Songs like You Know How to Love Me by Phyllis Hyman
Based on a tempo of (+/- 10%) and a similar genre
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Phyllis Hyman
You Know How to Love Me - 7" Version
116 bpm • F# min • 03:46 • -11db
40% Popularity • 83% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 83% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Kashif
I Just Gotta Have You (Lover Turn Me On)
116 bpm • F min • 05:48 • -13db
40% Popularity • 89% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 89% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Ashford & Simpson
It Seems To Hang On - 12" Disco Mix
116 bpm • B min • 07:00 • -7.09db
15% Popularity • 66% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 66% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Major Harris
Love Won't Let Me Wait
116 bpm • A Maj • 05:33 • -17.15db
42% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Babyface
I Love You Babe
115 bpm • F min • 04:09 • -8.91db
30% Popularity • 77% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 77% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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The Jones Girls
Dance Turned Into a Romance
117 bpm • C# min • 04:28 • -8db
30% Popularity • 76% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 76% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Phyllis Hyman
Under Your Spell
115 bpm • B min • 04:37 • -12db
28% Popularity • 80% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 80% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Skyy
Let's Celebrate
117 bpm • C Maj • 05:33 • -8.22db
38% Popularity • 75% Danceability • 76% Energy • 3% Liveness
9% Instrumentalness • 82% Positiveness
38% Popularity • 75% Danceability • 76% Energy • 3% Liveness
9% Instrumentalness • 82% Positiveness
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Ashford & Simpson
It Seems To Hang On - Single Version
116 bpm • B min • 03:39 • -11db
35% Popularity • 66% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 66% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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D-Train
Keep On
117 bpm • F# min • 06:39 • -5db
41% Popularity • 77% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
41% Popularity • 77% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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L.J. Reynolds
Come Get to This (Stepping out Tonight)
115 bpm • G Maj • 06:35 • -6db
24% Popularity • 72% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 72% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Rene & Angela
Come My Way
117 bpm • G min • 04:49 • -7.85db
31% Popularity • 55% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 55% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Phyllis Hyman
You Know How to Love Me - Long Version
117 bpm • A# Maj • 07:34 • -10.55db
39% Popularity • 84% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 84% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Anita Baker
Squeeze Me
117 bpm • D Maj • 04:42 • -10.51db
13% Popularity • 78% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 78% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Jennifer Holliday
Just Let Me Wait
118 bpm • C# min • 04:49 • -10.04db
12% Popularity • 70% Danceability • 62% Energy • 58% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 70% Danceability • 62% Energy • 58% Liveness
0% Instrumentalness • 81% Positiveness
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The Emotions
Yes, I Am
118 bpm • E Maj • 04:07 • -12.1db
16% Popularity • 84% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 84% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Kashif
Stone Love
114 bpm • C# Maj • 05:29 • -12.97db
39% Popularity • 85% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 85% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Rufus & Chaka Khan
Masterjam
118 bpm • F min • 03:39 • -12.13db
26% Popularity • 77% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 77% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Phyllis Hyman
I Don't Want to Lose You
117 bpm • C# Maj • 05:28 • -11.46db
21% Popularity • 37% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 37% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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David Ruffin
Just Let Me Hold You For A Night
118 bpm • A min • 03:58 • -9.9db
29% Popularity • 58% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 58% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Slave
Snap Shot
114 bpm • D Maj • 04:42 • -13db
29% Popularity • 71% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 71% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Patti Austin
The Heat Of Heat
114 bpm • D Maj • 04:49 • -12.5db
21% Popularity • 76% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 76% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Skyy
When You Touch Me
113 bpm • B Maj • 03:39 • -11.24db
33% Popularity • 53% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 53% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Emotions
Rejoice
113 bpm • B min • 05:21 • -8.65db
19% Popularity • 53% Danceability • 87% Energy • 68% Liveness
29% Instrumentalness • 95% Positiveness
19% Popularity • 53% Danceability • 87% Energy • 68% Liveness
29% Instrumentalness • 95% Positiveness
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Phyllis Hyman
Sleep On It
114 bpm • C Maj • 03:20 • -8.29db
13% Popularity • 72% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 72% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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The Dynamic Superiors
Shoe Shoe Shine
120 bpm • G Maj • 03:45 • -7.9db
32% Popularity • 44% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 44% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Miki Howard
If You Still Love Her
120 bpm • C# Maj • 05:30 • -8db
15% Popularity • 33% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 33% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
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The Jones Girls
(I Found) That Man of Mine
112 bpm • D min • 04:09 • -10.26db
21% Popularity • 82% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 82% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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L.T.D.
Holding On (When Love Is Gone)
120 bpm • E Maj • 03:58 • -9.06db
50% Popularity • 80% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 80% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Starpoint
Till the End of Time
112 bpm • F Maj • 05:09 • -16db
21% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Phyllis Hyman
I Ain't Asking
114 bpm • G Maj • 03:59 • -6.78db
7% Popularity • 77% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 77% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Rufus & Chaka Khan
Do You Love What You Feel
120 bpm • B Maj • 04:29 • -11.4db
50% Popularity • 81% Danceability • 77% Energy • 65% Liveness
4% Instrumentalness • 89% Positiveness
50% Popularity • 81% Danceability • 77% Energy • 65% Liveness
4% Instrumentalness • 89% Positiveness
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Norman Connors
Betcha by Golly Wow
120 bpm • E Maj • 03:46 • -14db
15% Popularity • 44% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 44% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 18% Positiveness
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The Jones Girls
You Can't Have My Love
112 bpm • C Maj • 04:24 • -8db
25% Popularity • 77% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 77% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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The Emotions
I Don't Wanna Lose Your Love
120 bpm • C# Maj • 04:01 • -8.84db
37% Popularity • 75% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 93% Positiveness
37% Popularity • 75% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 93% Positiveness
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Gladys Knight & The Pips
Make Yours a Happy Home
120 bpm • C# min • 04:33 • -7.64db
36% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Phyllis Hyman
Meet Me On The Moon
120 bpm • A# Maj • 06:44 • -15db
27% Popularity • 68% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 68% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Alicia Myers
You Get The Best From Me (Say, Say, Say)
112 bpm • B Maj • 07:58 • -3db
30% Popularity • 88% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 88% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Norman Connors
Betcha by Golly Wow - Remastered
120 bpm • E Maj • 06:22 • -9.12db
30% Popularity • 43% Danceability • 45% Energy • 14% Liveness
2% Instrumentalness • 14% Positiveness
30% Popularity • 43% Danceability • 45% Energy • 14% Liveness
2% Instrumentalness • 14% Positiveness
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The Jones Girls
Life Goes On
112 bpm • G min • 04:28 • -9db
22% Popularity • 61% Danceability • 67% Energy • 20% Liveness
1% Instrumentalness • 81% Positiveness
22% Popularity • 61% Danceability • 67% Energy • 20% Liveness
1% Instrumentalness • 81% Positiveness
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The New Birth
Wild Flower
121 bpm • F# Maj • 06:30 • -11db
41% Popularity • 47% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 47% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Vesta Williams
Don't Blow A Good Thing
111 bpm • B Maj • 04:35 • -13db
21% Popularity • 68% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 68% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Phyllis Hyman
But I Love You
120 bpm • C# min • 03:04 • -18.11db
15% Popularity • 32% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 32% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Margie Joseph
What's Come over Me - Single Version
121 bpm • G# Maj • 04:24 • -14.31db
10% Popularity • 55% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 55% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Kashif
Say Somethin' Love
111 bpm • D Maj • 05:14 • -12db
24% Popularity • 80% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 80% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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The Jones Girls
I'm At Your Mercy
112 bpm • D Maj • 04:48 • -11.77db
23% Popularity • 65% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 65% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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Miki Howard
Love Under New Management
121 bpm • C# Maj • 06:49 • -9.05db
35% Popularity • 57% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 57% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Slave
Watching You
111 bpm • G Maj • 04:42 • -12.46db
46% Popularity • 80% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
46% Popularity • 80% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Ashford & Simpson
Street Corner
111 bpm • C Maj • 04:38 • -13.99db
34% Popularity • 75% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 75% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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L.T.D.
You Fooled Me
122 bpm • F min • 03:14 • -8db
33% Popularity • 77% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 77% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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The Emotions
Flowers
110 bpm • C# Maj • 04:28 • -10.88db
45% Popularity • 73% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
45% Popularity • 73% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
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The Jones Girls
Nights Over Egypt
111 bpm • A min • 04:39 • -14.32db
52% Popularity • 75% Danceability • 36% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
52% Popularity • 75% Danceability • 36% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
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Miki Howard
Good Morning Heartache
111 bpm • E min • 04:21 • -13.06db
15% Popularity • 53% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 53% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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G.Q.
Make My Dreams a Reality
122 bpm • G Maj • 06:15 • -13db
24% Popularity • 77% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
24% Popularity • 77% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Gladys Knight & The Pips
Save the Overtime (For Me) - John Luongo...
110 bpm • A Maj • 06:38 • -8.01db
9% Popularity • 81% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 81% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Force M.D.'s
I Wanna Know Your Name
123 bpm • F Maj • 05:54 • -14.31db
28% Popularity • 66% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 66% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Blue Magic
What's Come over Me
123 bpm • G# Maj • 04:14 • -13db
30% Popularity • 49% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 49% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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The Main Ingredient
Rolling Down a Mountainside
123 bpm • F Maj • 04:34 • -5db
25% Popularity • 61% Danceability • 87% Energy • 32% Liveness
7% Instrumentalness • 62% Positiveness
25% Popularity • 61% Danceability • 87% Energy • 32% Liveness
7% Instrumentalness • 62% Positiveness
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Angela Winbush
Hello Beloved
123 bpm • F min • 05:46 • -18.7db
14% Popularity • 67% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 67% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
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G.Q.
Disco Nights (Rock Freak) - Single Remix
123 bpm • F min • 03:56 • -9.13db
38% Popularity • 78% Danceability • 68% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
38% Popularity • 78% Danceability • 68% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
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Con Funk Shun
Juicy
109 bpm • F Maj • 02:55 • -13.26db
29% Popularity • 84% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 84% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Gladys Knight & The Pips
Heaven Sent
123 bpm • D Maj • 04:09 • -12db
16% Popularity • 60% Danceability • 38% Energy • 61% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 60% Danceability • 38% Energy • 61% Liveness
0% Instrumentalness • 33% Positiveness
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Slave
Just a Touch of Love
109 bpm • C Maj • 06:32 • -15db
44% Popularity • 74% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 74% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Gerald Alston
Take Me Where You Want To
124 bpm • G min • 06:22 • -3.91db
24% Popularity • 66% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 66% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Rene & Angela
I'll Be Good
108 bpm • A# Maj • 05:21 • -9.78db
53% Popularity • 82% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 82% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Minnie Riperton
Lover And Friend
124 bpm • C Maj • 04:18 • -6db
23% Popularity • 72% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 72% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Con Funk Shun
Got To Be Enough
124 bpm • C Maj • 05:46 • -12db
37% Popularity • 92% Danceability • 52% Energy • 5% Liveness
16% Instrumentalness • 98% Positiveness
37% Popularity • 92% Danceability • 52% Energy • 5% Liveness
16% Instrumentalness • 98% Positiveness
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Womack & Womack
Baby I'm Scared of You
108 bpm • D# min • 05:38 • -11db
40% Popularity • 61% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 61% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Gladys Knight & The Pips
Taste of Bitter Love
109 bpm • G min • 04:38 • -6db
40% Popularity • 75% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
40% Popularity • 75% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
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Terri Wells
You Make It Heaven
108 bpm • B Maj • 03:59 • -10.84db
14% Popularity • 71% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 71% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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DeBarge
Share My World
125 bpm • A# Maj • 05:40 • -13.88db
15% Popularity • 48% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 48% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Aurra
Are You Single?
108 bpm • G Maj • 06:33 • -8.54db
32% Popularity • 80% Danceability • 84% Energy • 16% Liveness
3% Instrumentalness • 90% Positiveness
32% Popularity • 80% Danceability • 84% Energy • 16% Liveness
3% Instrumentalness • 90% Positiveness
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Jermaine Jackson
I'm Just Too Shy
108 bpm • F Maj • 03:45 • -10.12db
11% Popularity • 69% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 69% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Switch
Calling On All Girls
125 bpm • G Maj • 04:29 • -9.89db
22% Popularity • 58% Danceability • 40% Energy • 25% Liveness
2% Instrumentalness • 35% Positiveness
22% Popularity • 58% Danceability • 40% Energy • 25% Liveness
2% Instrumentalness • 35% Positiveness
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Gladys Knight & The Pips
Save the Overtime (For Me)
109 bpm • A Maj • 04:41 • -11db
32% Popularity • 85% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 85% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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L.T.D.
We Both Deserve Each Other's Love
125 bpm • C# Maj • 03:07 • -15db
53% Popularity • 52% Danceability • 25% Energy • 8% Liveness
11% Instrumentalness • 28% Positiveness
53% Popularity • 52% Danceability • 25% Energy • 8% Liveness
11% Instrumentalness • 28% Positiveness
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Meli'sa Morgan
Do Me Baby
125 bpm • A# Maj • 05:17 • -14db
44% Popularity • 76% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 76% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Blue Magic
Look Me Up
125 bpm • F# Maj • 05:53 • -12db
26% Popularity • 70% Danceability • 69% Energy • 11% Liveness
2% Instrumentalness • 76% Positiveness
26% Popularity • 70% Danceability • 69% Energy • 11% Liveness
2% Instrumentalness • 76% Positiveness
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Mike Stevens
Tell Me (How It Feels)
107 bpm • A# min • 04:51 • -9.17db
18% Popularity • 74% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 74% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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DeBarge
Love Me In A Special Way
126 bpm • C Maj • 04:15 • -14db
47% Popularity • 49% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 49% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Gladys Knight & The Pips
Love Overboard
108 bpm • D# min • 05:26 • -12db
39% Popularity • 81% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
39% Popularity • 81% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Phyllis Hyman
Don't Wanna Change the World
107 bpm • D Maj • 05:21 • -15.87db
16% Popularity • 76% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 76% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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One Way
Something In The Past
126 bpm • F# min • 06:14 • -16db
34% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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The New Birth
It's Been a Long Time
126 bpm • D min • 05:54 • -10.45db
36% Popularity • 60% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 60% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Keith Washington
Kissing You
127 bpm • G Maj • 04:20 • -8.86db
45% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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David Ruffin
I Wanna Be with You
106 bpm • A min • 03:38 • -15.19db
23% Popularity • 76% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 76% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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Jean Carn
Don't Let It Go to Your Head - 12" Versi...
106 bpm • E Maj • 04:51 • -10db
42% Popularity • 68% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 68% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Loose Ends
Gonna Make You Mine
106 bpm • F# Maj • 04:30 • -12.81db
34% Popularity • 76% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 76% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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The Jones Girls
You Gonna Make Me Love Somebody Else
106 bpm • C# min • 04:30 • -8db
41% Popularity • 80% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
41% Popularity • 80% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Anita Baker
Giving You the Best That I Got (Single V...
105 bpm • A Maj • 03:53 • -8.17db
54% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Phyllis Hyman
Living All Alone
128 bpm • E min • 05:09 • -11.95db
37% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Meli'sa Morgan
Do You Still Love Me?
128 bpm • B min • 05:39 • -15db
38% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Kashif
Help Yourself to My Love
105 bpm • F# min • 04:05 • -13.29db
42% Popularity • 80% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
42% Popularity • 80% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Loose Ends
Choose Me
106 bpm • G Maj • 04:37 • -13db
30% Popularity • 80% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 80% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Rene & Angela
Do You Really Love Me
105 bpm • C min • 03:24 • -6.06db
11% Popularity • 74% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 74% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Eddie Kendricks
He's A Friend
105 bpm • C min • 04:43 • -7.79db
28% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Phyllis Hyman
Living In Confusion
128 bpm • C min • 07:06 • -12.18db
28% Popularity • 69% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 69% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Meli'sa Morgan
Back Together Gain - Freddie Jackson
105 bpm • C# Maj • 05:00 • -8db
15% Popularity • 76% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 76% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
