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You Had Your Soul With You
Songs like
You Had Your Soul With You
by
The National
Based on a tempo of (+/- 10%) and a similar genre
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Calexico
Father Mountain
154 bpm • F# Maj • 02:54 • -9.01db
34% Popularity • 44% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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The War On Drugs
Burning
155 bpm • A Maj • 05:48 • -8db
50% Popularity • 39% Danceability • 86% Energy • 10% Liveness
35% Instrumentalness • 33% Positiveness
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The National
You Had Your Soul With You
154 bpm • F Maj • 03:26 • -5.82db
40% Popularity • 52% Danceability • 78% Energy • 9% Liveness
10% Instrumentalness • 28% Positiveness
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Frightened Rabbit
Good Arms vs Bad Arms
153 bpm • A# Maj • 05:08 • -5.86db
16% Popularity • 36% Danceability • 80% Energy • 28% Liveness
1% Instrumentalness • 20% Positiveness
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EL VY
No Time to Crank the Sun
155 bpm • C# Maj • 05:12 • -9db
31% Popularity • 53% Danceability • 51% Energy • 30% Liveness
2% Instrumentalness • 56% Positiveness
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The Hold Steady
Denver Haircut
152 bpm • E Maj • 03:01 • -4.29db
24% Popularity • 22% Danceability • 91% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
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Death Cab for Cutie
Summer Years
152 bpm • B min • 04:28 • -6.09db
38% Popularity • 56% Danceability • 90% Energy • 11% Liveness
36% Instrumentalness • 85% Positiveness
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Telekinesis
Set a Course
156 bpm • E Maj • 03:38 • -9.61db
10% Popularity • 50% Danceability • 39% Energy • 21% Liveness
5% Instrumentalness • 19% Positiveness
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The National
Roman Holiday
155 bpm • F# min • 03:34 • -10.96db
35% Popularity • 53% Danceability • 46% Energy • 21% Liveness
38% Instrumentalness • 38% Positiveness
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Metric
Risk - Radio Edit
156 bpm • F# min • 04:37 • -4.68db
21% Popularity • 52% Danceability • 92% Energy • 31% Liveness
2% Instrumentalness • 53% Positiveness
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Broken Social Scene
Can't Find My Heart
156 bpm • E Maj • 05:09 • -4.85db
25% Popularity • 40% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 11% Positiveness
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LCD Soundsystem
call the police
151 bpm • D Maj • 06:58 • -6.48db
41% Popularity • 38% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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The Districts
Velour and Velcro
157 bpm • A# Maj • 03:10 • -6.14db
20% Popularity • 46% Danceability • 92% Energy • 26% Liveness
72% Instrumentalness • 37% Positiveness
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Matt Berninger
Walking on a String
151 bpm • B Maj • 04:09 • -11db
41% Popularity • 59% Danceability • 42% Energy • 7% Liveness
24% Instrumentalness • 47% Positiveness
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The National
Bloodbuzz Ohio
157 bpm • A Maj • 04:35 • -6.37db
56% Popularity • 40% Danceability • 84% Energy • 10% Liveness
18% Instrumentalness • 69% Positiveness
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Father John Misty
Total Entertainment Forever
158 bpm • G min • 02:53 • -5.88db
41% Popularity • 36% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Bright Eyes
Mariana Trench
158 bpm • A Maj • 03:41 • -8.19db
33% Popularity • 57% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Spoon
WhisperI'lllistentohearit
158 bpm • F min • 04:20 • -7db
35% Popularity • 28% Danceability • 66% Energy • 33% Liveness
2% Instrumentalness • 26% Positiveness
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The War On Drugs
Nothing to Find
158 bpm • C Maj • 06:10 • -5db
47% Popularity • 33% Danceability • 92% Energy • 27% Liveness
13% Instrumentalness • 63% Positiveness
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Taylor Swift
Florida!!!
150 bpm • C Maj • 03:35 • -7.1db
80% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Ride
Future Love
150 bpm • A# Maj • 03:38 • -4db
28% Popularity • 40% Danceability • 91% Energy • 12% Liveness
14% Instrumentalness • 54% Positiveness
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The National
Slow Show
150 bpm • E Maj • 04:08 • -8.39db
52% Popularity • 57% Danceability • 70% Energy • 15% Liveness
86% Instrumentalness • 51% Positiveness
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The Flaming Lips
The Castle
150 bpm • D Maj • 04:50 • -9db
16% Popularity • 48% Danceability • 68% Energy • 7% Liveness
41% Instrumentalness • 36% Positiveness
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Vampire Weekend
Big Blue
150 bpm • G Maj • 01:48 • -9.65db
49% Popularity • 69% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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The War On Drugs
Holding On
150 bpm • F# Maj • 05:50 • -5.03db
55% Popularity • 44% Danceability • 94% Energy • 5% Liveness
1% Instrumentalness • 69% Positiveness
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Frightened Rabbit
The Woodpile
150 bpm • D Maj • 03:27 • -4.62db
47% Popularity • 35% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Family of the Year
The Coast
150 bpm • B Maj • 04:58 • -6.62db
11% Popularity • 46% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Ben Howard
There's Your Man
150 bpm • E min • 04:38 • -7.44db
38% Popularity • 60% Danceability • 83% Energy • 6% Liveness
12% Instrumentalness • 64% Positiveness
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The National
Demons
150 bpm • E min • 03:31 • -6.33db
46% Popularity • 54% Danceability • 77% Energy • 8% Liveness
86% Instrumentalness • 42% Positiveness
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Bill Ryder-Jones
Mither
159 bpm • A Maj • 06:08 • -7.64db
21% Popularity • 19% Danceability • 66% Energy • 20% Liveness
53% Instrumentalness • 21% Positiveness
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White Lies
Finish Line
149 bpm • E Maj • 04:45 • -6db
30% Popularity • 42% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Doves
The Cedar Room
159 bpm • B min • 07:38 • -7.46db
38% Popularity • 33% Danceability • 79% Energy • 8% Liveness
50% Instrumentalness • 8% Positiveness
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Vampire Weekend
Bambina
149 bpm • D Maj • 01:42 • -6db
54% Popularity • 51% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Taylor Swift
Down Bad
160 bpm • B Maj • 04:21 • -10.38db
81% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The National
Abel
159 bpm • C Maj • 03:37 • -3.87db
38% Popularity • 34% Danceability • 94% Energy • 8% Liveness
26% Instrumentalness • 41% Positiveness
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Damien Jurado
Percy Faith
160 bpm • B Maj • 02:57 • -7db
29% Popularity • 53% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Bill Ryder-Jones
And Then There's You
160 bpm • A# Maj • 04:35 • -9.48db
22% Popularity • 54% Danceability • 45% Energy • 13% Liveness
30% Instrumentalness • 31% Positiveness
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Wye Oak
It Was Not Natural
160 bpm • D min • 04:05 • -6.96db
24% Popularity • 47% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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The New Pornographers
You’ll Need A Backseat Driver
160 bpm • F Maj • 04:14 • -5.59db
22% Popularity • 39% Danceability • 78% Energy • 27% Liveness
2% Instrumentalness • 50% Positiveness
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Taylor Swift
So Long, London
160 bpm • A Maj • 04:22 • -11.42db
81% Popularity • 47% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
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Modest Mouse
Ice Cream Party
160 bpm • G Maj • 06:10 • -4.76db
26% Popularity • 47% Danceability • 70% Energy • 34% Liveness
41% Instrumentalness • 42% Positiveness
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Ben Howard
Nica Libres At Dusk
148 bpm • A Maj • 06:34 • -12.79db
46% Popularity • 45% Danceability • 43% Energy • 10% Liveness
39% Instrumentalness • 36% Positiveness
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Frightened Rabbit
I Feel Better
148 bpm • D Maj • 02:52 • -3db
14% Popularity • 40% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Broken Social Scene
Protest Song
148 bpm • C# min • 04:18 • -4.55db
25% Popularity • 48% Danceability • 91% Energy • 20% Liveness
84% Instrumentalness • 32% Positiveness
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The New Pornographers
One Kind Of Solomon
148 bpm • A Maj • 03:55 • -5.98db
17% Popularity • 49% Danceability • 82% Energy • 24% Liveness
29% Instrumentalness • 67% Positiveness
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The National
Day I Die
148 bpm • D Maj • 04:31 • -5db
47% Popularity • 43% Danceability • 95% Energy • 8% Liveness
74% Instrumentalness • 39% Positiveness
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Real Estate
Horizon
161 bpm • G Maj • 03:11 • -7.02db
41% Popularity • 48% Danceability • 72% Energy • 14% Liveness
13% Instrumentalness • 79% Positiveness
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Big Thief
UFOF
147 bpm • A# min • 03:08 • -9db
51% Popularity • 62% Danceability • 61% Energy • 14% Liveness
57% Instrumentalness • 74% Positiveness
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The War On Drugs
Red Eyes
162 bpm • A# Maj • 04:58 • -6.37db
67% Popularity • 46% Danceability • 81% Energy • 16% Liveness
20% Instrumentalness • 47% Positiveness
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E.B. The Younger
Used to Be
162 bpm • G Maj • 04:30 • -7.63db
12% Popularity • 48% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Ben Howard
A Boat To An Island On The Wall
146 bpm • F Maj • 07:10 • -9.06db
38% Popularity • 49% Danceability • 50% Energy • 11% Liveness
82% Instrumentalness • 33% Positiveness
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Volcano Choir
Comrade
146 bpm • G Maj • 04:34 • -8.96db
42% Popularity • 51% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
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Bon Iver
Salem
162 bpm • G# Maj • 03:44 • -11db
42% Popularity • 57% Danceability • 48% Energy • 17% Liveness
6% Instrumentalness • 14% Positiveness
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The National
Mr. November
146 bpm • G Maj • 04:00 • -4.19db
47% Popularity • 42% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Josh Rouse
Salton Sea
146 bpm • B min • 03:58 • -7db
28% Popularity • 69% Danceability • 80% Energy • 15% Liveness
5% Instrumentalness • 79% Positiveness
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Jade Bird
Side Effects
146 bpm • G Maj • 03:11 • -3.25db
31% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Wilco
Everyone Hides
146 bpm • D Maj • 02:59 • -8.1db
31% Popularity • 73% Danceability • 89% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
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Steve Mason
About the Light
146 bpm • E Maj • 04:26 • -5.1db
12% Popularity • 53% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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One True Pairing
I'm Not Afraid
163 bpm • C Maj • 03:38 • -9.12db
8% Popularity • 64% Danceability • 72% Energy • 11% Liveness
10% Instrumentalness • 79% Positiveness
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The National
Sea of Love
146 bpm • C Maj • 03:41 • -6.3db
46% Popularity • 46% Danceability • 82% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Bon Iver
Hey, Ma
144 bpm • C Maj • 03:36 • -10.96db
60% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Frightened Rabbit
Keep Yourself Warm
165 bpm • G Maj • 05:35 • -5db
24% Popularity • 18% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Wilco
Love Is Everywhere (Beware)
144 bpm • G Maj • 03:33 • -9.44db
53% Popularity • 31% Danceability • 52% Energy • 10% Liveness
45% Instrumentalness • 51% Positiveness
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Snow Patrol
Life On Earth
144 bpm • C# min • 05:22 • -9.02db
45% Popularity • 61% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Manchester Orchestra
The Alien
165 bpm • F# Maj • 05:28 • -12.92db
47% Popularity • 46% Danceability • 33% Energy • 11% Liveness
25% Instrumentalness • 33% Positiveness
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The National
I'll Still Destroy You
145 bpm • C# Maj • 05:15 • -7.49db
37% Popularity • 54% Danceability • 84% Energy • 10% Liveness
79% Instrumentalness • 26% Positiveness
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These New Puritans
Where The Trees Are On Fire
143 bpm • C min • 04:39 • -8.88db
12% Popularity • 17% Danceability • 39% Energy • 15% Liveness
7% Instrumentalness • 4% Positiveness
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Foxygen
Livin' a Lie
143 bpm • D min • 04:02 • -9db
20% Popularity • 37% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Frightened Rabbit
Rained On
166 bpm • G# Maj • 04:47 • -6.93db
22% Popularity • 30% Danceability • 76% Energy • 28% Liveness
2% Instrumentalness • 23% Positiveness
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The Decemberists
Down On The Knuckle
166 bpm • G Maj • 03:57 • -5.33db
20% Popularity • 44% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Father John Misty
God's Favorite Customer
143 bpm • G Maj • 05:21 • -10.35db
37% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The National
Rylan
144 bpm • B Maj • 03:43 • -5.57db
48% Popularity • 61% Danceability • 79% Energy • 4% Liveness
8% Instrumentalness • 72% Positiveness
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Clap Your Hands Say Yeah
The Vanity of Trying
166 bpm • F# min • 04:43 • -4.59db
13% Popularity • 35% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
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Broken Social Scene
Halfway Home
143 bpm • G Maj • 04:41 • -3.54db
27% Popularity • 43% Danceability • 95% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
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Interpol
If You Really Love Nothing - Reimagined ...
142 bpm • G# min • 04:27 • -11.19db
20% Popularity • 29% Danceability • 52% Energy • 46% Liveness
66% Instrumentalness • 13% Positiveness
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Bon Iver
Holyfields,
142 bpm • F# Maj • 03:07 • -11.9db
41% Popularity • 56% Danceability • 42% Energy • 15% Liveness
10% Instrumentalness • 32% Positiveness
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The War On Drugs
An Ocean In Between The Waves
167 bpm • F Maj • 07:11 • -7db
53% Popularity • 46% Danceability • 83% Energy • 50% Liveness
42% Instrumentalness • 81% Positiveness
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Local Natives
When Am I Gonna Lose You
142 bpm • B Maj • 04:24 • -4.66db
59% Popularity • 45% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Ten Fé
Won't Happen
142 bpm • F Maj • 04:07 • -5db
32% Popularity • 65% Danceability • 78% Energy • 38% Liveness
14% Instrumentalness • 72% Positiveness
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White Lies
Believe It
142 bpm • G# Maj • 03:29 • -5.1db
33% Popularity • 53% Danceability • 93% Energy • 35% Liveness
2% Instrumentalness • 30% Positiveness
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The Radio Dept.
Your True Name
142 bpm • G# Maj • 04:05 • -9.93db
28% Popularity • 57% Danceability • 84% Energy • 13% Liveness
64% Instrumentalness • 26% Positiveness
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The National
Apartment Story
142 bpm • B Maj • 03:32 • -5.49db
44% Popularity • 55% Danceability • 84% Energy • 9% Liveness
76% Instrumentalness • 79% Positiveness
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Peter Bjorn and John
Rusty Nail
142 bpm • A min • 03:05 • -6.41db
21% Popularity • 73% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Band of Horses
No One's Gonna Love You (Stockholm Versi...
142 bpm • C# Maj • 03:48 • -8.56db
48% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Big Red Machine
Air Stryp
142 bpm • C Maj • 02:03 • -9.81db
25% Popularity • 32% Danceability • 70% Energy • 11% Liveness
25% Instrumentalness • 35% Positiveness
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Father John Misty
Hangout at the Gallows
142 bpm • G Maj • 04:55 • -6.54db
38% Popularity • 53% Danceability • 63% Energy • 41% Liveness
0% Instrumentalness • 61% Positiveness
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Foals
Black Bull
141 bpm • G Maj • 03:07 • -2.74db
43% Popularity • 47% Danceability • 99% Energy • 10% Liveness
54% Instrumentalness • 12% Positiveness
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The National
Humiliation
168 bpm • F min • 05:00 • -8.6db
43% Popularity • 47% Danceability • 70% Energy • 26% Liveness
24% Instrumentalness • 45% Positiveness
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The Dodos
The Surface
168 bpm • C# Maj • 04:07 • -8.68db
11% Popularity • 62% Danceability • 80% Energy • 9% Liveness
7% Instrumentalness • 45% Positiveness
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The Pains Of Being Pure At Heart
Free Fallin
169 bpm • F Maj • 04:40 • -7.33db
13% Popularity • 42% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Bright Eyes
Persona Non Grata
141 bpm • D Maj • 03:32 • -7.3db
36% Popularity • 51% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Big Thief
Not
140 bpm • B Maj • 06:07 • -6.57db
50% Popularity • 42% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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SOAK
Bloodbuzz Ohio
140 bpm • F# Maj • 04:39 • -8.17db
27% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Local Natives
Nova
140 bpm • G# min • 03:25 • -8.38db
29% Popularity • 46% Danceability • 53% Energy • 26% Liveness
1% Instrumentalness • 29% Positiveness
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Bear's Den
Hiding Bottles
140 bpm • D Maj • 04:05 • -6.68db
27% Popularity • 52% Danceability • 74% Energy • 10% Liveness
66% Instrumentalness • 41% Positiveness
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Band of Horses
In A Drawer
140 bpm • F# Maj • 03:58 • -6.82db
43% Popularity • 57% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Volcano Choir
Byegone
140 bpm • C Maj • 04:22 • -10db
47% Popularity • 50% Danceability • 35% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
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Big Thief
Not - Edit
140 bpm • B Maj • 04:09 • -15.24db
28% Popularity • 54% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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The National
This is the Last Time
140 bpm • C min • 04:43 • -10db
54% Popularity • 50% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 13% Positiveness
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Strand of Oaks
Hyperspace Blues
140 bpm • C Maj • 03:10 • -5.81db
15% Popularity • 44% Danceability • 92% Energy • 14% Liveness
3% Instrumentalness • 69% Positiveness
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You Had Your Soul With You