Songs like You Make Love so Well by Kenny Lynch
Based on a tempo of (+/- 10%) and a similar genre
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The Searchers
This Empty Place (Stereo)
127 bpm • F Maj • 02:09 • -7.85db
14% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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P.J. Proby
Hold Me
127 bpm • E Maj • 02:43 • -6.64db
29% Popularity • 39% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 39% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Petula Clark
I Couldn't Live Without Your Love
127 bpm • D Maj • 02:55 • -7.8db
37% Popularity • 58% Danceability • 60% Energy • 68% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 58% Danceability • 60% Energy • 68% Liveness
0% Instrumentalness • 38% Positiveness
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Ronny Douglas
You'll Come Back
127 bpm • G Maj • 02:36 • -5.71db
9% Popularity • 53% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 53% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Billy J. Kramer
Bad to Me
127 bpm • D Maj • 02:21 • -7.74db
41% Popularity • 64% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 64% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Paul & Paula
Flipped over You
127 bpm • A Maj • 02:04 • -9db
13% Popularity • 76% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 76% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Kenny Lynch
Steady Kind
127 bpm • G# Maj • 02:20 • 2.48db
0% Popularity • 55% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 55% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Dee Clark
That's My Girl
127 bpm • D# min • 02:36 • -8db
17% Popularity • 88% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 88% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Paper Dolls
Something Here In My Heart (Keeps a Tell...
127 bpm • A Maj • 02:55 • -6.76db
23% Popularity • 53% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 53% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Shane Fenton & The Fentones
Cindy's Birthday - 2003 Remaster
127 bpm • D Maj • 01:51 • -8.9db
14% Popularity • 62% Danceability • 66% Energy • 31% Liveness
7% Instrumentalness • 88% Positiveness
14% Popularity • 62% Danceability • 66% Energy • 31% Liveness
7% Instrumentalness • 88% Positiveness
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The Migil 5
Mockin' Bird Hill
127 bpm • G Maj • 02:46 • -6.27db
14% Popularity • 61% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 61% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Paul & Paula
Hey Baby
127 bpm • B Maj • 02:24 • -10db
20% Popularity • 49% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 49% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Kenny Lynch
My Own Two Feet
128 bpm • C Maj • 02:32 • -4.98db
0% Popularity • 54% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 54% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Len Barry
123
127 bpm • F Maj • 02:27 • -14db
39% Popularity • 69% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 69% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Major Lance
The Matador
128 bpm • F Maj • 02:26 • -9.5db
13% Popularity • 73% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 73% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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Jodie Sands
With All My Heart - Remastered
126 bpm • G Maj • 02:45 • -6.95db
12% Popularity • 54% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 54% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 61% Positiveness
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Wayne Fontana & The Mindbenders
Stop, Look And Listen
126 bpm • E Maj • 02:00 • -5.48db
13% Popularity • 45% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 45% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
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Dean Barlow
Third Window from the Right
126 bpm • G min • 02:33 • -5.29db
8% Popularity • 61% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 61% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Marmalade
Lovin' Things
126 bpm • G Maj • 03:05 • -7.53db
27% Popularity • 53% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 53% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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The Blossoms
Deep into My Heart
128 bpm • D Maj • 02:40 • -7db
11% Popularity • 69% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 69% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Major Lance
Hey Little Girl
126 bpm • F Maj • 02:28 • -12db
20% Popularity • 80% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 80% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Cliff Bennett & The Rebel Rousers
One Way Love - Mono
128 bpm • D# Maj • 02:20 • -6.24db
22% Popularity • 49% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 49% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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Frank Ifield
The Wayward Wind
128 bpm • B Maj • 02:43 • -10.8db
26% Popularity • 64% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 64% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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The Foundations
In the Bad, Bad Old Days (Before You Lov...
126 bpm • C Maj • 03:25 • -5.02db
30% Popularity • 50% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 50% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Gene McDaniels
Tower of Strength
128 bpm • D Maj • 02:33 • -8.36db
15% Popularity • 57% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 57% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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The Four Preps
Big Man
126 bpm • D# Maj • 02:23 • -8db
31% Popularity • 52% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 52% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Eden Kane
Forget Me Not
129 bpm • E Maj • 02:01 • -10.07db
32% Popularity • 71% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 71% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Edd Byrnes
Kookie Kookie
129 bpm • C min • 02:07 • -8db
9% Popularity • 81% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 81% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Craig Douglas
A Hundred Pounds of Clay
129 bpm • C Maj • 02:34 • -8.69db
36% Popularity • 34% Danceability • 64% Energy • 36% Liveness
1% Instrumentalness • 85% Positiveness
36% Popularity • 34% Danceability • 64% Energy • 36% Liveness
1% Instrumentalness • 85% Positiveness
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Kenny Lynch
I Just Wanna Love You
129 bpm • A Maj • 02:10 • -6.37db
0% Popularity • 59% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 59% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Gene McDaniels
The Secret
125 bpm • E Maj • 02:22 • -13db
12% Popularity • 51% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 51% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Paper Dolls
Something Here In My Heart (Keeps a-Tell...
125 bpm • E Maj • 02:59 • -7.1db
15% Popularity • 69% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 69% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Eden Kane
Forget Me Not
129 bpm • E Maj • 02:05 • -11.87db
18% Popularity • 58% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 58% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Twinkle
Terry
125 bpm • A Maj • 03:10 • -8.32db
21% Popularity • 60% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 60% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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slowed nation
Half The Day Is Gone And We Haven't Earn...
129 bpm • A# min • 06:23 • -12.83db
0% Popularity • 71% Danceability • 81% Energy • 11% Liveness
8% Instrumentalness • 64% Positiveness
0% Popularity • 71% Danceability • 81% Energy • 11% Liveness
8% Instrumentalness • 64% Positiveness
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The Caravelles
You Don't Have to Be a Baby to Cry
125 bpm • C# Maj • 02:04 • -11.86db
13% Popularity • 62% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 62% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Gene McDaniels
Tower Of Strength
129 bpm • D Maj • 02:17 • -10.39db
32% Popularity • 69% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 69% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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Kenny Lynch
There's Never Been a Girl Like You Befor...
125 bpm • B min • 02:27 • 1.96db
0% Popularity • 52% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 52% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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The Chiffons
Dream, Dream, Dream
129 bpm • B Maj • 02:45 • -8.43db
37% Popularity • 55% Danceability • 65% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
37% Popularity • 55% Danceability • 65% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
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The Merseybeats
Sorrow
125 bpm • G Maj • 02:16 • -13.83db
23% Popularity • 46% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 46% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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The Hollywood Argyles
Alley-Oop (Alternate Take)
129 bpm • G Maj • 02:42 • -8db
22% Popularity • 70% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 70% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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The Rockin' Berries
Poor Man's Son
129 bpm • A# Maj • 02:41 • -7.12db
18% Popularity • 61% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 61% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Gene McDaniels
A Hundred Pounds Of Clay
129 bpm • C Maj • 02:22 • -11db
45% Popularity • 68% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 68% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
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Kenny Lynch
Misery
129 bpm • A Maj • 02:08 • -8.16db
2% Popularity • 49% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
2% Popularity • 49% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Tony Orlando
Bless You
125 bpm • C# Maj • 02:10 • -8db
23% Popularity • 42% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 42% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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The Newbeats
Run Baby Run (Back into My Arms)
124 bpm • G Maj • 03:03 • -8.41db
14% Popularity • 78% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 78% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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The Jarmels
Little Lonely One
124 bpm • D Maj • 02:39 • -11.72db
13% Popularity • 67% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 67% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Betty Everett
Getting Mighty Crowded
124 bpm • F Maj • 02:18 • -11db
20% Popularity • 60% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 60% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Billy J. Kramer
From a Window
130 bpm • D Maj • 01:59 • -9.36db
28% Popularity • 56% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 56% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Kenny Lynch
Rio
130 bpm • G Maj • 03:17 • -13.4db
0% Popularity • 76% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 76% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Kathy Kirby
Secret Love (Alternate Take)
130 bpm • G Maj • 02:30 • -4.72db
14% Popularity • 51% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 51% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Barbara George
I Know (You Don't Love Me No More)
124 bpm • F Maj • 02:25 • -10.15db
32% Popularity • 86% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 86% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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The Murmaids
Popsicles And Icicles
124 bpm • D# Maj • 02:31 • -8.08db
32% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Sandie Shaw
Tomorrow
130 bpm • A Maj • 02:55 • -9.58db
19% Popularity • 50% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 50% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Betty Everett
It's in the Kiss (The Shoop Shoop Song)
124 bpm • B min • 02:09 • -8.08db
45% Popularity • 59% Danceability • 53% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 59% Danceability • 53% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
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Toni Fisher
The Big Hurt (Alternate Take)
124 bpm • C Maj • 02:19 • -6.07db
13% Popularity • 61% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 61% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Timi Yuro
That's Right, Walk On By
124 bpm • C Maj • 02:17 • -5.75db
7% Popularity • 69% Danceability • 85% Energy • 42% Liveness
0% Instrumentalness • 95% Positiveness
7% Popularity • 69% Danceability • 85% Energy • 42% Liveness
0% Instrumentalness • 95% Positiveness
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Barbara George
I know (You Don't Love Me No More)
124 bpm • F Maj • 02:24 • -10.76db
29% Popularity • 85% Danceability • 41% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
29% Popularity • 85% Danceability • 41% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
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The Cuff Links
Tracy
130 bpm • B Maj • 02:16 • -11db
37% Popularity • 64% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 64% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Kenny Lynch
Because I Love You
131 bpm • E min • 04:23 • -11.29db
0% Popularity • 69% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 69% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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The Chiffons
Did You Ever Go Steady
124 bpm • A Maj • 02:20 • -4.78db
12% Popularity • 43% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 43% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Ral Donner
You Don't Know What You've Got (Alternat...
131 bpm • C# min • 02:15 • -10.09db
27% Popularity • 66% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 66% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Eden Kane
A New Kind Of Lovin'
131 bpm • D# min • 02:15 • -11.07db
10% Popularity • 60% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 60% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Johnny Crawford
Your Nose Is Gonna Grow
131 bpm • D Maj • 02:05 • -10.68db
22% Popularity • 70% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 70% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Jarmels
The Way You Look Tonight
123 bpm • F Maj • 02:32 • -8.36db
16% Popularity • 54% Danceability • 62% Energy • 61% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 54% Danceability • 62% Energy • 61% Liveness
0% Instrumentalness • 87% Positiveness
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Mark Wynter
It's Almost Tomorrow
123 bpm • D min • 02:27 • -13.44db
21% Popularity • 55% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 55% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Major Lance
The Monkey Time
123 bpm • F Maj • 02:46 • -8.71db
28% Popularity • 80% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 80% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Pickettywitch
That Same Old Feeling
131 bpm • C Maj • 03:05 • -7.49db
37% Popularity • 74% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 74% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Tommy Bruce & The Bruisers
Ain't Misbehavin'
131 bpm • D min • 02:09 • -7.57db
13% Popularity • 86% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 86% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Kenny Lynch
Monument
123 bpm • A# Maj • 02:09 • -8.63db
0% Popularity • 53% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 53% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Jerry Butler
He Will Break Your Heart
131 bpm • G# min • 02:50 • -9.1db
30% Popularity • 61% Danceability • 60% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 61% Danceability • 60% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
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Clyde McPhatter
Ta Ta
131 bpm • G Maj • 02:13 • -6.82db
15% Popularity • 67% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 67% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Freddie & The Dreamers
Funny over You
131 bpm • A Maj • 02:45 • -7.96db
13% Popularity • 39% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 39% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Honeycombs
I Can't Stop
131 bpm • C min • 03:15 • -11.43db
10% Popularity • 59% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 59% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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The Velvelettes
These Things Will Keep Me Loving You
123 bpm • D# Maj • 02:25 • -5.91db
33% Popularity • 65% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 65% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Billy Butler
(You Make Me Think ) You Ain't Ready - R...
123 bpm • D Maj • 02:31 • -10.69db
10% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Dave Berry
Little Things (Rerecorded)
131 bpm • D Maj • 02:22 • -16db
33% Popularity • 78% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
33% Popularity • 78% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Ben King
Dance with Me
131 bpm • D min • 02:22 • -7.93db
18% Popularity • 44% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 44% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 67% Positiveness
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The Formations
At the Top of the Stairs
131 bpm • F# min • 02:18 • -13.73db
29% Popularity • 53% Danceability • 49% Energy • 96% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 53% Danceability • 49% Energy • 96% Liveness
0% Instrumentalness • 81% Positiveness
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The Springfields
Island of Dreams
123 bpm • G# Maj • 02:38 • -4.4db
29% Popularity • 42% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 42% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Doris Troy
I'll Do Anything
123 bpm • D# Maj • 02:40 • -7.39db
23% Popularity • 62% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 62% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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The Foundations
In the Bad Bad Old Days (Before You Love...
123 bpm • B Maj • 03:29 • -11db
9% Popularity • 71% Danceability • 64% Energy • 47% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 71% Danceability • 64% Energy • 47% Liveness
0% Instrumentalness • 81% Positiveness
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Roy Orbison
I'm Hurtin'
132 bpm • G Maj • 02:42 • -9.08db
35% Popularity • 54% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 54% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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Eddie Cochran
Three Steps To Heaven - Single Version
132 bpm • A# Maj • 02:24 • -12.71db
54% Popularity • 68% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
54% Popularity • 68% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Peter And Gordon
Nobody I Know - Mono; 2002 Remaster
132 bpm • C Maj • 02:30 • -6.57db
23% Popularity • 60% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 60% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Kathy Kirby
Secret Love
132 bpm • C Maj • 02:31 • -6.99db
25% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Major Lance
I'm The One Who Loves You
122 bpm • F Maj • 02:06 • -12db
20% Popularity • 75% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 75% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Anthony Newley
Do You Mind?
122 bpm • C Maj • 02:19 • -12db
18% Popularity • 76% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 76% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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The Searchers
Don't Throw Your Love Away
122 bpm • F# Maj • 02:14 • -8.9db
42% Popularity • 48% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
42% Popularity • 48% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Paul & Paula
First Day Back at School
122 bpm • D Maj • 02:26 • -9.78db
24% Popularity • 81% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 81% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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The Merseybeats
Don't Turn Around
132 bpm • A Maj • 02:39 • -14.22db
13% Popularity • 64% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 64% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Marvin Gaye
Wherever I Lay My Hat (That's My Home)
122 bpm • A# Maj • 02:13 • -8.76db
27% Popularity • 57% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 57% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Kathy Kirby
Let Me Go, Lover!
132 bpm • A Maj • 02:14 • -5.73db
18% Popularity • 59% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 59% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Jackie DeShannon
When You Walk In The Room
122 bpm • D Maj • 03:06 • -9.88db
19% Popularity • 52% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 52% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Kenny Lynch
Get Out of My Way
122 bpm • G Maj • 02:27 • -5.74db
0% Popularity • 47% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 47% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Dave Berry
Little Things
132 bpm • B min • 02:23 • -8.48db
25% Popularity • 74% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 74% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Billy J. Kramer
It's Gotta Last Forever
122 bpm • C Maj • 02:28 • -8.95db
22% Popularity • 61% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 61% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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The Fourmost
Some Kind of Wonderful - Stereo; 1997 Re...
122 bpm • A Maj • 02:26 • -10db
14% Popularity • 60% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 60% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
