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You Left Me Standing There
Songs like
You Left Me Standing There
by
Donny Lee Moore
Based on a tempo of (+/- 10%) and a similar genre
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Eddie & thee Scorpions
Why Did You Leave Me
104 bpm • F min • 02:10 • -4.11db
12% Popularity • 72% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Dave Dudley
Saving Your Kisses
104 bpm • D Maj • 01:54 • -10.65db
9% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Pin Realistic
Trap Perspective
104 bpm • D Maj • 02:43 • -8db
17% Popularity • 51% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
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The Crystalairs
Tomorrow
104 bpm • G Maj • 02:26 • -8.49db
7% Popularity • 68% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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The Desperados
My Heart Burns
103 bpm • C Maj • 02:21 • -4.77db
15% Popularity • 66% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Donny Lee Moore
You Left Me Standing There
104 bpm • B min • 02:18 • -9.29db
0% Popularity • 61% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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The Hula Girls
Forbidden Island
105 bpm • A Maj • 02:49 • -2.94db
8% Popularity • 53% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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David Gates
What's This I Hear
103 bpm • A Maj • 02:00 • -12.84db
8% Popularity • 56% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Linda Manning
Sweeter Than Sweet
103 bpm • C Maj • 02:05 • -10.85db
16% Popularity • 72% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Spunyboys
I Hear Little Rock Calling
105 bpm • G# Maj • 02:27 • -5.39db
18% Popularity • 71% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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The Desperados
Go Your Way(And I'll Go Mine)
103 bpm • A Maj • 02:45 • -2.19db
19% Popularity • 62% Danceability • 95% Energy • 31% Liveness
3% Instrumentalness • 94% Positiveness
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Sun Cats
Sneaky Pete
103 bpm • C Maj • 02:12 • -8.57db
12% Popularity • 62% Danceability • 85% Energy • 35% Liveness
30% Instrumentalness • 76% Positiveness
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Jimmie Rodgers
Woman from Liberia
105 bpm • C# Maj • 02:06 • -4.15db
10% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Sanford Clark
Usta Be My Baby
103 bpm • G Maj • 02:03 • -6.4db
11% Popularity • 60% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Leopold Benson
What Did I Do To Let You Go
105 bpm • E min • 03:45 • -10.68db
28% Popularity • 62% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
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Johnnie Ray
Lonely for a Letter - Remastered
105 bpm • D Maj • 02:08 • -8.77db
8% Popularity • 65% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Larry Phillipson
I'm Wondering Now
103 bpm • D Maj • 02:05 • -4.12db
12% Popularity • 74% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Rusty & The Dragstrip Trio
Blue Moon Baby
103 bpm • A Maj • 03:17 • -8.49db
7% Popularity • 47% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Johnny Preston
Do What You Did
103 bpm • G Maj • 01:51 • -7.95db
10% Popularity • 65% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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The Delltones
I Wonder Why
106 bpm • A Maj • 02:29 • -8.58db
7% Popularity • 44% Danceability • 64% Energy • 98% Liveness
7% Instrumentalness • 80% Positiveness
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Pete Drake
I'm Walkin'
106 bpm • A# Maj • 02:14 • -10.32db
11% Popularity • 54% Danceability • 79% Energy • 70% Liveness
91% Instrumentalness • 85% Positiveness
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The Desperados
Feeling No Pain
106 bpm • G min • 03:11 • -8.44db
15% Popularity • 57% Danceability • 85% Energy • 23% Liveness
9% Instrumentalness • 87% Positiveness
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Relate Fishing
Maintain
106 bpm • B Maj • 02:45 • -8.37db
17% Popularity • 56% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Jimmy Clanton
It Takes a Long, Long Time
106 bpm • A# Maj • 02:16 • -3.52db
13% Popularity • 57% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Include Response
Bustling Cheek
106 bpm • B Maj • 02:45 • -8.37db
17% Popularity • 56% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Huey "Piano" Smith
Blow Wind Blow
106 bpm • G# Maj • 02:16 • -6.19db
10% Popularity • 51% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Ritchie Valens
Rhythm Song
106 bpm • C# Maj • 01:06 • -8.42db
12% Popularity • 64% Danceability • 80% Energy • 27% Liveness
75% Instrumentalness • 72% Positiveness
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The Desperados
Sweet Mary Jane
106 bpm • C Maj • 02:42 • -6.94db
18% Popularity • 53% Danceability • 86% Energy • 14% Liveness
37% Instrumentalness • 82% Positiveness
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Bill Fadden
My Car's (Faster Than Your Car)
102 bpm • D Maj • 01:46 • -11.85db
13% Popularity • 58% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Del Reeves
Baby I Love You
101 bpm • G min • 01:56 • -3.38db
13% Popularity • 63% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Dale Hawkins
Gooblie Booblie
107 bpm • C Maj • 01:50 • -5.29db
14% Popularity • 74% Danceability • 71% Energy • 41% Liveness
0% Instrumentalness • 92% Positiveness
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Bloodshot Bill
This Is
101 bpm • C Maj • 02:00 • -5.25db
9% Popularity • 66% Danceability • 83% Energy • 11% Liveness
13% Instrumentalness • 87% Positiveness
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King Curtis
C. C. Rider
107 bpm • C min • 02:14 • -5.03db
13% Popularity • 61% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Sam The Sham & The Pharaohs
Go-Go-Girls
107 bpm • G Maj • 02:16 • -11.08db
14% Popularity • 81% Danceability • 71% Energy • 9% Liveness
2% Instrumentalness • 96% Positiveness
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Johnny Nash
The Teen Commandments
101 bpm • G Maj • 01:44 • -11.07db
9% Popularity • 45% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Pat Capocci
Burning the Candle
101 bpm • G min • 02:30 • -8.72db
17% Popularity • 64% Danceability • 70% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
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Johnny Rivers
That's Rock & Roll
101 bpm • F# Maj • 01:47 • -12.99db
11% Popularity • 63% Danceability • 71% Energy • 26% Liveness
6% Instrumentalness • 91% Positiveness
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Affect Left
Argue
101 bpm • E Maj • 03:06 • -8db
17% Popularity • 56% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Slim Rhodes
Take and Give
101 bpm • A# Maj • 02:20 • -10.95db
15% Popularity • 57% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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The Coasters
I'm a Hog for You
101 bpm • C Maj • 02:28 • -3.58db
9% Popularity • 40% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Johnnie Ray
How Many Nights, How Many Days?
101 bpm • D# Maj • 02:03 • -5.88db
9% Popularity • 54% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Levi & The Rockats
We Gotta Have Room to Rock
107 bpm • D min • 02:39 • -12.41db
9% Popularity • 58% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Tandoori Knights
Bakin' Bread
101 bpm • G Maj • 01:20 • -9.97db
12% Popularity • 82% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 98% Positiveness
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Johnny Horton
Tetched in the Head
101 bpm • C Maj • 02:27 • -7.66db
13% Popularity • 75% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Cliff Ledger
Kentucky in the Morning
100 bpm • F Maj • 02:17 • -12.51db
8% Popularity • 69% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Ferlin Husky
I've Got The World On A String
108 bpm • A# Maj • 02:34 • -14.13db
7% Popularity • 61% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Bee Gees
Main Title
108 bpm • C# Maj • 01:53 • -7.37db
9% Popularity • 46% Danceability • 70% Energy • 40% Liveness
1% Instrumentalness • 59% Positiveness
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Alexander Haggai
What Can Love Do
108 bpm • G Maj • 03:19 • -15.85db
21% Popularity • 54% Danceability • 61% Energy • 12% Liveness
3% Instrumentalness • 67% Positiveness
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Bloodshot Bill
Never Wanna See That Face Again
100 bpm • E Maj • 01:40 • -9.08db
16% Popularity • 54% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
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The Desperados
Make You Scream
100 bpm • C Maj • 01:23 • -2.41db
23% Popularity • 64% Danceability • 98% Energy • 33% Liveness
25% Instrumentalness • 98% Positiveness
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Sanford Clark
That's the Way I Feel
108 bpm • D Maj • 02:00 • -9.29db
18% Popularity • 80% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny Powers
Mama Rock
108 bpm • E min • 01:59 • -9.24db
13% Popularity • 47% Danceability • 65% Energy • 17% Liveness
86% Instrumentalness • 63% Positiveness
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Sugar Pie DeSanto
One Two Let's Rock and Roll
108 bpm • C# Maj • 02:12 • -6.85db
14% Popularity • 58% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Dale Wright
She's Neat
108 bpm • F# Maj • 02:05 • -7.32db
11% Popularity • 67% Danceability • 85% Energy • 85% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Bond
Rockin' Daddy
100 bpm • E Maj • 02:00 • -12.4db
9% Popularity • 73% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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The Desperados
Why Did You Make Me Mad
100 bpm • G Maj • 02:22 • -2.82db
12% Popularity • 79% Danceability • 89% Energy • 32% Liveness
14% Instrumentalness • 95% Positiveness
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Deacon
I Don't Wanna Leave
109 bpm • G Maj • 02:02 • -9.06db
10% Popularity • 61% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Divert Bad
Persist
99 bpm • B Maj • 03:08 • -9.14db
17% Popularity • 59% Danceability • 84% Energy • 52% Liveness
0% Instrumentalness • 95% Positiveness
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Roy Brown
Hurry Hurry Baby!
109 bpm • G# Maj • 02:36 • -9.12db
2% Popularity • 67% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny & The Hurricanes
Travelin'
99 bpm • C Maj • 02:05 • -5.65db
12% Popularity • 67% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Mac Curtis
Half Hearted Love
99 bpm • F Maj • 02:14 • -5.6db
10% Popularity • 82% Danceability • 75% Energy • 9% Liveness
17% Instrumentalness • 94% Positiveness
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The Desperados
Let's Have Some Fun Alt
100 bpm • C Maj • 01:38 • -3.73db
12% Popularity • 61% Danceability • 99% Energy • 16% Liveness
8% Instrumentalness • 80% Positiveness
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The Browns
The Trot
109 bpm • G Maj • 02:10 • -9.07db
14% Popularity • 69% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Lou Monte
Esto es amor
109 bpm • B Maj • 02:36 • -11.2db
12% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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The Davis Sisters
Blues for Company
110 bpm • B Maj • 02:17 • -8.9db
10% Popularity • 76% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Sanford Clark
Lonesome for a Letter
110 bpm • G Maj • 01:49 • -7.57db
8% Popularity • 70% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Rose Maddox
Chocolate Ice Cream Cone
110 bpm • C Maj • 01:57 • -11.21db
7% Popularity • 72% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Jerry Jaye
When My Dreamboat Comes Home
98 bpm • A# Maj • 02:21 • -4.53db
9% Popularity • 74% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Bloodshot Bill
HORROR MOVIES ON TV
98 bpm • F# min • 02:00 • -10.89db
12% Popularity • 85% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Ronnie Self
I Ain't Goin' Nowhere
110 bpm • F Maj • 02:42 • -10.46db
8% Popularity • 70% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Donny Lee Moore
I'm Buggin' out, Little Baby
98 bpm • G Maj • 01:59 • -8.7db
0% Popularity • 57% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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The Jet Tones
Henry
98 bpm • G# Maj • 02:06 • -4.38db
31% Popularity • 43% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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The Dad Horse Experience
World-Self-Pity-Day-Blues
110 bpm • D Maj • 04:20 • -11.53db
7% Popularity • 34% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Sanford Clark
The Glory of Love
98 bpm • C# Maj • 02:07 • -6.48db
10% Popularity • 60% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Die Boogie Banausen
Big Bess
98 bpm • B min • 01:46 • -6.15db
11% Popularity • 70% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Spunyboys
Lights Out
111 bpm • C Maj • 01:52 • -4.77db
7% Popularity • 74% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Amos Milburn
All Is Well
97 bpm • C Maj • 02:24 • -13.68db
13% Popularity • 77% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Pat Capocci
Second Best
97 bpm • G Maj • 02:15 • -8db
21% Popularity • 78% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Jack Scott
Geraldine
97 bpm • D Maj • 02:04 • -11db
16% Popularity • 67% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Jim Beasley & The Charmers
Caught Roped and Tied
111 bpm • G Maj • 02:06 • -5.94db
20% Popularity • 62% Danceability • 91% Energy • 36% Liveness
1% Instrumentalness • 90% Positiveness
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Charles Sheffield
I Would Be A Sinner
111 bpm • F Maj • 02:03 • -8.64db
17% Popularity • 64% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Chris Spedding
I'm Dreaming Of You
111 bpm • D Maj • 01:59 • -8.31db
11% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Charlie Feathers
One Good Gal
111 bpm • F Maj • 02:48 • -8.07db
8% Popularity • 71% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Henry Stella
Never Forget
97 bpm • D Maj • 02:17 • -11.6db
15% Popularity • 55% Danceability • 66% Energy • 28% Liveness
4% Instrumentalness • 49% Positiveness
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The Hula Girls
Mr. Bartender
97 bpm • C Maj • 03:12 • -2.72db
9% Popularity • 69% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Sheb Wooley
Josie (Brown)
112 bpm • G min • 01:53 • -8.88db
10% Popularity • 58% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Slim Rhodes
Do What I Do
97 bpm • G min • 02:29 • -11.65db
9% Popularity • 63% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Dylan Kirk And The Killers
So What
97 bpm • C Maj • 02:21 • -6.95db
12% Popularity • 58% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Larry Williams
Hey Now, Hey Now Aka Jockomo
97 bpm • C min • 01:57 • -8.48db
15% Popularity • 68% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Fergie & The Steelheads
That Lucky Old Sun
97 bpm • C Maj • 04:05 • -8.54db
10% Popularity • 34% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Link Wray
Run Boy Run
112 bpm • G Maj • 02:07 • -6.51db
8% Popularity • 59% Danceability • 95% Energy • 6% Liveness
63% Instrumentalness • 50% Positiveness
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Red McCoy
Rock & Roll Atom
96 bpm • C min • 01:44 • -7.62db
7% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny Duncan
Cold Cold Heart (Reprise)
112 bpm • F Maj • 02:41 • -8.2db
10% Popularity • 40% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Gerry & The Pacemakers
My Babe - Recorded for Saturday Club, 27...
96 bpm • A Maj • 02:25 • -9.73db
8% Popularity • 72% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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The Desperados
Find Me a Woman
96 bpm • E min • 02:01 • -3.29db
20% Popularity • 57% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Ersel Hickey
You Never Can Tell
96 bpm • C# Maj • 01:52 • -7db
11% Popularity • 59% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Flea Bops
Jake's Juice
96 bpm • E min • 02:14 • -8.62db
10% Popularity • 82% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Spunyboys
Honey Hides The Bottle
113 bpm • D Maj • 02:18 • -5.68db
20% Popularity • 78% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Elmore James
Cry For My Baby
96 bpm • G Maj • 02:49 • -11.41db
10% Popularity • 62% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
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Barny and the Rhythm All Stars
Oh Mama
95 bpm • B min • 02:28 • -1.68db
11% Popularity • 58% Danceability • 99% Energy • 39% Liveness
11% Instrumentalness • 92% Positiveness
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You Left Me Standing There