Songs like You Should'a Treated Me Right by Ike & Tina Turner
Based on a tempo of (+/- 10%) and a similar genre
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Gladys Knight & The Pips
Midnight Train to Georgia
92 bpm • A# min • 04:39 • -12.06db
70% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
70% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Percy Sledge
You Fooled Me
92 bpm • B min • 02:29 • -21.09db
26% Popularity • 66% Danceability • 19% Energy • 21% Liveness
3% Instrumentalness • 41% Positiveness
26% Popularity • 66% Danceability • 19% Energy • 21% Liveness
3% Instrumentalness • 41% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Express Yourself
92 bpm • G# Maj • 03:53 • -8.84db
60% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
60% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Ike & Tina Turner
Goodbye, So Long
92 bpm • E Maj • 01:57 • -8.59db
17% Popularity • 67% Danceability • 75% Energy • 12% Liveness
7% Instrumentalness • 97% Positiveness
17% Popularity • 67% Danceability • 75% Energy • 12% Liveness
7% Instrumentalness • 97% Positiveness
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Manfred Mann
Mighty Quinn
93 bpm • B Maj • 02:53 • -2.83db
46% Popularity • 59% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 59% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Melanie
Lay Down (Candles in the Rain)
92 bpm • G Maj • 07:41 • -4.87db
17% Popularity • 31% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 31% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Jean Knight
Mr. Big Stuff
93 bpm • G# Maj • 02:44 • -12.59db
67% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
67% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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Mud
Tiger Feet
93 bpm • B Maj • 03:50 • -7.23db
45% Popularity • 53% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 53% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 74% Positiveness
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Marvin Gaye
Ain't Nothing Like The Real Thing
93 bpm • G# Maj • 02:18 • -11db
54% Popularity • 61% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 61% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Bee Gees
To Love Somebody
90 bpm • A Maj • 03:02 • -12.5db
70% Popularity • 42% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
70% Popularity • 42% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Ike & Tina Turner
Sweet Soul Music - Live From Madison Squ...
91 bpm • A# min • 01:16 • -7.58db
19% Popularity • 62% Danceability • 87% Energy • 81% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 62% Danceability • 87% Energy • 81% Liveness
0% Instrumentalness • 50% Positiveness
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Lou Rawls
Lady Love
90 bpm • C Maj • 04:02 • -7.69db
53% Popularity • 66% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
53% Popularity • 66% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Thunderclap Newman
Something In The Air
94 bpm • G# min • 03:54 • -11.74db
50% Popularity • 51% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 51% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Betty Wright
Clean up Woman
90 bpm • F Maj • 02:49 • -9.05db
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Thelma Houston
Me And Bobby McGee
94 bpm • C Maj • 03:24 • -12.24db
16% Popularity • 59% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 59% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Harold Melvin & The Blue Notes
If You Don't Know Me by Now
95 bpm • B Maj • 03:25 • -9.55db
61% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
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The Righteous Brothers
You've Lost That Lovin' Feelin' - Single...
95 bpm • C# Maj • 03:46 • -14.3db
65% Popularity • 37% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 37% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Martha Reeves & The Vandellas
I'm Ready For Love
95 bpm • F min • 02:51 • -8db
34% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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The Miracles
Mickey's Monkey
95 bpm • A# min • 02:45 • -11.21db
27% Popularity • 70% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 70% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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The Supremes
My World Is Empty Without You
89 bpm • F# min • 02:34 • -9.38db
50% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
50% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Otis Redding
Hard to Handle
96 bpm • A# Maj • 02:21 • -8.67db
68% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
68% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Jackie Wilson
(Your Love Keeps Lifting Me) Higher & Hi...
96 bpm • D Maj • 02:59 • -7.19db
71% Popularity • 63% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
71% Popularity • 63% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Blood, Sweat & Tears
You've Made Me So Very Happy
96 bpm • D# min • 04:18 • -9.11db
49% Popularity • 41% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 41% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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Sugar Pie DeSanto
Soulful Dress
88 bpm • G min • 02:49 • -9.78db
48% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Irma Thomas
Time Is On My Side
96 bpm • C Maj • 02:52 • -9db
49% Popularity • 52% Danceability • 62% Energy • 51% Liveness
1% Instrumentalness • 60% Positiveness
49% Popularity • 52% Danceability • 62% Energy • 51% Liveness
1% Instrumentalness • 60% Positiveness
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The Supremes
These Boots Are Made For Walking
88 bpm • G Maj • 02:31 • -11.21db
40% Popularity • 67% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 67% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Ike & Tina Turner
Proud Mary
96 bpm • D Maj • 04:57 • -10.73db
58% Popularity • 60% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 60% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Smokey Robinson & The Miracles
The Tracks Of My Tears
97 bpm • G Maj • 02:54 • -10.91db
65% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
65% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Blood, Sweat & Tears
Spinning Wheel
97 bpm • G Maj • 04:07 • -9.31db
51% Popularity • 70% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 70% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Trini Lopez
If i Had A Hammer
87 bpm • D Maj • 02:57 • -8.21db
43% Popularity • 54% Danceability • 94% Energy • 94% Liveness
0% Instrumentalness • 92% Positiveness
43% Popularity • 54% Danceability • 94% Energy • 94% Liveness
0% Instrumentalness • 92% Positiveness
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Percy Sledge
My Special Prayer
97 bpm • G Maj • 03:05 • -9db
46% Popularity • 56% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 56% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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The Supremes
You Can't Hurry Love
97 bpm • A# Maj • 02:47 • -9.34db
74% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Wilson Pickett
Land of 1000 Dances
87 bpm • D Maj • 02:26 • -11.62db
67% Popularity • 62% Danceability • 59% Energy • 35% Liveness
3% Instrumentalness • 77% Positiveness
67% Popularity • 62% Danceability • 59% Energy • 35% Liveness
3% Instrumentalness • 77% Positiveness
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The O'Jays
For the Love of Money
97 bpm • C Maj • 07:19 • -7.74db
55% Popularity • 68% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
55% Popularity • 68% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Helen Shapiro
Walkin' Back to Happiness
98 bpm • G# Maj • 02:31 • -9db
48% Popularity • 66% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 66% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Marvin Gaye
You're All I Need To Get By
98 bpm • B min • 02:53 • -11.07db
61% Popularity • 51% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
61% Popularity • 51% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Percy Sledge
When a Man Loves a Woman
97 bpm • C# Maj • 02:53 • -20.41db
69% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
69% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Harold Melvin & The Blue Notes
Wake Up Everybody
98 bpm • F# Maj • 07:32 • -8.12db
58% Popularity • 56% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
58% Popularity • 56% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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The Spinners
The Rubberband Man
98 bpm • A# Maj • 03:33 • -14.61db
65% Popularity • 80% Danceability • 45% Energy • 8% Liveness
4% Instrumentalness • 92% Positiveness
65% Popularity • 80% Danceability • 45% Energy • 8% Liveness
4% Instrumentalness • 92% Positiveness
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Ike & Tina Turner
Too Hot To Hold - Original Pompeii Recor...
98 bpm • C# min • 02:10 • -8.82db
8% Popularity • 74% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 74% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Billy Preston
Will It Go Round In Circles
98 bpm • C# Maj • 04:27 • -3.77db
45% Popularity • 69% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 69% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Diana Ross & The Supremes
I'm Gonna Make You Love Me
98 bpm • A# Maj • 03:07 • -11.89db
52% Popularity • 64% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 64% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Percy Sledge
You Really Got a Hold on Me
86 bpm • C Maj • 02:53 • -14db
53% Popularity • 68% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 68% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Four Tops
Loving You Is Sweeter Than Ever
99 bpm • F Maj • 02:50 • -8db
39% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Ruffin
What Becomes Of The Brokenhearted
99 bpm • G min • 02:55 • -12.67db
58% Popularity • 72% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
58% Popularity • 72% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
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Ike & Tina Turner
Son Of A Preacher Man - Live From Madiso...
86 bpm • G# Maj • 02:49 • -8.71db
35% Popularity • 43% Danceability • 67% Energy • 53% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 43% Danceability • 67% Energy • 53% Liveness
0% Instrumentalness • 85% Positiveness
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The Troggs
Love Is All Around
99 bpm • D Maj • 02:57 • -8.1db
51% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Bo Diddley
I'm A Man
86 bpm • C Maj • 02:44 • -15.67db
56% Popularity • 51% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 51% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Percy Sledge
Love Me Tender
99 bpm • G# Maj • 03:07 • -12.75db
29% Popularity • 50% Danceability • 33% Energy • 12% Liveness
7% Instrumentalness • 45% Positiveness
29% Popularity • 50% Danceability • 33% Energy • 12% Liveness
7% Instrumentalness • 45% Positiveness
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Them
Here Comes the Night
99 bpm • E Maj • 02:47 • -9.42db
47% Popularity • 64% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 64% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Bill Withers
Who Is He (And What Is He to You)?
99 bpm • C# min • 03:14 • -12.54db
60% Popularity • 92% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 92% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Marvin Gaye
Can I Get A Witness - Single Version / M...
85 bpm • G# Maj • 02:46 • -6.42db
42% Popularity • 67% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 67% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Diana Ross & The Supremes
Reflections
100 bpm • C# Maj • 02:49 • -10db
49% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Stevie Wonder
Superstition - Single Version
100 bpm • G# Maj • 04:05 • -12.12db
74% Popularity • 63% Danceability • 63% Energy • 4% Liveness
1% Instrumentalness • 87% Positiveness
74% Popularity • 63% Danceability • 63% Energy • 4% Liveness
1% Instrumentalness • 87% Positiveness
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Hot Chocolate
Emma
101 bpm • D Maj • 03:52 • -7db
44% Popularity • 63% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 63% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Them
Here Comes the Night
99 bpm • E Maj • 02:45 • -8.34db
42% Popularity • 71% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
42% Popularity • 71% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Ashford & Simpson
Solid
101 bpm • C Maj • 05:12 • -12db
55% Popularity • 81% Danceability • 47% Energy • 60% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 81% Danceability • 47% Energy • 60% Liveness
0% Instrumentalness • 96% Positiveness
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The Ides Of March
Vehicle
102 bpm • A# min • 02:58 • -8.81db
53% Popularity • 47% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
53% Popularity • 47% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Billy Ocean
Red Light Spells Danger
83 bpm • E Maj • 03:30 • -6.22db
59% Popularity • 54% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
59% Popularity • 54% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Stevie Wonder
Superstition
101 bpm • C# Maj • 04:26 • -14.17db
67% Popularity • 61% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 88% Positiveness
67% Popularity • 61% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 88% Positiveness
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The Dixie Cups
Iko Iko
102 bpm • A min • 02:06 • -10db
55% Popularity • 91% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
55% Popularity • 91% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Ike & Tina Turner
River Deep - Mountain High
83 bpm • D# Maj • 03:34 • -7db
54% Popularity • 39% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
54% Popularity • 39% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Martha Reeves & The Vandellas
Heatwave
83 bpm • C min • 02:49 • -4db
38% Popularity • 54% Danceability • 86% Energy • 27% Liveness
1% Instrumentalness • 85% Positiveness
38% Popularity • 54% Danceability • 86% Energy • 27% Liveness
1% Instrumentalness • 85% Positiveness
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Mungo Jerry
In the Summertime
83 bpm • E Maj • 03:31 • -14.01db
69% Popularity • 75% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
69% Popularity • 75% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Simon & Garfunkel
Cecilia
103 bpm • C Maj • 02:54 • -8.87db
73% Popularity • 76% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
73% Popularity • 76% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Stevie Wonder
Yester-Me, Yester-You, Yesterday
101 bpm • F# Maj • 03:05 • -11.42db
51% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Preston
Nothing From Nothing
103 bpm • A min • 02:36 • -4db
62% Popularity • 81% Danceability • 83% Energy • 20% Liveness
1% Instrumentalness • 91% Positiveness
62% Popularity • 81% Danceability • 83% Energy • 20% Liveness
1% Instrumentalness • 91% Positiveness
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Ike & Tina Turner
Ooh Poo Pah Doo
102 bpm • G# Maj • 03:36 • -11.21db
17% Popularity • 68% Danceability • 49% Energy • 9% Liveness
26% Instrumentalness • 45% Positiveness
17% Popularity • 68% Danceability • 49% Energy • 9% Liveness
26% Instrumentalness • 45% Positiveness
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George Baker Selection
Little Green Bag - Single Edit
103 bpm • G Maj • 03:21 • -7.63db
57% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
57% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Percy Sledge
Warm and Tender Love - Single Version
82 bpm • D Maj • 03:21 • -11.88db
36% Popularity • 49% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 49% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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The Impressions
It's All Right - Single Version
82 bpm • C# Maj • 02:47 • -15db
48% Popularity • 56% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 56% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Clarence Carter
Snatching It Back
104 bpm • F# Maj • 02:52 • -11.07db
36% Popularity • 73% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 73% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Ian Dury
Hit Me with Your Rhythm Stick
104 bpm • F min • 03:43 • -16.36db
50% Popularity • 72% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
50% Popularity • 72% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Frankie Valli & The Four Seasons
December, 1963 (Oh What a Night!)
104 bpm • C# Maj • 03:17 • -13.49db
75% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
75% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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George McCrae
Rock Your Baby
104 bpm • C# Maj • 03:20 • -5.54db
61% Popularity • 59% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
61% Popularity • 59% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Percy Sledge
Cover Me
82 bpm • A Maj • 02:50 • -11.05db
31% Popularity • 50% Danceability • 25% Energy • 51% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 50% Danceability • 25% Energy • 51% Liveness
0% Instrumentalness • 49% Positiveness
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Ike & Tina Turner
Proud Mary - Live
81 bpm • C# Maj • 06:57 • -12.36db
11% Popularity • 47% Danceability • 41% Energy • 70% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 47% Danceability • 41% Energy • 70% Liveness
0% Instrumentalness • 56% Positiveness
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Clarence Carter
Patches
81 bpm • E Maj • 03:13 • -12.84db
45% Popularity • 64% Danceability • 54% Energy • 48% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 64% Danceability • 54% Energy • 48% Liveness
0% Instrumentalness • 79% Positiveness
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The Temptations
My Girl
105 bpm • C Maj • 02:45 • -10.74db
81% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
81% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Sammy Davis Jr.
Baretta's Theme
105 bpm • E min • 02:25 • -7.84db
37% Popularity • 64% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 64% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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The Pointer Sisters
Neutron Dance
105 bpm • A Maj • 04:13 • -6.88db
50% Popularity • 75% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 75% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Fats Domino
Walking To New Orleans
81 bpm • C# Maj • 01:58 • -14.34db
50% Popularity • 58% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
50% Popularity • 58% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Hot Chocolate
So You Win Again
105 bpm • A Maj • 04:31 • -9db
49% Popularity • 71% Danceability • 54% Energy • 39% Liveness
14% Instrumentalness • 82% Positiveness
49% Popularity • 71% Danceability • 54% Energy • 39% Liveness
14% Instrumentalness • 82% Positiveness
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Commodores
Nightshift
105 bpm • G# Maj • 05:06 • -10.19db
65% Popularity • 73% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
65% Popularity • 73% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
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Diana Ross & The Supremes
Love Child
105 bpm • A min • 03:01 • -0.81db
49% Popularity • 57% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 57% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Eddie Floyd
Knock on Wood
105 bpm • E Maj • 03:09 • -12.92db
60% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
60% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Stevie Wonder
We Can Work It Out
105 bpm • G# Maj • 03:19 • -12db
57% Popularity • 61% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
57% Popularity • 61% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Arthur Conley
Sweet Soul Music
80 bpm • F Maj • 02:21 • -9.67db
61% Popularity • 59% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 59% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Donovan
Mellow Yellow
105 bpm • D Maj • 03:47 • -12.39db
51% Popularity • 71% Danceability • 32% Energy • 21% Liveness
2% Instrumentalness • 76% Positiveness
51% Popularity • 71% Danceability • 32% Energy • 21% Liveness
2% Instrumentalness • 76% Positiveness
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Bobby Bloom
Montego Bay
106 bpm • G Maj • 02:56 • -10db
41% Popularity • 76% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
41% Popularity • 76% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Billy Joe Royal
Hush
106 bpm • G# Maj • 02:38 • -11.32db
30% Popularity • 59% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 59% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Ike & Tina Turner
Come Together - Remastered 2021
80 bpm • D# min • 03:36 • -10.12db
7% Popularity • 69% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 69% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Bo Diddley
Bo Diddley
106 bpm • C Maj • 02:29 • -12.48db
49% Popularity • 81% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 81% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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The Monkees
I'm a Believer - 2006 Remaster
80 bpm • C Maj • 02:47 • -6.05db
76% Popularity • 53% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
76% Popularity • 53% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Hot Chocolate
You Sexy Thing
106 bpm • F Maj • 04:04 • -5.47db
73% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
73% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Bee Gees
Jive Talkin'
106 bpm • G min • 03:42 • -12.97db
62% Popularity • 81% Danceability • 55% Energy • 16% Liveness
9% Instrumentalness • 73% Positiveness
62% Popularity • 81% Danceability • 55% Energy • 16% Liveness
9% Instrumentalness • 73% Positiveness
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Freda Payne
Band Of Gold (Single Mix)
106 bpm • B min • 02:58 • -8db
51% Popularity • 76% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
51% Popularity • 76% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Them
Baby, Please Don't Go
106 bpm • F Maj • 02:42 • -6.82db
55% Popularity • 72% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 72% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
