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You Shouldn't Be a Memory
Songs like
You Shouldn't Be a Memory
by
Byron Walls
Based on a tempo of (+/- 10%) and a similar genre
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The Flatlanders
My Wildest Dreams Grow Wilder Every Day
146 bpm • C Maj • 03:04 • -5.23db
11% Popularity • 61% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Byron Walls
You Shouldn't Be a Memory
147 bpm • D Maj • 03:32 • -16.22db
0% Popularity • 58% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Don McLean
Eventually
146 bpm • E Maj • 02:53 • -17.08db
16% Popularity • 61% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Wayne Perry
Stay with the Ship
148 bpm • E Maj • 03:48 • -4.76db
14% Popularity • 53% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Sam Miller
Kentucky Blue Kentucky Bound
146 bpm • C Maj • 02:43 • -10.71db
17% Popularity • 65% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Jerry Reed
Promises
148 bpm • G Maj • 03:13 • -13.56db
11% Popularity • 64% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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T. Tommy
Don't You Know Better Than That
148 bpm • A Maj • 02:53 • -15.25db
15% Popularity • 59% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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Byron Walls
Jump Off The Edge And Fly
146 bpm • D Maj • 03:33 • -19.14db
0% Popularity • 47% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Magee Keats
The Mountain Of Love
145 bpm • D Maj • 02:28 • -7.62db
21% Popularity • 59% Danceability • 88% Energy • 7% Liveness
27% Instrumentalness • 95% Positiveness
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Wayne Perry
Sea of Time
146 bpm • E Maj • 04:19 • -9.35db
14% Popularity • 54% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Hiram Nora
Bad Is Beautiful
148 bpm • C Maj • 04:38 • -14db
21% Popularity • 52% Danceability • 33% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
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Travis Smith
I Didn't Mean to Mama
145 bpm • D Maj • 04:06 • -12.75db
14% Popularity • 65% Danceability • 49% Energy • 13% Liveness
2% Instrumentalness • 58% Positiveness
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Zachary Lucky
Sunday Morning at the Dragstrip
145 bpm • A# Maj • 02:49 • -9.42db
15% Popularity • 48% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Stanley Mills
Where to Go
145 bpm • D Maj • 03:48 • -14.61db
21% Popularity • 48% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Natalie Tomlinson
Under Your Spell Again
145 bpm • B Maj • 02:51 • -11.8db
13% Popularity • 53% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Lorenzo Feria
Just A Memory
144 bpm • A# Maj • 02:43 • -9.76db
8% Popularity • 54% Danceability • 76% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
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Lacy J. Dalton
Let 'em Run
145 bpm • A# Maj • 03:43 • -8.21db
7% Popularity • 62% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Michael Martin Murphey
Road Beyond the View
150 bpm • E Maj • 03:29 • -8.95db
9% Popularity • 60% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Rick Gunter
In a Small Town
150 bpm • C Maj • 02:40 • -13.41db
8% Popularity • 54% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Paul Overstreet
Takes A Whole Lot Of Liquor To Like Her ...
150 bpm • G Maj • 03:06 • -8.5db
7% Popularity • 54% Danceability • 36% Energy • 81% Liveness
0% Instrumentalness • 70% Positiveness
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Ashley Harding
Keep It Under Your Hat
150 bpm • C Maj • 03:56 • -10.31db
20% Popularity • 63% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Richard Abila
He Stopped Loving Her Today
144 bpm • G# Maj • 03:24 • -8.54db
9% Popularity • 44% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Tim Ward
And They Say Love Is Grand
150 bpm • D Maj • 03:01 • -16.07db
16% Popularity • 54% Danceability • 29% Energy • 14% Liveness
1% Instrumentalness • 43% Positiveness
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Brady Lux
Take Me Back To Montana
143 bpm • B Maj • 03:40 • -7.86db
10% Popularity • 59% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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ROY BAHAM
Birds Fly and Sing over Everybody but Me
152 bpm • E Maj • 02:14 • -13.63db
12% Popularity • 68% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Wayne Perry
At the Name of Jesus
152 bpm • G Maj • 03:46 • -4.86db
16% Popularity • 58% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Albert Kuhlman
The St. Johns Island
152 bpm • D Maj • 05:34 • -18.28db
12% Popularity • 43% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Muriel Arnold
Into The Wilderness
152 bpm • D Maj • 03:50 • -14.15db
27% Popularity • 56% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Hoyt Axton
A Stone And A Feather
152 bpm • D Maj • 02:56 • -7.8db
8% Popularity • 42% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Jeff Daniels
Come a Little Closer
141 bpm • B min • 04:10 • -14.09db
8% Popularity • 46% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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George Kent
I Can't Leave Now ('Cause Someone Moved ...
142 bpm • F# Maj • 02:26 • -15.19db
12% Popularity • 64% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Wayne Perry
He's a Deliverer
142 bpm • F# min • 03:59 • -7.26db
14% Popularity • 61% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Doug Meier
Could Not, Would Not, Shouldn't Be
153 bpm • E Maj • 03:01 • -9.57db
15% Popularity • 59% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Brian Cadd
The One That Got Away
141 bpm • A Maj • 04:14 • -5.11db
17% Popularity • 55% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Byron Walls
Learning to Choose
141 bpm • A Maj • 03:22 • -14.89db
0% Popularity • 80% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Steve Young
Montgomery In The Rain
154 bpm • C Maj • 04:08 • -7.22db
8% Popularity • 47% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Joe Irrera
It's Raining
140 bpm • B Maj • 03:34 • -19.63db
21% Popularity • 63% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Buddy Red Bow
You Are Not The Only One
154 bpm • G Maj • 04:40 • -21.57db
7% Popularity • 30% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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J. R. Rosenberger
A Cowboy Saturday Night
140 bpm • G Maj • 03:24 • -11db
8% Popularity • 86% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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David Allan Coe
Drivin' My Life Away
140 bpm • G Maj • 03:37 • -12.11db
7% Popularity • 52% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Brayden Williamson
I Wish Things Were the Way They Used to ...
140 bpm • E Maj • 03:03 • -13.83db
9% Popularity • 77% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Gert
Man on the Radio
140 bpm • G Maj • 03:33 • -4.6db
15% Popularity • 46% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Wood Andrews
Bad For Business
140 bpm • A Maj • 02:14 • -10.69db
14% Popularity • 56% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Dave Sutherland
One True Love
139 bpm • D Maj • 02:55 • -10.51db
8% Popularity • 68% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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Riley
Daddy's Come Home
139 bpm • C# Maj • 03:18 • -13.69db
10% Popularity • 74% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Charley Pride
The Chain of Love
139 bpm • D Maj • 04:07 • -8.34db
8% Popularity • 52% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Aron Brazee
The Last Yellow Rose
139 bpm • G# Maj • 02:18 • -14.35db
12% Popularity • 64% Danceability • 40% Energy • 10% Liveness
6% Instrumentalness • 81% Positiveness
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Luanne Hunt
Lightning in a Bottle
156 bpm • A# Maj • 03:30 • -6.06db
11% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Wayne Perry
Same Man
138 bpm • F Maj • 03:52 • -5.79db
19% Popularity • 54% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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G.B. Lamb
My Poor Heart (Has Left This Town)
138 bpm • D Maj • 04:06 • -9.33db
12% Popularity • 63% Danceability • 48% Energy • 18% Liveness
49% Instrumentalness • 50% Positiveness
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Pete Pansy
Large City
156 bpm • D Maj • 02:38 • -8.09db
21% Popularity • 60% Danceability • 70% Energy • 16% Liveness
3% Instrumentalness • 90% Positiveness
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Tom Paxton
Complete
138 bpm • C Maj • 02:45 • -10.86db
9% Popularity • 72% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Byron Walls
A Piece Of Me
157 bpm • A Maj • 03:33 • -15.2db
0% Popularity • 59% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jamie Shea
The Sky is Dark
157 bpm • D Maj • 03:55 • -13.21db
7% Popularity • 46% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 48% Positiveness
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Suzy Bogguss
Little Ole Aledo
138 bpm • C# Maj • 02:22 • -13.97db
16% Popularity • 68% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Neil Young
Old Ways
138 bpm • F Maj • 03:08 • -10.75db
19% Popularity • 69% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Conrad Fisher
Certified Country King
138 bpm • E Maj • 02:14 • -8.14db
9% Popularity • 69% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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Hoyt Axton
Beyond These Walls
138 bpm • A Maj • 03:36 • -7.62db
10% Popularity • 63% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Tim Holcombe
I Looked Up
137 bpm • E Maj • 03:26 • -8.05db
11% Popularity • 58% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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B.W. Stevenson
Sunset Woman
137 bpm • E Maj • 03:36 • -12.09db
11% Popularity • 55% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Nykendlin Sherman
Rain & Tears
136 bpm • C min • 02:38 • -7.54db
26% Popularity • 77% Danceability • 51% Energy • 7% Liveness
2% Instrumentalness • 81% Positiveness
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Jamie Shea
Mercy of the Wind
136 bpm • A Maj • 02:52 • -16db
14% Popularity • 64% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Ken Hardley
You Don't Say That
136 bpm • F# min • 03:58 • -4.72db
21% Popularity • 74% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Hoyt Axton
Lion In Winter
137 bpm • A Maj • 03:23 • -6.23db
22% Popularity • 56% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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René Evald
Tomorrow´s Such a Longtime
135 bpm • C Maj • 03:40 • -6.66db
18% Popularity • 70% Danceability • 54% Energy • 17% Liveness
1% Instrumentalness • 68% Positiveness
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Susan McCann
Words
135 bpm • A Maj • 03:22 • -16.08db
12% Popularity • 44% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Brad Martin
Sittin' in the Sunshine
160 bpm • E Maj • 02:46 • -12.31db
16% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Chris Michael Urbanski
Never occurred to me until Now - Radio E...
160 bpm • C Maj • 02:55 • -11.04db
9% Popularity • 52% Danceability • 56% Energy • 45% Liveness
0% Instrumentalness • 83% Positiveness
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Byron Walls
The World's A Tuxedo
135 bpm • E min • 03:23 • -16.01db
0% Popularity • 56% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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The Quebe Sisters
My Love, My Life, My Friend
134 bpm • D Maj • 02:29 • -7.34db
10% Popularity • 45% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Sing Town
Leaving
135 bpm • A Maj • 03:20 • -11.69db
17% Popularity • 67% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Bill Reid & The Fewer Sorrows Band
Good Night, Moon (Lullaby for June)
134 bpm • E min • 02:14 • -20.84db
10% Popularity • 53% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Friedrich Buhler
Hard to Trust
161 bpm • G Maj • 02:03 • -12.2db
21% Popularity • 73% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Aron Brazee
Saro
134 bpm • C Maj • 02:30 • -15.04db
12% Popularity • 49% Danceability • 25% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
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Christopher Hayward
Angels
134 bpm • E Maj • 03:31 • -7db
12% Popularity • 74% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Jerry Headd
I'll Lose Control
134 bpm • E Maj • 03:02 • -9.92db
10% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Bob Holt
Little Hands
134 bpm • D Maj • 02:22 • -13.59db
7% Popularity • 52% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Lynn Crossett
In the Company of a Song
162 bpm • C Maj • 03:01 • -9.54db
9% Popularity • 46% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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The Refreshments
Midnite Blues
134 bpm • D min • 02:58 • -5.03db
10% Popularity • 63% Danceability • 72% Energy • 12% Liveness
68% Instrumentalness • 85% Positiveness
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The O'Kanes
Daddies Need To Grow Up Too
133 bpm • D Maj • 03:11 • -23.21db
9% Popularity • 69% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Ed Bruce
Did He Say It Better Than Me?
133 bpm • A Maj • 02:40 • -12.51db
15% Popularity • 44% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Johnny Bush
Lost Highway Saloon
133 bpm • D Maj • 04:28 • -7.92db
9% Popularity • 50% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jessi Colter
Ain't No Way
133 bpm • G Maj • 02:28 • -8.51db
7% Popularity • 78% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Del Reeves
Girl On The Billboard - Rerecorded
163 bpm • D Maj • 02:48 • -15.8db
17% Popularity • 60% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Roy Drusky
All My Hard Times
132 bpm • D# Maj • 02:14 • -14.81db
7% Popularity • 54% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Randy Howard
Johnny Walker Home
132 bpm • D Maj • 02:54 • -7.85db
8% Popularity • 68% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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The Rubettes
Come on Over
132 bpm • G Maj • 04:09 • -13.88db
8% Popularity • 69% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Melissa Corbett
Diana Jones
132 bpm • A Maj • 04:37 • -7.38db
9% Popularity • 63% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Allen Estes
Old Plaid Shirt
164 bpm • G Maj • 02:18 • -6.45db
8% Popularity • 60% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Byron Walls
Next To You
132 bpm • C Maj • 02:18 • -17.35db
0% Popularity • 72% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Amazing Rhythm Aces
Red to Blue (When Dreams Come True)
132 bpm • E Maj • 05:17 • -19.04db
9% Popularity • 49% Danceability • 25% Energy • 13% Liveness
1% Instrumentalness • 12% Positiveness
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Marty Stuart
Porter Wagoner's Grave
132 bpm • D Maj • 04:09 • -15.36db
7% Popularity • 53% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Jerry Reed
Everybody Has Those Kind of Days
165 bpm • C Maj • 03:00 • -10.58db
10% Popularity • 63% Danceability • 53% Energy • 16% Liveness
20% Instrumentalness • 80% Positiveness
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Kevin Welch
Early Summer Rain
131 bpm • D Maj • 04:27 • -14.39db
8% Popularity • 52% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
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Wayne Perry
You'll Believe
166 bpm • A min • 03:52 • -4.9db
14% Popularity • 55% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Byron Walls
Ode to Cheese
165 bpm • C# min • 02:03 • -14.82db
0% Popularity • 69% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Don Walser
Yodeling the Blues
130 bpm • G Maj • 03:02 • -3.77db
9% Popularity • 71% Danceability • 68% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
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Jacob Chambers
Saturday Night Lover
130 bpm • E Maj • 02:31 • -8.22db
10% Popularity • 58% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Rick Lovett
Sweet, Sweet Love
130 bpm • C Maj • 03:49 • -6.85db
9% Popularity • 64% Danceability • 76% Energy • 32% Liveness
28% Instrumentalness • 93% Positiveness
► Preview
Patrick J. Albritton
I Know This Girl
130 bpm • A Maj • 03:42 • -15.59db
16% Popularity • 68% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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You Shouldn't Be a Memory