Songs like You Know by Exzavier Whitley
Based on a tempo of (+/- 10%) and a similar genre
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Brice Davis
Nothing But The Blood
76 bpm • C# Maj • 04:54 • -11.52db
17% Popularity • 49% Danceability • 36% Energy • 8% Liveness
9% Instrumentalness • 14% Positiveness
17% Popularity • 49% Danceability • 36% Energy • 8% Liveness
9% Instrumentalness • 14% Positiveness
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Daggy Man
Dumb Bird
76 bpm • D Maj • 02:34 • -14.46db
23% Popularity • 69% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 69% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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WHYBE
Ice on My Soul
76 bpm • E Maj • 03:20 • -10.65db
12% Popularity • 62% Danceability • 37% Energy • 16% Liveness
60% Instrumentalness • 49% Positiveness
12% Popularity • 62% Danceability • 37% Energy • 16% Liveness
60% Instrumentalness • 49% Positiveness
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Ryan Adams
Starlite Diner
76 bpm • F Maj • 03:50 • -25.74db
13% Popularity • 36% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 36% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Ryan McNulty
Charing Cross
75 bpm • C# min • 03:37 • -16.92db
10% Popularity • 61% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 61% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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The Robot Ate Me
Hi, Love
75 bpm • F# Maj • 03:58 • -19.54db
2% Popularity • 67% Danceability • 11% Energy • 11% Liveness
34% Instrumentalness • 31% Positiveness
2% Popularity • 67% Danceability • 11% Energy • 11% Liveness
34% Instrumentalness • 31% Positiveness
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Henry Hoagland
The Great Filter Sweep
77 bpm • A Maj • 04:21 • -10.56db
29% Popularity • 32% Danceability • 45% Energy • 11% Liveness
40% Instrumentalness • 25% Positiveness
29% Popularity • 32% Danceability • 45% Energy • 11% Liveness
40% Instrumentalness • 25% Positiveness
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Zach Winters
Balcony
77 bpm • E Maj • 03:40 • -18.41db
8% Popularity • 38% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
8% Popularity • 38% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
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Jon Middleton
In the Clouds
75 bpm • C# Maj • 03:43 • -20.53db
18% Popularity • 53% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 69% Positiveness
18% Popularity • 53% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 69% Positiveness
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Chris and Thomas
You're the One I Want
77 bpm • G min • 03:16 • -16.76db
40% Popularity • 53% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
40% Popularity • 53% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
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Ichabod Wolf
Simple Song
77 bpm • G# Maj • 03:00 • -20.22db
11% Popularity • 57% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 57% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Rocco DeLuca
Windows
77 bpm • C# min • 02:45 • -14.76db
7% Popularity • 41% Danceability • 26% Energy • 11% Liveness
44% Instrumentalness • 59% Positiveness
7% Popularity • 41% Danceability • 26% Energy • 11% Liveness
44% Instrumentalness • 59% Positiveness
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Bombay Bicycle Club
Many Ways
77 bpm • G Maj • 02:42 • -9.91db
35% Popularity • 53% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 53% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Hudson Freeman
Oh Well
78 bpm • D Maj • 03:45 • -18.22db
10% Popularity • 48% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 48% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Jesse Marchant
Cleo's Song
75 bpm • D Maj • 03:05 • -18.3db
37% Popularity • 62% Danceability • 9% Energy • 11% Liveness
24% Instrumentalness • 16% Positiveness
37% Popularity • 62% Danceability • 9% Energy • 11% Liveness
24% Instrumentalness • 16% Positiveness
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Dave Thomas Junior
5000 Miles
74 bpm • A# Maj • 02:15 • -12.88db
20% Popularity • 48% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 48% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Blacklit Canopy Official
Patient
74 bpm • A Maj • 04:31 • -11.26db
33% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Gregory Alan Isakov
The Moon Was Red and Dangerous
74 bpm • C Maj • 04:09 • -18.28db
31% Popularity • 40% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 22% Positiveness
31% Popularity • 40% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 22% Positiveness
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Ralegh Long
Where You Are
78 bpm • D Maj • 03:40 • -14.44db
21% Popularity • 51% Danceability • 23% Energy • 16% Liveness
8% Instrumentalness • 36% Positiveness
21% Popularity • 51% Danceability • 23% Energy • 16% Liveness
8% Instrumentalness • 36% Positiveness
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J. Tillman
Tillman's Rag
78 bpm • F# Maj • 03:02 • -17.53db
10% Popularity • 69% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 69% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Henri Bardot
Came To Me
74 bpm • C# min • 02:30 • -13.51db
27% Popularity • 58% Danceability • 61% Energy • 10% Liveness
70% Instrumentalness • 83% Positiveness
27% Popularity • 58% Danceability • 61% Energy • 10% Liveness
70% Instrumentalness • 83% Positiveness
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Coldplay
I Bloom Blaum
79 bpm • F# min • 02:11 • -19.36db
37% Popularity • 44% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 19% Positiveness
37% Popularity • 44% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 19% Positiveness
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Oscar Lang
walking away (everytime)
79 bpm • E Maj • 01:57 • -12db
36% Popularity • 44% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
36% Popularity • 44% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Jacob Collier
Time To Rest Your Weary Head
79 bpm • F# Maj • 06:09 • -21.69db
39% Popularity • 38% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 38% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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MyKey
Don't Really Matter To Me
79 bpm • G Maj • 02:02 • -12.77db
27% Popularity • 69% Danceability • 26% Energy • 9% Liveness
7% Instrumentalness • 56% Positiveness
27% Popularity • 69% Danceability • 26% Energy • 9% Liveness
7% Instrumentalness • 56% Positiveness
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William Saunders
Here
79 bpm • G Maj • 01:53 • -16db
26% Popularity • 46% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
26% Popularity • 46% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Nat Lefkoff
Albatross
79 bpm • D Maj • 04:31 • -9.09db
15% Popularity • 44% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 44% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 13% Positiveness
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ab-do
Some Life With You
79 bpm • G Maj • 02:24 • -13.81db
15% Popularity • 53% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 53% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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surrenderdorothy
Watercolors
80 bpm • A# Maj • 01:12 • -16.28db
32% Popularity • 55% Danceability • 26% Energy • 14% Liveness
77% Instrumentalness • 73% Positiveness
32% Popularity • 55% Danceability • 26% Energy • 14% Liveness
77% Instrumentalness • 73% Positiveness
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Tomo
Oh Love
73 bpm • G Maj • 02:58 • -20db
43% Popularity • 55% Danceability • 6% Energy • 7% Liveness
8% Instrumentalness • 30% Positiveness
43% Popularity • 55% Danceability • 6% Energy • 7% Liveness
8% Instrumentalness • 30% Positiveness
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Mount Eerie
Tintin in Tibet
80 bpm • A min • 04:37 • -18.85db
22% Popularity • 34% Danceability • 27% Energy • 19% Liveness
11% Instrumentalness • 17% Positiveness
22% Popularity • 34% Danceability • 27% Energy • 19% Liveness
11% Instrumentalness • 17% Positiveness
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Robert Francis
Dakota
80 bpm • C min • 03:09 • -15.63db
20% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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M. Ward
Migration of Souls
80 bpm • B Maj • 03:28 • -16.73db
32% Popularity • 50% Danceability • 34% Energy • 10% Liveness
11% Instrumentalness • 12% Positiveness
32% Popularity • 50% Danceability • 34% Energy • 10% Liveness
11% Instrumentalness • 12% Positiveness
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Andy Shauf
Give Me Words
80 bpm • D Maj • 04:04 • -15.21db
13% Popularity • 68% Danceability • 22% Energy • 11% Liveness
8% Instrumentalness • 22% Positiveness
13% Popularity • 68% Danceability • 22% Energy • 11% Liveness
8% Instrumentalness • 22% Positiveness
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Fleet Foxes
Going-to-the-Sun Road - Acoustic Version
80 bpm • C Maj • 03:32 • -16.32db
27% Popularity • 48% Danceability • 14% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
27% Popularity • 48% Danceability • 14% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
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Pajaro Sunrise
Come Down
80 bpm • C Maj • 02:30 • -13.93db
26% Popularity • 54% Danceability • 28% Energy • 12% Liveness
75% Instrumentalness • 32% Positiveness
26% Popularity • 54% Danceability • 28% Energy • 12% Liveness
75% Instrumentalness • 32% Positiveness
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Exzavier Whitley
Meant to Be
80 bpm • F# Maj • 02:01 • -19.13db
0% Popularity • 31% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 58% Positiveness
0% Popularity • 31% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 58% Positiveness
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Jacob Slade
Deeper Now
80 bpm • G Maj • 03:36 • -18.95db
8% Popularity • 47% Danceability • 16% Energy • 11% Liveness
68% Instrumentalness • 28% Positiveness
8% Popularity • 47% Danceability • 16% Energy • 11% Liveness
68% Instrumentalness • 28% Positiveness
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Ed Harcourt
The Last Cigarette
72 bpm • A# Maj • 03:30 • -13.03db
33% Popularity • 37% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 28% Positiveness
33% Popularity • 37% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 28% Positiveness
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Constantines
I Will Not Sing A Hateful Song - Alterna...
81 bpm • A Maj • 03:31 • -14.81db
14% Popularity • 48% Danceability • 15% Energy • 12% Liveness
28% Instrumentalness • 24% Positiveness
14% Popularity • 48% Danceability • 15% Energy • 12% Liveness
28% Instrumentalness • 24% Positiveness
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Bendigo Fletcher
Babushka Dolls
80 bpm • A# Maj • 03:32 • -13.13db
28% Popularity • 37% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 37% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Smoke Room
Epicene
81 bpm • G# Maj • 02:37 • -19.72db
25% Popularity • 30% Danceability • 19% Energy • 20% Liveness
58% Instrumentalness • 55% Positiveness
25% Popularity • 30% Danceability • 19% Energy • 20% Liveness
58% Instrumentalness • 55% Positiveness
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Circa Waves
Love's Run Out
81 bpm • F Maj • 02:39 • -20db
33% Popularity • 59% Danceability • 13% Energy • 12% Liveness
7% Instrumentalness • 13% Positiveness
33% Popularity • 59% Danceability • 13% Energy • 12% Liveness
7% Instrumentalness • 13% Positiveness
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Slow Hollows
Old Yeller
81 bpm • D# Maj • 03:46 • -19.8db
24% Popularity • 54% Danceability • 8% Energy • 12% Liveness
9% Instrumentalness • 29% Positiveness
24% Popularity • 54% Danceability • 8% Energy • 12% Liveness
9% Instrumentalness • 29% Positiveness
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Delta Sleep
Afterimage (Otto, TX, US)
81 bpm • A Maj • 03:01 • -14.84db
20% Popularity • 60% Danceability • 29% Energy • 12% Liveness
56% Instrumentalness • 53% Positiveness
20% Popularity • 60% Danceability • 29% Energy • 12% Liveness
56% Instrumentalness • 53% Positiveness
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Tom Rosenthal
You Only Need You - Acoustic
71 bpm • E Maj • 03:43 • -16.42db
33% Popularity • 56% Danceability • 12% Energy • 13% Liveness
2% Instrumentalness • 29% Positiveness
33% Popularity • 56% Danceability • 12% Energy • 13% Liveness
2% Instrumentalness • 29% Positiveness
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Dale Sutton
Yellow (Acoustic)
81 bpm • G Maj • 04:05 • -15.12db
14% Popularity • 50% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 50% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Frightened Rabbit
Poke
81 bpm • E Maj • 04:38 • -11.47db
16% Popularity • 37% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 37% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Sack Lunch!
Buzzcut
81 bpm • C Maj • 03:20 • -11.28db
8% Popularity • 32% Danceability • 32% Energy • 24% Liveness
3% Instrumentalness • 20% Positiveness
8% Popularity • 32% Danceability • 32% Energy • 24% Liveness
3% Instrumentalness • 20% Positiveness
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Ryan Adams
I See Monsters
81 bpm • C# Maj • 03:54 • -10.3db
31% Popularity • 43% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 43% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Mary Elizabeth Remington
All Words
82 bpm • D Maj • 04:04 • -12.27db
10% Popularity • 50% Danceability • 29% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 50% Danceability • 29% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
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The Narcissist Cookbook
Receiver Of Wreck
82 bpm • F Maj • 04:29 • -14.13db
15% Popularity • 64% Danceability • 16% Energy • 30% Liveness
2% Instrumentalness • 34% Positiveness
15% Popularity • 64% Danceability • 16% Energy • 30% Liveness
2% Instrumentalness • 34% Positiveness
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The Smoke Room
Wicker Man
82 bpm • E Maj • 02:55 • -21.52db
10% Popularity • 49% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 30% Positiveness
10% Popularity • 49% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 30% Positiveness
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Nicolai Funch
Make it Last
82 bpm • D min • 04:00 • -17.91db
15% Popularity • 42% Danceability • 24% Energy • 13% Liveness
73% Instrumentalness • 33% Positiveness
15% Popularity • 42% Danceability • 24% Energy • 13% Liveness
73% Instrumentalness • 33% Positiveness
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Racoma
Pools
82 bpm • F Maj • 04:10 • -16.57db
30% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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The Lumineers
Caves
82 bpm • D Maj • 02:59 • -13.64db
48% Popularity • 55% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 55% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Songs: Ohia
Hold On Magnolia - Demo
82 bpm • E Maj • 06:23 • -13.49db
20% Popularity • 38% Danceability • 16% Energy • 15% Liveness
4% Instrumentalness • 9% Positiveness
20% Popularity • 38% Danceability • 16% Energy • 15% Liveness
4% Instrumentalness • 9% Positiveness
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Jolé
All My Friends
82 bpm • D# Maj • 03:15 • -11.01db
30% Popularity • 38% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 38% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Smoke Room
Ghost
70 bpm • C# min • 03:17 • -21.15db
26% Popularity • 56% Danceability • 14% Energy • 10% Liveness
37% Instrumentalness • 27% Positiveness
26% Popularity • 56% Danceability • 14% Energy • 10% Liveness
37% Instrumentalness • 27% Positiveness
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Aaron Espe
See You Soon
83 bpm • D Maj • 03:25 • -17db
7% Popularity • 56% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 31% Positiveness
7% Popularity • 56% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 31% Positiveness
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Novo Amor
Land Where I Land
70 bpm • C Maj • 02:55 • -14.17db
52% Popularity • 44% Danceability • 23% Energy • 11% Liveness
12% Instrumentalness • 32% Positiveness
52% Popularity • 44% Danceability • 23% Energy • 11% Liveness
12% Instrumentalness • 32% Positiveness
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Kyle Morton
My Little Darlin Knows My Nature
83 bpm • F Maj • 02:32 • -10.28db
31% Popularity • 62% Danceability • 27% Energy • 73% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 62% Danceability • 27% Energy • 73% Liveness
0% Instrumentalness • 37% Positiveness
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Suddenly
Time and Place
83 bpm • B Maj • 04:23 • -13.24db
9% Popularity • 35% Danceability • 49% Energy • 10% Liveness
31% Instrumentalness • 15% Positiveness
9% Popularity • 35% Danceability • 49% Energy • 10% Liveness
31% Instrumentalness • 15% Positiveness
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Strand of Oaks
Kill Dragon
70 bpm • C# Maj • 03:20 • -13.5db
13% Popularity • 36% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 36% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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William Fitzsimmons
My Life Changed
83 bpm • D Maj • 05:41 • -14.92db
11% Popularity • 31% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
11% Popularity • 31% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Tom Rosenthal
How Could I Not?
84 bpm • G# Maj • 01:53 • -19db
29% Popularity • 43% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 43% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Sun Kil Moon
Half Moon Bay
84 bpm • C# min • 06:53 • -19.58db
27% Popularity • 49% Danceability • 6% Energy • 11% Liveness
22% Instrumentalness • 30% Positiveness
27% Popularity • 49% Danceability • 6% Energy • 11% Liveness
22% Instrumentalness • 30% Positiveness
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Exzavier Whitley
Night & Day
84 bpm • C# Maj • 02:52 • -8db
0% Popularity • 65% Danceability • 59% Energy • 9% Liveness
2% Instrumentalness • 49% Positiveness
0% Popularity • 65% Danceability • 59% Energy • 9% Liveness
2% Instrumentalness • 49% Positiveness
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Lord's Child
Peter
69 bpm • F Maj • 03:52 • -23.52db
40% Popularity • 59% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 59% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Austin zumBrunnen
Consider This
85 bpm • E Maj • 03:03 • -11.33db
10% Popularity • 40% Danceability • 37% Energy • 10% Liveness
47% Instrumentalness • 18% Positiveness
10% Popularity • 40% Danceability • 37% Energy • 10% Liveness
47% Instrumentalness • 18% Positiveness
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Mount Eerie
Swims
68 bpm • F Maj • 04:07 • -20.54db
28% Popularity • 59% Danceability • 6% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
28% Popularity • 59% Danceability • 6% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
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Amber Run
Amen
85 bpm • F Maj • 03:05 • -11.44db
49% Popularity • 50% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
49% Popularity • 50% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Luke McCormick
Grow from the Ground
86 bpm • D# Maj • 04:15 • -11.06db
12% Popularity • 51% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 51% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Exzavier Whitley
Just Hold On
85 bpm • E Maj • 02:42 • -12.39db
0% Popularity • 44% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 44% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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J. Tillman
Evans and Falls
86 bpm • F# Maj • 04:08 • -10.96db
10% Popularity • 64% Danceability • 23% Energy • 38% Liveness
27% Instrumentalness • 41% Positiveness
10% Popularity • 64% Danceability • 23% Energy • 38% Liveness
27% Instrumentalness • 41% Positiveness
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Andy Shauf
Ruin Your Life
68 bpm • B min • 02:23 • -24.19db
17% Popularity • 37% Danceability • 4% Energy • 37% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 37% Danceability • 4% Energy • 37% Liveness
0% Instrumentalness • 15% Positiveness
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Hodera
I Remember Everything
67 bpm • G Maj • 06:36 • -10.67db
8% Popularity • 25% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 25% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Horse Feathers
Rude To Rile
87 bpm • C Maj • 03:29 • -12.73db
26% Popularity • 25% Danceability • 29% Energy • 22% Liveness
27% Instrumentalness • 72% Positiveness
26% Popularity • 25% Danceability • 29% Energy • 22% Liveness
27% Instrumentalness • 72% Positiveness
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Right Away, Great Captain!
Captain I'm Fine, And Thank You For Ever...
87 bpm • D Maj • 02:34 • -28.61db
14% Popularity • 55% Danceability • 0% Energy • 36% Liveness
1% Instrumentalness • 33% Positiveness
14% Popularity • 55% Danceability • 0% Energy • 36% Liveness
1% Instrumentalness • 33% Positiveness
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Flatsound
pretending to stare out at the sea (carl...
66 bpm • F# Maj • 02:34 • -18.43db
18% Popularity • 54% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 54% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
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Exzavier Whitley
Remember Me
87 bpm • D# Maj • 02:57 • -9.61db
0% Popularity • 25% Danceability • 46% Energy • 18% Liveness
94% Instrumentalness • 63% Positiveness
0% Popularity • 25% Danceability • 46% Energy • 18% Liveness
94% Instrumentalness • 63% Positiveness
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Jack Elliot
It's Not Easy Being Invisible
87 bpm • F Maj • 02:38 • -11.1db
2% Popularity • 42% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
2% Popularity • 42% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Rasmus Elk Olsen
Distant Eyes
88 bpm • G Maj • 02:53 • -10.53db
16% Popularity • 43% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 43% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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My Morning Jacket
They Ran - Acoustic
88 bpm • D# Maj • 03:32 • -14.21db
8% Popularity • 51% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
8% Popularity • 51% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
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Syd Matters
River Sister
88 bpm • F Maj • 04:20 • -12.34db
16% Popularity • 48% Danceability • 36% Energy • 7% Liveness
8% Instrumentalness • 34% Positiveness
16% Popularity • 48% Danceability • 36% Energy • 7% Liveness
8% Instrumentalness • 34% Positiveness
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The Paper Kites
Tenenbaum
89 bpm • C# Maj • 03:39 • -18.46db
43% Popularity • 50% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 44% Positiveness
43% Popularity • 50% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 44% Positiveness
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Buck Meek
Halo Light
89 bpm • C# Maj • 03:54 • -11.04db
18% Popularity • 56% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
18% Popularity • 56% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Nick Barbachano
Madre Tierra
89 bpm • D min • 04:56 • -17.81db
46% Popularity • 30% Danceability • 20% Energy • 13% Liveness
12% Instrumentalness • 28% Positiveness
46% Popularity • 30% Danceability • 20% Energy • 13% Liveness
12% Instrumentalness • 28% Positiveness
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Riley Pearce
Cloudships - Piano Version
89 bpm • D Maj • 03:37 • -16.21db
9% Popularity • 45% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 45% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Shivers
Roses
90 bpm • D Maj • 03:31 • -10.03db
11% Popularity • 42% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 42% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Ezra Glatt
Moving Light
90 bpm • B Maj • 01:32 • -14db
49% Popularity • 57% Danceability • 39% Energy • 10% Liveness
64% Instrumentalness • 67% Positiveness
49% Popularity • 57% Danceability • 39% Energy • 10% Liveness
64% Instrumentalness • 67% Positiveness
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Message To Bears
At a Glance
90 bpm • F Maj • 03:39 • -13.64db
40% Popularity • 50% Danceability • 40% Energy • 8% Liveness
66% Instrumentalness • 22% Positiveness
40% Popularity • 50% Danceability • 40% Energy • 8% Liveness
66% Instrumentalness • 22% Positiveness
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The Paper Kites
Tin Lover
90 bpm • C# Maj • 03:19 • -22.24db
41% Popularity • 64% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 12% Positiveness
41% Popularity • 64% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 12% Positiveness
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Martti Franca
The Wind
90 bpm • F# Maj • 02:34 • -15.31db
32% Popularity • 60% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 60% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Jimmy Clifton
I'll Always Love You
90 bpm • G Maj • 03:10 • -16.02db
28% Popularity • 62% Danceability • 21% Energy • 31% Liveness
14% Instrumentalness • 46% Positiveness
28% Popularity • 62% Danceability • 21% Energy • 31% Liveness
14% Instrumentalness • 46% Positiveness
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Iron & Wine
Faded from the Winter
90 bpm • D Maj • 03:17 • -11.61db
37% Popularity • 56% Danceability • 34% Energy • 21% Liveness
88% Instrumentalness • 44% Positiveness
37% Popularity • 56% Danceability • 34% Energy • 21% Liveness
88% Instrumentalness • 44% Positiveness
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Matt Maltese
When You Wash Your Hair
91 bpm • C Maj • 03:12 • -17db
53% Popularity • 40% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
53% Popularity • 40% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Sufjan Stevens
Should Have Known Better
91 bpm • G Maj • 05:07 • -20.7db
63% Popularity • 49% Danceability • 17% Energy • 13% Liveness
26% Instrumentalness • 30% Positiveness
63% Popularity • 49% Danceability • 17% Energy • 13% Liveness
26% Instrumentalness • 30% Positiveness
