D Maj • 05:28 • -9.14db
12% Popularity • 73% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 73% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Laverne Butler
Go Away Little Boy
94 bpm • G Maj • 05:12 • -17db
10% Popularity • 45% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 45% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Sara Gazarek
I'm Not the Only One
88 bpm • G Maj • 04:46 • -10.7db
6% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
6% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Joe Sample
All Night Long
94 bpm • F min • 05:20 • -12.15db
21% Popularity • 60% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 60% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Friend 'N Fellow
Me & Mrs. Jones
86 bpm • C Maj • 03:56 • -12.39db
19% Popularity • 78% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 78% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Vanessa Rubin
It's Probably Me
95 bpm • A min • 05:10 • -14db
24% Popularity • 53% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 53% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Nnenna Freelon
Overjoyed
85 bpm • C Maj • 04:45 • -10db
29% Popularity • 49% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 49% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Clare Teal
The Way You Look Tonight
95 bpm • F Maj • 04:14 • -8.99db
19% Popularity • 60% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 60% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Sara Gazarek
Fly Away Birdie
88 bpm • A# Maj • 04:31 • -18db
13% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Sachal Vasandani
That's All
85 bpm • C# min • 04:11 • -11db
20% Popularity • 60% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 60% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Tok Tok Tok
Crime Of Crimes*
95 bpm • C# Maj • 05:29 • -19.94db
9% Popularity • 62% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 62% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Susannah McCorkle
P'rá Machucar Meu Coração (The Day We...
96 bpm • C# Maj • 06:10 • -18.36db
14% Popularity • 55% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 55% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Lisa Lovbrand
When I Fall in Love
96 bpm • G# min • 03:35 • -14.05db
25% Popularity • 52% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 52% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Rebekka Bakken
I Can't Wait To Get Off Work
85 bpm • B min • 03:45 • -11.97db
22% Popularity • 56% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 56% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Sara Gazarek
Mood Indigo
88 bpm • A# Maj • 03:58 • -16.31db
11% Popularity • 52% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 52% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Laverne Butler
Please Send Me Someone to Love
96 bpm • C min • 04:29 • -13db
11% Popularity • 56% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 56% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Nnenna Freelon
Cell Phone Blues
96 bpm • G Maj • 04:38 • -13.17db
11% Popularity • 75% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 75% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Suss von Ahn
What a Difference a Day Made
96 bpm • C min • 02:49 • -10db
31% Popularity • 75% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 75% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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Virginie Teychené
Don't Get Scared
96 bpm • F min • 03:36 • -11.86db
16% Popularity • 70% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 70% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Triosence
Morning Star
96 bpm • C Maj • 03:16 • -8.59db
17% Popularity • 72% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 72% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Sara Gazarek
The Lies of Handsome Men
93 bpm • A# Maj • 05:36 • -19.42db
6% Popularity • 46% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
6% Popularity • 46% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Emma Smith
Makin' Whoopee
96 bpm • F min • 04:24 • -16db
41% Popularity • 48% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 48% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Povo
Perfect Day
96 bpm • F min • 03:38 • -10.44db
31% Popularity • 55% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 55% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Cassandre McKinley
Plain Gold Ring
96 bpm • F min • 04:27 • -15db
11% Popularity • 61% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 61% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Karen Rosenberg
Behind Me
96 bpm • D min • 06:20 • -14db
40% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Sophie Milman
Like Someone In Love
84 bpm • F Maj • 03:30 • -7.49db
36% Popularity • 48% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 48% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Sara Gazarek
Circle Game
93 bpm • C# Maj • 05:07 • -14db
13% Popularity • 49% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 49% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Sinne Eeg
Spring Waltz
84 bpm • A# Maj • 03:26 • -16db
22% Popularity • 48% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 48% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Johanna Linnea Jakobsson
Bewitched, Bothered and Bewildered
97 bpm • F Maj • 06:43 • -16.95db
36% Popularity • 48% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 48% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Heather Rigdon
Gravity For Grace
97 bpm • G# min • 03:56 • -13.25db
48% Popularity • 43% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 43% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Malene Mortensen
Another Day
83 bpm • G min • 04:09 • -13db
38% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Katrine Madsen
You Are So Beautiful to Me
97 bpm • C# Maj • 04:33 • -19.5db
29% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Sara Gazarek
O Pato
97 bpm • B min • 03:27 • -12.69db
12% Popularity • 61% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 61% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Nnenna Freelon
My Cherie Amour
97 bpm • A Maj • 03:48 • -10.96db
18% Popularity • 66% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
18% Popularity • 66% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
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Triosence
You'll See You
98 bpm • B Maj • 06:27 • -10.24db
4% Popularity • 65% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
4% Popularity • 65% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Ann Hampton Callaway
A Kiss To Build A Dream On
98 bpm • G Maj • 03:05 • -12db
47% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Kevin Mahogany
Pretty Blue
83 bpm • D min • 03:57 • -14db
39% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Ida Sand
One for My Baby
98 bpm • F# Maj • 03:49 • -9.68db
39% Popularity • 68% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 68% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Jacqui Naylor
Summertime
98 bpm • A min • 03:23 • -9.15db
13% Popularity • 65% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 65% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Sachal Vasandani
I Was Just One More For You
98 bpm • A# min • 03:59 • -10.58db
18% Popularity • 69% Danceability • 45% Energy • 9% Liveness
40% Instrumentalness • 69% Positiveness
18% Popularity • 69% Danceability • 45% Energy • 9% Liveness
40% Instrumentalness • 69% Positiveness
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Lisa Bassenge
Three Cigarettes in an Ashtray
83 bpm • F Maj • 03:07 • -11db
52% Popularity • 45% Danceability • 10% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
52% Popularity • 45% Danceability • 10% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
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Viktoria Tolstoy
The Streets of Berlin
83 bpm • D min • 04:53 • -16.74db
35% Popularity • 45% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 45% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Hilary Kole
Deed I Do
82 bpm • A min • 03:34 • -9.43db
10% Popularity • 62% Danceability • 43% Energy • 28% Liveness
1% Instrumentalness • 71% Positiveness
10% Popularity • 62% Danceability • 43% Energy • 28% Liveness
1% Instrumentalness • 71% Positiveness
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Sophie Milman
Triste
83 bpm • C min • 03:25 • -11.46db
21% Popularity • 46% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 46% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Suss von Ahn
Alone Again, Naturally
82 bpm • G min • 03:07 • -10db
42% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Heather Rigdon
Everything to Me
82 bpm • G min • 04:05 • -13.14db
42% Popularity • 37% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 37% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Sachal Vasandani
Naked As We Came
82 bpm • F Maj • 04:36 • -13.88db
10% Popularity • 63% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 45% Positiveness
10% Popularity • 63% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 45% Positiveness
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Kandace Springs
Soul Eyes
99 bpm • F min • 03:22 • -9.94db
38% Popularity • 37% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 37% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Gabrielle Stravelli
Dream Dancing
99 bpm • F Maj • 03:50 • -12db
17% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Rebecca Ferguson
Blue Moon
99 bpm • C Maj • 02:50 • -10.43db
33% Popularity • 42% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 42% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Sinne Eeg
Strawberry Fields Forever
82 bpm • E Maj • 05:32 • -10.08db
21% Popularity • 25% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 25% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Ann Hampton Callaway
Blusette
99 bpm • G# Maj • 03:37 • -12.09db
18% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Clare Teal
California Dreamin'
82 bpm • A min • 04:11 • -14.68db
34% Popularity • 38% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 38% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Tierney Sutton
Answer Me My Love
82 bpm • G Maj • 03:45 • -16.57db
19% Popularity • 42% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
19% Popularity • 42% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
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Ilona Knopfler
Alfie
82 bpm • G Maj • 06:40 • -17db
11% Popularity • 36% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 36% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Kandace Springs
Devil May Care
99 bpm • A Maj • 02:59 • -9.59db
29% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jacqui Naylor
Back to Black
81 bpm • C# min • 03:18 • -8.1db
22% Popularity • 66% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 66% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 36% Positiveness
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Ann Hampton Callaway
Will You Love Me Tomorrow?
82 bpm • C Maj • 06:51 • -14db
15% Popularity • 33% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 33% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
