Songs like You Shouldn’t Look At Me That Way - From The Motion Picture “Film Stars Don’t Die In Liverpool” by Elvis Costello
Based on a tempo of (+/- 10%) and a similar genre
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Paul Simon
Questions for the Angels
112 bpm • D Maj • 04:01 • -17.94db
18% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Joe Jackson
Strange Land
112 bpm • G min • 05:41 • -9.26db
11% Popularity • 54% Danceability • 36% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
11% Popularity • 54% Danceability • 36% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Andy Fairweather Low
Wide Eyed and Legless
112 bpm • D Maj • 04:02 • -8db
33% Popularity • 71% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 64% Positiveness
33% Popularity • 71% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 64% Positiveness
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Marc Cohn
Fallen Angels - Remastered
112 bpm • C Maj • 02:37 • -11.55db
25% Popularity • 80% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 43% Positiveness
25% Popularity • 80% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 43% Positiveness
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Aimee Mann
Drive
112 bpm • G Maj • 03:35 • -10db
33% Popularity • 64% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 64% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Elvis Costello
You Shouldn’t Look At Me That Way
112 bpm • G# Maj • 04:30 • -9db
22% Popularity • 57% Danceability • 32% Energy • 9% Liveness
7% Instrumentalness • 15% Positiveness
22% Popularity • 57% Danceability • 32% Energy • 9% Liveness
7% Instrumentalness • 15% Positiveness
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Paul Simon
One Man's Ceiling Is Another Man's Floor
112 bpm • D min • 04:00 • -12.53db
24% Popularity • 47% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 47% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Solomon Burke
The Other Side Of The Coin
112 bpm • F Maj • 03:46 • -11.5db
18% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Blue Nile
Tomorrow Morning
111 bpm • G Maj • 04:15 • -6db
31% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Nerina Pallot
The Heart Is a Lonely Hunter
113 bpm • F min • 04:24 • -10.57db
35% Popularity • 49% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 49% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Dionne Warwick
Trains and Boats and Planes
112 bpm • A Maj • 02:48 • -12.11db
25% Popularity • 41% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 41% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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JD Souther
Something in the Dark
113 bpm • A min • 04:19 • -10.34db
17% Popularity • 71% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 71% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Tanita Tikaram
Closer to the People
111 bpm • A# min • 03:36 • -10.97db
8% Popularity • 70% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 70% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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The Divine Comedy
You'll Never Work In This Town Again
113 bpm • G min • 04:11 • -9.93db
16% Popularity • 49% Danceability • 61% Energy • 14% Liveness
14% Instrumentalness • 51% Positiveness
16% Popularity • 49% Danceability • 61% Energy • 14% Liveness
14% Instrumentalness • 51% Positiveness
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Iris DeMent
My Life
111 bpm • A# Maj • 03:29 • -12db
31% Popularity • 39% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 39% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Elvis Costello
Hey Clockface / How Can You Face Me?
114 bpm • C Maj • 02:56 • -9.4db
19% Popularity • 49% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 49% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Hartman
I See Your Face Before Me
114 bpm • A# Maj • 04:39 • -24.11db
24% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Jennifer Warnes
Famous Blue Raincoat - Digitally Remaste...
113 bpm • A min • 05:33 • -15.52db
34% Popularity • 40% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 40% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Marian McPartland
The Very Thought Of You
114 bpm • D Maj • 03:49 • -19.45db
10% Popularity • 58% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 58% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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The Divine Comedy
Perfect Lovesong
113 bpm • G# Maj • 03:10 • -7.86db
28% Popularity • 56% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 56% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Nick Cave & The Bad Seeds
Love Letter
114 bpm • D# Maj • 04:08 • -16.14db
41% Popularity • 27% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 27% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Joan Armatrading
I Like It When We're Together
110 bpm • A# Maj • 03:37 • -10.45db
23% Popularity • 86% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 86% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Mercury Rev
Okolona River Bottom Band
110 bpm • B min • 04:36 • -7.48db
19% Popularity • 44% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 44% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Tommy McLain
I Ran Down Every Dream
114 bpm • F Maj • 03:22 • -14.12db
24% Popularity • 68% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 68% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Sting
Come Down In Time
114 bpm • D Maj • 03:46 • -14.66db
34% Popularity • 53% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 53% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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The Divine Comedy
Funny Peculiar
110 bpm • F Maj • 02:44 • -14.96db
21% Popularity • 69% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 69% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Elvis Costello
I Can’t Say Her Name
114 bpm • A min • 02:57 • -12.74db
8% Popularity • 55% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 55% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Anoushka Lucas
Dark Soul
110 bpm • C# Maj • 03:30 • -10.67db
12% Popularity • 30% Danceability • 36% Energy • 10% Liveness
11% Instrumentalness • 5% Positiveness
12% Popularity • 30% Danceability • 36% Energy • 10% Liveness
11% Instrumentalness • 5% Positiveness
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Shirley Bassey
This Time
114 bpm • G Maj • 04:08 • -8.28db
24% Popularity • 37% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 37% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Norah Jones
Don’t Be Denied
109 bpm • D Maj • 05:36 • -10.69db
38% Popularity • 60% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
38% Popularity • 60% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
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Robert Palmer
You're So Desirable
109 bpm • D min • 02:24 • -16.59db
20% Popularity • 59% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 59% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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David Bowie
The Prettiest Star - Mono; 2015 Remaster
109 bpm • F Maj • 03:13 • -12.87db
18% Popularity • 32% Danceability • 38% Energy • 36% Liveness
2% Instrumentalness • 47% Positiveness
18% Popularity • 32% Danceability • 38% Energy • 36% Liveness
2% Instrumentalness • 47% Positiveness
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Sinéad O'Connor
I Want to Be Loved by You
115 bpm • C Maj • 02:45 • -11db
29% Popularity • 52% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 52% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Joe Jackson
Home Town
115 bpm • D Maj • 05:30 • -16.2db
10% Popularity • 40% Danceability • 24% Energy • 97% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 40% Danceability • 24% Energy • 97% Liveness
0% Instrumentalness • 27% Positiveness
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Elvis Costello
I'll Still Love You
116 bpm • A# Maj • 02:47 • -12.07db
20% Popularity • 36% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
20% Popularity • 36% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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Martha Wainwright
The Traitor
116 bpm • A Maj • 04:44 • -13.03db
27% Popularity • 43% Danceability • 21% Energy • 70% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 43% Danceability • 21% Energy • 70% Liveness
0% Instrumentalness • 19% Positiveness
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Elvis Costello & The Imposters
Unwanted Number
109 bpm • D# min • 03:33 • -4.79db
26% Popularity • 71% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 71% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Tom Waits
Take Me Home
116 bpm • G# Maj • 01:35 • -16db
39% Popularity • 38% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 38% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Austin De Lone
Let's Walk
108 bpm • A Maj • 04:17 • -8.15db
16% Popularity • 80% Danceability • 52% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
16% Popularity • 80% Danceability • 52% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
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Rosanne Cash
8 Gods Of Harlem
116 bpm • C Maj • 03:54 • -5.65db
23% Popularity • 67% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 67% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Elvis Costello
The Very Thought of You
108 bpm • G Maj • 03:42 • -14.51db
9% Popularity • 44% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 44% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Jeri Southern
I Thought Of You Last Night
116 bpm • A# Maj • 03:14 • -19db
31% Popularity • 30% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
31% Popularity • 30% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Elvis Costello & The Imposters
Burnt Sugar Is So Bitter
116 bpm • A min • 04:16 • -5.11db
14% Popularity • 72% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 72% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Tim Buckley
Dophins - 2006 Remastered Version
116 bpm • C min • 03:13 • -13.02db
14% Popularity • 50% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 50% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Neil Finn
Second Nature
116 bpm • C Maj • 03:49 • -7.74db
18% Popularity • 64% Danceability • 75% Energy • 13% Liveness
8% Instrumentalness • 58% Positiveness
18% Popularity • 64% Danceability • 75% Energy • 13% Liveness
8% Instrumentalness • 58% Positiveness
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The Divine Comedy
Norman And Norma
116 bpm • C Maj • 03:45 • -8db
29% Popularity • 75% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 75% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Loretta Lynn
Everything it Takes
116 bpm • C# Maj • 03:01 • -7db
23% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Rachael Yamagata
I Don't Want to Be Your Mother
108 bpm • C Maj • 03:40 • -8db
20% Popularity • 56% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 56% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Nick Lowe
What's So Funny 'Bout Peace, Love and Un...
108 bpm • G Maj • 04:03 • -15.32db
38% Popularity • 63% Danceability • 26% Energy • 73% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 63% Danceability • 26% Energy • 73% Liveness
0% Instrumentalness • 36% Positiveness
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Elvis Costello
Poisoned Rose
108 bpm • D Maj • 04:06 • -11.74db
18% Popularity • 44% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 44% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Elvis Costello & The Imposters
Under Lime
108 bpm • D min • 05:32 • -5db
17% Popularity • 67% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 67% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Elvis Costello & The Attractions
Almost Blue
116 bpm • E min • 02:47 • -15.74db
34% Popularity • 44% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 44% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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The Blue Nile
Family Life
117 bpm • A Maj • 05:20 • -10.64db
14% Popularity • 32% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 32% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Daniel Lanois
Shine
117 bpm • F# Maj • 03:30 • -14.23db
24% Popularity • 64% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 64% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Laurie Anderson
Strange Angels
116 bpm • C Maj • 03:52 • -18.82db
27% Popularity • 62% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 62% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Nick Lowe
She's Got Soul
117 bpm • E Maj • 02:23 • -9.13db
38% Popularity • 73% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 62% Positiveness
38% Popularity • 73% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 62% Positiveness
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Cowboy Junkies
Dreaming My Dreams With You
107 bpm • F Maj • 04:31 • -30.87db
38% Popularity • 57% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
38% Popularity • 57% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
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Anne Sofie von Otter
For The Stars
107 bpm • E Maj • 02:45 • -8.89db
12% Popularity • 38% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 38% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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John Martyn
I Don't Wanna Know
107 bpm • D min • 04:29 • -19.43db
10% Popularity • 59% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
10% Popularity • 59% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
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Hailey Tuck
That Don't Make It Junk
107 bpm • F Maj • 03:29 • -11db
39% Popularity • 80% Danceability • 31% Energy • 11% Liveness
9% Instrumentalness • 67% Positiveness
39% Popularity • 80% Danceability • 31% Energy • 11% Liveness
9% Instrumentalness • 67% Positiveness
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Elvis Costello
Fallen
107 bpm • C# Maj • 03:11 • -16.95db
13% Popularity • 42% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 42% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Paul Simon
René and Georgette Magritte with Their ...
107 bpm • E Maj • 04:43 • -18.4db
29% Popularity • 32% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 32% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Beth Orton
Sisters Of Mercy
117 bpm • A Maj • 04:40 • -14.84db
27% Popularity • 45% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 45% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 14% Positiveness
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Bettie Serveert
Never Be Over
107 bpm • A# Maj • 03:56 • -10.77db
21% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Howe Gelb
Irresponsible Lovers
117 bpm • A min • 03:51 • -22db
10% Popularity • 50% Danceability • 6% Energy • 10% Liveness
35% Instrumentalness • 7% Positiveness
10% Popularity • 50% Danceability • 6% Energy • 10% Liveness
35% Instrumentalness • 7% Positiveness
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Pretenders
Let's Get Lost
107 bpm • B Maj • 03:16 • -8.87db
13% Popularity • 33% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 33% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Donald Byrd
Sometimes I Feel Like A Motherless Child
118 bpm • D min • 05:15 • -17.08db
10% Popularity • 32% Danceability • 16% Energy • 9% Liveness
26% Instrumentalness • 14% Positiveness
10% Popularity • 32% Danceability • 16% Energy • 9% Liveness
26% Instrumentalness • 14% Positiveness
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Tindersticks
Buried Bones
118 bpm • D Maj • 04:03 • -13db
36% Popularity • 55% Danceability • 39% Energy • 15% Liveness
65% Instrumentalness • 46% Positiveness
36% Popularity • 55% Danceability • 39% Energy • 15% Liveness
65% Instrumentalness • 46% Positiveness
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Lloyd Cole
Man Enough
118 bpm • A min • 04:03 • -13.53db
20% Popularity • 68% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 68% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Rosanne Cash
Heartaches By The Number
118 bpm • D Maj • 03:19 • -6.2db
31% Popularity • 72% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 72% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Tanita Tikaram
Everyday Is New
118 bpm • F Maj • 04:55 • -12.19db
22% Popularity • 50% Danceability • 44% Energy • 10% Liveness
5% Instrumentalness • 43% Positiveness
22% Popularity • 50% Danceability • 44% Energy • 10% Liveness
5% Instrumentalness • 43% Positiveness
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Rita Wilson
Fire
118 bpm • F min • 03:44 • -6.2db
25% Popularity • 78% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 78% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Jody Watley
After You, Who?
106 bpm • A min • 03:13 • -13.4db
6% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
6% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Joan Armatrading
It Could Have Been Better - 2015 Remaste...
118 bpm • D# Maj • 04:19 • -17db
24% Popularity • 45% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
24% Popularity • 45% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Paul Simon
Love
106 bpm • C min • 04:10 • -14.44db
21% Popularity • 63% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 63% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Lost Brothers
Halfway Towards a Healing
106 bpm • A min • 03:57 • -11.54db
10% Popularity • 72% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 39% Positiveness
10% Popularity • 72% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 39% Positiveness
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Todd Rundgren
Can We Still Be Friends
118 bpm • C# min • 03:36 • -8.28db
13% Popularity • 46% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
13% Popularity • 46% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
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Lloyd Cole
Margo's Waltz
119 bpm • A# Maj • 04:02 • -16.18db
27% Popularity • 50% Danceability • 33% Energy • 15% Liveness
10% Instrumentalness • 35% Positiveness
27% Popularity • 50% Danceability • 33% Energy • 15% Liveness
10% Instrumentalness • 35% Positiveness
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Tom Waits
Please Call Me, Baby
106 bpm • C Maj • 03:43 • -15.77db
18% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Hailey Tuck
Say You Don't Mind
119 bpm • F Maj • 03:13 • -12.56db
23% Popularity • 70% Danceability • 32% Energy • 10% Liveness
5% Instrumentalness • 22% Positiveness
23% Popularity • 70% Danceability • 32% Energy • 10% Liveness
5% Instrumentalness • 22% Positiveness
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Paul Simon
Darling Lorraine
106 bpm • C Maj • 07:13 • -14db
19% Popularity • 43% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 43% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Olivia Broadfield
Wasting (Episode 4)
106 bpm • C# Maj • 03:52 • -12db
24% Popularity • 44% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 44% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Paula Cole
I Wish (I Knew How It Feels to Be Free)
119 bpm • A# Maj • 03:39 • -14.35db
11% Popularity • 54% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 54% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Shelby Lynne
The Color of a Cloudy Day
106 bpm • G Maj • 04:03 • -12.7db
23% Popularity • 66% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 66% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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The Style Council
It's A Very Deep Sea
105 bpm • A# Maj • 05:33 • -11db
33% Popularity • 36% Danceability • 38% Energy • 68% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 36% Danceability • 38% Energy • 68% Liveness
0% Instrumentalness • 24% Positiveness
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Prefab Sprout
The Mystery of Love
105 bpm • F Maj • 04:37 • -11db
18% Popularity • 62% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 34% Positiveness
18% Popularity • 62% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 34% Positiveness
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The James Hunter Six
In the Dark
119 bpm • G Maj • 03:16 • -10.63db
25% Popularity • 70% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 70% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Ry Cooder
Straight Street
105 bpm • D Maj • 04:00 • -12.19db
28% Popularity • 75% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 75% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Crystal Gayle
Old Boyfriends
120 bpm • F# min • 05:52 • -14.37db
14% Popularity • 46% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 46% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Elvis Costello
When It Sings
119 bpm • D Maj • 03:54 • -13.49db
8% Popularity • 55% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 55% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Rachel D'Arcy
The Entertainer
105 bpm • G Maj • 02:41 • -14.57db
10% Popularity • 52% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 52% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Joan Armatrading
Show Some Emotion
120 bpm • A Maj • 03:32 • -14db
40% Popularity • 68% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 68% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Solomon Burke
The Judgement
105 bpm • C Maj • 03:30 • -12.69db
19% Popularity • 61% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 61% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Marian McPartland
Conversation - Part 2
105 bpm • G# min • 04:03 • -21.72db
3% Popularity • 68% Danceability • 19% Energy • 48% Liveness
0% Instrumentalness • 84% Positiveness
3% Popularity • 68% Danceability • 19% Energy • 48% Liveness
0% Instrumentalness • 84% Positiveness
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Cæcilie Norby
Life on Mars
120 bpm • G Maj • 03:37 • -12.96db
22% Popularity • 59% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 59% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Elvis Costello
Paint The Red Rose Blue
120 bpm • D Maj • 04:46 • -8.06db
21% Popularity • 74% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 74% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Daniel Farrant
Don't Give Up On Love
120 bpm • B Maj • 03:25 • -7db
28% Popularity • 67% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 67% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Daniel Lanois
Falling At Your Feet
120 bpm • B Maj • 03:41 • -13.15db
32% Popularity • 65% Danceability • 35% Energy • 13% Liveness
7% Instrumentalness • 37% Positiveness
32% Popularity • 65% Danceability • 35% Energy • 13% Liveness
7% Instrumentalness • 37% Positiveness
