Songs like You Said You Loved Me by Lloyd Robinson
Based on a tempo of (+/- 10%) and a similar genre
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Derrick Morgan
No Raise No Praise
119 bpm • G Maj • 02:48 • -9.57db
19% Popularity • 86% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 86% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Lloyd Robinson
The Worm
119 bpm • A Maj • 03:07 • -16.47db
0% Popularity • 90% Danceability • 38% Energy • 11% Liveness
79% Instrumentalness • 96% Positiveness
0% Popularity • 90% Danceability • 38% Energy • 11% Liveness
79% Instrumentalness • 96% Positiveness
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Lord Tanamo
Mattie Rag (Ol' Matilda)
119 bpm • E Maj • 02:33 • -9.15db
17% Popularity • 76% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 76% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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The Reggae Boys
Mama Look Deh
120 bpm • A# Maj • 03:06 • -9.03db
21% Popularity • 94% Danceability • 64% Energy • 12% Liveness
97% Instrumentalness • 100% Positiveness
21% Popularity • 94% Danceability • 64% Energy • 12% Liveness
97% Instrumentalness • 100% Positiveness
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Justin Hinds & The Dominoes
Fight for Your Right
120 bpm • F Maj • 02:33 • -8.32db
15% Popularity • 73% Danceability • 56% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
15% Popularity • 73% Danceability • 56% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Glen Brown
Live and Let Others Live
118 bpm • F min • 02:18 • -7.53db
0% Popularity • 72% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 72% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 75% Positiveness
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Derrick Morgan
The Hop
119 bpm • F Maj • 02:28 • -3db
29% Popularity • 79% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 79% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Lloyd Robinson
You Said You Loved Me
119 bpm • F Maj • 02:11 • -5.51db
9% Popularity • 73% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 73% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Stranger Cole
Pretty Cottage
120 bpm • F# Maj • 02:52 • -6.91db
19% Popularity • 94% Danceability • 65% Energy • 18% Liveness
3% Instrumentalness • 97% Positiveness
19% Popularity • 94% Danceability • 65% Energy • 18% Liveness
3% Instrumentalness • 97% Positiveness
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The Baba Brooks Orchestra
Watermelon Man
121 bpm • C Maj • 02:49 • -5.49db
26% Popularity • 89% Danceability • 59% Energy • 11% Liveness
90% Instrumentalness • 92% Positiveness
26% Popularity • 89% Danceability • 59% Energy • 11% Liveness
90% Instrumentalness • 92% Positiveness
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Baba Brooks
Strongman Sampson
121 bpm • C Maj • 02:39 • -10.34db
21% Popularity • 83% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 83% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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The Hippy Boys
Nurse J'Kel
121 bpm • A# min • 03:18 • -11.8db
13% Popularity • 88% Danceability • 59% Energy • 5% Liveness
88% Instrumentalness • 96% Positiveness
13% Popularity • 88% Danceability • 59% Energy • 5% Liveness
88% Instrumentalness • 96% Positiveness
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Derrick Morgan
Housewife's Choice
118 bpm • G Maj • 02:42 • -10.98db
25% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Lloyd Robinson
The Worm
120 bpm • A Maj • 03:18 • -7.4db
0% Popularity • 89% Danceability • 58% Energy • 11% Liveness
36% Instrumentalness • 78% Positiveness
0% Popularity • 89% Danceability • 58% Energy • 11% Liveness
36% Instrumentalness • 78% Positiveness
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The Kingstonians
Come We Go Moonwalk
122 bpm • A Maj • 02:52 • -12.77db
26% Popularity • 82% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 98% Positiveness
26% Popularity • 82% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 98% Positiveness
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Stranger Cole
When You Call My Name
117 bpm • F Maj • 03:14 • -6.43db
20% Popularity • 80% Danceability • 66% Energy • 9% Liveness
6% Instrumentalness • 97% Positiveness
20% Popularity • 80% Danceability • 66% Energy • 9% Liveness
6% Instrumentalness • 97% Positiveness
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Owen Gray
Patricia
122 bpm • D# Maj • 02:53 • -7.23db
13% Popularity • 63% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 63% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Glen Brown
Too Late
116 bpm • F Maj • 02:22 • -10.22db
6% Popularity • 64% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
6% Popularity • 64% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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The Hippy Boys
Apollo 11
116 bpm • G min • 02:55 • -9.46db
10% Popularity • 69% Danceability • 58% Energy • 5% Liveness
76% Instrumentalness • 77% Positiveness
10% Popularity • 69% Danceability • 58% Energy • 5% Liveness
76% Instrumentalness • 77% Positiveness
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Lloyd Robinson
Memories Heartache
120 bpm • A# Maj • 03:45 • -4.89db
0% Popularity • 64% Danceability • 83% Energy • 40% Liveness
1% Instrumentalness • 65% Positiveness
0% Popularity • 64% Danceability • 83% Energy • 40% Liveness
1% Instrumentalness • 65% Positiveness
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Derrick Morgan
Feeling so Fine
122 bpm • G min • 02:42 • -11.14db
28% Popularity • 74% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 74% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Stranger Cole
Yeah Yeah Baby
120 bpm • F Maj • 03:05 • -6.8db
10% Popularity • 74% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 74% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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The Pioneers
Long Shot (Kick De Bucket)
122 bpm • G Maj • 02:50 • -8.97db
50% Popularity • 94% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 94% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 56% Positiveness
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Roland Alphonso
On the Move
116 bpm • F min • 03:19 • -7.9db
14% Popularity • 79% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 79% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Count Machuki & The Destroyers
Movements [The Joe Gibbs Way]
116 bpm • A min • 02:52 • -9db
15% Popularity • 88% Danceability • 67% Energy • 11% Liveness
67% Instrumentalness • 94% Positiveness
15% Popularity • 88% Danceability • 67% Energy • 11% Liveness
67% Instrumentalness • 94% Positiveness
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Lloyd Robinson
The Worm
118 bpm • C# Maj • 03:09 • -14.27db
6% Popularity • 91% Danceability • 44% Energy • 9% Liveness
88% Instrumentalness • 96% Positiveness
6% Popularity • 91% Danceability • 44% Energy • 9% Liveness
88% Instrumentalness • 96% Positiveness
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Anita Mahfood
Woman a Come
116 bpm • G# Maj • 03:09 • -8.72db
13% Popularity • 84% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 84% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Stranger Cole
Everyday Tomorrow
122 bpm • F Maj • 02:34 • -11.64db
24% Popularity • 90% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 90% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
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Keith
Run to the Rocks
122 bpm • B min • 03:15 • -17.39db
18% Popularity • 85% Danceability • 27% Energy • 17% Liveness
1% Instrumentalness • 91% Positiveness
18% Popularity • 85% Danceability • 27% Energy • 17% Liveness
1% Instrumentalness • 91% Positiveness
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The Gaylads
Soul Sister
116 bpm • C Maj • 02:52 • -11db
17% Popularity • 76% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 76% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Owen Silveras
Next Door Neighbour
122 bpm • A# Maj • 02:28 • -7.69db
18% Popularity • 71% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 71% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Lloyd Robinson
Wormy
120 bpm • A Maj • 03:18 • -7.38db
0% Popularity • 89% Danceability • 58% Energy • 12% Liveness
14% Instrumentalness • 78% Positiveness
0% Popularity • 89% Danceability • 58% Energy • 12% Liveness
14% Instrumentalness • 78% Positiveness
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King Stitt
Oh Yeah
122 bpm • F Maj • 02:48 • -12.34db
11% Popularity • 84% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 84% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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The Slickers
Marcus
122 bpm • G Maj • 03:40 • -3.52db
8% Popularity • 80% Danceability • 89% Energy • 59% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 80% Danceability • 89% Energy • 59% Liveness
0% Instrumentalness • 84% Positiveness
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Boy Friday
Version Girl
123 bpm • A Maj • 03:03 • -8.47db
18% Popularity • 76% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 76% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Stranger Cole & Ken Boothe
Uno Dos Tres
115 bpm • G Maj • 02:47 • -7.88db
14% Popularity • 81% Danceability • 63% Energy • 21% Liveness
9% Instrumentalness • 86% Positiveness
14% Popularity • 81% Danceability • 63% Energy • 21% Liveness
9% Instrumentalness • 86% Positiveness
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Tyrone Evans
If This World Were Mine
115 bpm • C Maj • 02:21 • -10.01db
14% Popularity • 74% Danceability • 56% Energy • 56% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 74% Danceability • 56% Energy • 56% Liveness
0% Instrumentalness • 97% Positiveness
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Lloyd Robinson
Oh Little Girl
118 bpm • F Maj • 02:40 • -10.31db
2% Popularity • 69% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 69% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Melodians
(Come) Rock It With Me
115 bpm • G Maj • 02:54 • -13.97db
27% Popularity • 86% Danceability • 36% Energy • 8% Liveness
3% Instrumentalness • 97% Positiveness
27% Popularity • 86% Danceability • 36% Energy • 8% Liveness
3% Instrumentalness • 97% Positiveness
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Baba Brooks & His Band
Guns Fever
123 bpm • F Maj • 02:53 • -5.21db
21% Popularity • 78% Danceability • 87% Energy • 9% Liveness
90% Instrumentalness • 90% Positiveness
21% Popularity • 78% Danceability • 87% Energy • 9% Liveness
90% Instrumentalness • 90% Positiveness
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Lord Creator
Kingston Town
115 bpm • A# Maj • 03:12 • -9.49db
46% Popularity • 94% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 97% Positiveness
46% Popularity • 94% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 97% Positiveness
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The Silvertones
True Confession
123 bpm • G Maj • 02:42 • -8.61db
22% Popularity • 81% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
22% Popularity • 81% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Derrick Morgan
Blazing Fire
115 bpm • F Maj • 02:56 • -8.77db
29% Popularity • 83% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 83% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Lloyd Robinson
Peace and Love
122 bpm • C Maj • 03:27 • -2.35db
0% Popularity • 66% Danceability • 94% Energy • 30% Liveness
79% Instrumentalness • 95% Positiveness
0% Popularity • 66% Danceability • 94% Energy • 30% Liveness
79% Instrumentalness • 95% Positiveness
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The Slickers
Every Wolf
123 bpm • B Maj • 03:45 • -5.1db
27% Popularity • 85% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 85% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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The Baba Brooks Band
Vitamin A
123 bpm • F min • 02:53 • -4.72db
15% Popularity • 73% Danceability • 94% Energy • 17% Liveness
1% Instrumentalness • 95% Positiveness
15% Popularity • 73% Danceability • 94% Energy • 17% Liveness
1% Instrumentalness • 95% Positiveness
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Clancy Eccles
Freedom
124 bpm • A# Maj • 02:39 • -11.34db
29% Popularity • 88% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 88% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Lee "Scratch" Perry
History
124 bpm • F# Maj • 08:04 • -8.32db
21% Popularity • 84% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 84% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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King Stitt
Lee Van Cleef
124 bpm • C Maj • 02:55 • -11.23db
19% Popularity • 70% Danceability • 58% Energy • 27% Liveness
1% Instrumentalness • 80% Positiveness
19% Popularity • 70% Danceability • 58% Energy • 27% Liveness
1% Instrumentalness • 80% Positiveness
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Justin Hinds & The Dominoes
Carry Go, Bring Come
124 bpm • C Maj • 02:44 • -7.7db
31% Popularity • 78% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 78% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Derrick Morgan
Forward March
114 bpm • D# Maj • 02:57 • -10.27db
22% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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The Silvertones
True Confession
124 bpm • G Maj • 02:41 • -5.02db
8% Popularity • 78% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 98% Positiveness
8% Popularity • 78% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 98% Positiveness
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Desmond Baker
Rude Boy Gone A Jail
125 bpm • G# Maj • 02:45 • -5.92db
11% Popularity • 75% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 75% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Stranger Cole
Rough And Tough
113 bpm • C# Maj • 03:00 • -9.21db
26% Popularity • 94% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 97% Positiveness
26% Popularity • 94% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 97% Positiveness
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Chuck Josephs
I Don't Need Your Love
125 bpm • C# Maj • 02:51 • -10.3db
17% Popularity • 84% Danceability • 27% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
17% Popularity • 84% Danceability • 27% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
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The Kingstonians
Your Love
126 bpm • C Maj • 03:02 • -11.76db
17% Popularity • 86% Danceability • 45% Energy • 8% Liveness
25% Instrumentalness • 96% Positiveness
17% Popularity • 86% Danceability • 45% Energy • 8% Liveness
25% Instrumentalness • 96% Positiveness
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Derrick Morgan
I Want to Go Home
113 bpm • F Maj • 02:21 • -13.42db
36% Popularity • 82% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 82% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Roland Alphonso
Rude Boy
126 bpm • C min • 02:48 • -10.1db
15% Popularity • 81% Danceability • 44% Energy • 7% Liveness
69% Instrumentalness • 82% Positiveness
15% Popularity • 81% Danceability • 44% Energy • 7% Liveness
69% Instrumentalness • 82% Positiveness
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The Gaylads
There's a Fire
126 bpm • A# Maj • 02:12 • -13.67db
27% Popularity • 79% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 79% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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The Melodians
It's My Delight
126 bpm • G Maj • 03:17 • -12.55db
24% Popularity • 83% Danceability • 55% Energy • 29% Liveness
65% Instrumentalness • 93% Positiveness
24% Popularity • 83% Danceability • 55% Energy • 29% Liveness
65% Instrumentalness • 93% Positiveness
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Clancy Eccles
Sammy No Dead
126 bpm • D Maj • 01:49 • -11.53db
26% Popularity • 92% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 92% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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The Hippy Boys
Reggae Pressure
112 bpm • G Maj • 02:52 • -12.85db
15% Popularity • 69% Danceability • 47% Energy • 29% Liveness
86% Instrumentalness • 96% Positiveness
15% Popularity • 69% Danceability • 47% Energy • 29% Liveness
86% Instrumentalness • 96% Positiveness
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The Rulers
Copasetic
112 bpm • G Maj • 02:32 • -11.79db
28% Popularity • 92% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 98% Positiveness
28% Popularity • 92% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 98% Positiveness
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Lyn Taitt
Independence Ska (El Pussycat)
126 bpm • D# Maj • 02:35 • -6.15db
18% Popularity • 86% Danceability • 84% Energy • 30% Liveness
65% Instrumentalness • 97% Positiveness
18% Popularity • 86% Danceability • 84% Energy • 30% Liveness
65% Instrumentalness • 97% Positiveness
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The Slickers
I Want to Take a Chance
112 bpm • C# Maj • 02:46 • -8.37db
15% Popularity • 83% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 83% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Lord Tanamo
Iron Bar
127 bpm • F Maj • 02:16 • -9.47db
25% Popularity • 83% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 83% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Shades
Who You Gonna Run To?
112 bpm • F Maj • 02:35 • -3.83db
17% Popularity • 88% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 88% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Baba Brooks & His Band
One Eyed Giant
127 bpm • A min • 03:07 • -5.66db
13% Popularity • 86% Danceability • 75% Energy • 7% Liveness
84% Instrumentalness • 97% Positiveness
13% Popularity • 86% Danceability • 75% Energy • 7% Liveness
84% Instrumentalness • 97% Positiveness
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The Zodiacs
Renegade
127 bpm • F# min • 02:40 • -6.25db
26% Popularity • 62% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 62% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Junior Murvin
Bad Weed (12" Mix)
127 bpm • G Maj • 08:15 • -9.43db
24% Popularity • 89% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 89% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Freddie Notes
Shanghai
127 bpm • D# Maj • 02:37 • -7.24db
11% Popularity • 94% Danceability • 50% Energy • 23% Liveness
57% Instrumentalness • 97% Positiveness
11% Popularity • 94% Danceability • 50% Energy • 23% Liveness
57% Instrumentalness • 97% Positiveness
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Hortense Ellis
My Last Date
127 bpm • C Maj • 02:16 • -9.21db
20% Popularity • 73% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 84% Positiveness
20% Popularity • 73% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 84% Positiveness
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The Baba Brooks Band
Girls Town Ska
127 bpm • D min • 02:50 • -4.21db
24% Popularity • 83% Danceability • 78% Energy • 9% Liveness
55% Instrumentalness • 97% Positiveness
24% Popularity • 83% Danceability • 78% Energy • 9% Liveness
55% Instrumentalness • 97% Positiveness
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The Hippy Boys
African Zulu
127 bpm • C min • 02:33 • -12.98db
17% Popularity • 87% Danceability • 55% Energy • 13% Liveness
44% Instrumentalness • 91% Positiveness
17% Popularity • 87% Danceability • 55% Energy • 13% Liveness
44% Instrumentalness • 91% Positiveness
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Jackie Opel
You Too Bad
127 bpm • C Maj • 02:34 • -7db
26% Popularity • 72% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 72% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Harry J Allstars
Je T'aime... Moi Non Plus
111 bpm • C Maj • 03:02 • -11.82db
15% Popularity • 67% Danceability • 48% Energy • 12% Liveness
87% Instrumentalness • 97% Positiveness
15% Popularity • 67% Danceability • 48% Energy • 12% Liveness
87% Instrumentalness • 97% Positiveness
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Junior Murvin
Roots Train
128 bpm • G Maj • 03:43 • -12db
41% Popularity • 87% Danceability • 44% Energy • 30% Liveness
17% Instrumentalness • 97% Positiveness
41% Popularity • 87% Danceability • 44% Energy • 30% Liveness
17% Instrumentalness • 97% Positiveness
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Justin Hinds & The Dominoes
The Ark
128 bpm • F Maj • 02:28 • -8.13db
15% Popularity • 74% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 74% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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The Pioneers
Simmer Down Quashie
111 bpm • A# Maj • 01:57 • -12.77db
32% Popularity • 88% Danceability • 46% Energy • 7% Liveness
4% Instrumentalness • 98% Positiveness
32% Popularity • 88% Danceability • 46% Energy • 7% Liveness
4% Instrumentalness • 98% Positiveness
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Don Drummond
Don Cosmic
128 bpm • F Maj • 02:32 • -10.66db
23% Popularity • 74% Danceability • 62% Energy • 9% Liveness
74% Instrumentalness • 96% Positiveness
23% Popularity • 74% Danceability • 62% Energy • 9% Liveness
74% Instrumentalness • 96% Positiveness
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Shenley Duffus
Rukumbine
128 bpm • G Maj • 02:40 • -4db
26% Popularity • 86% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 86% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Jackie Opel
Sit Down Servant
128 bpm • F# Maj • 02:12 • -8.76db
17% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Bunny & Ricky
Bushweed Corntrash
128 bpm • C# Maj • 03:26 • -12.52db
17% Popularity • 89% Danceability • 50% Energy • 8% Liveness
25% Instrumentalness • 92% Positiveness
17% Popularity • 89% Danceability • 50% Energy • 8% Liveness
25% Instrumentalness • 92% Positiveness
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Justin Hinds & The Dominoes
Mother Banner
128 bpm • G Maj • 02:39 • -6.09db
23% Popularity • 88% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
23% Popularity • 88% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
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Lord Tanamo
I'm in the Mood for Love (I'm in the Moo...
129 bpm • D# Maj • 02:31 • -8.29db
43% Popularity • 76% Danceability • 63% Energy • 11% Liveness
80% Instrumentalness • 89% Positiveness
43% Popularity • 76% Danceability • 63% Energy • 11% Liveness
80% Instrumentalness • 89% Positiveness
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Don Drummond
Confucious
128 bpm • D Maj • 02:52 • -5.97db
22% Popularity • 76% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
22% Popularity • 76% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
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The Kingstonians
The Clip
129 bpm • C Maj • 02:46 • -11.01db
18% Popularity • 90% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
18% Popularity • 90% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
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Althea And Donna
Make A Truce - Remastered 2001
129 bpm • A min • 04:00 • -10.8db
36% Popularity • 88% Danceability • 58% Energy • 6% Liveness
3% Instrumentalness • 84% Positiveness
36% Popularity • 88% Danceability • 58% Energy • 6% Liveness
3% Instrumentalness • 84% Positiveness
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The Soulmates
Them A Laugh And A Kiki
129 bpm • F Maj • 02:34 • -10.62db
26% Popularity • 82% Danceability • 47% Energy • 15% Liveness
69% Instrumentalness • 92% Positiveness
26% Popularity • 82% Danceability • 47% Energy • 15% Liveness
69% Instrumentalness • 92% Positiveness
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Justin Hinds & The Dominoes
Here I Stand
110 bpm • A# Maj • 02:27 • -8.3db
28% Popularity • 83% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 83% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Lloyd Charmers
Dollars And Bonds
109 bpm • D Maj • 02:45 • -6.94db
16% Popularity • 68% Danceability • 72% Energy • 19% Liveness
36% Instrumentalness • 69% Positiveness
16% Popularity • 68% Danceability • 72% Energy • 19% Liveness
36% Instrumentalness • 69% Positiveness
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Don Drummond
Don De Lion
128 bpm • C min • 02:25 • -10db
32% Popularity • 86% Danceability • 79% Energy • 5% Liveness
96% Instrumentalness • 82% Positiveness
32% Popularity • 86% Danceability • 79% Energy • 5% Liveness
96% Instrumentalness • 82% Positiveness
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The Kingstonians
Singer Man
129 bpm • D Maj • 03:04 • -11.1db
23% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Roy Panton
We'll Meet
129 bpm • D# min • 02:26 • -7db
36% Popularity • 75% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 75% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Eric Morris
Penny Reel
130 bpm • D# Maj • 02:29 • -11db
18% Popularity • 87% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 87% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Pat Kelly
How Long Will It Take
130 bpm • C Maj • 03:13 • -13db
33% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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The Rulers
What a Situation
109 bpm • F# Maj • 01:47 • -13.06db
13% Popularity • 82% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 82% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Dawn Penn
Are You There
109 bpm • G Maj • 02:33 • -9db
35% Popularity • 88% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
35% Popularity • 88% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
