Songs like You Raise Me Up by Celtic Woman
Based on a tempo of (+/- 10%) and a similar genre
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Mena Massoud
A Whole New World
121 bpm • C Maj • 02:55 • -7.95db
64% Popularity • 40% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
64% Popularity • 40% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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BYU Vocal Point
Lead, Kindly Light (Arr. James L. Steven...
122 bpm • G Maj • 04:04 • -15.16db
38% Popularity • 21% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 21% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Celtic Woman
You Raise Me Up
121 bpm • D Maj • 04:31 • -10.69db
52% Popularity • 26% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
52% Popularity • 26% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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NATI.
When You Come Home Again
120 bpm • A Maj • 04:27 • -7db
32% Popularity • 50% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 50% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Erutan
For the Dancing and the Dreaming
122 bpm • C Maj • 02:53 • -20db
49% Popularity • 37% Danceability • 9% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
49% Popularity • 37% Danceability • 9% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Three Graces
Requiem
122 bpm • A# Maj • 04:04 • -7db
38% Popularity • 36% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
38% Popularity • 36% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Ashley Serena
My Jolly Sailor Bold
120 bpm • F min • 04:24 • -12.94db
52% Popularity • 40% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
52% Popularity • 40% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Mariah Carey
Without You
122 bpm • F# Maj • 03:35 • -11.67db
70% Popularity • 60% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 17% Positiveness
70% Popularity • 60% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 17% Positiveness
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Leona Lewis
Footprints in the Sand
120 bpm • G# Maj • 04:07 • -5.17db
50% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
50% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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The Celtic Tenors
In My Daughter's Eyes
120 bpm • C# Maj • 03:46 • -6.69db
32% Popularity • 43% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 43% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Erutan
Winter Moon
120 bpm • E min • 05:09 • -15.65db
39% Popularity • 33% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
39% Popularity • 33% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Celtic Woman
The Prayer
120 bpm • F Maj • 04:19 • -13.86db
39% Popularity • 24% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 24% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Ashley Serena
All the Pretty Little Horses
120 bpm • G min • 02:17 • -10.39db
33% Popularity • 34% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 34% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Yanni
One Man's Dream
123 bpm • C min • 02:43 • -20.39db
59% Popularity • 36% Danceability • 12% Energy • 14% Liveness
98% Instrumentalness • 19% Positiveness
59% Popularity • 36% Danceability • 12% Energy • 14% Liveness
98% Instrumentalness • 19% Positiveness
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Mariah Carey
Hero
120 bpm • A Maj • 04:17 • -12.9db
69% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
69% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Heather Dale
As I Am
119 bpm • A Maj • 03:03 • -13.69db
24% Popularity • 52% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 52% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Erutan
Itsumo Nando Demo (Always With Me)
123 bpm • E Maj • 04:07 • -18.61db
41% Popularity • 42% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 42% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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MALINDA
Touch the Sky
119 bpm • D Maj • 02:28 • -9.03db
42% Popularity • 39% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 39% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Celtic Woman
The Sky And The Dawn And The Sun
119 bpm • F Maj • 05:19 • -10.19db
39% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Julie Fowlis
Touch The Sky
119 bpm • D Maj • 02:30 • -8.03db
55% Popularity • 38% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
55% Popularity • 38% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Ella Roberts
The Skye Boat Song
123 bpm • F Maj • 04:16 • -9.05db
34% Popularity • 33% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 33% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Military Wives
In My Dreams - Remembrance Version
124 bpm • B Maj • 03:07 • -10.8db
21% Popularity • 25% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 25% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Amy Grant
El-Shaddai
124 bpm • C Maj • 04:08 • -9.95db
47% Popularity • 38% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 38% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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MALINDA
The Skye Boat Song - Reimagined
119 bpm • D Maj • 03:48 • -13.61db
33% Popularity • 29% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 29% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Tom Kendzia
May the Road Rise Up
124 bpm • G Maj • 04:42 • -12db
10% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Celtic Woman
Scarborough Fair
123 bpm • A# Maj • 03:12 • -13.61db
51% Popularity • 25% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 10% Positiveness
51% Popularity • 25% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 10% Positiveness
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JJ Heller
Big Love, Small Moments
118 bpm • C Maj • 03:24 • -9.23db
45% Popularity • 58% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 58% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Josh Groban
You Raise Me Up
118 bpm • A# Maj • 04:52 • -12.16db
60% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
60% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Jasmine Thompson
You Are My Sunshine
124 bpm • D Maj • 02:37 • -10.09db
61% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
61% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Cast Member Performer
Oh, Happy Day! - Sister Act Opening
118 bpm • C Maj • 01:39 • -6db
22% Popularity • 45% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 45% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Miriam Stockley
Forever My Heart
118 bpm • E min • 06:51 • -10db
26% Popularity • 43% Danceability • 45% Energy • 9% Liveness
19% Instrumentalness • 7% Positiveness
26% Popularity • 43% Danceability • 45% Energy • 9% Liveness
19% Instrumentalness • 7% Positiveness
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Celtic Woman
You Raise Me Up
118 bpm • C Maj • 04:10 • -11.09db
23% Popularity • 29% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 29% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Órla Fallon
Down by the Sally Gardens
118 bpm • C Maj • 03:34 • -15.04db
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Kim Orabona
O Danny Boy
124 bpm • A# Maj • 03:43 • -17.44db
12% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Cathie Ryan
Somewhere Along The Road
125 bpm • C Maj • 04:23 • -15db
28% Popularity • 33% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 33% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Eurielle
Carry Me
117 bpm • B min • 04:37 • -12.64db
42% Popularity • 21% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
42% Popularity • 21% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Liz Callaway
Love Will Find A Way
125 bpm • A Maj • 03:00 • -13db
46% Popularity • 34% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
46% Popularity • 34% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Ella Roberts
Errigal
125 bpm • F Maj • 04:09 • -8.49db
26% Popularity • 48% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 48% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Josh Groban
To Where You Are
125 bpm • F Maj • 03:53 • -9db
54% Popularity • 29% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
54% Popularity • 29% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Sarah McLachlan
Angel
117 bpm • C# Maj • 04:30 • -16.09db
67% Popularity • 53% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
67% Popularity • 53% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Zac Efron
Rewrite The Stars
125 bpm • A# Maj • 03:37 • -7.01db
73% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
73% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Celtic Woman
Orinoco Flow
117 bpm • C Maj • 03:32 • -8.72db
41% Popularity • 73% Danceability • 57% Energy • 10% Liveness
12% Instrumentalness • 66% Positiveness
41% Popularity • 73% Danceability • 57% Energy • 10% Liveness
12% Instrumentalness • 66% Positiveness
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Mariah Carey
The Prince Of Egypt (When You Believe)
125 bpm • C# min • 05:01 • -11.43db
48% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
48% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Whitney Houston
When You Believe - from The Prince of Eg...
125 bpm • C# min • 04:32 • -9.62db
66% Popularity • 44% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
66% Popularity • 44% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Elton John
Candle In The Wind 1997
126 bpm • E Maj • 04:10 • -8.18db
56% Popularity • 45% Danceability • 31% Energy • 17% Liveness
1% Instrumentalness • 37% Positiveness
56% Popularity • 45% Danceability • 31% Energy • 17% Liveness
1% Instrumentalness • 37% Positiveness
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Ellie Goulding
How Long Will I Love You
126 bpm • C Maj • 02:34 • -9.28db
72% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
72% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Ophelia of the Spirits
By the Boab Tree
116 bpm • G Maj • 03:49 • -9db
33% Popularity • 34% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
33% Popularity • 34% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Michael Bolton
Go the Distance
126 bpm • D Maj • 04:40 • -8.14db
56% Popularity • 36% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
56% Popularity • 36% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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Camilla Kerslake
Come Home
126 bpm • G min • 03:35 • -6db
17% Popularity • 54% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 54% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Celtic Woman
When You Believe
127 bpm • C# min • 04:30 • -9.79db
28% Popularity • 32% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 32% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Home Free
Try Everything
116 bpm • C# Maj • 03:17 • -8.37db
44% Popularity • 79% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 79% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Performance Artist
Spanish Lady - Live In Tokyo, Japan
116 bpm • C# Maj • 02:11 • -6.12db
13% Popularity • 68% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 68% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Lisa Kelly
Dubhdarra
115 bpm • D Maj • 03:33 • -11.79db
18% Popularity • 32% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 32% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Danny Wright
Feather Theme
127 bpm • D Maj • 03:07 • -26.53db
49% Popularity • 40% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
49% Popularity • 40% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
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MALINDA
Scarborough Fair
115 bpm • B Maj • 03:30 • -11db
39% Popularity • 27% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 27% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Celtic Woman
Lascia Ch'io Pianga
115 bpm • D Maj • 03:31 • -12.05db
26% Popularity • 27% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 27% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Three Graces
1000 Pieces
115 bpm • C min • 03:03 • -7.95db
22% Popularity • 75% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 75% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Terry Oldfield
Shadow Dancer
127 bpm • G Maj • 06:02 • -9db
33% Popularity • 38% Danceability • 43% Energy • 36% Liveness
2% Instrumentalness • 22% Positiveness
33% Popularity • 38% Danceability • 43% Energy • 36% Liveness
2% Instrumentalness • 22% Positiveness
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The Gardyne Chamber Ensemble
Braveheart Theme
127 bpm • D Maj • 02:34 • -9.66db
49% Popularity • 17% Danceability • 29% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
49% Popularity • 17% Danceability • 29% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Erutan
Butterfly's Dream
127 bpm • A# min • 03:10 • -16.94db
33% Popularity • 53% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 17% Positiveness
33% Popularity • 53% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 17% Positiveness
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Ivan Parker
You Raised Me Up
115 bpm • A Maj • 04:08 • -10.91db
31% Popularity • 30% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
31% Popularity • 30% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Julie Andrews
My Favorite Things
114 bpm • C# Maj • 02:20 • -12.47db
57% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
57% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Blackmore's Night
Loreley
115 bpm • G Maj • 03:36 • -5.11db
20% Popularity • 71% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 71% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Méav
Trad: Shenandoah
128 bpm • G min • 03:13 • -13db
28% Popularity • 26% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 9% Positiveness
28% Popularity • 26% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 9% Positiveness
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Westlife
You Raise Me Up
114 bpm • A# Maj • 04:01 • -6.6db
61% Popularity • 23% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
61% Popularity • 23% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Mairead Nesbitt
Skidoo
114 bpm • E min • 03:06 • -10.56db
19% Popularity • 66% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 66% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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BYU Vocal Point
Danny Boy (Arr. McKay Crockett)
128 bpm • D Maj • 04:46 • -12.88db
38% Popularity • 25% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 25% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Celtic Thunder
A Bird Without Wings
114 bpm • A Maj • 04:00 • -8.88db
37% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The Celtic Tenors
From Here To The Moon And Back
114 bpm • G Maj • 04:23 • -8db
27% Popularity • 46% Danceability • 29% Energy • 40% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 46% Danceability • 29% Energy • 40% Liveness
0% Instrumentalness • 25% Positiveness
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Faith Hill
There You'll Be
129 bpm • G# Maj • 03:42 • -7.77db
59% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
59% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Brad Kane
A Whole New World - Remastered 2022
129 bpm • C Maj • 02:40 • -15.74db
55% Popularity • 27% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
55% Popularity • 27% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Méav
Ailen Duinn (Theme of Rob Roy)
113 bpm • F min • 04:15 • -11db
33% Popularity • 33% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
33% Popularity • 33% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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Heather Dale
The Trial of Lancelot
129 bpm • D Maj • 06:20 • -8.77db
23% Popularity • 48% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 48% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Amy Grant
River Lullaby
113 bpm • G# min • 03:56 • -16.47db
38% Popularity • 45% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 45% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Three Graces
Don't Let Me Forget
113 bpm • G# Maj • 04:19 • -7db
28% Popularity • 62% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 62% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Tennessee Gospel Society
Glory, Glory Halleluja
113 bpm • D Maj • 03:53 • -11db
26% Popularity • 76% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 76% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Military Wives
Mealor: Wherever You Are
130 bpm • G# Maj • 02:51 • -11db
28% Popularity • 25% Danceability • 29% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
28% Popularity • 25% Danceability • 29% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
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Anne Murray
Song For The Mira
112 bpm • G Maj • 03:52 • -8.77db
35% Popularity • 42% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 42% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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ACM Gospel Choir
Joyful Joyful
112 bpm • F# Maj • 04:03 • -4.59db
41% Popularity • 60% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 60% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Leah
We Will Go Home
112 bpm • G Maj • 04:50 • -16.8db
33% Popularity • 51% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 51% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Ron Korb
Cuchulainn
131 bpm • D min • 03:01 • -11.52db
15% Popularity • 19% Danceability • 24% Energy • 12% Liveness
73% Instrumentalness • 19% Positiveness
15% Popularity • 19% Danceability • 24% Energy • 12% Liveness
73% Instrumentalness • 19% Positiveness
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The University Of Notre Dame Folk Choir
Siyahamba/We Are Marching - USAXF0510416
112 bpm • C# Maj • 02:57 • -12.85db
27% Popularity • 56% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 56% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Amanda Holden
Don’t Cry For Me Argentina
131 bpm • B Maj • 05:34 • -6.72db
27% Popularity • 30% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 30% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Celtic Woman
Send Me A Song
112 bpm • C Maj • 04:20 • -11.02db
29% Popularity • 43% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 43% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Mary Black
Wonderchild
131 bpm • C Maj • 03:45 • -15db
38% Popularity • 40% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 40% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ella Roberts
The Bonnie Banks of Loch Lomond
131 bpm • E Maj • 04:27 • -10.32db
44% Popularity • 32% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 32% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Karen Taylor-Good
I Forgive You, Me
131 bpm • G Maj • 03:43 • -9.52db
8% Popularity • 48% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 48% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Bryan Adams
(Everything I Do) I Do It For You
131 bpm • C# Maj • 06:33 • -12.63db
76% Popularity • 53% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
76% Popularity • 53% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Lisa Kelly
Send Me a Song
111 bpm • F Maj • 04:48 • -10.73db
20% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Maurice Ravel
Never Say Goodbye (Adapted From "Pavane,...
132 bpm • G Maj • 03:13 • -14db
38% Popularity • 43% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 43% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Nicolas Tovar
You Race Me Up
111 bpm • A# Maj • 04:03 • -3.65db
18% Popularity • 37% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 37% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Eric Whitacre
Glow
132 bpm • B Maj • 03:08 • -16db
26% Popularity • 20% Danceability • 19% Energy • 9% Liveness
38% Instrumentalness • 6% Positiveness
26% Popularity • 20% Danceability • 19% Energy • 9% Liveness
38% Instrumentalness • 6% Positiveness
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Chloë
Like an Angel
132 bpm • C# Maj • 04:29 • -7.58db
12% Popularity • 53% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 53% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Rowenda Taheny
Early One Morning
132 bpm • D Maj • 03:48 • -14.54db
8% Popularity • 48% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 48% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Erutan
The Willow Maid
132 bpm • E min • 05:49 • -15.88db
50% Popularity • 35% Danceability • 19% Energy • 5% Liveness
0% Instrumentalness • 8% Positiveness
50% Popularity • 35% Danceability • 19% Energy • 5% Liveness
0% Instrumentalness • 8% Positiveness
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Eleanor McEvoy
A Woman's Heart
132 bpm • A# Maj • 03:50 • -16db
37% Popularity • 53% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 53% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Mary Black
Only a Woman's Heart
132 bpm • A# Maj • 03:48 • -11.94db
43% Popularity • 52% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 52% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Deloris & The Sisters
My Guy (My God)
132 bpm • D# Maj • 02:28 • -10db
41% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
