Songs like You Look So Good In Love by George Strait
Based on a tempo of (+/- 10%) and a similar genre
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Alabama
The Closer You Get
114 bpm • G Maj • 04:31 • -14.94db
50% Popularity • 76% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
50% Popularity • 76% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Ronnie Milsap
I Wouldn't Have Missed It For The World
114 bpm • G Maj • 03:37 • -10.84db
59% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
59% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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George Strait
Wrapped
114 bpm • B Maj • 04:07 • -4.06db
52% Popularity • 59% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
52% Popularity • 59% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Restless Heart
The Bluest Eyes In Texas
114 bpm • A# Maj • 04:47 • -11db
46% Popularity • 64% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 64% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Craig Morgan
This Ole Boy
114 bpm • B Maj • 04:23 • -4.4db
38% Popularity • 59% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 59% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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John Anderson
Straight Tequila Night - Re-Recorded
114 bpm • A Maj • 02:46 • -6.24db
35% Popularity • 63% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 63% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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BlackHawk
There You Have It
114 bpm • E Maj • 03:12 • -5.75db
43% Popularity • 71% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 71% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Dan Seals
My Baby's Got Good Timing
114 bpm • G# Maj • 03:27 • -14.67db
41% Popularity • 78% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
41% Popularity • 78% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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George Strait
She Let Herself Go
114 bpm • F# min • 03:18 • -7.82db
50% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Sara Evans
Three Chords and the Truth
114 bpm • D Maj • 04:05 • -8.86db
33% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Kevin Fowler
Hard Man to Love
114 bpm • A Maj • 04:02 • -6.01db
40% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Tracy Byrd
Big Love
115 bpm • C# Maj • 03:41 • -6.8db
30% Popularity • 68% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 68% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Brooks Jefferson
That Summer
114 bpm • A Maj • 04:45 • -7db
49% Popularity • 58% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 58% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Dan Seals
God Must Be A Cowboy
115 bpm • G# Maj • 03:05 • -11db
50% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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George Strait
You Look So Good In Love
114 bpm • A Maj • 02:57 • -14.59db
47% Popularity • 64% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 64% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Vince Gill
Don't Let Our Love Start Slippin' Away
113 bpm • D# Maj • 03:44 • -9.31db
59% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
59% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Trace Adkins
There's A Girl In Texas
113 bpm • E Maj • 03:32 • -6.62db
41% Popularity • 72% Danceability • 64% Energy • 22% Liveness
2% Instrumentalness • 63% Positiveness
41% Popularity • 72% Danceability • 64% Energy • 22% Liveness
2% Instrumentalness • 63% Positiveness
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Dwight Yoakam
I Sang Dixie
115 bpm • E Maj • 03:47 • -12.5db
48% Popularity • 70% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 70% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Earl Thomas Conley
Fire and Smoke
115 bpm • G Maj • 03:13 • -10db
43% Popularity • 72% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 72% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
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David Lee Murphy
Fish Ain't Bitin'
113 bpm • E min • 02:46 • -10.12db
35% Popularity • 77% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 77% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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George Strait
You Look So Good In Love
115 bpm • A Maj • 03:13 • -17.12db
54% Popularity • 65% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 65% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Tanya Tucker
Down To My Last Teardrop
113 bpm • E Maj • 03:30 • -8.37db
49% Popularity • 76% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 76% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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The Judds
Cry Myself To Sleep
115 bpm • B min • 03:40 • -9.85db
33% Popularity • 90% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 90% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Josh Turner
Lord Have Mercy On A Country Boy
115 bpm • D Maj • 03:06 • -4.55db
46% Popularity • 67% Danceability • 72% Energy • 33% Liveness
2% Instrumentalness • 76% Positiveness
46% Popularity • 67% Danceability • 72% Energy • 33% Liveness
2% Instrumentalness • 76% Positiveness
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Shelly West
Jose Cuervo
115 bpm • G Maj • 02:40 • -9db
50% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
50% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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The Oak Ridge Boys
I'm Settin' Fancy Free - Single Version
115 bpm • D Maj • 03:45 • -19db
41% Popularity • 63% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 63% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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George Strait
Ace In The Hole
115 bpm • F min • 02:39 • -11.58db
40% Popularity • 84% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 84% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Travis Tritt
Here's a Quarter (Call Someone Who Cares...
112 bpm • G Maj • 02:32 • -7db
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Neal McCoy
This Time I Hurt Her More (Than She Love...
116 bpm • G Maj • 02:26 • -9.66db
24% Popularity • 68% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 68% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Ty Herndon
Living In A Moment
116 bpm • G Maj • 03:52 • -6.87db
42% Popularity • 66% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 66% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Aaron Tippin
The Man That Came Between Us (Was Me)
112 bpm • G Maj • 03:09 • -11.52db
22% Popularity • 67% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 67% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Dan Seals
Everything That Glitters (Is Not Gold)
112 bpm • E Maj • 04:52 • -16.73db
53% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
53% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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George Strait
One Night At A Time - Edit
113 bpm • E Maj • 03:19 • -10.77db
40% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Billy Currington
I Got A Feelin'
112 bpm • D Maj • 03:13 • -5.4db
60% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Collin Raye
My Kind of Girl
116 bpm • B Maj • 02:53 • -4db
42% Popularity • 75% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 75% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Sawyer Brown
Thank God For You
116 bpm • F Maj • 03:18 • -6.46db
48% Popularity • 80% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
48% Popularity • 80% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Trace Adkins
(This Ain't) No Thinkin' Thing
116 bpm • A min • 04:02 • -6.3db
54% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
54% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Doug Stone
A Jukebox with a Country Song
112 bpm • D Maj • 03:27 • -6.25db
41% Popularity • 68% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
41% Popularity • 68% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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George Strait
If You're Thinking You Want A Stranger (...
115 bpm • G# Maj • 02:57 • -15.31db
50% Popularity • 71% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 71% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Johnny Lee
You Could've Heard a Heart Break
116 bpm • D Maj • 03:16 • -15.23db
35% Popularity • 70% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 70% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Earl Thomas Conley
Angel In Disguise
112 bpm • A# Maj • 03:55 • -13.76db
34% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Lonestar
No News
116 bpm • F min • 02:53 • -6db
55% Popularity • 74% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
55% Popularity • 74% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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The Bellamy Brothers
When I'm Away From You
112 bpm • G# Maj • 03:50 • -6.23db
39% Popularity • 69% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 69% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Tracy Byrd
Walking To Jerusalem - Single Version
117 bpm • D Maj • 03:26 • -7db
32% Popularity • 69% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 69% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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George Strait
Does Fort Worth Ever Cross Your Mind
112 bpm • C Maj • 03:15 • -17.7db
50% Popularity • 74% Danceability • 32% Energy • 34% Liveness
18% Instrumentalness • 44% Positiveness
50% Popularity • 74% Danceability • 32% Energy • 34% Liveness
18% Instrumentalness • 44% Positiveness
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Little Texas
Amy's Back in Austin
117 bpm • G Maj • 04:37 • -9db
36% Popularity • 64% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 64% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Earl Thomas Conley
Heavenly Bodies
116 bpm • G Maj • 03:05 • -12db
35% Popularity • 70% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 70% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Patty Loveless
Chains
117 bpm • D Maj • 02:29 • -12db
47% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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BlackHawk
Every Once In a While
117 bpm • E Maj • 03:40 • -10.38db
48% Popularity • 75% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 75% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Lorrie Morgan
Five Minutes
117 bpm • G Maj • 03:32 • -14db
39% Popularity • 75% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 75% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Brooks Jefferson
The Beaches of Cheyenne
117 bpm • G Maj • 04:13 • -3.57db
40% Popularity • 59% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 59% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Rick Trevino
Bobbie Ann Mason
117 bpm • F# Maj • 03:14 • -9.17db
42% Popularity • 72% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
42% Popularity • 72% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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George Strait
Love's Gonna Make It Alright
111 bpm • E Maj • 03:48 • -5db
43% Popularity • 71% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 71% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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Ricky Van Shelton
I Am A Simple Man
117 bpm • G Maj • 03:26 • -7db
36% Popularity • 79% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 79% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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Travis Tritt
Foolish Pride
117 bpm • F Maj • 04:18 • -9.13db
35% Popularity • 57% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 57% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Don Williams
It Must Be Love
111 bpm • F Maj • 02:31 • -12db
58% Popularity • 92% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 92% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Montgomery Gentry
She Couldn't Change Me
117 bpm • F Maj • 04:20 • -11db
46% Popularity • 67% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
46% Popularity • 67% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Alabama
Old Flame
111 bpm • F Maj • 03:11 • -8.29db
44% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Steve Wariner
Lonely Women Make Good Lovers
118 bpm • C# Maj • 03:14 • -12db
45% Popularity • 73% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 73% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Neal McCoy
Wink
118 bpm • E Maj • 02:42 • -6.18db
59% Popularity • 71% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
59% Popularity • 71% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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BlackHawk
I'm Not Strong Enough to Say No
111 bpm • C# Maj • 04:14 • -8.81db
48% Popularity • 75% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 75% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Eddy Raven
Operator, Operator
118 bpm • A Maj • 03:05 • -13db
40% Popularity • 84% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 84% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Don Williams
I Believe In You
118 bpm • G Maj • 04:06 • -21.43db
61% Popularity • 51% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
61% Popularity • 51% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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Earl Thomas Conley
What I'd Say
118 bpm • F# Maj • 03:52 • -13db
46% Popularity • 67% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 67% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Steve Wariner
You Can Dream Of Me
110 bpm • A Maj • 04:03 • -17db
30% Popularity • 73% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 73% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Clay Walker
What's It to You
118 bpm • D Maj • 02:46 • -13.22db
59% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
59% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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George Strait
Marina Del Rey
110 bpm • D Maj • 03:03 • -15.2db
52% Popularity • 61% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 61% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Trace Adkins
Songs About Me
118 bpm • C Maj • 03:24 • -3.04db
45% Popularity • 58% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 58% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Trisha Yearwood
That's What I Like About You
118 bpm • G# Maj • 02:40 • -7.41db
45% Popularity • 65% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 65% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Aaron Tippin
My Blue Angel
110 bpm • F Maj • 03:23 • -11.95db
45% Popularity • 65% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 65% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Rick Trevino
Learning As You Go
110 bpm • G Maj • 03:29 • -7db
35% Popularity • 60% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 60% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Clay Walker
Who Needs You Baby
118 bpm • A Maj • 02:47 • -6.9db
31% Popularity • 63% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 63% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Travis Tritt
Drift Off to Dream
118 bpm • G Maj • 05:15 • -11.4db
45% Popularity • 54% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 54% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Alabama
Mountain Music
110 bpm • A Maj • 03:37 • -9.52db
61% Popularity • 47% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
61% Popularity • 47% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Terri Clark
When Boy Meets Girl
119 bpm • C# Maj • 03:01 • -6db
38% Popularity • 69% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
38% Popularity • 69% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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John Michael Montgomery
Long as I Live
109 bpm • G Maj • 04:15 • -10.87db
32% Popularity • 62% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 62% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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John Anderson
Straight Tequila Night
109 bpm • A Maj • 02:53 • -10.11db
62% Popularity • 64% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 64% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Ronnie Milsap
(I'm A) Stand by My Woman Man
119 bpm • D Maj • 02:57 • -9.99db
37% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Steve Wariner
Holes In The Floor Of Heaven
109 bpm • C# Maj • 04:48 • -10.11db
50% Popularity • 66% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 66% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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George Strait
A Fire I Can't Put Out
109 bpm • D# Maj • 03:00 • -12.06db
41% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Midland
Lonely For You Only
109 bpm • D Maj • 03:50 • -7db
48% Popularity • 59% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 59% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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The Judds
Turn It Loose
120 bpm • B Maj • 03:44 • -9db
43% Popularity • 89% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 89% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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John Anderson
She Just Started Liking Cheatin' Songs
119 bpm • G Maj • 02:24 • -15.85db
42% Popularity • 72% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 72% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Trace Adkins
If I Fall (You're Goin' With Me)
120 bpm • A# Maj • 03:07 • -6.12db
28% Popularity • 74% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 74% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
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Lonestar
Come Cryin' To Me
120 bpm • B Maj • 03:41 • -7db
35% Popularity • 69% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 69% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Dwight Yoakam
Things Change
108 bpm • A Maj • 03:45 • -6.75db
40% Popularity • 62% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 62% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
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Aaron Tippin
For You I Will
108 bpm • C# Maj • 03:31 • -7db
35% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Judds
Young Love (Strong Love)
120 bpm • B Maj • 04:22 • -8.34db
44% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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John Anderson
Swingin'
108 bpm • E Maj • 03:03 • -13.95db
47% Popularity • 67% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
47% Popularity • 67% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Marty Stuart
This One's Gonna Hurt You (For A Long, L...
108 bpm • G# Maj • 03:28 • -10.49db
47% Popularity • 64% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 64% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Ricky Van Shelton
Wild Man
121 bpm • A Maj • 03:18 • -7.25db
31% Popularity • 79% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 79% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Collin Raye
I Think About You
121 bpm • C Maj • 03:26 • -7db
49% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Confederate Railroad
She Never Cried - Remastered Version
121 bpm • D Maj • 03:24 • -9.05db
41% Popularity • 76% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 76% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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George Strait
Living And Living Well
121 bpm • C# Maj • 03:26 • -7.42db
38% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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John Anderson
Would You Catch a Falling Star
109 bpm • C# Maj • 02:56 • -15db
40% Popularity • 73% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 73% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Don Williams
Good Ole Boys Like Me
107 bpm • A Maj • 04:15 • -17.56db
54% Popularity • 66% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
54% Popularity • 66% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Billy Currington
That's How Country Boys Roll
121 bpm • D Maj • 03:44 • -3.01db
51% Popularity • 68% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 68% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Earl Thomas Conley
Love Out Loud
121 bpm • G Maj • 03:48 • -13.06db
31% Popularity • 76% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 76% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
