Songs like You Lived in a World of Your Own by Kenneth Ishak
Based on a tempo of (+/- 10%) and a similar genre
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Lake South
Hope Movement Rising
126 bpm • C Maj • 02:48 • -7.4db
18% Popularity • 64% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 64% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Dylan Kearns
All I Ever Wanted Was Your Love
126 bpm • G# Maj • 04:14 • -5.71db
1% Popularity • 57% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
1% Popularity • 57% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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CMON CMON
Way Down
126 bpm • G# Maj • 03:11 • -7.85db
11% Popularity • 49% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 49% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Texicana
Just Between Us
126 bpm • A Maj • 03:09 • -6.99db
15% Popularity • 53% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 53% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Dancing the conga
Brexit girl
126 bpm • F# min • 03:01 • -10.66db
9% Popularity • 62% Danceability • 53% Energy • 11% Liveness
28% Instrumentalness • 57% Positiveness
9% Popularity • 62% Danceability • 53% Energy • 11% Liveness
28% Instrumentalness • 57% Positiveness
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CUSP
She Said (Be Leaving)
126 bpm • B Maj • 03:11 • -7.94db
14% Popularity • 45% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 45% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Wax Owls
Guess You Knew
126 bpm • C# Maj • 03:15 • -7.18db
18% Popularity • 54% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 54% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Kenneth Ishak
You Lived in a World of Your Own
126 bpm • A Maj • 03:21 • -7.99db
1% Popularity • 61% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
1% Popularity • 61% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Hugo Branzén
like i used to
125 bpm • F# Maj • 03:17 • -10.49db
17% Popularity • 57% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 57% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Lish Bills
Hangin' Around
125 bpm • D# Maj • 03:06 • -8.98db
8% Popularity • 66% Danceability • 57% Energy • 9% Liveness
6% Instrumentalness • 38% Positiveness
8% Popularity • 66% Danceability • 57% Energy • 9% Liveness
6% Instrumentalness • 38% Positiveness
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The Cuza
Underwater
125 bpm • D# Maj • 04:25 • -7.95db
9% Popularity • 54% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 54% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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George Moir
Looking Up
127 bpm • B Maj • 02:01 • -9.72db
24% Popularity • 70% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 70% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Jive Talk
The Gardener
125 bpm • C Maj • 03:48 • -6.91db
12% Popularity • 55% Danceability • 85% Energy • 53% Liveness
1% Instrumentalness • 52% Positiveness
12% Popularity • 55% Danceability • 85% Energy • 53% Liveness
1% Instrumentalness • 52% Positiveness
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Kenneth Ishak
Down the Isle
127 bpm • G Maj • 02:54 • -8.98db
0% Popularity • 48% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
0% Popularity • 48% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
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Liam Cosby
My Valentine
127 bpm • A Maj • 04:17 • -9.1db
8% Popularity • 69% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 69% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Nea Fors
Thin Air
125 bpm • D Maj • 04:11 • -5.64db
9% Popularity • 56% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 56% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Tom Jenkins
Back Roads - Country
125 bpm • G Maj • 03:22 • -7.83db
7% Popularity • 65% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
7% Popularity • 65% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Highline
Lead Me Down
125 bpm • C Maj • 04:30 • -7.96db
12% Popularity • 51% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 51% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Choachi
Get Back There
125 bpm • G# Maj • 04:29 • -8.87db
19% Popularity • 48% Danceability • 77% Energy • 8% Liveness
12% Instrumentalness • 61% Positiveness
19% Popularity • 48% Danceability • 77% Energy • 8% Liveness
12% Instrumentalness • 61% Positiveness
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Kenneth Ishak
Across the Ice
127 bpm • F# min • 04:40 • -11.09db
2% Popularity • 52% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
2% Popularity • 52% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Addy Baddy
I'm Just a Nobody
124 bpm • F Maj • 02:35 • -10.25db
19% Popularity • 54% Danceability • 74% Energy • 31% Liveness
89% Instrumentalness • 59% Positiveness
19% Popularity • 54% Danceability • 74% Energy • 31% Liveness
89% Instrumentalness • 59% Positiveness
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Lawrance Roper
Just Get Here
124 bpm • F Maj • 02:51 • -10.83db
10% Popularity • 51% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 51% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Tzars
Hail to the Rebel Hearts
128 bpm • A min • 03:27 • -4.23db
0% Popularity • 45% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 45% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Brad Byrd
Into the Big Idea
124 bpm • G Maj • 04:26 • -8.35db
11% Popularity • 48% Danceability • 79% Energy • 38% Liveness
1% Instrumentalness • 41% Positiveness
11% Popularity • 48% Danceability • 79% Energy • 38% Liveness
1% Instrumentalness • 41% Positiveness
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Shed Sessions
When You Were Young
128 bpm • C Maj • 03:41 • -10.52db
13% Popularity • 49% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 49% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Rob Dobson
Wasted Life
128 bpm • G Maj • 02:35 • -9.67db
11% Popularity • 58% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 58% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Mad Lasso
Whatcha Gotta Do To Be A Cowboy In This ...
128 bpm • G# min • 06:01 • -6.75db
11% Popularity • 65% Danceability • 73% Energy • 10% Liveness
50% Instrumentalness • 33% Positiveness
11% Popularity • 65% Danceability • 73% Energy • 10% Liveness
50% Instrumentalness • 33% Positiveness
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A. Johanson
OK, OK, I'm OK
124 bpm • G# Maj • 04:23 • -13.48db
9% Popularity • 78% Danceability • 42% Energy • 13% Liveness
10% Instrumentalness • 55% Positiveness
9% Popularity • 78% Danceability • 42% Energy • 13% Liveness
10% Instrumentalness • 55% Positiveness
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Mariela
Brandy
128 bpm • C# min • 04:28 • -7.46db
18% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Jacob Fortyhands
The Grand Escape
128 bpm • F Maj • 03:22 • -7.99db
16% Popularity • 78% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 78% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Taylor D
Pretentious Mind
128 bpm • C# min • 03:02 • -11.55db
19% Popularity • 66% Danceability • 44% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
19% Popularity • 66% Danceability • 44% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Multimagic
Focus
128 bpm • G# Maj • 03:19 • -6.18db
12% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Dumb Angel
Lost in Memory
128 bpm • F# min • 07:08 • -11.47db
11% Popularity • 48% Danceability • 57% Energy • 4% Liveness
7% Instrumentalness • 60% Positiveness
11% Popularity • 48% Danceability • 57% Energy • 4% Liveness
7% Instrumentalness • 60% Positiveness
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Kin & Company
The Seal is Broken
124 bpm • C# min • 03:42 • -8.54db
8% Popularity • 59% Danceability • 66% Energy • 72% Liveness
4% Instrumentalness • 47% Positiveness
8% Popularity • 59% Danceability • 66% Energy • 72% Liveness
4% Instrumentalness • 47% Positiveness
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Brad Barnett
Twist Code
128 bpm • B Maj • 03:42 • -8.46db
32% Popularity • 52% Danceability • 69% Energy • 11% Liveness
87% Instrumentalness • 41% Positiveness
32% Popularity • 52% Danceability • 69% Energy • 11% Liveness
87% Instrumentalness • 41% Positiveness
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Carbon City Lights
Must Be Luck
129 bpm • C Maj • 02:56 • -9.29db
14% Popularity • 60% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 60% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Kenneth Ishak
Bottom of the Valley
129 bpm • G Maj • 06:33 • -10.46db
0% Popularity • 54% Danceability • 44% Energy • 10% Liveness
20% Instrumentalness • 12% Positiveness
0% Popularity • 54% Danceability • 44% Energy • 10% Liveness
20% Instrumentalness • 12% Positiveness
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Dan Miraldi
Internet Women
123 bpm • G Maj • 02:59 • -5.18db
15% Popularity • 60% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 60% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Altered by Mom
Waiting on a Sign That's Already There
123 bpm • C Maj • 02:36 • -7.03db
11% Popularity • 67% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 67% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Laddermen
Albatross Romantic
123 bpm • F# min • 04:04 • -10.78db
22% Popularity • 51% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 51% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Kiriyama Family
Keep Calm
123 bpm • C Maj • 04:06 • -8.2db
9% Popularity • 54% Danceability • 79% Energy • 9% Liveness
40% Instrumentalness • 30% Positiveness
9% Popularity • 54% Danceability • 79% Energy • 9% Liveness
40% Instrumentalness • 30% Positiveness
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Pol Mira
Missing line
123 bpm • F Maj • 02:30 • -7.1db
17% Popularity • 80% Danceability • 67% Energy • 9% Liveness
41% Instrumentalness • 96% Positiveness
17% Popularity • 80% Danceability • 67% Energy • 9% Liveness
41% Instrumentalness • 96% Positiveness
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Koala Bar
Danger
129 bpm • E Maj • 04:24 • -9.43db
7% Popularity • 67% Danceability • 40% Energy • 33% Liveness
69% Instrumentalness • 52% Positiveness
7% Popularity • 67% Danceability • 40% Energy • 33% Liveness
69% Instrumentalness • 52% Positiveness
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Slaughter Beach
BFF
123 bpm • F# Maj • 03:23 • -10.46db
13% Popularity • 60% Danceability • 48% Energy • 11% Liveness
73% Instrumentalness • 27% Positiveness
13% Popularity • 60% Danceability • 48% Energy • 11% Liveness
73% Instrumentalness • 27% Positiveness
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Cam Phillips
More Than You Know
123 bpm • G Maj • 03:07 • -13.93db
15% Popularity • 74% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 74% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Night Crowd
Turn Your Back
123 bpm • A Maj • 02:28 • -7.33db
10% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Marsha Swanson
Alma Mahler's Lament
123 bpm • E min • 04:07 • -11.65db
21% Popularity • 33% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 33% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Frøkedal
Old Mistakes
123 bpm • E Maj • 03:39 • -6.02db
18% Popularity • 30% Danceability • 71% Energy • 20% Liveness
12% Instrumentalness • 13% Positiveness
18% Popularity • 30% Danceability • 71% Energy • 20% Liveness
12% Instrumentalness • 13% Positiveness
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Kenneth Ishak
Something (live at the island)
130 bpm • A min • 06:06 • -8.7db
0% Popularity • 68% Danceability • 56% Energy • 8% Liveness
2% Instrumentalness • 51% Positiveness
0% Popularity • 68% Danceability • 56% Energy • 8% Liveness
2% Instrumentalness • 51% Positiveness
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Jack Xander
Kissin' and Fighting
130 bpm • F min • 02:37 • -7.1db
20% Popularity • 63% Danceability • 72% Energy • 10% Liveness
5% Instrumentalness • 79% Positiveness
20% Popularity • 63% Danceability • 72% Energy • 10% Liveness
5% Instrumentalness • 79% Positiveness
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Doug Schuhardt
Some Infinitely Suffering Thing
130 bpm • G Maj • 03:56 • -6.7db
9% Popularity • 58% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 58% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Akira Galaxy
Wanna Be a Star
130 bpm • F# Maj • 03:50 • -7.07db
13% Popularity • 50% Danceability • 71% Energy • 29% Liveness
2% Instrumentalness • 52% Positiveness
13% Popularity • 50% Danceability • 71% Energy • 29% Liveness
2% Instrumentalness • 52% Positiveness
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Carter 3lue
My Life Is So Hard, I Live in a Car
130 bpm • D Maj • 02:52 • -11.99db
15% Popularity • 74% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 74% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 67% Positiveness
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Dolce Blue
Sugar Free
130 bpm • E min • 03:32 • -9.88db
12% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Kenneth Ishak
Something
130 bpm • C Maj • 06:06 • -9.31db
0% Popularity • 53% Danceability • 69% Energy • 9% Liveness
68% Instrumentalness • 31% Positiveness
0% Popularity • 53% Danceability • 69% Energy • 9% Liveness
68% Instrumentalness • 31% Positiveness
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Some Sprouts
Damage
130 bpm • A min • 03:40 • -8.24db
18% Popularity • 72% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 72% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Attic Birds
With You
130 bpm • F min • 03:17 • -11.63db
20% Popularity • 50% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 50% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Jacko Hooper
Getting No Place Fast
122 bpm • D Maj • 03:37 • -7.6db
10% Popularity • 55% Danceability • 69% Energy • 8% Liveness
5% Instrumentalness • 36% Positiveness
10% Popularity • 55% Danceability • 69% Energy • 8% Liveness
5% Instrumentalness • 36% Positiveness
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A Day in Venice
Tendencies
122 bpm • E Maj • 03:05 • -7.02db
18% Popularity • 54% Danceability • 78% Energy • 22% Liveness
61% Instrumentalness • 72% Positiveness
18% Popularity • 54% Danceability • 78% Energy • 22% Liveness
61% Instrumentalness • 72% Positiveness
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Zed
Waiting Game
122 bpm • F# min • 06:18 • -8.41db
17% Popularity • 63% Danceability • 85% Energy • 16% Liveness
9% Instrumentalness • 92% Positiveness
17% Popularity • 63% Danceability • 85% Energy • 16% Liveness
9% Instrumentalness • 92% Positiveness
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Stress Dolls
Close Enough
122 bpm • C# Maj • 03:51 • -8.19db
12% Popularity • 63% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 63% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Lime Tree
How I Looked
130 bpm • G Maj • 04:22 • -6.24db
9% Popularity • 52% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 52% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Glenn Thomas
Soft In The Mind
122 bpm • C Maj • 02:49 • -5.15db
14% Popularity • 74% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 74% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Kenneth Ishak
How You Have Grown
131 bpm • A Maj • 03:52 • -9.77db
0% Popularity • 53% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 53% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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The Debtors
Another Year
131 bpm • D Maj • 03:11 • -7.73db
13% Popularity • 36% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 36% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Tyler Rigdon & the Second Arrangement
I Don't Want to Talk About
131 bpm • B min • 02:51 • -9.74db
8% Popularity • 50% Danceability • 60% Energy • 52% Liveness
1% Instrumentalness • 69% Positiveness
8% Popularity • 50% Danceability • 60% Energy • 52% Liveness
1% Instrumentalness • 69% Positiveness
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Takiya Mason
Waiting
131 bpm • C# min • 03:02 • -4.58db
27% Popularity • 46% Danceability • 85% Energy • 80% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 46% Danceability • 85% Energy • 80% Liveness
0% Instrumentalness • 29% Positiveness
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The Great Recycle
Southside
131 bpm • F Maj • 03:06 • -6.26db
13% Popularity • 60% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 60% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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The Palms
One Stop
131 bpm • A min • 04:22 • -6.53db
26% Popularity • 72% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 72% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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phobia quartet
Windmill
131 bpm • B min • 04:05 • -6.52db
8% Popularity • 55% Danceability • 89% Energy • 50% Liveness
3% Instrumentalness • 87% Positiveness
8% Popularity • 55% Danceability • 89% Energy • 50% Liveness
3% Instrumentalness • 87% Positiveness
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Robby Hecht
Dead Weight
121 bpm • D# Maj • 03:00 • -9.43db
16% Popularity • 59% Danceability • 70% Energy • 39% Liveness
36% Instrumentalness • 86% Positiveness
16% Popularity • 59% Danceability • 70% Energy • 39% Liveness
36% Instrumentalness • 86% Positiveness
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FEVER
Complete Journey
121 bpm • F Maj • 03:37 • -7.02db
19% Popularity • 44% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 44% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Trash Pals
Perfect Dream
132 bpm • C# Maj • 03:39 • -10.72db
12% Popularity • 68% Danceability • 64% Energy • 11% Liveness
34% Instrumentalness • 53% Positiveness
12% Popularity • 68% Danceability • 64% Energy • 11% Liveness
34% Instrumentalness • 53% Positiveness
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Born To Reign
Playing With Fire
120 bpm • C# min • 03:20 • -6.96db
32% Popularity • 46% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 46% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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okmattcollins
I Adore You
132 bpm • C min • 02:59 • -7.89db
12% Popularity • 55% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 55% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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The Violet Parade
Soldier
132 bpm • D Maj • 04:05 • -8.72db
13% Popularity • 53% Danceability • 76% Energy • 36% Liveness
2% Instrumentalness • 83% Positiveness
13% Popularity • 53% Danceability • 76% Energy • 36% Liveness
2% Instrumentalness • 83% Positiveness
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Ewan Jackson
The Mess That We Made
132 bpm • D# Maj • 04:08 • -5.9db
11% Popularity • 53% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 53% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Lola Bateman
He's Totally Screwed
132 bpm • D Maj • 03:22 • -4.03db
14% Popularity • 45% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 45% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Dom Piper
The Feelgood King
132 bpm • E min • 04:29 • -7.68db
16% Popularity • 68% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 68% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Jeckles Way
No War in 24
132 bpm • C# min • 03:06 • -4.52db
33% Popularity • 62% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 62% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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King Ibis
Honeymoon Phase
132 bpm • A# Maj • 03:30 • -5.7db
10% Popularity • 53% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 53% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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The Barons
Would You Want It (If You Had It)
132 bpm • C Maj • 03:57 • -5.84db
19% Popularity • 64% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
19% Popularity • 64% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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The Lonely Together
This Is Just A Moment (It Will Pass)
132 bpm • D Maj • 03:55 • -12.78db
9% Popularity • 35% Danceability • 28% Energy • 45% Liveness
5% Instrumentalness • 16% Positiveness
9% Popularity • 35% Danceability • 28% Energy • 45% Liveness
5% Instrumentalness • 16% Positiveness
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Aessa
First Date
132 bpm • F Maj • 02:32 • -8.07db
22% Popularity • 73% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 73% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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My Life As A Moth
Heated Heart
120 bpm • E Maj • 03:58 • -8.03db
16% Popularity • 57% Danceability • 59% Energy • 14% Liveness
26% Instrumentalness • 33% Positiveness
16% Popularity • 57% Danceability • 59% Energy • 14% Liveness
26% Instrumentalness • 33% Positiveness
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The Valentines
Clouds
132 bpm • D Maj • 02:05 • -4.71db
13% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Baardsen
Itteklang
120 bpm • D Maj • 03:24 • -14.38db
15% Popularity • 53% Danceability • 30% Energy • 9% Liveness
19% Instrumentalness • 15% Positiveness
15% Popularity • 53% Danceability • 30% Energy • 9% Liveness
19% Instrumentalness • 15% Positiveness
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Slim Loris
17 again
120 bpm • E Maj • 02:53 • -8db
13% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Kenneth Ishak
The Broadest Avenues
120 bpm • F# min • 03:51 • -10.38db
0% Popularity • 57% Danceability • 62% Energy • 15% Liveness
16% Instrumentalness • 19% Positiveness
0% Popularity • 57% Danceability • 62% Energy • 15% Liveness
16% Instrumentalness • 19% Positiveness
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Apple Fields
Overwhelmed
120 bpm • C min • 03:52 • -5.08db
21% Popularity • 56% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 56% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Dark Sven
Go to the Hague
120 bpm • A Maj • 03:12 • -7.89db
10% Popularity • 49% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
10% Popularity • 49% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
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Hobart Elite
Lost at Sea
120 bpm • C# min • 04:40 • -6.54db
15% Popularity • 63% Danceability • 81% Energy • 35% Liveness
3% Instrumentalness • 60% Positiveness
15% Popularity • 63% Danceability • 81% Energy • 35% Liveness
3% Instrumentalness • 60% Positiveness
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Desolation Horse
Haircut
132 bpm • E Maj • 03:31 • -10.98db
8% Popularity • 48% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 48% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Baydream
Drug
120 bpm • C min • 02:28 • -6.89db
16% Popularity • 78% Danceability • 75% Energy • 8% Liveness
3% Instrumentalness • 89% Positiveness
16% Popularity • 78% Danceability • 75% Energy • 8% Liveness
3% Instrumentalness • 89% Positiveness
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Kenneth Ishak
Shrines
120 bpm • F# Maj • 04:30 • -9.36db
0% Popularity • 60% Danceability • 71% Energy • 13% Liveness
62% Instrumentalness • 72% Positiveness
0% Popularity • 60% Danceability • 71% Energy • 13% Liveness
62% Instrumentalness • 72% Positiveness
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Andrew Bradley
Acrobat
120 bpm • F Maj • 02:56 • -14.46db
11% Popularity • 63% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 63% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Lewis Newton
You're All I Dream About
120 bpm • D Maj • 05:14 • -8.48db
14% Popularity • 51% Danceability • 30% Energy • 16% Liveness
38% Instrumentalness • 9% Positiveness
14% Popularity • 51% Danceability • 30% Energy • 16% Liveness
38% Instrumentalness • 9% Positiveness
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Eve Parker Finley
In The End
120 bpm • G Maj • 03:09 • -7.96db
9% Popularity • 70% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 70% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
